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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94F742 it is the complementary color #6B08BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94F742. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94F742 shade: #99F73D, #AAFF50, #BBFF63, #CCFF76 and #DDFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94F742. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94F742 shade: #94F742, #83E52F, #72D31C, #61C109 and #50AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94F742 shade: #93F740, #C4F740, #F6F740, #F7C740 and #F79640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94F742 shade: #93F740, #62F740, #40F750, #40F781 and #40F7B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94F742 shade matches the following richer shades: #93F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94F742 shade: #93F740, #94E750, #96D760, #97C770 and #99B780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94F742 shade: #F7F740, #C6F740, #95F740, #65F740 and #40F74C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94F742 shade: #68DB09, #7DF518, #93F740, #A9F968 and #C0FA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94F742 shade: #94F742, #40F7C6 and #F740DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94F742 shade: #94F742, #4095F7 and #F74095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94F742 shade: #94F742, #40F7C6, #A240F7 and #F74071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94F742 shade: #94F742, #40F1F7, #A240F7 and #F74640

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

Complementary color

CMYK 43 / 96 / 0 / 26

HEX #6B08BD

RGB 107 8 189

HSL 272.82, 0.92%, 0.39%

LAB 31.75, 66.4, -70.61

 

CMYK 38 / 0 / 75 / 3

HEX #99F73D

RGB 153 247 61

HSL 90.32, 0.92%, 0.6%

LAB 88.75, -55.44, 74.76

 

CMYK 33 / 0 / 69 / 0

HEX #AAFF50

RGB 170 255 80

HSL 89.14, 1%, 0.66%

LAB 91.97, -51.84, 71.87

 

CMYK 27 / 0 / 61 / 0

HEX #BBFF63

RGB 187 255 99

HSL 86.15, 1%, 0.69%

LAB 93.01, -44.54, 65.91

 

CMYK 20 / 0 / 54 / 0

HEX #CCFF76

RGB 204 255 118

HSL 82.34, 1%, 0.73%

LAB 94.17, -36.78, 59.37

 

CMYK 13 / 0 / 46 / 0

HEX #DDFF89

RGB 221 255 137

HSL 77.29, 1%, 0.77%

LAB 95.45, -28.67, 52.48

 

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

CMYK 43 / 0 / 79 / 10

HEX #83E52F

RGB 131 229 47

HSL 92.31, 0.78%, 0.54%

LAB 82.42, -56.21, 72.53

 

CMYK 46 / 0 / 87 / 17

HEX #72D31C

RGB 114 211 28

HSL 91.8, 0.77%, 0.47%

LAB 76.22, -55.41, 71.26

 

CMYK 50 / 0 / 95 / 24

HEX #61C109

RGB 97 193 9

HSL 91.3, 0.91%, 0.4%

LAB 69.97, -54.3, 68.68

 

CMYK 54 / 0 / 100 / 31

HEX #50AF00

RGB 80 175 0

HSL 92.57, 1%, 0.34%

LAB 63.64, -52.81, 64.45

 

CMYK 40 / 0 / 74 / 3

HEX #93F740

RGB 147 247 64

HSL 92.79, 0.92%, 0.61%

LAB 88.49, -57.22, 73.48

 

CMYK 21 / 0 / 74 / 3

HEX #C4F740

RGB 196 247 64

HSL 76.72, 0.92%, 0.61%

LAB 91.07, -39.96, 76.85

 

CMYK 0 / 0 / 74 / 3

HEX #F6F740

RGB 246 247 64

HSL 60.33, 0.92%, 0.61%

LAB 94.52, -20.18, 81.32

 

CMYK 0 / 19 / 74 / 3

HEX #F7C740

RGB 247 199 64

HSL 44.26, 0.92%, 0.61%

LAB 82.37, 4.19, 69.94

 

CMYK 0 / 39 / 74 / 3

HEX #F79640

RGB 247 150 64

HSL 28.2, 0.92%, 0.61%

LAB 70.84, 29.82, 58.59

 

CMYK 40 / 0 / 74 / 3

HEX #93F740

RGB 147 247 64

HSL 92.79, 0.92%, 0.61%

LAB 88.49, -57.22, 73.48

 

CMYK 60 / 0 / 74 / 3

HEX #62F740

RGB 98 247 64

HSL 108.85, 0.92%, 0.61%

LAB 86.75, -70.61, 71.18

 

CMYK 74 / 0 / 68 / 3

HEX #40F750

RGB 64 247 80

HSL 125.25, 0.92%, 0.61%

LAB 86.1, -75.59, 64.65

 

CMYK 74 / 0 / 48 / 3

HEX #40F781

RGB 64 247 129

HSL 141.31, 0.92%, 0.61%

LAB 86.6, -69.63, 43.86

 

CMYK 74 / 0 / 28 / 3

HEX #40F7B3

RGB 64 247 179

HSL 157.7, 0.92%, 0.61%

LAB 87.42, -60.42, 19.97

 

CMYK 40 / 0 / 74 / 3

HEX #93F740

RGB 147 247 64

HSL 92.79, 0.92%, 0.61%

LAB 88.49, -57.22, 73.48

 

