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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94CB4A it is the complementary color #6B34B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94CB4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94CB4A shade: #99CB45, #AADD58, #BBEF6B, #CCFF7E and #DDFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94CB4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94CB4A shade: #94CB4A, #83B937, #72A724, #619511 and #508300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94CB4A shade: #93CA49, #B6CA49, #CABC49, #CA9949 and #CA7649

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94CB4A shade: #93CA49, #70CA49, #4ECA49, #49CA68 and #49CA8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94CB4A shade matches the following richer shades: #93CA49, #96DD36 and #99F023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94CB4A shade: #93CA49, #90B75C, #8EA46F, #8B9182 and #887E95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94CB4A shade: #CABB49, #B7CA49, #94CA49, #72CA49 and #50CA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94CB4A shade: #68952B, #7FB535, #93CA49, #A6D369 and #B9DD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94CB4A shade: #94CB4A, #49CA99 and #CA49C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94CB4A shade: #94CB4A, #4994CA and #CA4994

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94CB4A shade: #94CB4A, #49CA99, #7F49CA and #CA497B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94CB4A shade: #94CB4A, #49CABF, #7F49CA and #CA4954

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

Complementary color

CMYK 41 / 71 / 0 / 29

HEX #6B34B5

RGB 107 52 181

HSL 265.58, 0.55%, 0.46%

LAB 35.83, 50.56, -59.19

 

CMYK 25 / 0 / 66 / 20

HEX #99CB45

RGB 153 203 69

HSL 82.39, 0.56%, 0.53%

LAB 76.02, -36.32, 59.19

 

CMYK 23 / 0 / 60 / 13

HEX #AADD58

RGB 170 221 88

HSL 83.01, 0.66%, 0.61%

LAB 82.36, -36.6, 58.47

 

CMYK 22 / 0 / 55 / 6

HEX #BBEF6B

RGB 187 239 107

HSL 83.64, 0.8%, 0.68%

LAB 88.62, -36.79, 57.55

 

CMYK 20 / 0 / 51 / 0

HEX #CCFF7E

RGB 204 255 126

HSL 83.72, 1%, 0.75%

LAB 94.25, -36.01, 55.86

 

CMYK 13 / 0 / 43 / 0

HEX #DDFF91

RGB 221 255 145

HSL 78.55, 1%, 0.78%

LAB 95.55, -27.82, 48.82

 

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

CMYK 29 / 0 / 70 / 27

HEX #83B937

RGB 131 185 55

HSL 84.92, 0.54%, 0.47%

LAB 69.33, -37.49, 57.33

 

CMYK 32 / 0 / 78 / 35

HEX #72A724

RGB 114 167 36

HSL 84.27, 0.65%, 0.4%

LAB 62.8, -37, 57.26

 

CMYK 35 / 0 / 89 / 42

HEX #619511

RGB 97 149 17

HSL 83.64, 0.8%, 0.33%

LAB 56.16, -36.26, 56.07

 

CMYK 39 / 0 / 100 / 49

HEX #508300

RGB 80 131 0

HSL 83.36, 1%, 0.26%

LAB 49.42, -35.23, 53.34

 

CMYK 27 / 0 / 64 / 21

HEX #93CA49

RGB 147 202 73

HSL 85.58, 0.55%, 0.54%

LAB 75.4, -37.82, 56.8

 

CMYK 10 / 0 / 64 / 21

HEX #B6CA49

RGB 182 202 73

HSL 69.3, 0.55%, 0.54%

LAB 77.68, -24.12, 59.91

 

CMYK 0 / 7 / 64 / 21

HEX #CABC49

RGB 202 188 73

HSL 53.49, 0.55%, 0.54%

LAB 75.45, -8.75, 58.03

 

CMYK 0 / 24 / 64 / 21

HEX #CA9949

RGB 202 153 73

HSL 37.21, 0.55%, 0.54%

LAB 66.38, 9.83, 48.13

 

CMYK 0 / 42 / 64 / 21

HEX #CA7649

RGB 202 118 73

HSL 20.93, 0.55%, 0.54%

LAB 58.03, 28.87, 38.53

 

CMYK 27 / 0 / 64 / 21

HEX #93CA49

RGB 147 202 73

HSL 85.58, 0.55%, 0.54%

LAB 75.4, -37.82, 56.8

 

CMYK 45 / 0 / 64 / 21

HEX #70CA49

RGB 112 202 73

HSL 101.86, 0.55%, 0.54%

LAB 73.65, -49.81, 54.39

 

CMYK 61 / 0 / 64 / 21

HEX #4ECA49

RGB 78 202 73

HSL 117.67, 0.55%, 0.54%

LAB 72.46, -58.94, 52.73

 

CMYK 64 / 0 / 49 / 21

HEX #49CA68

RGB 73 202 104

HSL 134.42, 0.55%, 0.54%

LAB 72.67, -56.08, 38.57

 

CMYK 64 / 0 / 32 / 21

HEX #49CA8A

RGB 73 202 138

HSL 150.23, 0.55%, 0.54%

LAB 73.22, -50.06, 21.79

 

CMYK 27 / 0 / 64 / 21

HEX #93CA49

RGB 147 202 73

HSL 85.58, 0.55%, 0.54%

LAB 75.4, -37.82, 56.8

 

CMYK 32 / 0 / 76 / 13

HEX #96DD36

RGB 150 221 54

HSL 85.51, 0.71%, 0.54%

LAB 81, -46.22, 69.48

 

