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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94ABCA it is the complementary color #6B5435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94ABCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94ABCA shade: #99ABC5, #AABDD8, #BBCFEB, #CCE1FE and #DDF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94ABCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94ABCA shade: #94ABCA, #8399B7, #7287A4, #617591 and #50637E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94ABCA shade: #95ACCB, #959DCB, #9B95CB, #AA95CB and #B895CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94ABCA shade: #95ACCB, #959DCB and #9595CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94ABCA shade matches the following richer shades: #95ACCB, #88AAD8, #7BA8E4, #6FA6F1 and #62A4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94ABCA shade: #95ACCB, #A2AEBE, #AFB0B1, #BBB2A4 and #C8B498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94ABCA shade: #95C9CB, #95BBCB, #95ACCB, #959ECB and #9A95CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94ABCA shade: #5E81B0, #7996BD, #95ACCB, #B1C2D8 and #CCD7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94ABCA shade: #94ABCA, #BE95CB and #C2CB95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94ABCA shade: #94ABCA, #CB95AC and #ACCB95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94ABCA shade: #94ABCA, #BE95CB, #CBB495 and #A2CB95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94ABCA shade: #94ABCA, #CB95C7, #CBB495 and #95CB99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

Complementary color

CMYK 0 / 21 / 50 / 58

HEX #6B5435

RGB 107 84 53

HSL 34.44, 0.34%, 0.31%

LAB 37.34, 5.15, 21.69

 

CMYK 22 / 13 / 0 / 23

HEX #99ABC5

RGB 153 171 197

HSL 215.45, 0.28%, 0.69%

LAB 69.42, -0.56, -15.35

 

CMYK 21 / 13 / 0 / 15

HEX #AABDD8

RGB 170 189 216

HSL 215.22, 0.37%, 0.76%

LAB 76.01, -0.72, -15.7

 

CMYK 20 / 12 / 0 / 8

HEX #BBCFEB

RGB 187 207 235

HSL 215, 0.55%, 0.83%

LAB 82.48, -0.87, -16.05

 

CMYK 20 / 11 / 0 / 0

HEX #CCE1FE

RGB 204 225 254

HSL 214.8, 0.96%, 0.9%

LAB 88.85, -1.01, -16.41

 

CMYK 13 / 5 / 0 / 0

HEX #DDF3FF

RGB 221 243 255

HSL 201.18, 1%, 0.93%

LAB 94.61, -4.83, -8.22

 

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

CMYK 28 / 16 / 0 / 28

HEX #8399B7

RGB 131 153 183

HSL 214.62, 0.27%, 0.62%

LAB 62.53, -0.73, -18.12

 

CMYK 30 / 18 / 0 / 36

HEX #7287A4

RGB 114 135 164

HSL 214.8, 0.22%, 0.55%

LAB 55.67, -0.52, -17.86

 

CMYK 33 / 19 / 0 / 43

HEX #617591

RGB 97 117 145

HSL 215, 0.2%, 0.47%

LAB 48.65, -0.28, -17.61

 

CMYK 37 / 21 / 0 / 51

HEX #50637E

RGB 80 99 126

HSL 215.22, 0.22%, 0.4%

LAB 41.43, 0.01, -17.4

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 27 / 23 / 0 / 20

HEX #959DCB

RGB 149 157 203

HSL 231.11, 0.34%, 0.69%

LAB 65.6, 7.42, -24.5

 

CMYK 24 / 27 / 0 / 20

HEX #9B95CB

RGB 155 149 203

HSL 246.67, 0.34%, 0.69%

LAB 63.98, 13.8, -26.96

 

CMYK 16 / 27 / 0 / 20

HEX #AA95CB

RGB 170 149 203

HSL 263.33, 0.34%, 0.69%

LAB 65.24, 18.5, -24.91

 

CMYK 9 / 27 / 0 / 20

HEX #B895CB

RGB 184 149 203

HSL 278.89, 0.34%, 0.69%

LAB 66.52, 23.01, -22.85

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 27 / 23 / 0 / 20

HEX #959DCB

RGB 149 157 203

HSL 231.11, 0.34%, 0.69%

LAB 65.6, 7.42, -24.5

 

CMYK 27 / 27 / 0 / 20

HEX #9595CB

RGB 149 149 203

HSL 240, 0.34%, 0.69%

LAB 63.5, 11.97, -27.73

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 37 / 21 / 0 / 15

HEX #88AAD8

RGB 136 170 216

HSL 214.5, 0.51%, 0.69%

LAB 68.71, -0.3, -27

 

CMYK 46 / 26 / 0 / 11

HEX #7BA8E4

RGB 123 168 228

HSL 214.29, 0.66%, 0.69%

LAB 67.89, 0.77, -34.93

 

CMYK 54 / 31 / 0 / 5

HEX #6FA6F1

RGB 111 166 241

HSL 214.62, 0.82%, 0.69%

LAB 67.28, 3.03, -43.04

 

