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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #950DAE it is the complementary color #6AF251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #950DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #950DAE shade: #9A0DA9, #AB1FBC, #BC31CF, #CD43E2 and #DE55F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #950DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #950DAE shade: #950DAE, #84009B, #730088, #620075 and #510062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #950DAE shade: #960DAF, #AF0D9D, #AF0D71, #AF0D45 and #AF0D1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #950DAE shade: #960DAF, #6B0DAF, #3F0DAF, #130DAF and #0D0DAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #950DAE shade matches the following richer shades: #960DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #950DAE shade: #960DAF, #8C1CA0, #812C91, #773B82 and #6C4A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #950DAE shade: #3E0DAF, #690DAF, #940DAF, #AF0D9F and #AF0D74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #950DAE shade: #550763, #750A89, #960DAF, #B710D6 and #CE21EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #950DAE shade: #950DAE, #AF130D and #0DAF54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #950DAE shade: #950DAE, #AF940D and #0DAF94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #950DAE shade: #950DAE, #AF130D, #28AF0D and #0DAAAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #950DAE shade: #950DAE, #AF430D, #28AF0D and #0D79AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

Complementary color

CMYK 56 / 0 / 67 / 5

HEX #6AF251

RGB 106 242 81

HSL 110.68, 0.86%, 0.63%

LAB 85.59, -65.75, 64.01

 

CMYK 9 / 92 / 0 / 34

HEX #9A0DA9

RGB 154 13 169

HSL 294.23, 0.86%, 0.36%

LAB 37.88, 68.24, -48.38

 

CMYK 9 / 84 / 0 / 26

HEX #AB1FBC

RGB 171 31 188

HSL 293.5, 0.72%, 0.43%

LAB 43.17, 71.05, -50.99

 

CMYK 9 / 76 / 0 / 19

HEX #BC31CF

RGB 188 49 207

HSL 292.78, 0.62%, 0.5%

LAB 48.75, 72.67, -52.91

 

CMYK 9 / 70 / 0 / 11

HEX #CD43E2

RGB 205 67 226

HSL 292.08, 0.73%, 0.57%

LAB 54.54, 73.48, -54.33

 

CMYK 9 / 65 / 0 / 4

HEX #DE55F5

RGB 222 85 245

HSL 291.38, 0.89%, 0.65%

LAB 60.44, 73.73, -55.4

 

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

CMYK 15 / 100 / 0 / 39

HEX #84009B

RGB 132 0 155

HSL 291.1, 1%, 0.3%

LAB 32.42, 64.07, -48.94

 

CMYK 15 / 100 / 0 / 47

HEX #730088

RGB 115 0 136

HSL 290.74, 1%, 0.27%

LAB 27.91, 58.15, -44.66

 

CMYK 16 / 100 / 0 / 54

HEX #620075

RGB 98 0 117

HSL 290.26, 1%, 0.23%

LAB 23.27, 52.08, -40.28

 

CMYK 17 / 100 / 0 / 62

HEX #510062

RGB 81 0 98

HSL 289.59, 1%, 0.19%

LAB 18.5, 45.82, -35.78

 

CMYK 14 / 93 / 0 / 31

HEX #960DAF

RGB 150 13 175

HSL 290.74, 0.86%, 0.37%

LAB 37.6, 68.61, -52.45

 

CMYK 0 / 93 / 10 / 31

HEX #AF0D9D

RGB 175 13 157

HSL 306.67, 0.86%, 0.37%

LAB 40.95, 70.14, -36.04

 

CMYK 0 / 93 / 35 / 31

HEX #AF0D71

RGB 175 13 113

HSL 322.96, 0.86%, 0.37%

LAB 38.89, 64.74, -12.15

 

CMYK 0 / 93 / 61 / 31

HEX #AF0D45

RGB 175 13 69

HSL 339.26, 0.86%, 0.37%

LAB 37.54, 61.06, 14.01

 

CMYK 0 / 93 / 85 / 31

HEX #AF0D1A

RGB 175 13 26

HSL 355.19, 0.86%, 0.37%

LAB 36.89, 59.23, 39.7

 

CMYK 14 / 93 / 0 / 31

HEX #960DAF

RGB 150 13 175

HSL 290.74, 0.86%, 0.37%

LAB 37.6, 68.61, -52.45

 

CMYK 39 / 93 / 0 / 31

HEX #6B0DAF

RGB 107 13 175

HSL 274.81, 0.86%, 0.37%

LAB 30.66, 62.59, -64.07

 

CMYK 64 / 93 / 0 / 31

HEX #3F0DAF

RGB 63 13 175

HSL 258.52, 0.86%, 0.37%

LAB 25.08, 58.46, -73.48

 

CMYK 89 / 93 / 0 / 31

HEX #130DAF

RGB 19 13 175

HSL 242.22, 0.86%, 0.37%

LAB 22.02, 56.6, -78.64

 

CMYK 93 / 93 / 0 / 31

HEX #0D0DAF

RGB 13 13 175

HSL 240, 0.86%, 0.37%

LAB 21.83, 56.5, -78.97

 

CMYK 14 / 93 / 0 / 31

HEX #960DAF

RGB 150 13 175

HSL 290.74, 0.86%, 0.37%

LAB 37.6, 68.61, -52.45

 

