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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E92F it is the complementary color #6B16D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E92F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E92F shade: #99E92A, #AAFB3D, #BBFF50, #CCFF63 and #DDFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E92F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E92F shade: #94E92F, #83D71C, #72C509, #61B300 and #50A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E92F shade: #94E92F, #C6E92F, #E9DA2F, #E9A82F and #E9762F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E92F shade: #94E92F, #62E92F, #30E92F, #2FE961 and #2FE993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E92F shade matches the following richer shades: #94E92F and #96FC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E92F shade: #94E92F, #93D742, #91C454, #8FB167 and #8E9F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E92F shade: #E9DA2F, #C7E92F, #96E92F, #64E92F and #32E92F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E92F shade: #6AB313, #80D917, #94E92F, #A7ED55 and #BBF17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E92F shade: #94E92F, #2FE9A8 and #E92FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E92F shade: #94E92F, #2F96E9 and #E92F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E92F shade: #94E92F, #2FE9A8, #832FE9 and #E92F70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E92F shade: #94E92F, #2FE9E0, #832FE9 and #E92F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

Complementary color

CMYK 49 / 89 / 0 / 18

HEX #6B16D0

RGB 107 22 208

HSL 267.42, 0.81%, 0.45%

LAB 34.51, 68.02, -77.19

 

CMYK 34 / 0 / 82 / 9

HEX #99E92A

RGB 153 233 42

HSL 85.13, 0.81%, 0.54%

LAB 84.6, -50.68, 76.16

 

CMYK 32 / 0 / 76 / 2

HEX #AAFB3D

RGB 170 251 61

HSL 85.58, 0.96%, 0.61%

LAB 90.72, -51.3, 76.93

 

CMYK 27 / 0 / 69 / 0

HEX #BBFF50

RGB 187 255 80

HSL 83.31, 1%, 0.66%

LAB 92.87, -45.89, 73.07

 

CMYK 20 / 0 / 61 / 0

HEX #CCFF63

RGB 204 255 99

HSL 79.62, 1%, 0.69%

LAB 93.99, -38.36, 67.27

 

CMYK 13 / 0 / 54 / 0

HEX #DDFF76

RGB 221 255 118

HSL 74.89, 1%, 0.73%

LAB 95.25, -30.46, 60.89

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 39 / 0 / 87 / 16

HEX #83D71C

RGB 131 215 28

HSL 86.95, 0.77%, 0.48%

LAB 78.18, -51.44, 73.23

 

CMYK 42 / 0 / 95 / 23

HEX #72C509

RGB 114 197 9

HSL 86.49, 0.91%, 0.4%

LAB 71.91, -50.43, 70.55

 

CMYK 46 / 0 / 100 / 30

HEX #61B300

RGB 97 179 0

HSL 87.49, 1%, 0.35%

LAB 65.58, -49.12, 66.26

 

CMYK 50 / 0 / 100 / 37

HEX #50A100

RGB 80 161 0

HSL 90.19, 1%, 0.32%

LAB 59.15, -47.56, 60.93

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 15 / 0 / 80 / 9

HEX #C6E92F

RGB 198 233 47

HSL 71.29, 0.81%, 0.55%

LAB 87.24, -33.59, 78.25

 

CMYK 0 / 6 / 80 / 9

HEX #E9DA2F

RGB 233 218 47

HSL 55.16, 0.81%, 0.55%

LAB 85.84, -12, 78.05

 

CMYK 0 / 28 / 80 / 9

HEX #E9A82F

RGB 233 168 47

HSL 39.03, 0.81%, 0.55%

LAB 73.24, 13.84, 66.93

 

CMYK 0 / 49 / 80 / 9

HEX #E9762F

RGB 233 118 47

HSL 22.9, 0.81%, 0.55%

LAB 62.07, 40.03, 56.71

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 58 / 0 / 80 / 9

HEX #62E92F

RGB 98 233 47

HSL 103.55, 0.81%, 0.55%

LAB 82.42, -66.91, 72.1

 

CMYK 79 / 0 / 80 / 9

HEX #30E92F

RGB 48 233 47

HSL 119.68, 0.81%, 0.55%

LAB 81.35, -75.93, 70.72

 

CMYK 80 / 0 / 58 / 9

HEX #2FE961

RGB 47 233 97

HSL 136.13, 0.81%, 0.55%

LAB 81.7, -71.59, 52.66

 

CMYK 80 / 0 / 37 / 9

HEX #2FE993

RGB 47 233 147

HSL 152.26, 0.81%, 0.55%

LAB 82.37, -63.68, 29.42

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 40 / 0 / 88 / 1

HEX #96FC1D

RGB 150 252 29

HSL 87.44, 0.97%, 0.55%

LAB 89.95, -59.59, 83.29

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 32 / 0 / 69 / 16

HEX #93D742

RGB 147 215 66

HSL 87.38, 0.65%, 0.55%

LAB 79.15, -44.03, 63.5

 

