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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94D4CC it is the complementary color #6B2B33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94D4CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94D4CC shade: #99D4C7, #AAE6DA, #BBF8ED, #CCFFFF and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94D4CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94D4CC shade: #94D4CC, #83C2B9, #72B0A6, #619E93 and #508C80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94D4CC shade: #95D5CD, #95D5BC, #95D5AB, #95D599 and #A2D595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94D4CC shade: #95D5CD, #95CCD5, #95BAD5, #95A9D5 and #9598D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94D4CC shade matches the following richer shades: #95D5CD, #89E1D6, #7DEDDF and #71F9E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94D4CC shade: #95D5CD, #A1C9C4, #ADBDBB, #B9B1B2 and #C5A5A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94D4CC shade: #95D5AA, #95D5BB, #95D5CC, #95CCD5 and #95BBD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94D4CC shade: #5ABDB1, #78C9BF, #95D5CD, #B3E1DB and #D0ECE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94D4CC shade: #94D4CC, #9995D5 and #D5B395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94D4CC shade: #94D4CC, #CC95D5 and #D5CC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94D4CC shade: #94D4CC, #9995D5, #D5959E and #D1D595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94D4CC shade: #94D4CC, #AD95D5, #D5959E and #BED595

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

Complementary color

CMYK 0 / 60 / 52 / 58

HEX #6B2B33

RGB 107 43 51

HSL 352.5, 0.43%, 0.29%

LAB 27, 29.36, 9.25

 

CMYK 28 / 0 / 6 / 17

HEX #99D4C7

RGB 153 212 199

HSL 166.78, 0.41%, 0.72%

LAB 80.73, -21.58, 0.34

 

CMYK 26 / 0 / 5 / 10

HEX #AAE6DA

RGB 170 230 218

HSL 168, 0.55%, 0.78%

LAB 87.1, -21.43, -0.32

 

CMYK 25 / 0 / 4 / 3

HEX #BBF8ED

RGB 187 248 237

HSL 169.18, 0.81%, 0.85%

LAB 93.37, -21.3, -0.95

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

CMYK 32 / 0 / 5 / 24

HEX #83C2B9

RGB 131 194 185

HSL 171.43, 0.34%, 0.64%

LAB 74.13, -22.08, -1.91

 

CMYK 35 / 0 / 6 / 31

HEX #72B0A6

RGB 114 176 166

HSL 170.32, 0.28%, 0.57%

LAB 67.56, -22.23, -1.22

 

CMYK 39 / 0 / 7 / 38

HEX #619E93

RGB 97 158 147

HSL 169.18, 0.24%, 0.5%

LAB 60.87, -22.39, -0.49

 

CMYK 43 / 0 / 9 / 45

HEX #508C80

RGB 80 140 128

HSL 168, 0.27%, 0.43%

LAB 54.05, -22.54, 0.3

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CD

RGB 149 213 205

HSL 172.5, 0.43%, 0.71%

LAB 80.95, -21.93, -2.56

 

CMYK 30 / 0 / 12 / 16

HEX #95D5BC

RGB 149 213 188

HSL 156.56, 0.43%, 0.71%

LAB 80.52, -25.57, 5.88

 

CMYK 30 / 0 / 20 / 16

HEX #95D5AB

RGB 149 213 171

HSL 140.63, 0.43%, 0.71%

LAB 80.13, -28.93, 14.36

 

CMYK 30 / 0 / 28 / 16

HEX #95D599

RGB 149 213 153

HSL 123.75, 0.43%, 0.71%

LAB 79.77, -32.16, 23.34

 

CMYK 24 / 0 / 30 / 16

HEX #A2D595

RGB 162 213 149

HSL 107.81, 0.43%, 0.71%

LAB 80.43, -28.49, 26.44

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CD

RGB 149 213 205

HSL 172.5, 0.43%, 0.71%

LAB 80.95, -21.93, -2.56

 

CMYK 30 / 4 / 0 / 16

HEX #95CCD5

RGB 149 204 213

HSL 188.44, 0.43%, 0.71%

LAB 78.68, -15.56, -10.21

 

CMYK 30 / 13 / 0 / 16

HEX #95BAD5

RGB 149 186 213

HSL 205.31, 0.43%, 0.71%

LAB 73.75, -6.11, -17.61

 

CMYK 30 / 21 / 0 / 16

HEX #95A9D5

RGB 149 169 213

HSL 221.25, 0.43%, 0.71%

LAB 69.16, 3.17, -24.59

 

CMYK 30 / 29 / 0 / 16

HEX #9598D5

RGB 149 152 213

HSL 237.19, 0.43%, 0.71%

LAB 64.68, 12.75, -31.48

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CD

RGB 149 213 205

HSL 172.5, 0.43%, 0.71%

LAB 80.95, -21.93, -2.56

 

CMYK 39 / 0 / 5 / 12

HEX #89E1D6

RGB 137 225 214

HSL 172.5, 0.59%, 0.71%

LAB 83.98, -28.99, -2.97

 

CMYK 47 / 0 / 6 / 7

HEX #7DEDDF

RGB 125 237 223

HSL 172.5, 0.76%, 0.71%

LAB 87.12, -35.39, -3.15

 

