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Color name
HEX #951121CE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #951121CE it is the complementary color #6AEEDECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #951121CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #951121CE shade: #9A111CCE, #AB232FCE, #BC3542CE, #CD4755CE and #DE5968CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #951121CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #951121CE shade: #951121CE, #84000ECE, #730000CE, #620000CE and #510000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #951121CE shade: #971121 and #971111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #951121CE shade: #971121, #971145, #97116A, #97118E and #7D1197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #951121CE shade matches the following richer shades: #971121 and #A50317

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #951121CE shade: #971121, #8A1E2B, #7C2C36, #6F3A40 and #61474A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #951121CE shade: #97116B, #971147, #971123, #972311 and #974711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #951121CE shade: #4D0911, #720D19, #971121, #BD1529 and #E21931

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #951121CE shade: #951121, #8E9711 and #115997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #951121CE shade: #951121, #239711 and #112397

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #951121CE shade: #951121, #8E9711, #119786 and #1A1197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #951121CE shade: #951121, #669711, #119786 and #421197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 63 / 34

RGBA 149 17 33 0.81

HSLA 352.73, 0.8%, 0.33%, 0.81

LABA 31.58, 51.67, 28.46, 0.81

Complementary color

CMYK 45 / 0 / 5 / 5

RGBA 106 238 222 0.81

HSLA 172.73, 0.8%, 0.67%, 0.81

LABA 86.74, -40.04, -3.25, 0.81

Lighter colors

CMYK 0 / 72 / 66 / 32

RGBA 154 17 28 0.81

HSLA 355.18, 0.8%, 0.34%, 0.81

LABA 32.6, 52.9, 32.9, 0.81

CMYK 0 / 64 / 59 / 27

RGBA 171 35 47 0.81

HSLA 354.71, 0.66%, 0.4%, 0.81

LABA 37.96, 54.06, 28.32, 0.81

CMYK 0 / 58 / 53 / 21

RGBA 188 53 66 0.81

HSLA 354.22, 0.56%, 0.47%, 0.81

LABA 43.7, 54.23, 24.47, 0.81

CMYK 0 / 53 / 47 / 16

RGBA 205 71 85 0.81

HSLA 353.73, 0.57%, 0.54%, 0.81

LABA 49.67, 53.83, 21.32, 0.81

CMYK 0 / 49 / 43 / 10

RGBA 222 89 104 0.81

HSLA 353.23, 0.67%, 0.61%, 0.81

LABA 55.76, 53.11, 18.72, 0.81

Darker colors

CMYK 0 / 72 / 63 / 34

RGBA 149 17 33 0.81

HSLA 352.73, 0.8%, 0.33%, 0.81

LABA 31.58, 51.67, 28.46, 0.81

CMYK 0 / 81 / 72 / 39

RGBA 132 0 14 0.81

HSLA 353.64, 1%, 0.26%, 0.81

LABA 26.56, 49.38, 33.44, 0.81

CMYK 0 / 81 / 81 / 44

RGBA 115 0 0 0.81

HSLA 0, 1%, 0.23%, 0.81

LABA 22.46, 44.5, 33.99, 0.81

CMYK 0 / 81 / 81 / 50

RGBA 98 0 0 0.81

HSLA 0, 1%, 0.19%, 0.81

LABA 18.35, 39.75, 28.27, 0.81

CMYK 0 / 81 / 81 / 55

RGBA 81 0 0 0.81

HSLA 0, 1%, 0.16%, 0.81

LABA 14.11, 34.84, 22.06, 0.81

Warmer colors

CMYK 0 / 89 / 78 / 41

HSL 352.84, 0.8%, 0.33%

LAB 32.01, 52.23, 29.06

CMYK 0 / 89 / 89 / 41

