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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949BBE it is the complementary color #6B6441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949BBE shade: #999BB9, #AAADCC, #BBBFDF, #CCD1F2 and #DDE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949BBE shade: #949BBE, #8389AB, #727798, #616585 and #505372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949BBE shade: #939ABD, #9893BD, #A393BD, #AE93BD and #B993BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949BBE shade: #939ABD and #9393BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949BBE shade matches the following richer shades: #939ABD, #8591CB, #7788D9, #697EE7 and #5B75F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949BBE shade: #939ABD, #A2A4AF, #B0ADA1, #BEB693 and #CCC085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949BBE shade: #93B1BD, #93A6BD, #939ABD, #9893BD and #A393BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949BBE shade: #616B9E, #7A82AD, #939ABD, #ADB2CD and #C7CADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949BBE shade: #949BBE, #BD93BC and #ABBD93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949BBE shade: #949BBE, #BD939A and #9ABD93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949BBE shade: #949BBE, #BD93BC, #BDB693 and #93BD95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949BBE shade: #949BBE, #BD93AF, #BDB693 and #93BDA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

Complementary color

CMYK 0 / 7 / 39 / 58

HEX #6B6441

RGB 107 100 65

HSL 50, 0.24%, 0.34%

LAB 42.19, -2.98, 20.87

 

CMYK 17 / 16 / 0 / 27

HEX #999BB9

RGB 153 155 185

HSL 236.25, 0.19%, 0.66%

LAB 64.74, 5.58, -15.75

 

CMYK 17 / 15 / 0 / 20

HEX #AAADCC

RGB 170 173 204

HSL 234.71, 0.25%, 0.73%

LAB 71.41, 5.32, -16.08

 

CMYK 16 / 14 / 0 / 13

HEX #BBBFDF

RGB 187 191 223

HSL 233.33, 0.36%, 0.8%

LAB 77.97, 5.07, -16.41

 

CMYK 16 / 14 / 0 / 5

HEX #CCD1F2

RGB 204 209 242

HSL 232.11, 0.59%, 0.87%

LAB 84.41, 4.84, -16.76

 

CMYK 13 / 11 / 0 / 0

HEX #DDE3FF

RGB 221 227 255

HSL 229.41, 1%, 0.93%

LAB 90.57, 3.4, -14.24

 

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

CMYK 23 / 20 / 0 / 33

HEX #8389AB

RGB 131 137 171

HSL 231, 0.19%, 0.59%

LAB 57.71, 5.42, -18.65

 

CMYK 25 / 22 / 0 / 40

HEX #727798

RGB 114 119 152

HSL 232.11, 0.16%, 0.52%

LAB 50.73, 5.76, -18.43

 

CMYK 27 / 24 / 0 / 48

HEX #616585

RGB 97 101 133

HSL 233.33, 0.16%, 0.45%

LAB 43.57, 6.14, -18.23

 

CMYK 30 / 27 / 0 / 55

HEX #505372

RGB 80 83 114

HSL 234.71, 0.18%, 0.38%

LAB 36.19, 6.59, -18.09

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 20 / 22 / 0 / 26

HEX #9893BD

RGB 152 147 189

HSL 247.14, 0.24%, 0.66%

LAB 62.69, 10.7, -21.11

 

CMYK 14 / 22 / 0 / 26

HEX #A393BD

RGB 163 147 189

HSL 262.86, 0.24%, 0.66%

LAB 63.61, 14.28, -19.62

 

CMYK 8 / 22 / 0 / 26

HEX #AE93BD

RGB 174 147 189

HSL 278.57, 0.24%, 0.66%

LAB 64.6, 17.93, -18.03

 

CMYK 2 / 22 / 0 / 26

HEX #B993BD

RGB 185 147 189

HSL 294.29, 0.24%, 0.66%

LAB 65.64, 21.64, -16.36

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 22 / 22 / 0 / 26

HEX #9393BD

RGB 147 147 189

HSL 240, 0.24%, 0.66%

LAB 62.29, 9.11, -21.76

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 34 / 29 / 0 / 20

HEX #8591CB

RGB 133 145 203

HSL 229.71, 0.4%, 0.66%

LAB 61.26, 9.57, -31.29

 

CMYK 45 / 37 / 0 / 15

HEX #7788D9

RGB 119 136 217

HSL 229.59, 0.56%, 0.66%

LAB 58.55, 15.04, -43.46

 

CMYK 55 / 45 / 0 / 9

HEX #697EE7

RGB 105 126 231

HSL 230, 0.72%, 0.66%

LAB 55.78, 22.14, -55.74

 

CMYK 63 / 52 / 0 / 4

HEX #5B75F5

RGB 91 117 245

HSL 229.87, 0.89%, 0.66%

LAB 53.53, 29.6, -67.19

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 7 / 6 / 0 / 31

HEX #A2A4AF

RGB 162 164 175

HSL 230.77, 0.08%, 0.66%

LAB 67.52, 1.47, -5.93

 

