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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94A8C4 it is the complementary color #6B573B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94A8C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94A8C4 shade: #99A8BF, #AABAD2, #BBCCE5, #CCDEF8 and #DDF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94A8C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94A8C4 shade: #94A8C4, #8396B1, #72849E, #61728B and #506078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94A8C4 shade: #92A6C3, #9299C3, #9892C3, #A592C3 and #B292C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94A8C4 shade: #92A6C3, #9299C3 and #9292C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94A8C4 shade matches the following richer shades: #92A6C3, #84A4D0, #77A2DE, #699FEC and #5B9DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94A8C4 shade: #92A6C3, #A0A9B5, #ADABA8, #BBAD9A and #C8AF8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94A8C4 shade: #92C0C3, #92B3C3, #92A6C3, #9299C3 and #9892C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94A8C4 shade: #5D7BA5, #7791B4, #92A6C3, #ADBCD1 and #C7D2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94A8C4 shade: #94A8C4, #B892C3 and #BAC392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94A8C4 shade: #94A8C4, #C392A6 and #A6C392

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94A8C4 shade: #94A8C4, #B892C3, #C3AE92 and #9DC392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94A8C4 shade: #94A8C4, #C392BF, #C3AE92 and #92C396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

Complementary color

CMYK 0 / 19 / 45 / 58

HEX #6B573B

RGB 107 87 59

HSL 35, 0.29%, 0.33%

LAB 38.3, 4.02, 19.35

 

CMYK 20 / 12 / 0 / 25

HEX #99A8BF

RGB 153 168 191

HSL 216.32, 0.23%, 0.67%

LAB 68.42, -0.29, -13.55

 

CMYK 19 / 11 / 0 / 18

HEX #AABAD2

RGB 170 186 210

HSL 216, 0.31%, 0.75%

LAB 75.02, -0.44, -13.92

 

CMYK 18 / 11 / 0 / 10

HEX #BBCCE5

RGB 187 204 229

HSL 215.71, 0.45%, 0.82%

LAB 81.52, -0.59, -14.3

 

CMYK 18 / 10 / 0 / 3

HEX #CCDEF8

RGB 204 222 248

HSL 215.45, 0.76%, 0.89%

LAB 87.9, -0.73, -14.68

 

CMYK 13 / 6 / 0 / 0

HEX #DDF0FF

RGB 221 240 255

HSL 206.47, 1%, 0.93%

LAB 93.85, -3.3, -9.35

 

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

CMYK 26 / 15 / 0 / 31

HEX #8396B1

RGB 131 150 177

HSL 215.22, 0.23%, 0.6%

LAB 61.49, -0.53, -16.31

 

CMYK 28 / 16 / 0 / 38

HEX #72849E

RGB 114 132 158

HSL 215.45, 0.18%, 0.53%

LAB 54.6, -0.33, -16.02

 

CMYK 30 / 18 / 0 / 45

HEX #61728B

RGB 97 114 139

HSL 215.71, 0.18%, 0.46%

LAB 47.55, -0.11, -15.74

 

CMYK 33 / 20 / 0 / 53

HEX #506078

RGB 80 96 120

HSL 216, 0.2%, 0.39%

LAB 40.29, 0.15, -15.49

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 25 / 22 / 0 / 24

HEX #9299C3

RGB 146 153 195

HSL 231.43, 0.29%, 0.67%

LAB 64.03, 6.82, -22.48

 

CMYK 22 / 25 / 0 / 24

HEX #9892C3

RGB 152 146 195

HSL 247.35, 0.29%, 0.67%

LAB 62.65, 12.67, -24.54

 

CMYK 15 / 25 / 0 / 24

HEX #A592C3

RGB 165 146 195

HSL 263.27, 0.29%, 0.67%

LAB 63.75, 16.82, -22.76

 

CMYK 9 / 25 / 0 / 24

HEX #B292C3

RGB 178 146 195

HSL 279.18, 0.29%, 0.67%

LAB 64.93, 21.07, -20.85

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 25 / 22 / 0 / 24

HEX #9299C3

RGB 146 153 195

HSL 231.43, 0.29%, 0.67%

LAB 64.03, 6.82, -22.48

 

CMYK 25 / 25 / 0 / 24

HEX #9292C3

RGB 146 146 195

HSL 240, 0.29%, 0.67%

LAB 62.18, 10.81, -25.31

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 37 / 21 / 0 / 18

HEX #84A4D0

RGB 132 164 208

HSL 214.74, 0.45%, 0.67%

LAB 66.53, -0.18, -25.96

 

CMYK 46 / 27 / 0 / 13

HEX #77A2DE

RGB 119 162 222

HSL 214.95, 0.61%, 0.67%

LAB 65.78, 1.45, -34.92

 

CMYK 56 / 33 / 0 / 7

HEX #699FEC

RGB 105 159 236

HSL 215.27, 0.78%, 0.67%

LAB 64.85, 4.23, -44.13

 

