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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B3F7 it is the complementary color #6B4C08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B3F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B3F7 shade: #99B3F2, #AAC5FF, #BBD7FF, #CCE9FF and #DDFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B3F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B3F7 shade: #94B3F7, #83A1E4, #728FD1, #617DBE and #506BAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B3F7 shade: #92B2F7, #9296F7, #A992F7, #C492F7 and #DF92F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B3F7 shade: #92B2F7, #9296F7 and #9292F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B3F7 shade matches the following richer shades: #92B2F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B3F7 shade: #92B2F7, #9BB5ED, #A5B9E4, #AEBCDA and #B8C0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B3F7 shade: #92E8F7, #92CDF7, #92B2F7, #9297F7 and #A892F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B3F7 shade: #457BF1, #6C96F4, #92B2F7, #B8CDFA and #DFE8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B3F7 shade: #94B3F7, #EB92F7 and #DAF792

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B3F7 shade: #94B3F7, #F792B2 and #B2F792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B3F7 shade: #94B3F7, #EB92F7, #F7D792 and #9EF792

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B3F7 shade: #94B3F7, #F792E4, #F7D792 and #92F7A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

Complementary color

CMYK 0 / 29 / 93 / 58

HEX #6B4C08

RGB 107 76 8

HSL 41.21, 0.86%, 0.23%

LAB 34.62, 7.05, 40.7

 

CMYK 37 / 26 / 0 / 5

HEX #99B3F2

RGB 153 179 242

HSL 222.47, 0.77%, 0.77%

LAB 73.17, 6.16, -34.22

 

CMYK 33 / 23 / 0 / 0

HEX #AAC5FF

RGB 170 197 255

HSL 220.94, 1%, 0.83%

LAB 79.44, 4.24, -31.45

 

CMYK 27 / 16 / 0 / 0

HEX #BBD7FF

RGB 187 215 255

HSL 215.29, 1%, 0.87%

LAB 85.19, -0.59, -22.56

 

CMYK 20 / 9 / 0 / 0

HEX #CCE9FF

RGB 204 233 255

HSL 205.88, 1%, 0.9%

LAB 90.93, -4.93, -13.81

 

CMYK 13 / 2 / 0 / 0

HEX #DDFBFF

RGB 221 251 255

HSL 187.06, 1%, 0.93%

LAB 96.65, -8.87, -5.2

 

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

CMYK 43 / 29 / 0 / 11

HEX #83A1E4

RGB 131 161 228

HSL 221.44, 0.64%, 0.7%

LAB 66.46, 6.71, -37.12

 

CMYK 45 / 32 / 0 / 18

HEX #728FD1

RGB 114 143 209

HSL 221.68, 0.51%, 0.63%

LAB 59.73, 7.33, -37.14

 

CMYK 49 / 34 / 0 / 25

HEX #617DBE

RGB 97 125 190

HSL 221.94, 0.42%, 0.56%

LAB 52.87, 8.08, -37.21

 

CMYK 53 / 37 / 0 / 33

HEX #506BAB

RGB 80 107 171

HSL 222.2, 0.36%, 0.49%

LAB 45.85, 8.98, -37.33

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 41 / 39 / 0 / 3

HEX #9296F7

RGB 146 150 247

HSL 237.62, 0.86%, 0.77%

LAB 65.47, 22.13, -49.03

 

CMYK 32 / 41 / 0 / 3

HEX #A992F7

RGB 169 146 247

HSL 253.66, 0.86%, 0.77%

LAB 66.3, 30.39, -47.6

 

CMYK 21 / 41 / 0 / 3

HEX #C492F7

RGB 196 146 247

HSL 269.7, 0.86%, 0.77%

LAB 68.76, 37.84, -43.56

 

CMYK 10 / 41 / 0 / 3

HEX #DF92F7

RGB 223 146 247

HSL 285.74, 0.86%, 0.77%

LAB 71.53, 45.59, -39.02

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 41 / 39 / 0 / 3

HEX #9296F7

RGB 146 150 247

HSL 237.62, 0.86%, 0.77%

LAB 65.47, 22.13, -49.03

 

CMYK 41 / 41 / 0 / 3

HEX #9292F7

RGB 146 146 247

HSL 240, 0.86%, 0.77%

LAB 64.47, 24.44, -50.6

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 35 / 24 / 0 / 7

HEX #9BB5ED

RGB 155 181 237

HSL 220.98, 0.69%, 0.77%

LAB 73.63, 4.3, -30.79

 

