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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94AF56 it is the complementary color #6B50A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94AF56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94AF56 shade: #99AF51, #AAC164, #BBD377, #CCE58A and #DDF79D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94AF56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94AF56 shade: #94AF56, #839D43, #728B30, #61791D and #50670A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94AF56 shade: #94AF55, #ACAF55, #AF9A55, #AF8255 and #AF6955

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94AF56 shade: #94AF55, #7BAF55, #63AF55, #55AF5F and #55AF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94AF56 shade matches the following richer shades: #94AF55, #9CC341, #A4D72D and #ACEC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94AF56 shade: #94AF55, #8C9B69, #84877E, #7C7292 and #745EA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94AF56 shade: #AF9A55, #ACAF55, #94AF55, #7CAF55 and #64AF55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94AF56 shade: #657939, #7D9546, #94AF55, #A5BC71 and #B7C98D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94AF56 shade: #94AF56, #55AF82 and #A655AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94AF56 shade: #94AF56, #5594AF and #AF5594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94AF56 shade: #94AF56, #55AF82, #7055AF and #AF5582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94AF56 shade: #94AF56, #55AF9D, #7055AF and #AF5567

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

Complementary color

CMYK 37 / 53 / 0 / 34

HEX #6B50A9

RGB 107 80 169

HSL 258.2, 0.36%, 0.49%

LAB 40.78, 31.87, -44.08

 

CMYK 13 / 0 / 54 / 31

HEX #99AF51

RGB 153 175 81

HSL 74.04, 0.37%, 0.5%

LAB 68.04, -21.99, 45.06

 

CMYK 12 / 0 / 48 / 24

HEX #AAC164

RGB 170 193 100

HSL 74.84, 0.43%, 0.57%

LAB 74.58, -22.24, 43.92

 

CMYK 11 / 0 / 44 / 17

HEX #BBD377

RGB 187 211 119

HSL 75.65, 0.51%, 0.65%

LAB 81.01, -22.42, 42.77

 

CMYK 11 / 0 / 40 / 10

HEX #CCE58A

RGB 204 229 138

HSL 76.48, 0.64%, 0.72%

LAB 87.34, -22.55, 41.62

 

CMYK 11 / 0 / 36 / 3

HEX #DDF79D

RGB 221 247 157

HSL 77.33, 0.85%, 0.79%

LAB 93.59, -22.65, 40.5

 

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

CMYK 17 / 0 / 57 / 38

HEX #839D43

RGB 131 157 67

HSL 77.33, 0.4%, 0.44%

LAB 61.08, -23.28, 43.3

 

CMYK 18 / 0 / 65 / 45

HEX #728B30

RGB 114 139 48

HSL 76.48, 0.49%, 0.37%

LAB 54.3, -22.93, 44.21

 

CMYK 20 / 0 / 76 / 53

HEX #61791D

RGB 97 121 29

HSL 75.65, 0.61%, 0.29%

LAB 47.37, -22.4, 44.61

 

CMYK 22 / 0 / 90 / 60

HEX #50670A

RGB 80 103 10

HSL 74.84, 0.82%, 0.22%

LAB 40.29, -21.58, 43.76

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 2 / 0 / 51 / 31

HEX #ACAF55

RGB 172 175 85

HSL 62, 0.36%, 0.51%

LAB 69.53, -13.79, 45.24

 

CMYK 0 / 12 / 51 / 31

HEX #AF9A55

RGB 175 154 85

HSL 46, 0.36%, 0.51%

LAB 64.06, -1.4, 38.77

 

CMYK 0 / 26 / 51 / 31

HEX #AF8255

RGB 175 130 85

HSL 30, 0.36%, 0.51%

LAB 57.78, 11.87, 31

 

CMYK 0 / 40 / 51 / 31

HEX #AF6955

RGB 175 105 85

HSL 13.33, 0.36%, 0.51%

LAB 51.69, 25.87, 23.15

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 30 / 0 / 51 / 31

HEX #7BAF55

RGB 123 175 85

HSL 94.67, 0.36%, 0.51%

LAB 66.16, -33.18, 40.4

 

CMYK 43 / 0 / 51 / 31

HEX #63AF55

RGB 99 175 85

HSL 110.67, 0.36%, 0.51%

LAB 64.94, -41.34, 38.64

 

CMYK 51 / 0 / 46 / 31

HEX #55AF5F

RGB 85 175 95

HSL 126.67, 0.36%, 0.51%

LAB 64.5, -44.02, 32.89

 

CMYK 51 / 0 / 32 / 31

HEX #55AF77

RGB 85 175 119

HSL 142.67, 0.36%, 0.51%

LAB 64.9, -39.84, 20.69

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 24 / 0 / 79 / 16

HEX #A4D72D

RGB 164 215 45

HSL 78, 0.68%, 0.51%

LAB 80, -38.84, 71.5

 