CMYK 0 / 2 / 9 / 31

HEX #B0ADA1

RGB 176 173 161

HSL 48, 0.09%, 0.66%

LAB 70.66, -1.09, 6.53

 

CMYK 0 / 4 / 23 / 25

HEX #BEB693

RGB 190 182 147

HSL 48.84, 0.25%, 0.66%

LAB 73.88, -2.87, 18.87

 

CMYK 0 / 6 / 35 / 20

HEX #CCC085

RGB 204 192 133

HSL 49.86, 0.41%, 0.66%

LAB 77.42, -4.53, 31.3

 

CMYK 22 / 6 / 0 / 26

HEX #93B1BD

RGB 147 177 189

HSL 197.14, 0.24%, 0.66%

LAB 70.4, -7.53, -9.51

 

CMYK 22 / 12 / 0 / 26

HEX #93A6BD

RGB 147 166 189

HSL 212.86, 0.24%, 0.66%

LAB 67.39, -1.55, -14.02

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 20 / 22 / 0 / 26

HEX #9893BD

RGB 152 147 189

HSL 247.14, 0.24%, 0.66%

LAB 62.69, 10.7, -21.11

 

CMYK 14 / 22 / 0 / 26

HEX #A393BD

RGB 163 147 189

HSL 262.86, 0.24%, 0.66%

LAB 63.61, 14.28, -19.62

 

CMYK 39 / 32 / 0 / 38

HEX #616B9E

RGB 97 107 158

HSL 230.16, 0.24%, 0.5%

LAB 46.35, 9.4, -28.83

 

CMYK 29 / 25 / 0 / 32

HEX #7A82AD

RGB 122 130 173

HSL 230.59, 0.24%, 0.58%

LAB 55.2, 7.17, -23.71

 

CMYK 22 / 19 / 0 / 26

HEX #939ABD

RGB 147 154 189

HSL 230, 0.24%, 0.66%

LAB 64.15, 5.14, -18.92

 

CMYK 16 / 13 / 0 / 20

HEX #ADB2CD

RGB 173 178 205

HSL 230.63, 0.24%, 0.74%

LAB 72.98, 3.77, -14.24

 

CMYK 10 / 8 / 0 / 14

HEX #C7CADC

RGB 199 202 220

HSL 231.43, 0.23%, 0.82%

LAB 81.59, 2.44, -9.28

 

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

CMYK 0 / 22 / 1 / 26

HEX #BD93BC

RGB 189 147 188

HSL 301.43, 0.24%, 0.66%

LAB 65.99, 22.81, -15.22

 

CMYK 10 / 0 / 22 / 26

HEX #ABBD93

RGB 171 189 147

HSL 85.71, 0.24%, 0.66%

LAB 74.29, -13.69, 19.22

 

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

CMYK 0 / 22 / 19 / 26

HEX #BD939A

RGB 189 147 154

HSL 350, 0.24%, 0.66%

LAB 64.98, 16.87, 2.39

 

CMYK 19 / 0 / 22 / 26

HEX #9ABD93

RGB 154 189 147

HSL 110, 0.24%, 0.66%

LAB 73.14, -19.81, 17.44

 

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

CMYK 0 / 22 / 1 / 26

HEX #BD93BC

RGB 189 147 188

HSL 301.43, 0.24%, 0.66%

LAB 65.99, 22.81, -15.22

 

CMYK 0 / 4 / 22 / 26

HEX #BDB693

RGB 189 182 147

HSL 50, 0.24%, 0.66%

LAB 73.79, -3.26, 18.74

 

CMYK 22 / 0 / 21 / 26

HEX #93BD95

RGB 147 189 149

HSL 122.86, 0.24%, 0.66%

LAB 72.74, -21.89, 15.74

 

CMYK 22 / 18 / 0 / 25

HEX #949BBE

RGB 148 155 190

HSL 230, 0.24%, 0.66%

LAB 64.53, 5.12, -18.9

 

CMYK 0 / 22 / 7 / 26

HEX #BD93AF

RGB 189 147 175

HSL 320, 0.24%, 0.66%

LAB 65.58, 20.42, -8.55

 

CMYK 0 / 4 / 22 / 26

HEX #BDB693

RGB 189 182 147

HSL 50, 0.24%, 0.66%

LAB 73.79, -3.26, 18.74

 

CMYK 22 / 0 / 15 / 26

HEX #93BDA1

RGB 147 189 161

HSL 140, 0.24%, 0.66%

LAB 73, -19.67, 9.62

 

Description

Color code: HEX #949BBE | qconv.com Color code: HEX #949BBE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 155 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 155 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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