CMYK 40 / 0 / 74 / 3

HEX #93F740

RGB 147 247 64

HSL 92.79, 0.92%, 0.61%

LAB 88.49, -57.22, 73.48

 

CMYK 36 / 0 / 65 / 9

HEX #94E750

RGB 148 231 80

HSL 92.98, 0.76%, 0.61%

LAB 83.98, -49.4, 63.18

 

CMYK 30 / 0 / 55 / 16

HEX #96D760

RGB 150 215 96

HSL 92.77, 0.6%, 0.61%

LAB 79.57, -40.44, 51.46

 

CMYK 24 / 0 / 44 / 22

HEX #97C770

RGB 151 199 112

HSL 93.1, 0.44%, 0.61%

LAB 75.2, -30.97, 38.46

 

CMYK 16 / 0 / 30 / 28

HEX #99B780

RGB 153 183 128

HSL 92.73, 0.28%, 0.61%

LAB 71.01, -20.21, 24.71

 

CMYK 0 / 0 / 74 / 3

HEX #F7F740

RGB 247 247 64

HSL 60, 0.92%, 0.61%

LAB 94.6, -19.77, 81.42

 

CMYK 20 / 0 / 74 / 3

HEX #C6F740

RGB 198 247 64

HSL 76.07, 0.92%, 0.61%

LAB 91.19, -39.2, 77.01

 

CMYK 40 / 0 / 74 / 3

HEX #95F740

RGB 149 247 64

HSL 92.13, 0.92%, 0.61%

LAB 88.58, -56.57, 73.6

 

CMYK 59 / 0 / 74 / 3

HEX #65F740

RGB 101 247 64

HSL 107.87, 0.92%, 0.61%

LAB 86.83, -69.94, 71.29

 

CMYK 74 / 0 / 69 / 3

HEX #40F74C

RGB 64 247 76

HSL 123.93, 0.92%, 0.61%

LAB 86.07, -75.94, 66.11

 

CMYK 53 / 0 / 96 / 14

HEX #68DB09

RGB 104 219 9

HSL 92.86, 0.92%, 0.45%

LAB 78.24, -61.71, 75.46

 

CMYK 49 / 0 / 90 / 4

HEX #7DF518

RGB 125 245 24

HSL 92.58, 0.92%, 0.53%

LAB 86.86, -64.75, 81.07

 

CMYK 40 / 0 / 74 / 3

HEX #93F740

RGB 147 247 64

HSL 92.79, 0.92%, 0.61%

LAB 88.49, -57.22, 73.48

 

CMYK 32 / 0 / 58 / 2

HEX #A9F968

RGB 169 249 104

HSL 93.1, 0.92%, 0.69%

LAB 90.41, -47.79, 60.64

 

CMYK 23 / 0 / 43 / 2

HEX #C0FA8F

RGB 192 250 143

HSL 92.52, 0.91%, 0.77%

LAB 92.38, -36.15, 45.41

 

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

CMYK 74 / 0 / 20 / 3

HEX #40F7C6

RGB 64 247 198

HSL 163.93, 0.92%, 0.61%

LAB 87.82, -56.16, 10.71

 

CMYK 0 / 74 / 10 / 3

HEX #F740DF

RGB 247 64 223

HSL 307.87, 0.92%, 0.61%

LAB 60.58, 82.79, -42.65

 

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

CMYK 74 / 40 / 0 / 3

HEX #4095F7

RGB 64 149 247

HSL 212.13, 0.92%, 0.61%

LAB 61.05, 7.01, -56.3

 

CMYK 0 / 74 / 40 / 3

HEX #F74095

RGB 247 64 149

HSL 332.13, 0.92%, 0.61%

LAB 57.67, 73.94, -4.52

 

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

CMYK 74 / 0 / 20 / 3

HEX #40F7C6

RGB 64 247 198

HSL 163.93, 0.92%, 0.61%

LAB 87.82, -56.16, 10.71

 

CMYK 34 / 74 / 0 / 3

HEX #A240F7

RGB 162 64 247

HSL 272.13, 0.92%, 0.61%

LAB 49.57, 70.62, -74.44

 

CMYK 0 / 74 / 54 / 3

HEX #F74071

RGB 247 64 113

HSL 343.93, 0.92%, 0.61%

LAB 56.72, 70.92, 15.4

 

CMYK 40 / 0 / 73 / 3

HEX #94F742

RGB 148 247 66

HSL 92.82, 0.92%, 0.61%

LAB 88.55, -56.78, 72.91

 

CMYK 74 / 2 / 0 / 3

HEX #40F1F7

RGB 64 241 247

HSL 181.97, 0.92%, 0.61%

LAB 87.35, -40.87, -15.57

 

CMYK 34 / 74 / 0 / 3

HEX #A240F7

RGB 162 64 247

HSL 272.13, 0.92%, 0.61%

LAB 49.57, 70.62, -74.44

 

CMYK 0 / 72 / 74 / 3

HEX #F74640

RGB 247 70 64

HSL 1.97, 0.92%, 0.61%

LAB 56.61, 66.27, 43.58

 

Description

Color code: HEX #94F742 | qconv.com Color code: HEX #94F742 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 247 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 247 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 73 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 73% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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