CMYK 27 / 0 / 90 / 7

HEX #ACEC18

RGB 172 236 24

HSL 78.11, 0.85%, 0.51%

LAB 86.42, -45.59, 81.6

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 10 / 0 / 32 / 39

HEX #8C9B69

RGB 140 155 105

HSL 78, 0.2%, 0.51%

LAB 61.69, -14.13, 24.5

 

CMYK 2 / 0 / 7 / 47

HEX #84877E

RGB 132 135 126

HSL 80, 0.04%, 0.51%

LAB 55.83, -2.85, 4.44

 

CMYK 15 / 22 / 0 / 43

HEX #7C7292

RGB 124 114 146

HSL 258.75, 0.13%, 0.51%

LAB 49.97, 10.62, -15.99

 

CMYK 30 / 43 / 0 / 35

HEX #745EA6

RGB 116 94 166

HSL 258.33, 0.29%, 0.51%

LAB 44.9, 25.09, -35.7

 

CMYK 0 / 12 / 51 / 31

HEX #AF9A55

RGB 175 154 85

HSL 46, 0.36%, 0.51%

LAB 64.06, -1.4, 38.77

 

CMYK 2 / 0 / 51 / 31

HEX #ACAF55

RGB 172 175 85

HSL 62, 0.36%, 0.51%

LAB 69.53, -13.79, 45.24

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 29 / 0 / 51 / 31

HEX #7CAF55

RGB 124 175 85

HSL 94, 0.36%, 0.51%

LAB 66.21, -32.81, 40.48

 

CMYK 43 / 0 / 51 / 31

HEX #64AF55

RGB 100 175 85

HSL 110, 0.36%, 0.51%

LAB 64.98, -41.02, 38.7

 

CMYK 17 / 0 / 53 / 53

HEX #657939

RGB 101 121 57

HSL 78.75, 0.36%, 0.35%

LAB 47.93, -18.31, 32.38

 

CMYK 16 / 0 / 53 / 42

HEX #7D9546

RGB 125 149 70

HSL 78.23, 0.36%, 0.43%

LAB 58.32, -21.41, 38.51

 

CMYK 15 / 0 / 51 / 31

HEX #94AF55

RGB 148 175 85

HSL 78, 0.36%, 0.51%

LAB 67.73, -23.61, 42.67

 

CMYK 12 / 0 / 40 / 26

HEX #A5BC71

RGB 165 188 113

HSL 78.4, 0.36%, 0.59%

LAB 73, -20.24, 35.35

 

CMYK 9 / 0 / 30 / 21

HEX #B7C98D

RGB 183 201 141

HSL 78, 0.36%, 0.67%

LAB 78.32, -16.23, 28.02

 

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

CMYK 51 / 0 / 26 / 31

HEX #55AF82

RGB 85 175 130

HSL 150, 0.36%, 0.51%

LAB 65.12, -37.62, 14.99

 

CMYK 5 / 51 / 0 / 31

HEX #A655AF

RGB 166 85 175

HSL 294, 0.36%, 0.51%

LAB 49.13, 46.78, -33.95

 

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

CMYK 51 / 15 / 0 / 31

HEX #5594AF

RGB 85 148 175

HSL 198, 0.36%, 0.51%

LAB 58.23, -12.63, -20.38

 

CMYK 0 / 51 / 15 / 31

HEX #AF5594

RGB 175 85 148

HSL 318, 0.36%, 0.51%

LAB 49.19, 44.71, -17.83

 

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

CMYK 51 / 0 / 26 / 31

HEX #55AF82

RGB 85 175 130

HSL 150, 0.36%, 0.51%

LAB 65.12, -37.62, 14.99

 

CMYK 36 / 51 / 0 / 31

HEX #7055AF

RGB 112 85 175

HSL 258, 0.36%, 0.51%

LAB 42.82, 31.83, -44.34

 

CMYK 0 / 51 / 26 / 31

HEX #AF5582

RGB 175 85 130

HSL 330, 0.36%, 0.51%

LAB 48.54, 41.99, -8.06

 

CMYK 15 / 0 / 51 / 31

HEX #94AF56

RGB 148 175 86

HSL 78.2, 0.36%, 0.51%

LAB 67.75, -23.51, 42.19

 

CMYK 51 / 0 / 10 / 31

HEX #55AF9D

RGB 85 175 157

HSL 168, 0.36%, 0.51%

LAB 65.77, -31.4, 1

 

CMYK 36 / 51 / 0 / 31

HEX #7055AF

RGB 112 85 175

HSL 258, 0.36%, 0.51%

LAB 42.82, 31.83, -44.34

 

CMYK 0 / 51 / 41 / 31

HEX #AF5567

RGB 175 85 103

HSL 348, 0.36%, 0.51%

LAB 47.74, 38.53, 7.06

 

Description

Color code: HEX #94AF56 | qconv.com Color code: HEX #94AF56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 175 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 175 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 51 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 51% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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