CMYK 14 / 93 / 0 / 31

HEX #960DAF

RGB 150 13 175

HSL 290.74, 0.86%, 0.37%

LAB 37.6, 68.61, -52.45

 

CMYK 13 / 83 / 0 / 37

HEX #8C1CA0

RGB 140 28 160

HSL 290.91, 0.7%, 0.37%

LAB 35.88, 61.25, -46.32

 

CMYK 11 / 70 / 0 / 43

HEX #812C91

RGB 129 44 145

HSL 290.5, 0.53%, 0.37%

LAB 35.03, 50.64, -38.65

 

CMYK 8 / 55 / 0 / 49

HEX #773B82

RGB 119 59 130

HSL 290.7, 0.38%, 0.37%

LAB 35.32, 37.71, -29.04

 

CMYK 5 / 35 / 0 / 55

HEX #6C4A72

RGB 108 74 114

HSL 291, 0.21%, 0.37%

LAB 36.56, 21.98, -17.29

 

CMYK 65 / 93 / 0 / 31

HEX #3E0DAF

RGB 62 13 175

HSL 258.15, 0.86%, 0.37%

LAB 24.97, 58.39, -73.65

 

CMYK 40 / 93 / 0 / 31

HEX #690DAF

RGB 105 13 175

HSL 274.07, 0.86%, 0.37%

LAB 30.37, 62.35, -64.56

 

CMYK 15 / 93 / 0 / 31

HEX #940DAF

RGB 148 13 175

HSL 290, 0.86%, 0.37%

LAB 37.26, 68.29, -53.03

 

CMYK 0 / 93 / 9 / 31

HEX #AF0D9F

RGB 175 13 159

HSL 305.93, 0.86%, 0.37%

LAB 41.06, 70.42, -37.07

 

CMYK 0 / 93 / 34 / 31

HEX #AF0D74

RGB 175 13 116

HSL 321.85, 0.86%, 0.37%

LAB 39.01, 65.06, -13.85

 

CMYK 14 / 93 / 0 / 61

HEX #550763

RGB 85 7 99

HSL 290.87, 0.87%, 0.21%

LAB 19.98, 44.82, -34.01

 

CMYK 15 / 93 / 0 / 46

HEX #750A89

RGB 117 10 137

HSL 290.55, 0.86%, 0.29%

LAB 28.92, 56.95, -43.64

 

CMYK 14 / 93 / 0 / 31

HEX #960DAF

RGB 150 13 175

HSL 290.74, 0.86%, 0.37%

LAB 37.6, 68.61, -52.45

 

CMYK 14 / 93 / 0 / 16

HEX #B710D6

RGB 183 16 214

HSL 290.61, 0.86%, 0.45%

LAB 46.03, 79.91, -61.36

 

CMYK 13 / 86 / 0 / 7

HEX #CE21EE

RGB 206 33 238

HSL 290.63, 0.86%, 0.53%

LAB 52.27, 84.85, -64.73

 

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

CMYK 0 / 89 / 93 / 31

HEX #AF130D

RGB 175 19 13

HSL 2.22, 0.86%, 0.37%

LAB 37.13, 58.04, 46.04

 

CMYK 93 / 0 / 52 / 31

HEX #0DAF54

RGB 13 175 84

HSL 146.3, 0.86%, 0.37%

LAB 62.83, -57.55, 36.08

 

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

CMYK 0 / 15 / 93 / 31

HEX #AF940D

RGB 175 148 13

HSL 50, 0.86%, 0.37%

LAB 61.93, -1.87, 64.01

 

CMYK 93 / 0 / 15 / 31

HEX #0DAF94

RGB 13 175 148

HSL 170, 0.86%, 0.37%

LAB 64.07, -43.61, 3.34

 

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

CMYK 0 / 89 / 93 / 31

HEX #AF130D

RGB 175 19 13

HSL 2.22, 0.86%, 0.37%

LAB 37.13, 58.04, 46.04

 

CMYK 77 / 0 / 93 / 31

HEX #28AF0D

RGB 40 175 13

HSL 110, 0.86%, 0.37%

LAB 62.63, -61.24, 61.48

 

CMYK 93 / 3 / 0 / 31

HEX #0DAAAF

RGB 13 170 175

HSL 181.85, 0.86%, 0.37%

LAB 63.29, -33.46, -12.88

 

CMYK 14 / 93 / 0 / 32

HEX #950DAE

RGB 149 13 174

HSL 290.68, 0.86%, 0.37%

LAB 37.36, 68.28, -52.26

 

CMYK 0 / 62 / 93 / 31

HEX #AF430D

RGB 175 67 13

HSL 20, 0.86%, 0.37%

LAB 43, 41.89, 50.04

 

CMYK 77 / 0 / 93 / 31

HEX #28AF0D

RGB 40 175 13

HSL 110, 0.86%, 0.37%

LAB 62.63, -61.24, 61.48

 

CMYK 93 / 31 / 0 / 31

HEX #0D79AF

RGB 13 121 175

HSL 200, 0.86%, 0.37%

LAB 48.08, -7.56, -36.3

 

Description

Color code: HEX #950DAE | qconv.com Color code: HEX #950DAE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 13 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 13 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 93 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 93% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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