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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94C706 it is the complementary color #6B38F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94C706. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94C706 shade: #99C701, #AAD914, #BBEB27, #CCFD3A and #DDFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94C706. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94C706 shade: #94C706, #83B500, #72A300, #619100 and #507F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94C706 shade: #93C606, #C6C506, #C69106, #C65D06 and #C62A06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94C706 shade: #93C606, #60C606, #2CC606, #06C614 and #06C648

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94C706 shade matches the following richer shades: #93C606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94C706 shade: #93C606, #8BB517, #84A527, #7C9438 and #748448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94C706 shade: #C69006, #C6C306, #96C606, #63C606 and #30C606

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94C706 shade: #587604, #759E05, #93C606, #B1EE07 and #C1F826

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94C706 shade: #94C706, #06C65C and #A906C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94C706 shade: #94C706, #0696C6 and #C60696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94C706 shade: #94C706, #06C65C, #3606C6 and #C60670

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94C706 shade: #94C706, #06C696, #3606C6 and #C60636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

Complementary color

CMYK 57 / 78 / 0 / 2

HEX #6B38F9

RGB 107 56 249

HSL 255.85, 0.94%, 0.6%

LAB 42.45, 66.6, -87.47

 

CMYK 23 / 0 / 99 / 22

HEX #99C701

RGB 153 199 1

HSL 73.94, 0.99%, 0.39%

LAB 74.59, -37.04, 74.37

 

CMYK 22 / 0 / 91 / 15

HEX #AAD914

RGB 170 217 20

HSL 74.31, 0.83%, 0.46%

LAB 80.86, -38.14, 77.64

 

CMYK 20 / 0 / 83 / 8

HEX #BBEB27

RGB 187 235 39

HSL 74.69, 0.83%, 0.54%

LAB 87.06, -39.07, 79.74

 

CMYK 19 / 0 / 77 / 1

HEX #CCFD3A

RGB 204 253 58

HSL 75.08, 0.98%, 0.61%

LAB 93.19, -39.84, 80.78

 

CMYK 13 / 0 / 70 / 0

HEX #DDFF4D

RGB 221 255 77

HSL 71.46, 1%, 0.65%

LAB 94.92, -33.29, 76.86

 

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

CMYK 28 / 0 / 100 / 29

HEX #83B500

RGB 131 181 0

HSL 76.57, 1%, 0.35%

LAB 67.93, -37.66, 68.82

 

CMYK 30 / 0 / 100 / 36

HEX #72A300

RGB 114 163 0

HSL 78.04, 1%, 0.32%

LAB 61.46, -36.29, 63.44

 

CMYK 33 / 0 / 100 / 43

HEX #619100

RGB 97 145 0

HSL 79.86, 1%, 0.28%

LAB 54.86, -34.89, 57.94

 

CMYK 37 / 0 / 100 / 50

HEX #507F00

RGB 80 127 0

HSL 82.2, 1%, 0.25%

LAB 48.11, -33.45, 52.33

 

CMYK 26 / 0 / 97 / 22

HEX #93C606

RGB 147 198 6

HSL 75.94, 0.94%, 0.4%

LAB 73.94, -38.88, 73.2

 

CMYK 0 / 1 / 97 / 22

HEX #C6C506

RGB 198 197 6

HSL 59.69, 0.94%, 0.4%

LAB 77.25, -17.26, 77.3

 

CMYK 0 / 27 / 97 / 22

HEX #C69106

RGB 198 145 6

HSL 43.44, 0.94%, 0.4%

LAB 63.57, 10.05, 67.33

 

CMYK 0 / 53 / 97 / 22

HEX #C65D06

RGB 198 93 6

HSL 27.19, 0.94%, 0.4%

LAB 51.66, 37.98, 59.31

 

CMYK 0 / 79 / 97 / 22

HEX #C62A06

RGB 198 42 6

HSL 11.25, 0.94%, 0.4%

LAB 43.76, 59.09, 54.68

 

CMYK 26 / 0 / 97 / 22

HEX #93C606

RGB 147 198 6

HSL 75.94, 0.94%, 0.4%

LAB 73.94, -38.88, 73.2

 

CMYK 52 / 0 / 97 / 22

HEX #60C606

RGB 96 198 6

HSL 91.88, 0.94%, 0.4%

LAB 71.48, -56.49, 70.21

 

CMYK 78 / 0 / 97 / 22

HEX #2CC606

RGB 44 198 6

HSL 108.13, 0.94%, 0.4%

LAB 70.13, -67.72, 68.56

 

CMYK 97 / 0 / 90 / 22

HEX #06C614

RGB 6 198 20

HSL 124.38, 0.94%, 0.4%

LAB 69.81, -70.52, 66.33

 

CMYK 97 / 0 / 64 / 22

HEX #06C648

RGB 6 198 72

HSL 140.63, 0.94%, 0.4%

LAB 70.1, -66.77, 50.24

 

CMYK 26 / 0 / 97 / 22

HEX #93C606

RGB 147 198 6

HSL 75.94, 0.94%, 0.4%

LAB 73.94, -38.88, 73.2

 