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

Colder colors

CMYK 0 / 89 / 78 / 41

HSL 352.84, 0.8%, 0.33%

LAB 32.01, 52.23, 29.06

CMYK 0 / 89 / 54 / 41

HSL 336.72, 0.8%, 0.33%

LAB 32.72, 54.28, 6.56

CMYK 0 / 89 / 30 / 41

HSL 320.15, 0.8%, 0.33%

LAB 34.03, 57.92, -15.56

CMYK 0 / 89 / 6 / 41

HSL 304.03, 0.8%, 0.33%

LAB 35.86, 62.79, -35.27

CMYK 17 / 89 / 0 / 41

HSL 288.36, 0.8%, 0.33%

LAB 31.8, 59.56, -47.56

Richer colors

CMYK 0 / 89 / 78 / 41

HSL 352.84, 0.8%, 0.33%

LAB 32.01, 52.23, 29.06

CMYK 0 / 98 / 86 / 35

HSL 352.59, 0.96%, 0.33%

LAB 34.24, 57.79, 38.14

Paler colors

CMYK 0 / 89 / 78 / 41

HSL 352.84, 0.8%, 0.33%

LAB 32.01, 52.23, 29.06

CMYK 0 / 78 / 69 / 46

HSL 352.78, 0.64%, 0.33%

LAB 30.66, 45.35, 20.43

CMYK 0 / 65 / 56 / 51

HSL 352.5, 0.48%, 0.33%

LAB 30.29, 35.58, 12.25

CMYK 0 / 48 / 42 / 56

HSL 353.21, 0.31%, 0.33%

LAB 31.29, 24.01, 6.79

CMYK 0 / 27 / 24 / 62

HSL 353.08, 0.15%, 0.33%

LAB 33.01, 11.63, 2.55

Analogue colors

CMYK 0 / 89 / 29 / 41

HSL 319.7, 0.8%, 0.33%

LAB 34.07, 58.04, -16.13

CMYK 0 / 89 / 53 / 41

HSL 335.82, 0.8%, 0.33%

LAB 32.78, 54.44, 5.32

CMYK 0 / 89 / 77 / 41

HSL 351.94, 0.8%, 0.33%

LAB 32.04, 52.31, 27.85

CMYK 0 / 77 / 89 / 41

HSL 8.06, 0.8%, 0.33%

LAB 33.61, 46.82, 39.47

CMYK 0 / 53 / 89 / 41

HSL 24.18, 0.8%, 0.33%

LAB 39.79, 30.42, 44.49

Monochromatic colors

CMYK 0 / 88 / 78 / 70

HSL 352.94, 0.79%, 0.17%

LAB 14.48, 31.08, 14.83

CMYK 0 / 89 / 78 / 55

HSL 352.87, 0.8%, 0.25%

LAB 23.46, 42.06, 22.36

CMYK 0 / 89 / 78 / 41

HSL 352.84, 0.8%, 0.33%

LAB 32.01, 52.23, 29.06

CMYK 0 / 89 / 78 / 26

HSL 352.86, 0.8%, 0.41%

LAB 40.44, 62.13, 35.72

CMYK 0 / 89 / 78 / 11

HSL 352.84, 0.8%, 0.49%

LAB 48.37, 71.35, 41.82

Partial complementary colors

CMYK 0 / 89 / 78 / 42

HSL 352.73, 0.8%, 0.33%

LAB 31.58, 51.67, 28.46

CMYK 6 / 0 / 89 / 41

HSL 64.03, 0.8%, 0.33%

LAB 59.82, -18.32, 60.35

CMYK 89 / 41 / 0 / 41

HSL 207.76, 0.8%, 0.33%

LAB 36.93, 3.01, -39.77

Triadic colors

CMYK 0 / 89 / 78 / 42

HSL 352.73, 0.8%, 0.33%

LAB 31.58, 51.67, 28.46

CMYK 77 / 0 / 89 / 41

HSL 111.94, 0.8%, 0.33%

LAB 54.59, -54.39, 53.83

CMYK 89 / 77 / 0 / 41

HSL 231.94, 0.8%, 0.33%

LAB 22.14, 39.19, -63.83

Rectangular (tetradic) colors

CMYK 0 / 89 / 78 / 42

HSL 352.73, 0.8%, 0.33%

LAB 31.58, 51.67, 28.46

CMYK 6 / 0 / 89 / 41

HSL 64.03, 0.8%, 0.33%

LAB 59.82, -18.32, 60.35

CMYK 89 / 0 / 11 / 41

HSL 172.39, 0.8%, 0.33%

LAB 56.06, -36.85, -0.41

CMYK 83 / 89 / 0 / 41

HSL 244.03, 0.8%, 0.33%

LAB 19.45, 48.59, -68.29

Square colors

CMYK 0 / 89 / 78 / 42

HSL 352.73, 0.8%, 0.33%

LAB 31.58, 51.67, 28.46

CMYK 32 / 0 / 89 / 41

HSL 81.94, 0.8%, 0.33%

LAB 57.07, -35.22, 56.95

CMYK 89 / 0 / 11 / 41

HSL 172.39, 0.8%, 0.33%

LAB 56.06, -36.85, -0.41

CMYK 56 / 89 / 0 / 41

HSL 261.94, 0.8%, 0.33%

LAB 22.98, 51.42, -62.34

Description

Color code: HEX #951121CE | qconv.com

Color code: HEX #951121CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 17 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 63 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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