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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94BB13 it is the complementary color #6B44EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94BB13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94BB13 shade: #99BB0E, #AACD21, #BBDF34, #CCF147 and #DDFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94BB13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94BB13 shade: #94BB13, #83A900, #729700, #618500 and #507300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94BB13 shade: #93BA12, #BAB312, #BA8612, #BA5912 and #BA2C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94BB13 shade: #93BA12, #66BA12, #39BA12, #12BA19 and #12BA46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94BB13 shade matches the following richer shades: #93BA12 and #9CCA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94BB13 shade: #93BA12, #8AA923, #819933, #788844 and #6F7854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94BB13 shade: #BA8512, #BAB112, #95BA12, #69BA12 and #3CBA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94BB13 shade: #576F0B, #75940F, #93BA12, #B0DF16 and #C0EB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94BB13 shade: #94BB13, #12BA58 and #9B12BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94BB13 shade: #94BB13, #1295BA and #BA1295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94BB13 shade: #94BB13, #12BA58, #3712BA and #BA1274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94BB13 shade: #94BB13, #12BA8A, #3712BA and #BA1242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

Complementary color

CMYK 55 / 71 / 0 / 7

HEX #6B44EC

RGB 107 68 236

HSL 253.93, 0.82%, 0.6%

LAB 43.24, 57.47, -78.87

 

CMYK 18 / 0 / 93 / 27

HEX #99BB0E

RGB 153 187 14

HSL 71.79, 0.86%, 0.39%

LAB 71.11, -31.34, 70.24

 

CMYK 17 / 0 / 84 / 20

HEX #AACD21

RGB 170 205 33

HSL 72.21, 0.72%, 0.47%

LAB 77.47, -32.35, 72.46

 

CMYK 16 / 0 / 77 / 13

HEX #BBDF34

RGB 187 223 52

HSL 72.63, 0.73%, 0.54%

LAB 83.75, -33.17, 73.45

 

CMYK 15 / 0 / 71 / 5

HEX #CCF147

RGB 204 241 71

HSL 73.06, 0.86%, 0.61%

LAB 89.95, -33.83, 73.65

 

CMYK 13 / 0 / 65 / 0

HEX #DDFF5A

RGB 221 255 90

HSL 72.36, 1%, 0.68%

LAB 95.01, -32.54, 72.22

 

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

CMYK 22 / 0 / 100 / 34

HEX #83A900

RGB 131 169 0

HSL 73.49, 1%, 0.33%

LAB 64.32, -32.19, 66.08

 

CMYK 25 / 0 / 100 / 41

HEX #729700

RGB 114 151 0

HSL 74.7, 1%, 0.3%

LAB 57.76, -30.77, 60.61

 

CMYK 27 / 0 / 100 / 48

HEX #618500

RGB 97 133 0

HSL 76.24, 1%, 0.26%

LAB 51.06, -29.34, 55.03

 

CMYK 30 / 0 / 100 / 55

HEX #507300

RGB 80 115 0

HSL 78.26, 1%, 0.23%

LAB 44.19, -27.88, 49.31

 

CMYK 21 / 0 / 90 / 27

HEX #93BA12

RGB 147 186 18

HSL 73.93, 0.82%, 0.4%

LAB 70.43, -33.25, 68.93

 

CMYK 0 / 4 / 90 / 27

HEX #BAB312

RGB 186 179 18

HSL 57.5, 0.82%, 0.4%

LAB 71.37, -13.22, 70.91

 

CMYK 0 / 28 / 90 / 27

HEX #BA8612

RGB 186 134 18

HSL 41.43, 0.82%, 0.4%

LAB 59.46, 10.88, 61.67

 

CMYK 0 / 52 / 90 / 27

HEX #BA5912

RGB 186 89 18

HSL 25.36, 0.82%, 0.4%

LAB 49.04, 35.38, 53.72

 

CMYK 0 / 76 / 90 / 27

HEX #BA2C12

RGB 186 44 18

HSL 9.29, 0.82%, 0.4%

LAB 41.66, 54.96, 48.26

 

CMYK 21 / 0 / 90 / 27

HEX #93BA12

RGB 147 186 18

HSL 73.93, 0.82%, 0.4%

LAB 70.43, -33.25, 68.93

 

CMYK 45 / 0 / 90 / 27

HEX #66BA12

RGB 102 186 18

HSL 90, 0.82%, 0.4%

LAB 68.01, -49.87, 65.95

 

CMYK 69 / 0 / 90 / 27

HEX #39BA12

RGB 57 186 18

HSL 106.07, 0.82%, 0.4%

LAB 66.54, -61.63, 64.12

 

CMYK 90 / 0 / 87 / 27

HEX #12BA19

RGB 18 186 25

HSL 122.5, 0.82%, 0.4%

LAB 65.99, -66.38, 62.06

 

CMYK 90 / 0 / 62 / 27

HEX #12BA46

RGB 18 186 70

HSL 138.57, 0.82%, 0.4%

LAB 66.28, -62.75, 46.82

 

CMYK 21 / 0 / 90 / 27

HEX #93BA12

RGB 147 186 18

HSL 73.93, 0.82%, 0.4%

LAB 70.43, -33.25, 68.93

 