CMYK 63 / 37 / 0 / 2

HEX #5B9DF9

RGB 91 157 249

HSL 214.94, 0.93%, 0.67%

LAB 64.3, 6.94, -52.16

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 12 / 7 / 0 / 29

HEX #A0A9B5

RGB 160 169 181

HSL 214.29, 0.12%, 0.67%

LAB 68.89, -0.72, -7.25

 

CMYK 0 / 1 / 3 / 32

HEX #ADABA8

RGB 173 171 168

HSL 36, 0.03%, 0.67%

LAB 70.06, 0.16, 1.78

 

CMYK 0 / 7 / 18 / 27

HEX #BBAD9A

RGB 187 173 154

HSL 34.55, 0.2%, 0.67%

LAB 71.41, 1.86, 11.57

 

CMYK 0 / 13 / 30 / 22

HEX #C8AF8C

RGB 200 175 140

HSL 35, 0.35%, 0.67%

LAB 72.78, 3.77, 21.29

 

CMYK 25 / 2 / 0 / 24

HEX #92C0C3

RGB 146 192 195

HSL 183.67, 0.29%, 0.67%

LAB 74.67, -14.39, -6.46

 

CMYK 25 / 8 / 0 / 24

HEX #92B3C3

RGB 146 179 195

HSL 199.59, 0.29%, 0.67%

LAB 71.07, -7.53, -11.82

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 25 / 22 / 0 / 24

HEX #9299C3

RGB 146 153 195

HSL 231.43, 0.29%, 0.67%

LAB 64.03, 6.82, -22.48

 

CMYK 22 / 25 / 0 / 24

HEX #9892C3

RGB 152 146 195

HSL 247.35, 0.29%, 0.67%

LAB 62.65, 12.67, -24.54

 

CMYK 44 / 25 / 0 / 35

HEX #5D7BA5

RGB 93 123 165

HSL 215, 0.29%, 0.51%

LAB 50.93, 0.69, -25.83

 

CMYK 34 / 19 / 0 / 29

HEX #7791B4

RGB 119 145 180

HSL 214.43, 0.29%, 0.59%

LAB 59.41, -0.57, -21.26

 

CMYK 25 / 15 / 0 / 24

HEX #92A6C3

RGB 146 166 195

HSL 215.51, 0.29%, 0.67%

LAB 67.52, -0.45, -17.16

 

CMYK 17 / 10 / 0 / 18

HEX #ADBCD1

RGB 173 188 209

HSL 215, 0.28%, 0.75%

LAB 75.73, -0.78, -12.29

 

CMYK 11 / 6 / 0 / 12

HEX #C7D2E0

RGB 199 210 224

HSL 213.6, 0.29%, 0.83%

LAB 83.77, -0.98, -8.19

 

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

CMYK 6 / 25 / 0 / 24

HEX #B892C3

RGB 184 146 195

HSL 286.53, 0.29%, 0.67%

LAB 65.51, 23.05, -19.93

 

CMYK 5 / 0 / 25 / 24

HEX #BAC392

RGB 186 195 146

HSL 71.02, 0.29%, 0.67%

LAB 77.01, -11.33, 23.65

 

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

CMYK 0 / 25 / 15 / 24

HEX #C392A6

RGB 195 146 166

HSL 335.51, 0.29%, 0.67%

LAB 65.68, 21.58, -3.27

 

CMYK 15 / 0 / 25 / 24

HEX #A6C392

RGB 166 195 146

HSL 95.51, 0.29%, 0.67%

LAB 75.58, -18.73, 21.47

 

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

CMYK 6 / 25 / 0 / 24

HEX #B892C3

RGB 184 146 195

HSL 286.53, 0.29%, 0.67%

LAB 65.51, 23.05, -19.93

 

CMYK 0 / 11 / 25 / 24

HEX #C3AE92

RGB 195 174 146

HSL 34.29, 0.29%, 0.67%

LAB 72.19, 3.18, 17.15

 

CMYK 19 / 0 / 25 / 24

HEX #9DC392

RGB 157 195 146

HSL 106.53, 0.29%, 0.67%

LAB 75, -21.93, 20.57

 

CMYK 24 / 14 / 0 / 23

HEX #94A8C4

RGB 148 168 196

HSL 215, 0.29%, 0.67%

LAB 68.23, -0.7, -16.63

 

CMYK 0 / 25 / 2 / 24

HEX #C392BF

RGB 195 146 191

HSL 304.9, 0.29%, 0.67%

LAB 66.46, 25.98, -16.14

 

CMYK 0 / 11 / 25 / 24

HEX #C3AE92

RGB 195 174 146

HSL 34.29, 0.29%, 0.67%

LAB 72.19, 3.18, 17.15

 

CMYK 25 / 0 / 23 / 24

HEX #92C396

RGB 146 195 150

HSL 124.9, 0.29%, 0.67%

LAB 74.41, -25.02, 17.52

 

Description

Color code: HEX #94A8C4 | qconv.com Color code: HEX #94A8C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 168 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 168 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 14 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 14% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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