CMYK 36 / 0 / 85 / 6

HEX #99F023

RGB 153 240 35

HSL 85.46, 0.87%, 0.54%

LAB 86.61, -53.74, 79.45

 

CMYK 27 / 0 / 64 / 21

HEX #93CA49

RGB 147 202 73

HSL 85.58, 0.55%, 0.54%

LAB 75.4, -37.82, 56.8

 

CMYK 21 / 0 / 50 / 28

HEX #90B75C

RGB 144 183 92

HSL 85.71, 0.39%, 0.54%

LAB 69.87, -28.33, 41.74

 

CMYK 13 / 0 / 32 / 36

HEX #8EA46F

RGB 142 164 111

HSL 84.91, 0.23%, 0.54%

LAB 64.52, -17.19, 25.04

 

CMYK 4 / 0 / 10 / 43

HEX #8B9182

RGB 139 145 130

HSL 84, 0.06%, 0.54%

LAB 59.3, -5.05, 7.21

 

CMYK 9 / 15 / 0 / 42

HEX #887E95

RGB 136 126 149

HSL 266.09, 0.1%, 0.54%

LAB 54.37, 8.43, -10.99

 

CMYK 0 / 7 / 64 / 21

HEX #CABB49

RGB 202 187 73

HSL 53.02, 0.55%, 0.54%

LAB 75.19, -8.24, 57.75

 

CMYK 9 / 0 / 64 / 21

HEX #B7CA49

RGB 183 202 73

HSL 68.84, 0.55%, 0.54%

LAB 77.75, -23.71, 60.01

 

CMYK 27 / 0 / 64 / 21

HEX #94CA49

RGB 148 202 73

HSL 85.12, 0.55%, 0.54%

LAB 75.46, -37.44, 56.88

 

CMYK 44 / 0 / 64 / 21

HEX #72CA49

RGB 114 202 73

HSL 100.93, 0.55%, 0.54%

LAB 73.74, -49.19, 54.51

 

CMYK 60 / 0 / 64 / 21

HEX #50CA49

RGB 80 202 73

HSL 116.74, 0.55%, 0.54%

LAB 72.51, -58.49, 52.81

 

CMYK 30 / 0 / 71 / 42

HEX #68952B

RGB 104 149 43

HSL 85.47, 0.55%, 0.38%

LAB 56.7, -32.23, 48.62

 

CMYK 30 / 0 / 71 / 29

HEX #7FB535

RGB 127 181 53

HSL 85.31, 0.55%, 0.46%

LAB 67.89, -37.34, 56.55

 

CMYK 27 / 0 / 64 / 21

HEX #93CA49

RGB 147 202 73

HSL 85.58, 0.55%, 0.54%

LAB 75.4, -37.82, 56.8

 

CMYK 21 / 0 / 50 / 17

HEX #A6D369

RGB 166 211 105

HSL 85.47, 0.55%, 0.62%

LAB 79.45, -31.9, 47.34

 

CMYK 16 / 0 / 38 / 13

HEX #B9DD89

RGB 185 221 137

HSL 85.71, 0.55%, 0.7%

LAB 83.88, -25.87, 37.41

 

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

CMYK 64 / 0 / 24 / 21

HEX #49CA99

RGB 73 202 153

HSL 157.21, 0.55%, 0.54%

LAB 73.52, -46.87, 14.22

 

CMYK 0 / 64 / 1 / 21

HEX #CA49C8

RGB 202 73 200

HSL 300.93, 0.55%, 0.54%

LAB 53.48, 66.13, -41.23

 

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

CMYK 64 / 27 / 0 / 21

HEX #4994CA

RGB 73 148 202

HSL 205.12, 0.55%, 0.54%

LAB 58.85, -6.59, -34.74

 

CMYK 0 / 64 / 27 / 21

HEX #CA4994

RGB 202 73 148

HSL 325.12, 0.55%, 0.54%

LAB 51.22, 58.4, -14.36

 

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

CMYK 64 / 0 / 24 / 21

HEX #49CA99

RGB 73 202 153

HSL 157.21, 0.55%, 0.54%

LAB 73.52, -46.87, 14.22

 

CMYK 37 / 64 / 0 / 21

HEX #7F49CA

RGB 127 73 202

HSL 265.12, 0.55%, 0.54%

LAB 43.57, 49.28, -58.81

 

CMYK 0 / 64 / 39 / 21

HEX #CA497B

RGB 202 73 123

HSL 336.74, 0.55%, 0.54%

LAB 50.4, 55.43, -0.64

 

CMYK 27 / 0 / 64 / 20

HEX #94CB4A

RGB 148 203 74

HSL 85.58, 0.55%, 0.54%

LAB 75.76, -37.81, 56.79

 

CMYK 64 / 0 / 5 / 21

HEX #49CABF

RGB 73 202 191

HSL 174.88, 0.55%, 0.54%

LAB 74.46, -37.52, -4.94

 

CMYK 37 / 64 / 0 / 21

HEX #7F49CA

RGB 127 73 202

HSL 265.12, 0.55%, 0.54%

LAB 43.57, 49.28, -58.81

 

CMYK 0 / 64 / 58 / 21

HEX #CA4954

RGB 202 73 84

HSL 354.88, 0.55%, 0.54%

LAB 49.45, 51.92, 21.54

 

Description

Color code: HEX #94CB4A | qconv.com Color code: HEX #94CB4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 203 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 203 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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