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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B4FACE it is the complementary color #6B4B05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B4FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B4FACE shade: #99B4F5CE, #AAC6FFCE, #BBD8FFCE, #CCEAFFCE and #DDFCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B4FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B4FACE shade: #94B4FACE, #83A2E7CE, #7290D4CE, #617EC1CE and #506CAECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B4FACE shade: #94B4FA, #9498FA, #AB94FA, #C694FA and #E294FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B4FACE shade: #94B4FA, #9498FA and #9494FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B4FACE shade matches the following richer shades: #94B4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B4FACE shade: #94B4FA, #9DB7F1, #A6BBE8, #AFBEDF and #B8C1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B4FACE shade: #94EBFA, #94CFFA, #94B4FA, #9499FA and #AA94FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B4FACE shade: #457DF6, #6C98F8, #94B4FA, #BBD0FC and #E3EBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B4FACE shade: #94B4FA, #EE94FA and #DDFA94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B4FACE shade: #94B4FA, #FA94B4 and #B4FA94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B4FACE shade: #94B4FA, #EE94FA, #FADA94 and #A0FA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B4FACE shade: #94B4FA, #FA94E7, #FADA94 and #94FAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 23 / 0 / 2

HEX #94B4FACE

RGBA 148 180 250 0.81

HSLA 221.18, 0.91%, 0.78%, 0.81

LABA 73.44, 6.44, -38.15, 0.81

 

Complementary color

CMYK 0 / 24 / 77 / 47

HEX #6B4B05CE

RGBA 107 75 5 0.81

HSLA 41.18, 0.91%, 0.22%, 0.81

LABA 34.33, 7.58, 41.46, 0.81

 

CMYK 30 / 21 / 0 / 3

HEX #99B4F5CE

RGBA 153 180 245 0.81

HSLA 222.39, 0.82%, 0.78%, 0.81

LABA 73.55, 6.4, -35.26, 0.81

 

CMYK 27 / 18 / 0 / 0

HEX #AAC6FFCE

RGBA 170 198 255 0.81

HSLA 220.24, 1%, 0.83%, 0.81

LABA 79.7, 3.7, -31.05, 0.81

 

CMYK 22 / 12 / 0 / 0

HEX #BBD8FFCE

RGBA 187 216 255 0.81

HSLA 214.41, 1%, 0.87%, 0.81

LABA 85.45, -1.11, -22.17, 0.81

 

CMYK 16 / 7 / 0 / 0

HEX #CCEAFFCE

RGBA 204 234 255 0.81

HSLA 204.71, 1%, 0.9%, 0.81

LABA 91.19, -5.44, -13.42, 0.81

 

CMYK 11 / 1 / 0 / 0

HEX #DDFCFFCE

RGBA 221 252 255 0.81

HSLA 185.29, 1%, 0.93%, 0.81

LABA 96.91, -9.37, -4.82, 0.81

 

CMYK 33 / 23 / 0 / 2

HEX #94B4FACE

RGBA 148 180 250 0.81

HSLA 221.18, 0.91%, 0.78%, 0.81

LABA 73.44, 6.44, -38.15, 0.81

 

CMYK 35 / 24 / 0 / 8

HEX #83A2E7CE

RGBA 131 162 231 0.81

HSLA 221.4, 0.68%, 0.71%, 0.81

LABA 66.85, 6.99, -38.15, 0.81

 

CMYK 37 / 26 / 0 / 14

HEX #7290D4CE

RGBA 114 144 212 0.81

HSLA 221.63, 0.53%, 0.64%, 0.81

LABA 60.14, 7.63, -38.18, 0.81

 

CMYK 40 / 28 / 0 / 20

HEX #617EC1CE

RGBA 97 126 193 0.81

HSLA 221.88, 0.44%, 0.57%, 0.81

LABA 53.29, 8.4, -38.26, 0.81

 

CMYK 44 / 31 / 0 / 26

HEX #506CAECE

RGBA 80 108 174 0.81

HSLA 222.13, 0.37%, 0.5%, 0.81

LABA 46.29, 9.35, -38.39, 0.81

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 41 / 39 / 0 / 2

HEX #9498FA

RGB 148 152 250

HSL 237.65, 0.91%, 0.78%

LAB 66.26, 22.31, -49.41

 

CMYK 32 / 41 / 0 / 2

HEX #AB94FA

RGB 171 148 250

HSL 253.53, 0.91%, 0.78%

LAB 67.08, 30.55, -47.99

 

CMYK 21 / 41 / 0 / 2

HEX #C694FA

RGB 198 148 250

HSL 269.41, 0.91%, 0.78%

LAB 69.53, 37.98, -43.97

 

