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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94CF5E it is the complementary color #6B30A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94CF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94CF5E shade: #99CF59, #AAE16C, #BBF37F, #CCFF92 and #DDFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94CF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94CF5E shade: #94CF5E, #83BD4B, #72AB38, #619925 and #508712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94CF5E shade: #94CF5E, #B2CF5E, #CFCD5E, #CFAF5E and #CF905E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94CF5E shade: #94CF5E, #75CF5E, #5ECF65, #5ECF83 and #5ECFA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94CF5E shade matches the following richer shades: #94CF5E, #93E04D and #92F13C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94CF5E shade: #94CF5E, #95BE6F, #95AD80, #969C91 and #978BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94CF5E shade: #CFCD5E, #B3CF5E, #95CF5E, #76CF5E and #5ECF64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94CF5E shade: #6BA832, #7FC53E, #94CF5E, #A9D87E and #BEE29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94CF5E shade: #94CF5E, #5ECFAF and #CF5EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94CF5E shade: #94CF5E, #5E95CF and #CF5E95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94CF5E shade: #94CF5E, #5ECFAF, #985ECF and #CF5E7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94CF5E shade: #94CF5E, #5ECDCF, #985ECF and #CF605E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

Complementary color

CMYK 34 / 70 / 0 / 37

HEX #6B30A1

RGB 107 48 161

HSL 271.33, 0.54%, 0.41%

LAB 33.59, 47.47, -50.86

 

CMYK 26 / 0 / 57 / 19

HEX #99CF59

RGB 153 207 89

HSL 87.46, 0.55%, 0.58%

LAB 77.35, -36.47, 52.11

 

CMYK 24 / 0 / 52 / 12

HEX #AAE16C

RGB 170 225 108

HSL 88.21, 0.66%, 0.65%

LAB 83.69, -36.56, 51.07

 

CMYK 23 / 0 / 48 / 5

HEX #BBF37F

RGB 187 243 127

HSL 88.97, 0.83%, 0.73%

LAB 89.95, -36.59, 49.96

 

CMYK 20 / 0 / 43 / 0

HEX #CCFF92

RGB 204 255 146

HSL 88.07, 1%, 0.79%

LAB 94.5, -33.85, 46.79

 

CMYK 13 / 0 / 35 / 0

HEX #DDFFA5

RGB 221 255 165

HSL 82.67, 1%, 0.82%

LAB 95.83, -25.47, 39.47

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 31 / 0 / 60 / 26

HEX #83BD4B

RGB 131 189 75

HSL 90.53, 0.46%, 0.52%

LAB 70.68, -37.7, 50.49

 

CMYK 33 / 0 / 67 / 33

HEX #72AB38

RGB 114 171 56

HSL 89.74, 0.51%, 0.45%

LAB 64.15, -37.48, 51.27

 

CMYK 37 / 0 / 76 / 40

HEX #619925

RGB 97 153 37

HSL 88.97, 0.61%, 0.37%

LAB 57.52, -37.1, 51.56

 

CMYK 41 / 0 / 87 / 47

HEX #508712

RGB 80 135 18

HSL 88.21, 0.76%, 0.3%

LAB 50.78, -36.43, 50.84

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 14 / 0 / 55 / 19

HEX #B2CF5E

RGB 178 207 94

HSL 75.4, 0.54%, 0.59%

LAB 78.98, -26.49, 52.13

 

CMYK 0 / 1 / 55 / 19

HEX #CFCD5E

RGB 207 205 94

HSL 58.94, 0.54%, 0.59%

LAB 80.59, -13.84, 54.54

 

CMYK 0 / 15 / 55 / 19

HEX #CFAF5E

RGB 207 175 94

HSL 43.01, 0.54%, 0.59%

LAB 72.72, 1.69, 45.36

 

CMYK 0 / 30 / 55 / 19

HEX #CF905E

RGB 207 144 94

HSL 26.55, 0.54%, 0.59%

LAB 64.98, 18.41, 35.94

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 43 / 0 / 55 / 19

HEX #75CF5E

RGB 117 207 94

HSL 107.79, 0.54%, 0.59%

LAB 75.59, -48.13, 47.29

 

CMYK 55 / 0 / 51 / 19

HEX #5ECF65

RGB 94 207 101

HSL 123.72, 0.54%, 0.59%

LAB 74.79, -53.66, 42.8

 

CMYK 55 / 0 / 37 / 19

HEX #5ECF83

RGB 94 207 131

HSL 139.65, 0.54%, 0.59%

LAB 75.23, -48.96, 28.28

 

CMYK 55 / 0 / 22 / 19

HEX #5ECFA2

RGB 94 207 162

HSL 156.11, 0.54%, 0.59%

LAB 75.83, -42.81, 12.75

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 34 / 0 / 66 / 12

HEX #93E04D

RGB 147 224 77

HSL 91.43, 0.7%, 0.59%

LAB 81.87, -47.05, 62.1

 

