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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94A8D2 it is the complementary color #6B572D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94A8D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94A8D2 shade: #99A8CD, #AABAE0, #BBCCF3, #CCDEFF and #DDF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94A8D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94A8D2 shade: #94A8D2, #8396BF, #7284AC, #617299 and #506086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94A8D2 shade: #93A7D2, #9396D2, #A193D2, #B293D2 and #C393D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94A8D2 shade: #93A7D2, #9396D2 and #9393D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94A8D2 shade matches the following richer shades: #93A7D2, #87A3DE, #7A9FEB and #6E9AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94A8D2 shade: #93A7D2, #A0ACC5, #ACB0B9, #B8B5AD and #C5B9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94A8D2 shade: #93CAD2, #93B9D2, #93A8D2, #9397D2 and #A093D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94A8D2 shade: #5978BA, #7690C6, #93A7D2, #B0BFDE and #CDD7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94A8D2 shade: #94A8D2, #CA93D2 and #C1D293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94A8D2 shade: #94A8D2, #D293A8 and #A8D293

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94A8D2 shade: #94A8D2, #CA93D2, #D2BD93 and #9BD293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94A8D2 shade: #94A8D2, #D293C7, #D2BD93 and #93D29E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

Complementary color

CMYK 0 / 19 / 58 / 58

HEX #6B572D

RGB 107 87 45

HSL 40.65, 0.41%, 0.3%

LAB 38.08, 2.52, 27.23

 

CMYK 25 / 18 / 0 / 20

HEX #99A8CD

RGB 153 168 205

HSL 222.69, 0.34%, 0.7%

LAB 68.89, 2.97, -20.58

 

CMYK 24 / 17 / 0 / 12

HEX #AABAE0

RGB 170 186 224

HSL 222.22, 0.47%, 0.77%

LAB 75.48, 2.73, -20.83

 

CMYK 23 / 16 / 0 / 5

HEX #BBCCF3

RGB 187 204 243

HSL 221.79, 0.7%, 0.84%

LAB 81.96, 2.51, -21.1

 

CMYK 20 / 13 / 0 / 0

HEX #CCDEFF

RGB 204 222 255

HSL 218.82, 1%, 0.9%

LAB 88.11, 0.77, -18.04

 

CMYK 13 / 6 / 0 / 0

HEX #DDF0FF

RGB 221 240 255

HSL 206.47, 1%, 0.93%

LAB 93.85, -3.3, -9.35

 

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

CMYK 31 / 21 / 0 / 25

HEX #8396BF

RGB 131 150 191

HSL 221, 0.32%, 0.63%

LAB 62, 2.99, -23.43

 

CMYK 34 / 23 / 0 / 33

HEX #7284AC

RGB 114 132 172

HSL 221.38, 0.26%, 0.56%

LAB 55.13, 3.32, -23.28

 

CMYK 37 / 25 / 0 / 40

HEX #617299

RGB 97 114 153

HSL 221.79, 0.22%, 0.49%

LAB 48.1, 3.72, -23.16

 

CMYK 40 / 28 / 0 / 47

HEX #506086

RGB 80 96 134

HSL 222.22, 0.25%, 0.42%

LAB 40.88, 4.2, -23.09

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D2

RGB 147 167 210

HSL 220.95, 0.41%, 0.7%

LAB 68.38, 2.95, -24.14

 

CMYK 30 / 29 / 0 / 18

HEX #9396D2

RGB 147 150 210

HSL 237.14, 0.41%, 0.7%

LAB 63.89, 12.55, -31.05

 

CMYK 23 / 30 / 0 / 18

HEX #A193D2

RGB 161 147 210

HSL 253.33, 0.41%, 0.7%

LAB 64.24, 18.44, -30.42

 

CMYK 15 / 30 / 0 / 18

HEX #B293D2

RGB 178 147 210

HSL 269.52, 0.41%, 0.7%

LAB 65.74, 23.71, -27.99

 

CMYK 7 / 30 / 0 / 18

HEX #C393D2

RGB 195 147 210

HSL 285.71, 0.41%, 0.7%

LAB 67.37, 29.11, -25.34

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D2

RGB 147 167 210

HSL 220.95, 0.41%, 0.7%

LAB 68.38, 2.95, -24.14

 

CMYK 30 / 29 / 0 / 18

HEX #9396D2

RGB 147 150 210

HSL 237.14, 0.41%, 0.7%

LAB 63.89, 12.55, -31.05

 

CMYK 30 / 30 / 0 / 18

HEX #9393D2

RGB 147 147 210

HSL 240, 0.41%, 0.7%

LAB 63.11, 14.27, -32.26

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D2

RGB 147 167 210

HSL 220.95, 0.41%, 0.7%

LAB 68.38, 2.95, -24.14

 

CMYK 39 / 27 / 0 / 13

HEX #87A3DE

RGB 135 163 222

HSL 220.69, 0.57%, 0.7%

LAB 66.99, 4.96, -32.96

 

CMYK 48 / 32 / 0 / 8

HEX #7A9FEB

RGB 122 159 235

HSL 220.35, 0.74%, 0.7%

LAB 65.7, 7.67, -42.19

 

