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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94ACEC it is the complementary color #6B5313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94ACEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94ACEC shade: #99ACE7, #AABEFA, #BBD0FF, #CCE2FF and #DDF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94ACEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94ACEC shade: #94ACEC, #839AD9, #7288C6, #6176B3 and #5064A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94ACEC shade: #93ABEC, #9393EC, #AA93EC, #C293EC and #DB93EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94ACEC shade: #93ABEC and #9393EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94ACEC shade matches the following richer shades: #93ABEC and #88A6F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94ACEC shade: #93ABEC, #9DB0E2, #A7B4D7, #B2B9CD and #BCBEC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94ACEC shade: #93DCEC, #93C4EC, #93ACEC, #9394EC and #A993EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94ACEC shade: #4C75DF, #7090E6, #93ABEC, #B6C6F2 and #D9E1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94ACEC shade: #94ACEC, #E493EC and #D0EC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94ACEC shade: #94ACEC, #EC93AC and #ACEC93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94ACEC shade: #94ACEC, #E493EC, #ECD393 and #9AEC93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94ACEC shade: #94ACEC, #EC93D9, #ECD393 and #93ECA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

Complementary color

CMYK 0 / 22 / 82 / 58

HEX #6B5313

RGB 107 83 19

HSL 43.64, 0.7%, 0.25%

LAB 36.67, 3.17, 38.62

 

CMYK 34 / 26 / 0 / 9

HEX #99ACE7

RGB 153 172 231

HSL 225.38, 0.62%, 0.75%

LAB 70.9, 7.2, -31.75

 

CMYK 32 / 24 / 0 / 2

HEX #AABEFA

RGB 170 190 250

HSL 225, 0.89%, 0.82%

LAB 77.45, 6.8, -31.84

 

CMYK 27 / 18 / 0 / 0

HEX #BBD0FF

RGB 187 208 255

HSL 221.47, 1%, 0.87%

LAB 83.39, 3.13, -25.31

 

CMYK 20 / 11 / 0 / 0

HEX #CCE2FF

RGB 204 226 255

HSL 214.12, 1%, 0.9%

LAB 89.13, -1.32, -16.5

 

CMYK 13 / 4 / 0 / 0

HEX #DDF4FF

RGB 221 244 255

HSL 199.41, 1%, 0.93%

LAB 94.86, -5.34, -7.84

 

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

CMYK 40 / 29 / 0 / 15

HEX #839AD9

RGB 131 154 217

HSL 223.95, 0.53%, 0.68%

LAB 64.12, 7.64, -34.68

 

CMYK 42 / 31 / 0 / 22

HEX #7288C6

RGB 114 136 198

HSL 224.29, 0.42%, 0.61%

LAB 57.33, 8.23, -34.7

 

CMYK 46 / 34 / 0 / 30

HEX #6176B3

RGB 97 118 179

HSL 224.63, 0.35%, 0.54%

LAB 50.4, 8.93, -34.76

 

CMYK 50 / 38 / 0 / 37

HEX #5064A0

RGB 80 100 160

HSL 225, 0.33%, 0.47%

LAB 43.3, 9.78, -34.88

 

CMYK 38 / 28 / 0 / 7

HEX #93ABEC

RGB 147 171 236

HSL 223.82, 0.7%, 0.75%

LAB 70.44, 7.43, -35.22

 

CMYK 38 / 38 / 0 / 7

HEX #9393EC

RGB 147 147 236

HSL 240, 0.7%, 0.75%

LAB 64.26, 21.1, -44.88

 

CMYK 28 / 38 / 0 / 7

HEX #AA93EC

RGB 170 147 236

HSL 255.51, 0.7%, 0.75%

LAB 66.11, 27.36, -41.84

 

CMYK 18 / 38 / 0 / 7

HEX #C293EC

RGB 194 147 236

HSL 271.69, 0.7%, 0.75%

LAB 68.31, 34.28, -38.25

 

CMYK 7 / 38 / 0 / 7

HEX #DB93EC

RGB 219 147 236

HSL 288.54, 0.7%, 0.75%

LAB 70.86, 41.72, -34.09

 

CMYK 38 / 28 / 0 / 7

HEX #93ABEC

RGB 147 171 236

HSL 223.82, 0.7%, 0.75%

LAB 70.44, 7.43, -35.22

 

CMYK 38 / 38 / 0 / 7

HEX #9393EC

RGB 147 147 236

HSL 240, 0.7%, 0.75%

LAB 64.26, 21.1, -44.88

 

CMYK 38 / 28 / 0 / 7

HEX #93ABEC

RGB 147 171 236

HSL 223.82, 0.7%, 0.75%

LAB 70.44, 7.43, -35.22

 

CMYK 45 / 33 / 0 / 4

HEX #88A6F6

RGB 136 166 246

HSL 223.64, 0.86%, 0.75%

LAB 68.87, 10.21, -43.18

 

CMYK 38 / 28 / 0 / 7

HEX #93ABEC

RGB 147 171 236

HSL 223.82, 0.7%, 0.75%

LAB 70.44, 7.43, -35.22

 