CMYK 39 / 0 / 75 / 5

HEX #92F13C

RGB 146 241 60

HSL 91.49, 0.87%, 0.59%

LAB 86.68, -55.41, 72.97

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 22 / 0 / 42 / 25

HEX #95BE6F

RGB 149 190 111

HSL 91.14, 0.38%, 0.59%

LAB 72.47, -27.53, 35.49

 

CMYK 14 / 0 / 26 / 32

HEX #95AD80

RGB 149 173 128

HSL 92, 0.22%, 0.59%

LAB 67.9, -16.59, 20.45

 

CMYK 4 / 0 / 7 / 39

HEX #969C91

RGB 150 156 145

HSL 92.73, 0.05%, 0.59%

LAB 63.59, -4.25, 5.01

 

CMYK 7 / 14 / 0 / 36

HEX #978BA2

RGB 151 139 162

HSL 271.3, 0.11%, 0.59%

LAB 59.57, 8.98, -10.53

 

CMYK 0 / 1 / 55 / 19

HEX #CFCD5E

RGB 207 205 94

HSL 58.94, 0.54%, 0.59%

LAB 80.59, -13.84, 54.54

 

CMYK 14 / 0 / 55 / 19

HEX #B3CF5E

RGB 179 207 94

HSL 74.87, 0.54%, 0.59%

LAB 79.05, -26.09, 52.22

 

CMYK 28 / 0 / 55 / 19

HEX #95CF5E

RGB 149 207 94

HSL 90.8, 0.54%, 0.59%

LAB 77.18, -37.43, 49.56

 

CMYK 43 / 0 / 55 / 19

HEX #76CF5E

RGB 118 207 94

HSL 107.26, 0.54%, 0.59%

LAB 75.63, -47.83, 47.35

 

CMYK 55 / 0 / 52 / 19

HEX #5ECF64

RGB 94 207 100

HSL 123.19, 0.54%, 0.59%

LAB 74.78, -53.79, 43.27

 

CMYK 36 / 0 / 70 / 34

HEX #6BA832

RGB 107 168 50

HSL 91.02, 0.54%, 0.43%

LAB 62.81, -39.16, 52.17

 

CMYK 36 / 0 / 69 / 23

HEX #7FC53E

RGB 127 197 62

HSL 91.11, 0.54%, 0.51%

LAB 72.75, -43.7, 58.09

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 22 / 0 / 42 / 15

HEX #A9D87E

RGB 169 216 126

HSL 91.33, 0.54%, 0.67%

LAB 81.32, -30.7, 39.44

 

CMYK 16 / 0 / 30 / 11

HEX #BEE29E

RGB 190 226 158

HSL 91.76, 0.54%, 0.75%

LAB 85.91, -23.62, 29.48

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 55 / 0 / 15 / 19

HEX #5ECFAF

RGB 94 207 175

HSL 163.01, 0.54%, 0.59%

LAB 76.13, -39.87, 6.21

 

CMYK 0 / 55 / 6 / 19

HEX #CF5EC2

RGB 207 94 194

HSL 306.9, 0.54%, 0.59%

LAB 57.24, 57.36, -31.86

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 55 / 28 / 0 / 19

HEX #5E95CF

RGB 94 149 207

HSL 210.8, 0.54%, 0.59%

LAB 60.23, -1.42, -35.32

 

CMYK 0 / 55 / 28 / 19

HEX #CF5E95

RGB 207 94 149

HSL 330.8, 0.54%, 0.59%

LAB 55.52, 50.64, -8.4

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 55 / 0 / 15 / 19

HEX #5ECFAF

RGB 94 207 175

HSL 163.01, 0.54%, 0.59%

LAB 76.13, -39.87, 6.21

 

CMYK 27 / 55 / 0 / 19

HEX #985ECF

RGB 152 94 207

HSL 270.8, 0.54%, 0.59%

LAB 50.9, 45.16, -49.75

 

CMYK 0 / 55 / 39 / 19

HEX #CF5E7E

RGB 207 94 126

HSL 343.01, 0.54%, 0.59%

LAB 54.84, 47.84, 4.13

 

CMYK 29 / 0 / 55 / 19

HEX #94CF5E

RGB 148 207 94

HSL 91.33, 0.54%, 0.59%

LAB 77.12, -37.79, 49.48

 

CMYK 55 / 1 / 0 / 19

HEX #5ECDCF

RGB 94 205 207

HSL 181.06, 0.54%, 0.59%

LAB 76.4, -30.89, -10.63

 

CMYK 27 / 55 / 0 / 19

HEX #985ECF

RGB 152 94 207

HSL 270.8, 0.54%, 0.59%

LAB 50.9, 45.16, -49.75

 

CMYK 0 / 54 / 55 / 19

HEX #CF605E

RGB 207 96 94

HSL 1.06, 0.54%, 0.59%

LAB 54.49, 43.76, 22.46

 

Description

Color code: HEX #94CF5E | qconv.com Color code: HEX #94CF5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 207 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 207 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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