CMYK 23 / 0 / 99 / 21

HEX #9CCA02

RGB 156 202 2

HSL 73.8, 0.98%, 0.4%

LAB 75.65, -37.18, 75.16

 

CMYK 21 / 0 / 90 / 27

HEX #93BA12

RGB 147 186 18

HSL 73.93, 0.82%, 0.4%

LAB 70.43, -33.25, 68.93

 

CMYK 18 / 0 / 79 / 34

HEX #8AA923

RGB 138 169 35

HSL 73.88, 0.66%, 0.4%

LAB 64.88, -28.39, 60.04

 

CMYK 16 / 0 / 67 / 40

HEX #819933

RGB 129 153 51

HSL 74.12, 0.5%, 0.4%

LAB 59.61, -23.42, 48.86

 

CMYK 12 / 0 / 50 / 47

HEX #788844

RGB 120 136 68

HSL 74.12, 0.33%, 0.4%

LAB 54.05, -16.97, 34.33

 

CMYK 8 / 0 / 30 / 53

HEX #6F7854

RGB 111 120 84

HSL 75, 0.18%, 0.4%

LAB 48.83, -9.99, 18.7

 

CMYK 0 / 28 / 90 / 27

HEX #BA8512

RGB 186 133 18

HSL 41.07, 0.82%, 0.4%

LAB 59.21, 11.43, 61.47

 

CMYK 0 / 5 / 90 / 27

HEX #BAB112

RGB 186 177 18

HSL 56.79, 0.82%, 0.4%

LAB 70.82, -12.19, 70.48

 

CMYK 20 / 0 / 90 / 27

HEX #95BA12

RGB 149 186 18

HSL 73.21, 0.82%, 0.4%

LAB 70.56, -32.44, 69.09

 

CMYK 44 / 0 / 90 / 27

HEX #69BA12

RGB 105 186 18

HSL 88.93, 0.82%, 0.4%

LAB 68.14, -48.89, 66.11

 

CMYK 68 / 0 / 90 / 27

HEX #3CBA12

RGB 60 186 18

HSL 105, 0.82%, 0.4%

LAB 66.61, -61.04, 64.21

 

CMYK 22 / 0 / 90 / 56

HEX #576F0B

RGB 87 111 11

HSL 74.4, 0.82%, 0.24%

LAB 43.39, -22.52, 46.34

 

CMYK 21 / 0 / 90 / 42

HEX #75940F

RGB 117 148 15

HSL 73.98, 0.82%, 0.32%

LAB 57.07, -27.77, 57.73

 

CMYK 21 / 0 / 90 / 27

HEX #93BA12

RGB 147 186 18

HSL 73.93, 0.82%, 0.4%

LAB 70.43, -33.25, 68.93

 

CMYK 21 / 0 / 90 / 13

HEX #B0DF16

RGB 176 223 22

HSL 74.03, 0.82%, 0.48%

LAB 82.95, -38.43, 79.19

 

CMYK 18 / 0 / 78 / 8

HEX #C0EB34

RGB 192 235 52

HSL 74.1, 0.82%, 0.56%

LAB 87.42, -36.67, 76.93

 

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

CMYK 90 / 0 / 53 / 27

HEX #12BA58

RGB 18 186 88

HSL 145, 0.82%, 0.4%

LAB 66.48, -60.28, 38.6

 

CMYK 17 / 90 / 0 / 27

HEX #9B12BA

RGB 155 18 186

HSL 288.93, 0.82%, 0.4%

LAB 39.49, 70.57, -55.88

 

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

CMYK 90 / 20 / 0 / 27

HEX #1295BA

RGB 18 149 186

HSL 193.21, 0.82%, 0.4%

LAB 57.24, -18.99, -28.3

 

CMYK 0 / 90 / 20 / 27

HEX #BA1295

RGB 186 18 149

HSL 313.21, 0.82%, 0.4%

LAB 42.83, 70.56, -28.12

 

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

CMYK 90 / 0 / 53 / 27

HEX #12BA58

RGB 18 186 88

HSL 145, 0.82%, 0.4%

LAB 66.48, -60.28, 38.6

 

CMYK 70 / 90 / 0 / 27

HEX #3712BA

RGB 55 18 186

HSL 253.21, 0.82%, 0.4%

LAB 26.13, 59.5, -78.32

 

CMYK 0 / 90 / 38 / 27

HEX #BA1274

RGB 186 18 116

HSL 325, 0.82%, 0.4%

LAB 41.43, 66.82, -9.98

 

CMYK 21 / 0 / 90 / 27

HEX #94BB13

RGB 148 187 19

HSL 73.93, 0.82%, 0.4%

LAB 70.79, -33.28, 69.09

 

CMYK 90 / 0 / 26 / 27

HEX #12BA8A

RGB 18 186 138

HSL 162.86, 0.82%, 0.4%

LAB 67.34, -50.39, 13.51

 

CMYK 70 / 90 / 0 / 27

HEX #3712BA

RGB 55 18 186

HSL 253.21, 0.82%, 0.4%

LAB 26.13, 59.5, -78.32

 

CMYK 0 / 90 / 65 / 27

HEX #BA1242

RGB 186 18 66

HSL 342.86, 0.82%, 0.4%

LAB 40.02, 62.93, 19.66

 

Description

Color code: HEX #94BB13 | qconv.com Color code: HEX #94BB13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 187 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 187 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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