CMYK 55 / 38 / 0 / 3

HEX #6E9AF7

RGB 110 154 247

HSL 220.73, 0.9%, 0.7%

LAB 64.28, 11.6, -51.05

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D2

RGB 147 167 210

HSL 220.95, 0.41%, 0.7%

LAB 68.38, 2.95, -24.14

 

CMYK 19 / 13 / 0 / 23

HEX #A0ACC5

RGB 160 172 197

HSL 220.54, 0.24%, 0.7%

LAB 70.18, 1.11, -14.15

 

CMYK 7 / 5 / 0 / 27

HEX #ACB0B9

RGB 172 176 185

HSL 221.54, 0.08%, 0.7%

LAB 71.77, 0.36, -5.08

 

CMYK 0 / 2 / 6 / 28

HEX #B8B5AD

RGB 184 181 173

HSL 43.64, 0.07%, 0.7%

LAB 73.71, -0.38, 4.44

 

CMYK 0 / 6 / 19 / 23

HEX #C5B9A0

RGB 197 185 160

HSL 40.54, 0.24%, 0.7%

LAB 75.52, 0.13, 14.22

 

CMYK 30 / 4 / 0 / 18

HEX #93CAD2

RGB 147 202 210

HSL 187.62, 0.41%, 0.7%

LAB 77.93, -15.8, -9.72

 

CMYK 30 / 12 / 0 / 18

HEX #93B9D2

RGB 147 185 210

HSL 203.81, 0.41%, 0.7%

LAB 73.26, -6.89, -16.73

 

CMYK 30 / 20 / 0 / 18

HEX #93A8D2

RGB 147 168 210

HSL 220, 0.41%, 0.7%

LAB 68.65, 2.39, -23.73

 

CMYK 30 / 28 / 0 / 18

HEX #9397D2

RGB 147 151 210

HSL 236.19, 0.41%, 0.7%

LAB 64.15, 11.98, -30.65

 

CMYK 24 / 30 / 0 / 18

HEX #A093D2

RGB 160 147 210

HSL 252.38, 0.41%, 0.7%

LAB 64.16, 18.14, -30.56

 

CMYK 52 / 35 / 0 / 27

HEX #5978BA

RGB 89 120 186

HSL 220.82, 0.41%, 0.54%

LAB 50.81, 7.94, -38.19

 

CMYK 40 / 27 / 0 / 22

HEX #7690C6

RGB 118 144 198

HSL 220.5, 0.41%, 0.62%

LAB 59.78, 4.63, -30.87

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D2

RGB 147 167 210

HSL 220.95, 0.41%, 0.7%

LAB 68.38, 2.95, -24.14

 

CMYK 21 / 14 / 0 / 13

HEX #B0BFDE

RGB 176 191 222

HSL 220.43, 0.41%, 0.78%

LAB 77.14, 1.41, -17.2

 

CMYK 12 / 8 / 0 / 8

HEX #CDD7EA

RGB 205 215 234

HSL 219.31, 0.41%, 0.86%

LAB 85.77, 0.35, -10.47

 

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

CMYK 4 / 30 / 0 / 18

HEX #CA93D2

RGB 202 147 210

HSL 292.38, 0.41%, 0.7%

LAB 68.08, 31.36, -24.19

 

CMYK 8 / 0 / 30 / 18

HEX #C1D293

RGB 193 210 147

HSL 76.19, 0.41%, 0.7%

LAB 81.59, -16.18, 29.39

 

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

CMYK 0 / 30 / 20 / 18

HEX #D293A8

RGB 210 147 168

HSL 340, 0.41%, 0.7%

LAB 67.57, 26.79, -1.43

 

CMYK 20 / 0 / 30 / 18

HEX #A8D293

RGB 168 210 147

HSL 100, 0.41%, 0.7%

LAB 79.91, -25.27, 26.85

 

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

CMYK 4 / 30 / 0 / 18

HEX #CA93D2

RGB 202 147 210

HSL 292.38, 0.41%, 0.7%

LAB 68.08, 31.36, -24.19

 

CMYK 0 / 10 / 30 / 18

HEX #D2BD93

RGB 210 189 147

HSL 40, 0.41%, 0.7%

LAB 77.4, 1.15, 23.98

 

CMYK 26 / 0 / 30 / 18

HEX #9BD293

RGB 155 210 147

HSL 112.38, 0.41%, 0.7%

LAB 79.14, -29.75, 25.67

 

CMYK 30 / 20 / 0 / 18

HEX #94A8D2

RGB 148 168 210

HSL 220.65, 0.41%, 0.7%

LAB 68.72, 2.69, -23.62

 

CMYK 0 / 30 / 5 / 18

HEX #D293C7

RGB 210 147 199

HSL 310.48, 0.41%, 0.7%

LAB 68.53, 31.94, -17.32

 

CMYK 0 / 10 / 30 / 18

HEX #D2BD93

RGB 210 189 147

HSL 40, 0.41%, 0.7%

LAB 77.4, 1.15, 23.98

 

CMYK 30 / 0 / 25 / 18

HEX #93D29E

RGB 147 210 158

HSL 130.48, 0.41%, 0.7%

LAB 78.91, -30.52, 19.51

 

Description

Color code: HEX #94A8D2 | qconv.com Color code: HEX #94A8D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 168 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 168 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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