CMYK 28 / 19 / 0 / 11

HEX #A5B9E4

RGB 165 185 228

HSL 220.95, 0.54%, 0.77%

LAB 75.01, 2.72, -23.74

 

CMYK 20 / 14 / 0 / 15

HEX #AEBCDA

RGB 174 188 218

HSL 220.91, 0.37%, 0.77%

LAB 76.09, 1.51, -16.64

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D1

RGB 184 192 209

HSL 220.8, 0.21%, 0.77%

LAB 77.57, 0.63, -9.46

 

CMYK 41 / 6 / 0 / 3

HEX #92E8F7

RGB 146 232 247

HSL 188.91, 0.86%, 0.77%

LAB 87.26, -22.22, -15.45

 

CMYK 41 / 17 / 0 / 3

HEX #92CDF7

RGB 146 205 247

HSL 204.95, 0.86%, 0.77%

LAB 79.89, -8.43, -26.61

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 41 / 39 / 0 / 3

HEX #9297F7

RGB 146 151 247

HSL 237.03, 0.86%, 0.77%

LAB 65.72, 21.55, -48.63

 

CMYK 32 / 41 / 0 / 3

HEX #A892F7

RGB 168 146 247

HSL 253.07, 0.86%, 0.77%

LAB 66.21, 30.12, -47.74

 

CMYK 71 / 49 / 0 / 5

HEX #457BF1

RGB 69 123 241

HSL 221.16, 0.86%, 0.61%

LAB 53.79, 21.28, -64.6

 

CMYK 56 / 39 / 0 / 4

HEX #6C96F4

RGB 108 150 244

HSL 221.47, 0.86%, 0.69%

LAB 62.95, 12.58, -51.51

 

CMYK 41 / 28 / 0 / 3

HEX #92B2F7

RGB 146 178 247

HSL 220.99, 0.86%, 0.77%

LAB 72.67, 6.22, -37.74

 

CMYK 26 / 18 / 0 / 2

HEX #B8CDFA

RGB 184 205 250

HSL 220.91, 0.87%, 0.85%

LAB 82.25, 2.69, -24.41

 

CMYK 12 / 8 / 0 / 1

HEX #DFE8FD

RGB 223 232 253

HSL 222, 0.88%, 0.93%

LAB 91.91, 1.03, -11.18

 

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

CMYK 5 / 41 / 0 / 3

HEX #EB92F7

RGB 235 146 247

HSL 292.87, 0.86%, 0.77%

LAB 72.85, 49.09, -36.87

 

CMYK 12 / 0 / 41 / 3

HEX #DAF792

RGB 218 247 146

HSL 77.23, 0.86%, 0.77%

LAB 93.23, -25.05, 45.38

 

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

CMYK 0 / 41 / 28 / 3

HEX #F792B2

RGB 247 146 178

HSL 340.99, 0.86%, 0.77%

LAB 71.92, 41.85, -0.13

 

CMYK 28 / 0 / 41 / 3

HEX #B2F792

RGB 178 247 146

HSL 100.99, 0.86%, 0.77%

LAB 90.81, -39.2, 41.79

 

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

CMYK 5 / 41 / 0 / 3

HEX #EB92F7

RGB 235 146 247

HSL 292.87, 0.86%, 0.77%

LAB 72.85, 49.09, -36.87

 

CMYK 0 / 13 / 41 / 3

HEX #F7D792

RGB 247 215 146

HSL 40.99, 0.86%, 0.77%

LAB 87.22, 1.95, 38.12

 

CMYK 36 / 0 / 41 / 3

HEX #9EF792

RGB 158 247 146

HSL 112.87, 0.86%, 0.77%

LAB 89.8, -45.65, 40.29

 

CMYK 40 / 28 / 0 / 3

HEX #94B3F7

RGB 148 179 247

HSL 221.21, 0.86%, 0.77%

LAB 73.06, 6.18, -37.13

 

CMYK 0 / 41 / 8 / 3

HEX #F792E4

RGB 247 146 228

HSL 311.29, 0.86%, 0.77%

LAB 73.5, 49.33, -25.37

 

CMYK 0 / 13 / 41 / 3

HEX #F7D792

RGB 247 215 146

HSL 40.99, 0.86%, 0.77%

LAB 87.22, 1.95, 38.12

 

CMYK 41 / 0 / 34 / 3

HEX #92F7A4

RGB 146 247 164

HSL 130.69, 0.86%, 0.77%

LAB 89.54, -46.46, 30.89

 

Description

Color code: HEX #94B3F7 | qconv.com Color code: HEX #94B3F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 179 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 179 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 28 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 28% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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