CMYK 55 / 0 / 7 / 2

HEX #71F9E8

RGB 113 249 232

HSL 172.5, 0.92%, 0.71%

LAB 90.36, -41.17, -3.13

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CD

RGB 149 213 205

HSL 172.5, 0.43%, 0.71%

LAB 80.95, -21.93, -2.56

 

CMYK 20 / 0 / 2 / 21

HEX #A1C9C4

RGB 161 201 196

HSL 172.5, 0.27%, 0.71%

LAB 78.07, -14.21, -1.88

 

CMYK 8 / 0 / 1 / 26

HEX #ADBDBB

RGB 173 189 187

HSL 172.5, 0.11%, 0.71%

LAB 75.37, -5.87, -0.88

 

CMYK 0 / 4 / 4 / 27

HEX #B9B1B2

RGB 185 177 178

HSL 352.5, 0.05%, 0.71%

LAB 72.87, 3.02, 0.5

 

CMYK 0 / 16 / 14 / 23

HEX #C5A5A9

RGB 197 165 169

HSL 352.5, 0.22%, 0.71%

LAB 70.63, 12.35, 2.31

 

CMYK 30 / 0 / 20 / 16

HEX #95D5AA

RGB 149 213 170

HSL 139.69, 0.43%, 0.71%

LAB 80.11, -29.12, 14.86

 

CMYK 30 / 0 / 12 / 16

HEX #95D5BB

RGB 149 213 187

HSL 155.63, 0.43%, 0.71%

LAB 80.5, -25.78, 6.38

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CC

RGB 149 213 204

HSL 171.56, 0.43%, 0.71%

LAB 80.93, -22.15, -2.07

 

CMYK 30 / 4 / 0 / 16

HEX #95CCD5

RGB 149 204 213

HSL 188.44, 0.43%, 0.71%

LAB 78.68, -15.56, -10.21

 

CMYK 30 / 12 / 0 / 16

HEX #95BBD5

RGB 149 187 213

HSL 204.38, 0.43%, 0.71%

LAB 74.02, -6.65, -17.2

 

CMYK 52 / 0 / 6 / 26

HEX #5ABDB1

RGB 90 189 177

HSL 172.73, 0.43%, 0.55%

LAB 70.69, -31.93, -2.8

 

CMYK 40 / 0 / 5 / 21

HEX #78C9BF

RGB 120 201 191

HSL 172.59, 0.43%, 0.63%

LAB 75.78, -27.14, -2.8

 

CMYK 30 / 0 / 4 / 16

HEX #95D5CD

RGB 149 213 205

HSL 172.5, 0.43%, 0.71%

LAB 80.95, -21.93, -2.56

 

CMYK 20 / 0 / 3 / 12

HEX #B3E1DB

RGB 179 225 219

HSL 172.17, 0.43%, 0.79%

LAB 86.28, -16.03, -1.98

 

CMYK 12 / 0 / 1 / 7

HEX #D0ECE9

RGB 208 236 233

HSL 173.57, 0.42%, 0.87%

LAB 91.36, -9.7, -1.66

 

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

CMYK 28 / 30 / 0 / 16

HEX #9995D5

RGB 153 149 213

HSL 243.75, 0.43%, 0.71%

LAB 64.22, 15.64, -32.18

 

CMYK 0 / 16 / 30 / 16

HEX #D5B395

RGB 213 179 149

HSL 28.13, 0.43%, 0.71%

LAB 75.17, 7.89, 19.9

 

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

CMYK 4 / 30 / 0 / 16

HEX #CC95D5

RGB 204 149 213

HSL 291.56, 0.43%, 0.71%

LAB 68.85, 31.5, -24.66

 

CMYK 0 / 4 / 30 / 16

HEX #D5CC95

RGB 213 204 149

HSL 51.56, 0.43%, 0.71%

LAB 81.57, -5.26, 28.59

 

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

CMYK 28 / 30 / 0 / 16

HEX #9995D5

RGB 153 149 213

HSL 243.75, 0.43%, 0.71%

LAB 64.22, 15.64, -32.18

 

CMYK 0 / 30 / 26 / 16

HEX #D5959E

RGB 213 149 158

HSL 351.56, 0.43%, 0.71%

LAB 68.1, 25.33, 4.98

 

CMYK 2 / 0 / 30 / 16

HEX #D1D595

RGB 209 213 149

HSL 63.75, 0.43%, 0.71%

LAB 83.61, -11.39, 31.26

 

CMYK 30 / 0 / 4 / 17

HEX #94D4CC

RGB 148 212 204

HSL 172.5, 0.43%, 0.71%

LAB 80.6, -21.94, -2.56

 

CMYK 19 / 30 / 0 / 16

HEX #AD95D5

RGB 173 149 213

HSL 262.5, 0.43%, 0.71%

LAB 65.89, 21.69, -29.46

 

CMYK 0 / 30 / 26 / 16

HEX #D5959E

RGB 213 149 158

HSL 351.56, 0.43%, 0.71%

LAB 68.1, 25.33, 4.98

 

CMYK 11 / 0 / 30 / 16

HEX #BED595

RGB 190 213 149

HSL 81.56, 0.43%, 0.71%

LAB 82.22, -18.52, 29.16

 

Description

Color code: HEX #94D4CC | qconv.com Color code: HEX #94D4CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 212 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 212 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 4 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 4% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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