CMYK 26 / 0 / 57 / 23

HEX #91C454

RGB 145 196 84

HSL 87.32, 0.49%, 0.55%

LAB 73.64, -34.88, 50

 

CMYK 19 / 0 / 42 / 31

HEX #8FB167

RGB 143 177 103

HSL 87.57, 0.32%, 0.55%

LAB 68.21, -24.47, 34.1

 

CMYK 11 / 0 / 23 / 38

HEX #8E9F7A

RGB 142 159 122

HSL 87.57, 0.16%, 0.55%

LAB 63.3, -12.87, 17.35

 

CMYK 0 / 6 / 80 / 9

HEX #E9DA2F

RGB 233 218 47

HSL 55.16, 0.81%, 0.55%

LAB 85.84, -12, 78.05

 

CMYK 15 / 0 / 80 / 9

HEX #C7E92F

RGB 199 233 47

HSL 70.97, 0.81%, 0.55%

LAB 87.3, -33.2, 78.34

 

CMYK 36 / 0 / 80 / 9

HEX #96E92F

RGB 150 233 47

HSL 86.77, 0.81%, 0.55%

LAB 84.47, -51.52, 74.73

 

CMYK 57 / 0 / 80 / 9

HEX #64E92F

RGB 100 233 47

HSL 102.9, 0.81%, 0.55%

LAB 82.48, -66.43, 72.18

 

CMYK 79 / 0 / 80 / 9

HEX #32E92F

RGB 50 233 47

HSL 119.03, 0.81%, 0.55%

LAB 81.38, -75.69, 70.75

 

CMYK 41 / 0 / 89 / 30

HEX #6AB313

RGB 106 179 19

HSL 87.38, 0.81%, 0.39%

LAB 66.02, -45.7, 64.18

 

CMYK 41 / 0 / 89 / 15

HEX #80D917

RGB 128 217 23

HSL 87.53, 0.81%, 0.47%

LAB 78.62, -53.38, 74.43

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 30 / 0 / 64 / 7

HEX #A7ED55

RGB 167 237 85

HSL 87.63, 0.81%, 0.63%

LAB 86.72, -44.98, 64.42

 

CMYK 22 / 0 / 49 / 5

HEX #BBF17A

RGB 187 241 122

HSL 87.23, 0.81%, 0.71%

LAB 89.34, -36.22, 51.56

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 80 / 0 / 28 / 9

HEX #2FE9A8

RGB 47 233 168

HSL 159.03, 0.81%, 0.55%

LAB 82.76, -59.36, 19.14

 

CMYK 0 / 80 / 4 / 9

HEX #E92FE0

RGB 233 47 224

HSL 302.9, 0.81%, 0.55%

LAB 56.82, 84.5, -49.3

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 80 / 36 / 0 / 9

HEX #2F96E9

RGB 47 150 233

HSL 206.77, 0.81%, 0.55%

LAB 60.16, -0.46, -50.02

 

CMYK 0 / 80 / 36 / 9

HEX #E92F96

RGB 233 47 150

HSL 326.77, 0.81%, 0.55%

LAB 53.56, 75.28, -11.51

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 80 / 0 / 28 / 9

HEX #2FE9A8

RGB 47 233 168

HSL 159.03, 0.81%, 0.55%

LAB 82.76, -59.36, 19.14

 

CMYK 44 / 80 / 0 / 9

HEX #832FE9

RGB 131 47 233

HSL 267.1, 0.81%, 0.55%

LAB 42.37, 69.12, -78.49

 

CMYK 0 / 80 / 52 / 9

HEX #E92F70

RGB 233 47 112

HSL 339.03, 0.81%, 0.55%

LAB 52.43, 71.92, 9.63

 

CMYK 36 / 0 / 80 / 9

HEX #94E92F

RGB 148 233 47

HSL 87.42, 0.81%, 0.55%

LAB 84.37, -52.2, 74.6

 

CMYK 80 / 0 / 4 / 9

HEX #2FE9E0

RGB 47 233 224

HSL 177.1, 0.81%, 0.55%

LAB 84.1, -45.38, -8.34

 

CMYK 44 / 80 / 0 / 9

HEX #832FE9

RGB 131 47 233

HSL 267.1, 0.81%, 0.55%

LAB 42.37, 69.12, -78.49

 

CMYK 0 / 80 / 76 / 9

HEX #E92F39

RGB 233 47 57

HSL 356.77, 0.81%, 0.55%

LAB 51.44, 68.91, 41.02

 

Description

Color code: HEX #94E92F | qconv.com Color code: HEX #94E92F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 233 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 233 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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