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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DBF600 it is the complementary color #6B240900. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DBF600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DBF600 shade: #99DBF100, #AAEDFF00, #BBFFFF00, #CCFFFF00 and #DDFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DBF600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DBF600 shade: #94DBF600, #83C9E300, #72B7D000, #61A5BD00 and #5093AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DBF600 shade: #93DAF6, #93C0F6, #93A5F6, #9B93F6 and #B693F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DBF600 shade: #93DAF6, #93C0F6, #93A5F6 and #9393F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DBF600 shade matches the following richer shades: #93DAF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DBF600 shade: #93DAF6, #9DD6EC, #A6D2E3, #B0CED9 and #B9C9D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DBF600 shade: #93F6DB, #93F6F6, #93DBF6, #93C1F6 and #93A7F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DBF600 shade: #47C1EF, #6DCEF2, #93DAF6, #B9E7F9 and #DFF4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DBF600 shade: #94DBF6, #C193F6 and #F6E893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DBF600 shade: #94DBF6, #F693DB and #DBF693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DBF600 shade: #94DBF6, #C193F6, #F6AD93 and #C8F693

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DBF600 shade: #94DBF6, #DF93F6, #F6AD93 and #AAF693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #94DBF600

RGBA 148 219 246 0

HSLA 196.53, 0.84%, 0.77%, 0

LABA 83.76, -15.44, -20.18, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #6B240900

RGBA 107 36 9 0

HSLA 16.53, 0.84%, 0.23%, 0

LABA 24.97, 30.38, 32.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99DBF100

RGBA 153 219 241 0

HSLA 195, 0.76%, 0.77%, 0

LABA 83.85, -15.41, -17.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AAEDFF00

RGBA 170 237 255 0

HSLA 192.71, 1%, 0.83%, 0

LABA 90.01, -16.64, -15.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BBFFFF00

RGBA 187 255 255 0

HSLA 180, 1%, 0.87%, 0

LABA 95.71, -20.9, -6.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCFFFF00

RGBA 204 255 255 0

HSLA 180, 1%, 0.9%, 0

LABA 96.65, -16.01, -5.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DDFFFF00

RGBA 221 255 255 0

HSLA 180, 1%, 0.93%, 0

LABA 97.68, -10.87, -3.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #94DBF600

RGBA 148 219 246 0

HSLA 196.53, 0.84%, 0.77%, 0

LABA 83.76, -15.44, -20.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #83C9E300

RGBA 131 201 227 0

HSLA 196.25, 0.63%, 0.7%, 0

LABA 77.37, -15.33, -19.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #72B7D000

RGBA 114 183 208 0

HSLA 195.96, 0.5%, 0.63%, 0

LABA 70.87, -15.18, -19.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #61A5BD00

RGBA 97 165 189 0

HSLA 195.65, 0.41%, 0.56%, 0

LABA 64.26, -14.98, -19.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5093AA00

RGBA 80 147 170 0

HSLA 195.33, 0.36%, 0.49%, 0

LABA 57.54, -14.7, -18.62, 0

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 40 / 22 / 0 / 4

HEX #93C0F6

RGB 147 192 246

HSL 212.73, 0.85%, 0.77%

LAB 76.41, -1.48, -31.41

 

CMYK 40 / 33 / 0 / 4

HEX #93A5F6

RGB 147 165 246

HSL 229.09, 0.85%, 0.77%

LAB 69.3, 13.52, -42.44

 

CMYK 37 / 40 / 0 / 4

HEX #9B93F6

RGB 155 147 246

HSL 244.85, 0.85%, 0.77%

LAB 65.35, 25.87, -48.62

 

CMYK 26 / 40 / 0 / 4

HEX #B693F6

RGB 182 147 246

HSL 261.21, 0.85%, 0.77%

LAB 67.63, 33.13, -44.88

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 40 / 22 / 0 / 4

HEX #93C0F6

RGB 147 192 246

HSL 212.73, 0.85%, 0.77%

LAB 76.41, -1.48, -31.41

 

CMYK 40 / 33 / 0 / 4

HEX #93A5F6

RGB 147 165 246

HSL 229.09, 0.85%, 0.77%

LAB 69.3, 13.52, -42.44

 

CMYK 40 / 40 / 0 / 4

HEX #9393F6

RGB 147 147 246

HSL 240, 0.85%, 0.77%

LAB 64.74, 23.83, -49.62

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 33 / 9 / 0 / 7

HEX #9DD6EC

RGB 157 214 236

HSL 196.71, 0.68%, 0.77%

LAB 82.55, -13, -16.66

 

CMYK 27 / 7 / 0 / 11

HEX #A6D2E3

RGB 166 210 227

HSL 196.72, 0.52%, 0.77%

LAB 81.7, -10.52, -13.09

 

CMYK 19 / 5 / 0 / 15

HEX #B0CED9

RGB 176 206 217

HSL 196.1, 0.35%, 0.77%

LAB 80.95, -7.65, -8.8

 

