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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94BC64 it is the complementary color #6B439B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94BC64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94BC64 shade: #99BC5F, #AACE72, #BBE085, #CCF298 and #DDFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94BC64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94BC64 shade: #94BC64, #83AA51, #72983E, #61862B and #507418

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94BC64 shade: #93BC62, #ABBC62, #BCB462, #BC9C62 and #BC8462

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94BC64 shade: #93BC62, #7BBC62, #62BC62, #62BC7A and #62BC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94BC64 shade matches the following richer shades: #93BC62, #95CE50, #96E03E and #98F22B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94BC64 shade: #93BC62, #91AA74, #909786, #8E8598 and #8C73AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94BC64 shade: #BCB462, #ABBC62, #93BC62, #7BBC62 and #63BC62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94BC64 shade: #698E3D, #7FAB49, #93BC62, #A7C87F and #BBD49C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94BC64 shade: #94BC64, #62BC9C and #BC62B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94BC64 shade: #94BC64, #6293BC and #BC6293

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94BC64 shade: #94BC64, #62BC9C, #8A62BC and #BC6281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94BC64 shade: #94BC64, #62BCB7, #8A62BC and #BC6266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

Complementary color

CMYK 31 / 57 / 0 / 39

HEX #6B439B

RGB 107 67 155

HSL 267.27, 0.4%, 0.44%

LAB 36.94, 35.78, -41.84

 

CMYK 19 / 0 / 49 / 26

HEX #99BC5F

RGB 153 188 95

HSL 82.58, 0.41%, 0.55%

LAB 71.94, -26.96, 42.9

 

CMYK 17 / 0 / 45 / 19

HEX #AACE72

RGB 170 206 114

HSL 83.48, 0.48%, 0.63%

LAB 78.41, -27.03, 41.74

 

CMYK 17 / 0 / 41 / 12

HEX #BBE085

RGB 187 224 133

HSL 84.4, 0.59%, 0.7%

LAB 84.78, -27.07, 40.59

 

CMYK 16 / 0 / 37 / 5

HEX #CCF298

RGB 204 242 152

HSL 85.33, 0.78%, 0.77%

LAB 91.06, -27.07, 39.46

 

CMYK 13 / 0 / 33 / 0

HEX #DDFFAB

RGB 221 255 171

HSL 84.29, 1%, 0.84%

LAB 95.93, -24.7, 36.62

 

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

CMYK 23 / 0 / 52 / 33

HEX #83AA51

RGB 131 170 81

HSL 86.29, 0.35%, 0.49%

LAB 65.1, -28.26, 41.21

 

CMYK 25 / 0 / 59 / 40

HEX #72983E

RGB 114 152 62

HSL 85.33, 0.42%, 0.42%

LAB 58.4, -28.14, 42.31

 

CMYK 28 / 0 / 68 / 47

HEX #61862B

RGB 97 134 43

HSL 84.4, 0.51%, 0.35%

LAB 51.57, -27.89, 43.16

 

CMYK 31 / 0 / 79 / 55

HEX #507418

RGB 80 116 24

HSL 83.48, 0.66%, 0.27%

LAB 44.61, -27.43, 43.39

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 9 / 0 / 48 / 26

HEX #ABBC62

RGB 171 188 98

HSL 71.33, 0.4%, 0.56%

LAB 73.22, -19.56, 43.28

 

CMYK 0 / 4 / 48 / 26

HEX #BCB462

RGB 188 180 98

HSL 54.67, 0.4%, 0.56%

LAB 72.37, -8.53, 42.56

 

CMYK 0 / 17 / 48 / 26

HEX #BC9C62

RGB 188 156 98

HSL 38.67, 0.4%, 0.56%

LAB 66.02, 4.27, 34.69

 

CMYK 0 / 30 / 48 / 26

HEX #BC8462

RGB 188 132 98

HSL 22.67, 0.4%, 0.56%

LAB 59.96, 17.49, 26.91

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 35 / 0 / 48 / 26

HEX #7BBC62

RGB 123 188 98

HSL 103.33, 0.4%, 0.56%

LAB 70.22, -37.53, 38.91

 

CMYK 48 / 0 / 48 / 26

HEX #62BC62

RGB 98 188 98

HSL 120, 0.4%, 0.56%

LAB 69.07, -45.37, 37.24

 

CMYK 48 / 0 / 35 / 26

HEX #62BC7A

RGB 98 188 122

HSL 136, 0.4%, 0.56%

LAB 69.45, -41.53, 25.3

 

CMYK 48 / 0 / 22 / 26

HEX #62BC92

RGB 98 188 146

HSL 152, 0.4%, 0.56%

LAB 69.92, -36.84, 13.05

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 28 / 0 / 61 / 19

HEX #95CE50

RGB 149 206 80

HSL 87.14, 0.56%, 0.56%

LAB 76.75, -38.29, 55.34

 

CMYK 33 / 0 / 72 / 12

HEX #96E03E

RGB 150 224 62

HSL 87.41, 0.72%, 0.56%

LAB 81.92, -47.04, 67.75

 