CMYK 10 / 41 / 0 / 2

HEX #E294FA

RGB 226 148 250

HSL 285.88, 0.91%, 0.78%

LAB 72.4, 46.01, -39.28

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 41 / 39 / 0 / 2

HEX #9498FA

RGB 148 152 250

HSL 237.65, 0.91%, 0.78%

LAB 66.26, 22.31, -49.41

 

CMYK 41 / 41 / 0 / 2

HEX #9494FA

RGB 148 148 250

HSL 240, 0.91%, 0.78%

LAB 65.26, 24.61, -50.98

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 35 / 24 / 0 / 5

HEX #9DB7F1

RGB 157 183 241

HSL 221.43, 0.75%, 0.78%

LAB 74.44, 4.78, -31.71

 

CMYK 28 / 19 / 0 / 9

HEX #A6BBE8

RGB 166 187 232

HSL 220.91, 0.59%, 0.78%

LAB 75.75, 2.89, -24.78

 

CMYK 22 / 15 / 0 / 13

HEX #AFBEDF

RGB 175 190 223

HSL 221.25, 0.43%, 0.78%

LAB 76.84, 1.86, -18.19

 

CMYK 14 / 10 / 0 / 16

HEX #B8C1D6

RGB 184 193 214

HSL 222, 0.27%, 0.78%

LAB 77.98, 1.13, -11.55

 

CMYK 41 / 6 / 0 / 2

HEX #94EBFA

RGB 148 235 250

HSL 188.82, 0.91%, 0.78%

LAB 88.26, -22.47, -15.51

 

CMYK 41 / 17 / 0 / 2

HEX #94CFFA

RGB 148 207 250

HSL 205.29, 0.91%, 0.78%

LAB 80.64, -8.19, -27.05

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 41 / 39 / 0 / 2

HEX #9499FA

RGB 148 153 250

HSL 237.06, 0.91%, 0.78%

LAB 66.51, 21.73, -49.02

 

CMYK 32 / 41 / 0 / 2

HEX #AA94FA

RGB 170 148 250

HSL 252.94, 0.91%, 0.78%

LAB 67, 30.28, -48.13

 

CMYK 72 / 49 / 0 / 4

HEX #457DF6

RGB 69 125 246

HSL 221.02, 0.91%, 0.62%

LAB 54.64, 21.83, -66.01

 

CMYK 56 / 39 / 0 / 3

HEX #6C98F8

RGB 108 152 248

HSL 221.14, 0.91%, 0.7%

LAB 63.69, 12.68, -52.54

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 26 / 17 / 0 / 1

HEX #BBD0FC

RGB 187 208 252

HSL 220.62, 0.92%, 0.86%

LAB 83.29, 2.43, -23.87

 

CMYK 11 / 7 / 0 / 0

HEX #E3EBFE

RGB 227 235 254

HSL 222.22, 0.93%, 0.94%

LAB 92.97, 0.95, -10.08

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 5 / 41 / 0 / 2

HEX #EE94FA

RGB 238 148 250

HSL 292.94, 0.91%, 0.78%

LAB 73.71, 49.5, -37.13

 

CMYK 12 / 0 / 41 / 2

HEX #DDFA94

RGB 221 250 148

HSL 77.06, 0.91%, 0.78%

LAB 94.26, -25.13, 45.75

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 0 / 41 / 28 / 2

HEX #FA94B4

RGB 250 148 180

HSL 341.18, 0.91%, 0.78%

LAB 72.76, 42.13, 0.02

 

CMYK 28 / 0 / 41 / 2

HEX #B4FA94

RGB 180 250 148

HSL 101.18, 0.91%, 0.78%

LAB 91.78, -39.61, 42.08

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 5 / 41 / 0 / 2

HEX #EE94FA

RGB 238 148 250

HSL 292.94, 0.91%, 0.78%

LAB 73.71, 49.5, -37.13

 

CMYK 0 / 13 / 41 / 2

HEX #FADA94

RGB 250 218 148

HSL 41.18, 0.91%, 0.78%

LAB 88.26, 1.8, 38.51

 

CMYK 36 / 0 / 41 / 2

HEX #A0FA94

RGB 160 250 148

HSL 112.94, 0.91%, 0.78%

LAB 90.77, -46.04, 40.59

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 0 / 41 / 8 / 2

HEX #FA94E7

RGB 250 148 231

HSL 311.18, 0.91%, 0.78%

LAB 74.36, 49.74, -25.66

 

CMYK 0 / 13 / 41 / 2

HEX #FADA94

RGB 250 218 148

HSL 41.18, 0.91%, 0.78%

LAB 88.26, 1.8, 38.51

 

CMYK 41 / 0 / 33 / 2

HEX #94FAA7

RGB 148 250 167

HSL 131.18, 0.91%, 0.78%

LAB 90.53, -46.68, 30.73

 

Description

Color code: HEX #94B4FACE | qconv.com Color code: HEX #94B4FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 180 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 180 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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