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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949FE7 it is the complementary color #6B6018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949FE7 shade: #999FE2, #AAB1F5, #BBC3FF, #CCD5FF and #DDE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949FE7 shade: #949FE7, #838DD4, #727BC1, #6169AE and #50579B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949FE7 shade: #939EE6, #9E93E6, #B593E6, #CB93E6 and #E293E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949FE7 shade: #939EE6 and #9393E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949FE7 shade matches the following richer shades: #939EE6, #8896F1 and #7D8EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949FE7 shade: #939EE6, #9EA6DC, #A8AED1, #B3B6C6 and #BEBEBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949FE7 shade: #93CBE6, #93B4E6, #939EE6, #9E93E6 and #B493E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949FE7 shade: #5062D7, #7180DF, #939EE6, #B5BCEE and #D6DAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949FE7 shade: #949FE7, #E693E1 and #BFE693

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949FE7 shade: #949FE7, #E6939E and #9EE693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949FE7 shade: #949FE7, #E693E1, #E6DB93 and #93E699

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949FE7 shade: #949FE7, #E693C8, #E6DB93 and #93E6B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

Complementary color

CMYK 0 / 10 / 78 / 58

HEX #6B6018

RGB 107 96 24

HSL 52.05, 0.63%, 0.26%

LAB 40.5, -4.32, 40.23

 

CMYK 32 / 30 / 0 / 11

HEX #999FE2

RGB 153 159 226

HSL 235.07, 0.56%, 0.74%

LAB 67.32, 13.23, -34.56

 

CMYK 31 / 28 / 0 / 4

HEX #AAB1F5

RGB 170 177 245

HSL 234.4, 0.79%, 0.81%

LAB 73.92, 12.72, -34.59

 

CMYK 27 / 24 / 0 / 0

HEX #BBC3FF

RGB 187 195 255

HSL 232.94, 1%, 0.87%

LAB 80.08, 10.12, -30.37

 

CMYK 20 / 16 / 0 / 0

HEX #CCD5FF

RGB 204 213 255

HSL 229.41, 1%, 0.9%

LAB 85.83, 5.51, -21.49

 

CMYK 13 / 9 / 0 / 0

HEX #DDE7FF

RGB 221 231 255

HSL 222.35, 1%, 0.93%

LAB 91.57, 1.32, -12.74

 

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

CMYK 38 / 33 / 0 / 17

HEX #838DD4

RGB 131 141 212

HSL 232.59, 0.49%, 0.67%

LAB 60.45, 13.78, -37.61

 

CMYK 41 / 36 / 0 / 24

HEX #727BC1

RGB 114 123 193

HSL 233.16, 0.39%, 0.6%

LAB 53.59, 14.51, -37.71

 

CMYK 44 / 40 / 0 / 32

HEX #6169AE

RGB 97 105 174

HSL 233.77, 0.32%, 0.53%

LAB 46.58, 15.37, -37.86

 

CMYK 48 / 44 / 0 / 39

HEX #50579B

RGB 80 87 155

HSL 234.4, 0.32%, 0.46%

LAB 39.39, 16.41, -38.08

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 31 / 36 / 0 / 10

HEX #9E93E6

RGB 158 147 230

HSL 247.95, 0.62%, 0.74%

LAB 64.84, 22.5, -40.6

 

CMYK 21 / 36 / 0 / 10

HEX #B593E6

RGB 181 147 230

HSL 264.58, 0.62%, 0.74%

LAB 66.83, 29.11, -37.35

 

CMYK 12 / 36 / 0 / 10

HEX #CB93E6

RGB 203 147 230

HSL 280.48, 0.62%, 0.74%

LAB 68.95, 35.69, -33.88

 

CMYK 2 / 36 / 0 / 10

HEX #E293E6

RGB 226 147 230

HSL 297.11, 0.62%, 0.74%

LAB 71.38, 42.71, -29.93

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 36 / 36 / 0 / 10

HEX #9393E6

RGB 147 147 230

HSL 240, 0.62%, 0.74%

LAB 63.99, 19.49, -42

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 44 / 38 / 0 / 5

HEX #8896F1

RGB 136 150 241

HSL 232, 0.79%, 0.74%

LAB 64.48, 17.97, -47.34

 

CMYK 50 / 44 / 0 / 1

HEX #7D8EFC

RGB 125 142 252

HSL 231.97, 0.95%, 0.74%

LAB 62.28, 23.33, -56.91

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 28 / 25 / 0 / 14

HEX #9EA6DC

RGB 158 166 220

HSL 232.26, 0.47%, 0.74%

LAB 69.26, 9.22, -28.23

 