CMYK 61 / 35 / 0 / 0

HEX #62A4FE

RGB 98 164 254

HSL 214.62, 0.99%, 0.69%

LAB 66.75, 5.75, -50.99

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 15 / 8 / 0 / 25

HEX #A2AEBE

RGB 162 174 190

HSL 214.29, 0.18%, 0.69%

LAB 70.64, -0.87, -9.59

 

CMYK 1 / 1 / 0 / 31

HEX #AFB0B1

RGB 175 176 177

HSL 210, 0.01%, 0.69%

LAB 71.78, -0.16, -0.64

 

CMYK 0 / 5 / 12 / 27

HEX #BBB2A4

RGB 187 178 164

HSL 36.52, 0.14%, 0.69%

LAB 72.95, 0.78, 8.29

 

CMYK 0 / 10 / 24 / 22

HEX #C8B498

RGB 200 180 152

HSL 35, 0.3%, 0.69%

LAB 74.31, 2.75, 16.9

 

CMYK 27 / 1 / 0 / 20

HEX #95C9CB

RGB 149 201 203

HSL 182.22, 0.34%, 0.69%

LAB 77.56, -16.33, -6.48

 

CMYK 27 / 8 / 0 / 20

HEX #95BBCB

RGB 149 187 203

HSL 197.78, 0.34%, 0.69%

LAB 73.7, -9.03, -12.23

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 27 / 22 / 0 / 20

HEX #959ECB

RGB 149 158 203

HSL 230, 0.34%, 0.69%

LAB 65.87, 6.86, -24.1

 

CMYK 24 / 27 / 0 / 20

HEX #9A95CB

RGB 154 149 203

HSL 245.56, 0.34%, 0.69%

LAB 63.9, 13.49, -27.09

 

CMYK 47 / 27 / 0 / 31

HEX #5E81B0

RGB 94 129 176

HSL 214.39, 0.34%, 0.53%

LAB 53.18, 0.68, -28.69

 

CMYK 36 / 21 / 0 / 26

HEX #7996BD

RGB 121 150 189

HSL 214.41, 0.34%, 0.61%

LAB 61.27, -0.44, -23.49

 

CMYK 27 / 15 / 0 / 20

HEX #95ACCB

RGB 149 172 203

HSL 214.44, 0.34%, 0.69%

LAB 69.62, -0.93, -18.39

 

CMYK 18 / 10 / 0 / 15

HEX #B1C2D8

RGB 177 194 216

HSL 213.85, 0.33%, 0.77%

LAB 77.81, -1.21, -12.94

 

CMYK 11 / 7 / 0 / 10

HEX #CCD7E6

RGB 204 215 230

HSL 214.62, 0.34%, 0.85%

LAB 85.58, -0.78, -8.64

 

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

CMYK 6 / 27 / 0 / 20

HEX #BE95CB

RGB 190 149 203

HSL 285.56, 0.34%, 0.69%

LAB 67.09, 24.97, -21.92

 

CMYK 4 / 0 / 27 / 20

HEX #C2CB95

RGB 194 203 149

HSL 70, 0.34%, 0.69%

LAB 79.81, -11.99, 25.97

 

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

CMYK 0 / 27 / 15 / 20

HEX #CB95AC

RGB 203 149 172

HSL 334.44, 0.34%, 0.69%

LAB 67.4, 23.81, -4

 

CMYK 15 / 0 / 27 / 20

HEX #ACCB95

RGB 172 203 149

HSL 94.44, 0.34%, 0.69%

LAB 78.26, -20.1, 23.6

 

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

CMYK 6 / 27 / 0 / 20

HEX #BE95CB

RGB 190 149 203

HSL 285.56, 0.34%, 0.69%

LAB 67.09, 24.97, -21.92

 

CMYK 0 / 11 / 27 / 20

HEX #CBB495

RGB 203 180 149

HSL 34.44, 0.34%, 0.69%

LAB 74.51, 3.48, 18.85

 

CMYK 20 / 0 / 27 / 20

HEX #A2CB95

RGB 162 203 149

HSL 105.56, 0.34%, 0.69%

LAB 77.62, -23.65, 22.62

 

CMYK 27 / 15 / 0 / 21

HEX #94ABCA

RGB 148 171 202

HSL 214.44, 0.34%, 0.69%

LAB 69.25, -0.92, -18.41

 

CMYK 0 / 27 / 2 / 20

HEX #CB95C7

RGB 203 149 199

HSL 304.44, 0.34%, 0.69%

LAB 68.25, 28.51, -17.81

 

CMYK 0 / 11 / 27 / 20

HEX #CBB495

RGB 203 180 149

HSL 34.44, 0.34%, 0.69%

LAB 74.51, 3.48, 18.85

 

CMYK 27 / 0 / 25 / 20

HEX #95CB99

RGB 149 203 153

HSL 124.44, 0.34%, 0.69%

LAB 76.92, -27.4, 19.43

 

Description

Color code: HEX #94ABCA | qconv.com Color code: HEX #94ABCA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 171 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 171 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 15 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 15% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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