CMYK 11 / 3 / 0 / 18

HEX #B9C9D0

RGB 185 201 208

HSL 198.26, 0.2%, 0.77%

LAB 79.98, -4.03, -5.35

 

CMYK 40 / 0 / 11 / 4

HEX #93F6DB

RGB 147 246 219

HSL 163.64, 0.85%, 0.77%

LAB 90.43, -35.19, 3.87

 

CMYK 40 / 0 / 0 / 4

HEX #93F6F6

RGB 147 246 246

HSL 180, 0.85%, 0.77%

LAB 91.13, -29.01, -9.14

 

CMYK 40 / 11 / 0 / 4

HEX #93DBF6

RGB 147 219 246

HSL 196.36, 0.85%, 0.77%

LAB 83.72, -15.69, -20.26

 

CMYK 40 / 22 / 0 / 4

HEX #93C1F6

RGB 147 193 246

HSL 212.12, 0.85%, 0.77%

LAB 76.68, -2.03, -31

 

CMYK 40 / 32 / 0 / 4

HEX #93A7F6

RGB 147 167 246

HSL 227.88, 0.85%, 0.77%

LAB 69.82, 12.39, -41.63

 

CMYK 70 / 19 / 0 / 6

HEX #47C1EF

RGB 71 193 239

HSL 196.43, 0.84%, 0.61%

LAB 73.36, -19.27, -32.6

 

CMYK 55 / 15 / 0 / 5

HEX #6DCEF2

RGB 109 206 242

HSL 196.24, 0.84%, 0.69%

LAB 78.35, -18.7, -26.44

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 26 / 7 / 0 / 2

HEX #B9E7F9

RGB 185 231 249

HSL 196.88, 0.84%, 0.85%

LAB 89.07, -10.82, -13.58

 

CMYK 12 / 3 / 0 / 1

HEX #DFF4FC

RGB 223 244 252

HSL 196.55, 0.83%, 0.93%

LAB 94.92, -5.3, -6.19

 

CMYK 40 / 11 / 0 / 4

HEX #94DBF6

RGB 148 219 246

HSL 196.53, 0.84%, 0.77%

LAB 83.76, -15.44, -20.18

 

CMYK 22 / 40 / 0 / 4

HEX #C193F6

RGB 193 147 246

HSL 267.88, 0.85%, 0.77%

LAB 68.65, 36.22, -43.2

 

CMYK 0 / 6 / 40 / 4

HEX #F6E893

RGB 246 232 147

HSL 51.52, 0.85%, 0.77%

LAB 91.42, -6.95, 43.01

 

CMYK 40 / 11 / 0 / 4

HEX #94DBF6

RGB 148 219 246

HSL 196.53, 0.84%, 0.77%

LAB 83.76, -15.44, -20.18

 

CMYK 0 / 40 / 11 / 4

HEX #F693DB

RGB 246 147 219

HSL 316.36, 0.85%, 0.77%

LAB 73.27, 47.04, -20.8

 

CMYK 11 / 0 / 40 / 4

HEX #DBF693

RGB 219 246 147

HSL 76.36, 0.85%, 0.77%

LAB 93.05, -24.09, 44.67

 

CMYK 40 / 11 / 0 / 4

HEX #94DBF6

RGB 148 219 246

HSL 196.53, 0.84%, 0.77%

LAB 83.76, -15.44, -20.18

 

CMYK 22 / 40 / 0 / 4

HEX #C193F6

RGB 193 147 246

HSL 267.88, 0.85%, 0.77%

LAB 68.65, 36.22, -43.2

 

CMYK 0 / 30 / 40 / 4

HEX #F6AD93

RGB 246 173 147

HSL 15.76, 0.85%, 0.77%

LAB 77.03, 23.62, 24.06

 

CMYK 19 / 0 / 40 / 4

HEX #C8F693

RGB 200 246 147

HSL 87.88, 0.85%, 0.77%

LAB 91.82, -31, 42.85

 

CMYK 40 / 11 / 0 / 4

HEX #94DBF6

RGB 148 219 246

HSL 196.53, 0.84%, 0.77%

LAB 83.76, -15.44, -20.18

 

CMYK 9 / 40 / 0 / 4

HEX #DF93F6

RGB 223 147 246

HSL 286.06, 0.85%, 0.77%

LAB 71.7, 44.87, -38.22

 

CMYK 0 / 30 / 40 / 4

HEX #F6AD93

RGB 246 173 147

HSL 15.76, 0.85%, 0.77%

LAB 77.03, 23.62, 24.06

 

CMYK 31 / 0 / 40 / 4

HEX #AAF693

RGB 170 246 147

HSL 106.06, 0.85%, 0.77%

LAB 90.12, -41.27, 40.33

 

Description

Color code: HEX #94DBF600 | qconv.com Color code: HEX #94DBF600 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 219 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 219 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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