CMYK 31 / 22 / 0 / 11

HEX #9DB0E2

RGB 157 176 226

HSL 223.48, 0.54%, 0.75%

LAB 72.03, 4.85, -27.26

 

CMYK 22 / 16 / 0 / 16

HEX #A7B4D7

RGB 167 180 215

HSL 223.75, 0.38%, 0.75%

LAB 73.39, 3.01, -19.13

 

CMYK 13 / 10 / 0 / 20

HEX #B2B9CD

RGB 178 185 205

HSL 224.44, 0.21%, 0.75%

LAB 75.18, 1.59, -10.9

 

CMYK 4 / 3 / 0 / 24

HEX #BCBEC3

RGB 188 190 195

HSL 222.86, 0.06%, 0.75%

LAB 76.96, 0.25, -2.76

 

CMYK 38 / 7 / 0 / 7

HEX #93DCEC

RGB 147 220 236

HSL 190.79, 0.7%, 0.75%

LAB 83.68, -18.7, -15.02

 

CMYK 38 / 17 / 0 / 7

HEX #93C4EC

RGB 147 196 236

HSL 206.97, 0.7%, 0.75%

LAB 77.12, -6.26, -24.94

 

CMYK 38 / 27 / 0 / 7

HEX #93ACEC

RGB 147 172 236

HSL 223.15, 0.7%, 0.75%

LAB 70.71, 6.87, -34.81

 

CMYK 38 / 37 / 0 / 7

HEX #9394EC

RGB 147 148 236

HSL 239.33, 0.7%, 0.75%

LAB 64.51, 20.53, -44.48

 

CMYK 28 / 38 / 0 / 7

HEX #A993EC

RGB 169 147 236

HSL 254.83, 0.7%, 0.75%

LAB 66.03, 27.08, -41.98

 

CMYK 66 / 48 / 0 / 13

HEX #4C75DF

RGB 76 117 223

HSL 223.27, 0.7%, 0.59%

LAB 51.37, 19.67, -58.41

 

CMYK 51 / 37 / 0 / 10

HEX #7090E6

RGB 112 144 230

HSL 223.73, 0.7%, 0.67%

LAB 60.87, 12.59, -47.06

 

CMYK 38 / 28 / 0 / 7

HEX #93ABEC

RGB 147 171 236

HSL 223.82, 0.7%, 0.75%

LAB 70.44, 7.43, -35.22

 

CMYK 25 / 18 / 0 / 5

HEX #B6C6F2

RGB 182 198 242

HSL 224, 0.7%, 0.83%

LAB 80.04, 4, -23.52

 

CMYK 13 / 9 / 0 / 3

HEX #D9E1F8

RGB 217 225 248

HSL 224.52, 0.69%, 0.91%

LAB 89.57, 1.77, -12.09

 

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

CMYK 3 / 38 / 0 / 7

HEX #E493EC

RGB 228 147 236

HSL 294.61, 0.7%, 0.75%

LAB 71.84, 44.44, -32.5

 

CMYK 12 / 0 / 38 / 7

HEX #D0EC93

RGB 208 236 147

HSL 78.88, 0.7%, 0.75%

LAB 89.63, -23.37, 40.15

 

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

CMYK 0 / 38 / 27 / 7

HEX #EC93AC

RGB 236 147 172

HSL 343.15, 0.7%, 0.75%

LAB 70.65, 36.69, 1.19

 

CMYK 27 / 0 / 38 / 7

HEX #ACEC93

RGB 172 236 147

HSL 103.15, 0.7%, 0.75%

LAB 87.42, -36.12, 36.85

 

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

CMYK 3 / 38 / 0 / 7

HEX #E493EC

RGB 228 147 236

HSL 294.61, 0.7%, 0.75%

LAB 71.84, 44.44, -32.5

 

CMYK 0 / 11 / 38 / 7

HEX #ECD393

RGB 236 211 147

HSL 43.15, 0.7%, 0.75%

LAB 85.27, -0.18, 34.88

 

CMYK 35 / 0 / 38 / 7

HEX #9AEC93

RGB 154 236 147

HSL 115.28, 0.7%, 0.75%

LAB 86.49, -41.97, 35.45

 

CMYK 37 / 27 / 0 / 7

HEX #94ACEC

RGB 148 172 236

HSL 223.64, 0.7%, 0.75%

LAB 70.77, 7.14, -34.7

 

CMYK 0 / 38 / 8 / 7

HEX #EC93D9

RGB 236 147 217

HSL 312.81, 0.7%, 0.75%

LAB 72.03, 43.54, -21.69

 

CMYK 0 / 11 / 38 / 7

HEX #ECD393

RGB 236 211 147

HSL 43.15, 0.7%, 0.75%

LAB 85.27, -0.18, 34.88

 

CMYK 38 / 0 / 30 / 7

HEX #93ECA6

RGB 147 236 166

HSL 132.81, 0.7%, 0.75%

LAB 86.48, -41.04, 25.74

 

Description

Color code: HEX #94ACEC | qconv.com Color code: HEX #94ACEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 172 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 172 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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