CMYK 37 / 0 / 82 / 5

HEX #98F22B

RGB 152 242 43

HSL 87.14, 0.88%, 0.56%

LAB 87.17, -54.61, 78.18

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 15 / 0 / 32 / 33

HEX #91AA74

RGB 145 170 116

HSL 87.78, 0.24%, 0.56%

LAB 66.54, -18.39, 25.07

 

CMYK 5 / 0 / 11 / 41

HEX #909786

RGB 144 151 134

HSL 84.71, 0.08%, 0.56%

LAB 61.47, -5.75, 8.09

 

CMYK 7 / 13 / 0 / 40

HEX #8E8598

RGB 142 133 152

HSL 268.42, 0.08%, 0.56%

LAB 56.87, 7.15, -8.92

 

CMYK 18 / 33 / 0 / 33

HEX #8C73AB

RGB 140 115 171

HSL 266.79, 0.25%, 0.56%

LAB 52.7, 21.18, -26.27

 

CMYK 0 / 4 / 48 / 26

HEX #BCB462

RGB 188 180 98

HSL 54.67, 0.4%, 0.56%

LAB 72.37, -8.53, 42.56

 

CMYK 9 / 0 / 48 / 26

HEX #ABBC62

RGB 171 188 98

HSL 71.33, 0.4%, 0.56%

LAB 73.22, -19.56, 43.28

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 35 / 0 / 48 / 26

HEX #7BBC62

RGB 123 188 98

HSL 103.33, 0.4%, 0.56%

LAB 70.22, -37.53, 38.91

 

CMYK 47 / 0 / 48 / 26

HEX #63BC62

RGB 99 188 98

HSL 119.33, 0.4%, 0.56%

LAB 69.11, -45.09, 37.3

 

CMYK 26 / 0 / 57 / 44

HEX #698E3D

RGB 105 142 61

HSL 87.41, 0.4%, 0.4%

LAB 54.75, -26.92, 38.45

 

CMYK 26 / 0 / 57 / 33

HEX #7FAB49

RGB 127 171 73

HSL 86.94, 0.4%, 0.48%

LAB 65.06, -31.1, 44.95

 

CMYK 22 / 0 / 48 / 26

HEX #93BC62

RGB 147 188 98

HSL 87.33, 0.4%, 0.56%

LAB 71.59, -28.91, 40.91

 

CMYK 17 / 0 / 37 / 22

HEX #A7C87F

RGB 167 200 127

HSL 87.12, 0.4%, 0.64%

LAB 76.71, -23.62, 32.97

 

CMYK 12 / 0 / 26 / 17

HEX #BBD49C

RGB 187 212 156

HSL 86.79, 0.39%, 0.72%

LAB 81.87, -18.11, 25.01

 

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

CMYK 48 / 0 / 17 / 26

HEX #62BC9C

RGB 98 188 156

HSL 158.67, 0.4%, 0.56%

LAB 70.15, -34.65, 7.93

 

CMYK 0 / 48 / 3 / 26

HEX #BC62B7

RGB 188 98 183

HSL 303.33, 0.4%, 0.56%

LAB 54.91, 48.07, -29.35

 

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

CMYK 48 / 22 / 0 / 26

HEX #6293BC

RGB 98 147 188

HSL 207.33, 0.4%, 0.56%

LAB 59.06, -5.13, -26.42

 

CMYK 0 / 48 / 22 / 26

HEX #BC6293

RGB 188 98 147

HSL 327.33, 0.4%, 0.56%

LAB 53.53, 42.15, -10.5

 

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

CMYK 48 / 0 / 17 / 26

HEX #62BC9C

RGB 98 188 156

HSL 158.67, 0.4%, 0.56%

LAB 70.15, -34.65, 7.93

 

CMYK 27 / 48 / 0 / 26

HEX #8A62BC

RGB 138 98 188

HSL 266.67, 0.4%, 0.56%

LAB 49.22, 34.6, -41.6

 

CMYK 0 / 48 / 31 / 26

HEX #BC6281

RGB 188 98 129

HSL 339.33, 0.4%, 0.56%

LAB 52.96, 39.62, -0.71

 

CMYK 21 / 0 / 47 / 26

HEX #94BC64

RGB 148 188 100

HSL 87.27, 0.4%, 0.56%

LAB 71.68, -28.3, 40.04

 

CMYK 48 / 0 / 3 / 26

HEX #62BCB7

RGB 98 188 183

HSL 176.67, 0.4%, 0.56%

LAB 70.86, -28.13, -5.81

 

CMYK 27 / 48 / 0 / 26

HEX #8A62BC

RGB 138 98 188

HSL 266.67, 0.4%, 0.56%

LAB 49.22, 34.6, -41.6

 

CMYK 0 / 48 / 46 / 26

HEX #BC6266

RGB 188 98 102

HSL 357.33, 0.4%, 0.56%

LAB 52.27, 36.45, 14.29

 

Description

Color code: HEX #94BC64 | qconv.com Color code: HEX #94BC64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 188 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 188 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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