CMYK 26 / 0 / 97 / 22

HEX #93C606

RGB 147 198 6

HSL 75.94, 0.94%, 0.4%

LAB 73.94, -38.88, 73.2

 

CMYK 23 / 0 / 87 / 29

HEX #8BB517

RGB 139 181 23

HSL 75.95, 0.77%, 0.4%

LAB 68.46, -34.05, 66.19

 

CMYK 20 / 0 / 76 / 35

HEX #84A527

RGB 132 165 39

HSL 75.71, 0.62%, 0.4%

LAB 63.31, -28.77, 57.17

 

CMYK 16 / 0 / 62 / 42

HEX #7C9438

RGB 124 148 56

HSL 75.65, 0.45%, 0.4%

LAB 57.8, -22.62, 44.61

 

CMYK 12 / 0 / 45 / 48

HEX #748448

RGB 116 132 72

HSL 76, 0.29%, 0.4%

LAB 52.6, -16.08, 30.37

 

CMYK 0 / 27 / 97 / 22

HEX #C69006

RGB 198 144 6

HSL 43.13, 0.94%, 0.4%

LAB 63.31, 10.59, 67.16

 

CMYK 0 / 2 / 97 / 22

HEX #C6C306

RGB 198 195 6

HSL 59.06, 0.94%, 0.4%

LAB 76.71, -16.26, 76.89

 

CMYK 24 / 0 / 97 / 22

HEX #96C606

RGB 150 198 6

HSL 75, 0.94%, 0.4%

LAB 74.12, -37.71, 73.41

 

CMYK 50 / 0 / 97 / 22

HEX #63C606

RGB 99 198 6

HSL 90.94, 0.94%, 0.4%

LAB 71.59, -55.61, 70.35

 

CMYK 76 / 0 / 97 / 22

HEX #30C606

RGB 48 198 6

HSL 106.88, 0.94%, 0.4%

LAB 70.2, -67.14, 68.64

 

CMYK 25 / 0 / 97 / 54

HEX #587604

RGB 88 118 4

HSL 75.79, 0.93%, 0.24%

LAB 45.69, -25.8, 49.8

 

CMYK 26 / 0 / 97 / 38

HEX #759E05

RGB 117 158 5

HSL 76.08, 0.94%, 0.32%

LAB 60.11, -32.71, 61.76

 

CMYK 26 / 0 / 97 / 22

HEX #93C606

RGB 147 198 6

HSL 75.94, 0.94%, 0.4%

LAB 73.94, -38.88, 73.2

 

CMYK 26 / 0 / 97 / 7

HEX #B1EE07

RGB 177 238 7

HSL 75.84, 0.94%, 0.48%

LAB 87.25, -44.81, 84.19

 

CMYK 22 / 0 / 85 / 3

HEX #C1F826

RGB 193 248 38

HSL 75.71, 0.94%, 0.56%

LAB 91.06, -42.52, 83.49

 

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

CMYK 97 / 0 / 54 / 22

HEX #06C65C

RGB 6 198 92

HSL 146.88, 0.94%, 0.4%

LAB 70.32, -64.12, 41.32

 

CMYK 15 / 97 / 0 / 22

HEX #A906C6

RGB 169 6 198

HSL 290.94, 0.94%, 0.4%

LAB 42.22, 76.19, -58.38

 

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

CMYK 97 / 24 / 0 / 22

HEX #0696C6

RGB 6 150 198

HSL 195, 0.94%, 0.4%

LAB 57.97, -15.73, -33.95

 

CMYK 0 / 97 / 24 / 22

HEX #C60696

RGB 198 6 150

HSL 315, 0.94%, 0.4%

LAB 44.71, 74.36, -25.61

 

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

CMYK 97 / 0 / 54 / 22

HEX #06C65C

RGB 6 198 92

HSL 146.88, 0.94%, 0.4%

LAB 70.32, -64.12, 41.32

 

CMYK 73 / 97 / 0 / 22

HEX #3606C6

RGB 54 6 198

HSL 255, 0.94%, 0.4%

LAB 26.71, 65.19, -84.44

 

CMYK 0 / 97 / 43 / 22

HEX #C60670

RGB 198 6 112

HSL 326.88, 0.94%, 0.4%

LAB 43.22, 70.47, -4.55

 

CMYK 26 / 0 / 97 / 22

HEX #94C706

RGB 148 199 6

HSL 75.85, 0.94%, 0.4%

LAB 74.29, -38.94, 73.5

 

CMYK 97 / 0 / 24 / 22

HEX #06C696

RGB 6 198 150

HSL 165, 0.94%, 0.4%

LAB 71.3, -52.67, 12.58

 

CMYK 73 / 97 / 0 / 22

HEX #3606C6

RGB 54 6 198

HSL 255, 0.94%, 0.4%

LAB 26.71, 65.19, -84.44

 

CMYK 0 / 97 / 73 / 22

HEX #C60636

RGB 198 6 54

HSL 345, 0.94%, 0.4%

LAB 41.85, 66.77, 29.99

 

Description

Color code: HEX #94C706 | qconv.com Color code: HEX #94C706 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 199 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 199 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 97 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 97% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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