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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94BF48 it is the complementary color #6B40B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94BF48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94BF48 shade: #99BF43, #AAD156, #BBE369, #CCF57C and #DDFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94BF48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94BF48 shade: #94BF48, #83AD35, #729B22, #61890F and #507700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94BF48 shade: #95BF4A, #B5BF4A, #BFAA4A, #BF8B4A and #BF6B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94BF48 shade: #95BF4A, #75BF4A, #56BF4A, #4ABF5E and #4ABF7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94BF48 shade matches the following richer shades: #95BF4A, #9AD336, #A0E722 and #A5FB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94BF48 shade: #95BF4A, #8FAC5E, #8A9871, #848485 and #7F7099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94BF48 shade: #BFAA4A, #B6BF4A, #96BF4A, #77BF4A and #58BF4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94BF48 shade: #68872F, #7FA63A, #95BF4A, #A7CA68 and #B9D587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94BF48 shade: #94BF48, #4ABF8A and #B94ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94BF48 shade: #94BF48, #4A96BF and #BF4A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94BF48 shade: #94BF48, #4ABF8A, #734ABF and #BF4A7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94BF48 shade: #94BF48, #4ABFAE, #734ABF and #BF4A5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

Complementary color

CMYK 42 / 65 / 0 / 28

HEX #6B40B7

RGB 107 64 183

HSL 261.68, 0.48%, 0.48%

LAB 38.22, 44.9, -56.48

 

CMYK 20 / 0 / 65 / 25

HEX #99BF43

RGB 153 191 67

HSL 78.39, 0.49%, 0.51%

LAB 72.52, -30.91, 56.31

 

CMYK 19 / 0 / 59 / 18

HEX #AAD156

RGB 170 209 86

HSL 79.02, 0.57%, 0.58%

LAB 78.94, -31.24, 55.52

 

CMYK 18 / 0 / 54 / 11

HEX #BBE369

RGB 187 227 105

HSL 79.67, 0.69%, 0.65%

LAB 85.26, -31.47, 54.55

 

CMYK 17 / 0 / 49 / 4

HEX #CCF57C

RGB 204 245 124

HSL 80.33, 0.86%, 0.72%

LAB 91.5, -31.64, 53.49

 

CMYK 13 / 0 / 44 / 0

HEX #DDFF8F

RGB 221 255 143

HSL 78.21, 1%, 0.78%

LAB 95.53, -28.04, 49.74

 

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

CMYK 24 / 0 / 69 / 32

HEX #83AD35

RGB 131 173 53

HSL 81, 0.53%, 0.44%

LAB 65.72, -32.13, 54.42

 

CMYK 26 / 0 / 78 / 39

HEX #729B22

RGB 114 155 34

HSL 80.33, 0.64%, 0.37%

LAB 59.1, -31.61, 54.44

 

CMYK 29 / 0 / 89 / 46

HEX #61890F

RGB 97 137 15

HSL 79.67, 0.8%, 0.3%

LAB 52.36, -30.84, 53.28

 

CMYK 33 / 0 / 100 / 53

HEX #507700

RGB 80 119 0

HSL 79.66, 1%, 0.23%

LAB 45.5, -29.77, 50.31

 

CMYK 22 / 0 / 61 / 25

HEX #95BF4A

RGB 149 191 74

HSL 81.54, 0.48%, 0.52%

LAB 72.33, -31.93, 53.05

 

CMYK 5 / 0 / 61 / 25

HEX #B5BF4A

RGB 181 191 74

HSL 65.13, 0.48%, 0.52%

LAB 74.56, -19.04, 56.14

 

CMYK 0 / 11 / 61 / 25

HEX #BFAA4A

RGB 191 170 74

HSL 49.23, 0.48%, 0.52%

LAB 69.7, -3.98, 51.06

 

CMYK 0 / 27 / 61 / 25

HEX #BF8B4A

RGB 191 139 74

HSL 33.33, 0.48%, 0.52%

LAB 61.69, 12.82, 41.96

 

CMYK 0 / 44 / 61 / 25

HEX #BF6B4A

RGB 191 107 74

HSL 16.92, 0.48%, 0.52%

LAB 54.12, 30.38, 32.92

 

CMYK 22 / 0 / 61 / 25

HEX #95BF4A

RGB 149 191 74

HSL 81.54, 0.48%, 0.52%

LAB 72.33, -31.93, 53.05

 

CMYK 39 / 0 / 61 / 25

HEX #75BF4A

RGB 117 191 74

HSL 97.95, 0.48%, 0.52%

LAB 70.55, -43.56, 50.59

 

CMYK 55 / 0 / 61 / 25

HEX #56BF4A

RGB 86 191 74

HSL 113.85, 0.48%, 0.52%

LAB 69.28, -52.86, 48.81

 

CMYK 61 / 0 / 51 / 25

HEX #4ABF5E

RGB 74 191 94

HSL 130.26, 0.48%, 0.52%

LAB 69.13, -53.23, 39.12

 

CMYK 61 / 0 / 34 / 25

HEX #4ABF7E

RGB 74 191 126

HSL 146.67, 0.48%, 0.52%

LAB 69.63, -47.79, 23.28

 

CMYK 22 / 0 / 61 / 25

HEX #95BF4A

RGB 149 191 74

HSL 81.54, 0.48%, 0.52%

LAB 72.33, -31.93, 53.05

 

CMYK 27 / 0 / 74 / 17

HEX #9AD336

RGB 154 211 54

HSL 81.78, 0.64%, 0.52%

LAB 78.3, -40.45, 66.98

 