CMYK 20 / 17 / 0 / 18

HEX #A8AED1

RGB 168 174 209

HSL 231.22, 0.31%, 0.74%

LAB 71.69, 5.24, -18.42

 

CMYK 10 / 8 / 0 / 22

HEX #B3B6C6

RGB 179 182 198

HSL 230.53, 0.14%, 0.74%

LAB 74.26, 2.1, -8.45

 

CMYK 0 / 0 / 1 / 25

HEX #BEBEBC

RGB 190 190 188

HSL 60, 0.02%, 0.74%

LAB 76.92, -0.36, 1

 

CMYK 36 / 12 / 0 / 10

HEX #93CBE6

RGB 147 203 230

HSL 199.52, 0.62%, 0.74%

LAB 78.83, -11.47, -19.13

 

CMYK 36 / 22 / 0 / 10

HEX #93B4E6

RGB 147 180 230

HSL 216.14, 0.62%, 0.74%

LAB 72.6, 0.85, -28.62

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 31 / 36 / 0 / 10

HEX #9E93E6

RGB 158 147 230

HSL 247.95, 0.62%, 0.74%

LAB 64.84, 22.5, -40.6

 

CMYK 22 / 36 / 0 / 10

HEX #B493E6

RGB 180 147 230

HSL 263.86, 0.62%, 0.74%

LAB 66.74, 28.81, -37.5

 

CMYK 63 / 54 / 0 / 16

HEX #5062D7

RGB 80 98 215

HSL 232, 0.63%, 0.58%

LAB 46.11, 29.41, -62.35

 

CMYK 49 / 43 / 0 / 13

HEX #7180DF

RGB 113 128 223

HSL 231.82, 0.63%, 0.66%

LAB 56.36, 20.18, -50.3

 

CMYK 36 / 31 / 0 / 10

HEX #939EE6

RGB 147 158 230

HSL 232.05, 0.62%, 0.74%

LAB 66.8, 13.18, -37.6

 

CMYK 24 / 21 / 0 / 7

HEX #B5BCEE

RGB 181 188 238

HSL 232.63, 0.63%, 0.82%

LAB 77.26, 8.19, -25.61

 

CMYK 13 / 11 / 0 / 4

HEX #D6DAF6

RGB 214 218 246

HSL 232.5, 0.64%, 0.9%

LAB 87.53, 4.07, -14.11

 

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

CMYK 0 / 36 / 2 / 10

HEX #E693E1

RGB 230 147 225

HSL 303.61, 0.62%, 0.74%

LAB 71.64, 43.04, -26.75

 

CMYK 17 / 0 / 36 / 10

HEX #BFE693

RGB 191 230 147

HSL 88.19, 0.62%, 0.74%

LAB 86.89, -26.7, 36.37

 

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

CMYK 0 / 36 / 31 / 10

HEX #E6939E

RGB 230 147 158

HSL 352.05, 0.62%, 0.74%

LAB 69.58, 32.68, 7.36

 

CMYK 31 / 0 / 36 / 10

HEX #9EE693

RGB 158 230 147

HSL 112.05, 0.62%, 0.74%

LAB 84.98, -38.02, 33.51

 

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

CMYK 0 / 36 / 2 / 10

HEX #E693E1

RGB 230 147 225

HSL 303.61, 0.62%, 0.74%

LAB 71.64, 43.04, -26.75

 

CMYK 0 / 5 / 36 / 10

HEX #E6DB93

RGB 230 219 147

HSL 52.05, 0.62%, 0.74%

LAB 86.8, -6.61, 36.79

 

CMYK 36 / 0 / 33 / 10

HEX #93E699

RGB 147 230 153

HSL 124.34, 0.62%, 0.74%

LAB 84.53, -40.55, 29.77

 

CMYK 36 / 31 / 0 / 9

HEX #949FE7

RGB 148 159 231

HSL 232.05, 0.63%, 0.74%

LAB 67.17, 13.15, -37.56

 

CMYK 0 / 36 / 13 / 10

HEX #E693C8

RGB 230 147 200

HSL 321.69, 0.62%, 0.74%

LAB 70.77, 38.78, -14.27

 

CMYK 0 / 5 / 36 / 10

HEX #E6DB93

RGB 230 219 147

HSL 52.05, 0.62%, 0.74%

LAB 86.8, -6.61, 36.79

 

CMYK 36 / 0 / 23 / 10

HEX #93E6B2

RGB 147 230 178

HSL 142.41, 0.62%, 0.74%

LAB 85, -36.17, 17.5

 

Description

Color code: HEX #949FE7 | qconv.com Color code: HEX #949FE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 159 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 159 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 31 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 31% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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