CMYK 31 / 0 / 85 / 9

HEX #A0E722

RGB 160 231 34

HSL 81.62, 0.8%, 0.52%

LAB 84.35, -47.63, 77.87

 

CMYK 34 / 0 / 94 / 2

HEX #A5FB0E

RGB 165 251 14

HSL 81.77, 0.97%, 0.52%

LAB 90.33, -54.45, 85.76

 

CMYK 22 / 0 / 61 / 25

HEX #95BF4A

RGB 149 191 74

HSL 81.54, 0.48%, 0.52%

LAB 72.33, -31.93, 53.05

 

CMYK 17 / 0 / 45 / 33

HEX #8FAC5E

RGB 143 172 94

HSL 82.31, 0.32%, 0.52%

LAB 66.64, -23.1, 36.75

 

CMYK 9 / 0 / 26 / 40

HEX #8A9871

RGB 138 152 113

HSL 81.54, 0.16%, 0.52%

LAB 60.83, -12.12, 18.91

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 17 / 27 / 0 / 40

HEX #7F7099

RGB 127 112 153

HSL 261.95, 0.17%, 0.52%

LAB 49.98, 14.47, -20.07

 

CMYK 0 / 11 / 61 / 25

HEX #BFAA4A

RGB 191 170 74

HSL 49.23, 0.48%, 0.52%

LAB 69.7, -3.98, 51.06

 

CMYK 5 / 0 / 61 / 25

HEX #B6BF4A

RGB 182 191 74

HSL 64.62, 0.48%, 0.52%

LAB 74.64, -18.63, 56.24

 

CMYK 21 / 0 / 61 / 25

HEX #96BF4A

RGB 150 191 74

HSL 81.03, 0.48%, 0.52%

LAB 72.39, -31.55, 53.14

 

CMYK 38 / 0 / 61 / 25

HEX #77BF4A

RGB 119 191 74

HSL 96.92, 0.48%, 0.52%

LAB 70.65, -42.89, 50.72

 

CMYK 54 / 0 / 61 / 25

HEX #58BF4A

RGB 88 191 74

HSL 112.82, 0.48%, 0.52%

LAB 69.35, -52.33, 48.91

 

CMYK 23 / 0 / 65 / 47

HEX #68872F

RGB 104 135 47

HSL 81.14, 0.48%, 0.36%

LAB 52.37, -25.19, 42.38

 

CMYK 23 / 0 / 65 / 35

HEX #7FA63A

RGB 127 166 58

HSL 81.67, 0.48%, 0.44%

LAB 63.42, -30.05, 49.88

 

CMYK 22 / 0 / 61 / 25

HEX #95BF4A

RGB 149 191 74

HSL 81.54, 0.48%, 0.52%

LAB 72.33, -31.93, 53.05

 

CMYK 17 / 0 / 49 / 21

HEX #A7CA68

RGB 167 202 104

HSL 81.43, 0.48%, 0.6%

LAB 76.95, -27.36, 44.82

 

CMYK 13 / 0 / 37 / 16

HEX #B9D587

RGB 185 213 135

HSL 81.54, 0.48%, 0.68%

LAB 81.65, -22.24, 35.53

 

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

CMYK 61 / 0 / 28 / 25

HEX #4ABF8A

RGB 74 191 138

HSL 152.82, 0.48%, 0.52%

LAB 69.86, -45.34, 17.18

 

CMYK 3 / 61 / 0 / 25

HEX #B94ABF

RGB 185 74 191

HSL 296.92, 0.48%, 0.52%

LAB 50.66, 60.02, -40.67

 

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

CMYK 61 / 21 / 0 / 25

HEX #4A96BF

RGB 74 150 191

HSL 201.03, 0.48%, 0.52%

LAB 59, -11.1, -28.3

 

CMYK 0 / 61 / 21 / 25

HEX #BF4A96

RGB 191 74 150

HSL 321.03, 0.48%, 0.52%

LAB 49.71, 55.07, -18.01

 

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

CMYK 61 / 0 / 28 / 25

HEX #4ABF8A

RGB 74 191 138

HSL 152.82, 0.48%, 0.52%

LAB 69.86, -45.34, 17.18

 

CMYK 40 / 61 / 0 / 25

HEX #734ABF

RGB 115 74 191

HSL 261.03, 0.48%, 0.52%

LAB 41.7, 43.27, -55.51

 

CMYK 0 / 61 / 34 / 25

HEX #BF4A7F

RGB 191 74 127

HSL 332.82, 0.48%, 0.52%

LAB 48.89, 52.06, -5.47

 

CMYK 23 / 0 / 62 / 25

HEX #94BF48

RGB 148 191 72

HSL 81.68, 0.48%, 0.52%

LAB 72.25, -32.48, 53.81

 

CMYK 61 / 0 / 9 / 25

HEX #4ABFAE

RGB 74 191 174

HSL 171.28, 0.48%, 0.52%

LAB 70.71, -36.8, -1.18

 

CMYK 40 / 61 / 0 / 25

HEX #734ABF

RGB 115 74 191

HSL 261.03, 0.48%, 0.52%

LAB 41.7, 43.27, -55.51

 

CMYK 0 / 61 / 52 / 25

HEX #BF4A5B

RGB 191 74 91

HSL 351.28, 0.48%, 0.52%

LAB 47.92, 48.33, 14.94

 

Description

Color code: HEX #94BF48 | qconv.com Color code: HEX #94BF48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 191 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 191 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 62 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 62% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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