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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949A8C it is the complementary color #6B6573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949A8C shade: #999A87, #AAAC9A, #BBBEAD, #CCD0C0 and #DDE2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949A8C shade: #949A8C, #838879, #727666, #616453 and #505240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949A8C shade: #949A8D, #989A8D, #9A988D, #9A958D and #9A918D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949A8C shade: #949A8D, #919A8D, #8D9A8D, #8D9A90 and #8D9A93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949A8C shade matches the following richer shades: #949A8D, #97AB7C, #99BC6A, #9CCE59 and #9EDF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949A8C shade: #949A8D, #92889E, #8F77B0, #8D66C1 and #8A55D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949A8C shade: #9A988D, #989A8D, #949A8D, #919A8D and #8E9A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949A8C shade: #6B7164, #808677, #949A8D, #A9ADA3 and #BDC1B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949A8C shade: #949A8C, #8D9A95 and #9A8D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949A8C shade: #949A8C, #8D949A and #9A8D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949A8C shade: #949A8C, #8D9A95, #928D9A and #9A8D92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949A8C shade: #949A8C, #8D9A99, #928D9A and #9A8D8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

Complementary color

CMYK 7 / 12 / 0 / 55

HEX #6B6573

RGB 107 101 115

HSL 265.71, 0.06%, 0.42%

LAB 43.76, 5.29, -7

 

CMYK 1 / 0 / 12 / 40

HEX #999A87

RGB 153 154 135

HSL 63.16, 0.09%, 0.57%

LAB 63.04, -3.82, 9.86

 

CMYK 1 / 0 / 10 / 33

HEX #AAAC9A

RGB 170 172 154

HSL 66.67, 0.1%, 0.64%

LAB 69.74, -3.96, 9.01

 

CMYK 2 / 0 / 9 / 25

HEX #BBBEAD

RGB 187 190 173

HSL 70.59, 0.12%, 0.71%

LAB 76.32, -4.09, 8.22

 

CMYK 2 / 0 / 8 / 18

HEX #CCD0C0

RGB 204 208 192

HSL 75, 0.15%, 0.78%

LAB 82.78, -4.21, 7.46

 

CMYK 2 / 0 / 7 / 11

HEX #DDE2D3

RGB 221 226 211

HSL 80, 0.21%, 0.86%

LAB 89.14, -4.32, 6.74

 

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

CMYK 4 / 0 / 11 / 47

HEX #838879

RGB 131 136 121

HSL 80, 0.06%, 0.5%

LAB 55.9, -4.72, 7.42

 

CMYK 3 / 0 / 14 / 54

HEX #727666

RGB 114 118 102

HSL 75, 0.07%, 0.43%

LAB 48.88, -4.62, 8.3

 

CMYK 3 / 0 / 17 / 61

HEX #616453

RGB 97 100 83

HSL 70.59, 0.09%, 0.36%

LAB 41.66, -4.51, 9.26

 

CMYK 2 / 0 / 22 / 68

HEX #505240

RGB 80 82 64

HSL 66.67, 0.12%, 0.29%

LAB 34.21, -4.37, 10.32

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 1 / 0 / 8 / 40

HEX #989A8D

RGB 152 154 141

HSL 69.23, 0.06%, 0.58%

LAB 63.1, -3.15, 6.57

 

CMYK 0 / 1 / 8 / 40

HEX #9A988D

RGB 154 152 141

HSL 50.77, 0.06%, 0.58%

LAB 62.72, -1.3, 6.04

 

CMYK 0 / 3 / 8 / 40

HEX #9A958D

RGB 154 149 141

HSL 36.92, 0.06%, 0.58%

LAB 61.9, 0.36, 4.86

 

CMYK 0 / 6 / 8 / 40

HEX #9A918D

RGB 154 145 141

HSL 18.46, 0.06%, 0.58%

LAB 60.82, 2.6, 3.3

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 6 / 0 / 8 / 40

HEX #919A8D

RGB 145 154 141

HSL 101.54, 0.06%, 0.58%

LAB 62.55, -5.74, 5.71

 

CMYK 8 / 0 / 8 / 40

HEX #8D9A8D

RGB 141 154 141

HSL 120, 0.06%, 0.58%

LAB 62.25, -7.2, 5.23

 

CMYK 8 / 0 / 6 / 40

HEX #8D9A90

RGB 141 154 144

HSL 133.85, 0.06%, 0.58%

LAB 62.33, -6.62, 3.65

 

CMYK 8 / 0 / 5 / 40

HEX #8D9A93

RGB 141 154 147

HSL 147.69, 0.06%, 0.58%

LAB 62.41, -6.03, 2.08

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 12 / 0 / 27 / 33

HEX #97AB7C

RGB 151 171 124

HSL 85.53, 0.22%, 0.58%

LAB 67.4, -15.43, 21.96

 

CMYK 19 / 0 / 44 / 26

HEX #99BC6A

RGB 153 188 106

HSL 85.61, 0.38%, 0.58%

LAB 72.08, -25.69, 37.59

 

CMYK 24 / 0 / 57 / 19

HEX #9CCE59

RGB 156 206 89

HSL 85.64, 0.54%, 0.58%

LAB 77.24, -34.9, 52.03

 

CMYK 29 / 0 / 68 / 13

HEX #9EDF48

RGB 158 223 72

HSL 85.83, 0.7%, 0.58%

LAB 82.12, -43.11, 64.48

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 8 / 14 / 0 / 38

HEX #92889E

RGB 146 136 158

HSL 267.27, 0.1%, 0.58%

LAB 58.22, 8.1, -10.32

 

CMYK 19 / 32 / 0 / 31

HEX #8F77B0

RGB 143 119 176

HSL 265.26, 0.27%, 0.58%

LAB 54.2, 20.97, -26.82

 

CMYK 27 / 47 / 0 / 24

HEX #8D66C1

RGB 141 102 193

HSL 265.71, 0.42%, 0.58%

LAB 50.71, 34.37, -42.1

 

CMYK 34 / 60 / 0 / 18

HEX #8A55D2

RGB 138 85 210

HSL 265.44, 0.58%, 0.58%

LAB 47.69, 47.36, -56.69

 

CMYK 0 / 1 / 8 / 40

HEX #9A988D

RGB 154 152 141

HSL 50.77, 0.06%, 0.58%

LAB 62.72, -1.3, 6.04

 

CMYK 1 / 0 / 8 / 40

HEX #989A8D

RGB 152 154 141

HSL 69.23, 0.06%, 0.58%

LAB 63.1, -3.15, 6.57

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 6 / 0 / 8 / 40

HEX #919A8D

RGB 145 154 141

HSL 101.54, 0.06%, 0.58%

LAB 62.55, -5.74, 5.71

 

CMYK 8 / 0 / 8 / 40

HEX #8E9A8D

RGB 142 154 141

HSL 115.38, 0.06%, 0.58%

LAB 62.33, -6.84, 5.35

 

CMYK 5 / 0 / 12 / 56

HEX #6B7164

RGB 107 113 100

HSL 87.69, 0.06%, 0.42%

LAB 46.79, -4.89, 6.44

 

CMYK 4 / 0 / 11 / 47

HEX #808677

RGB 128 134 119

HSL 84, 0.06%, 0.5%

LAB 55.04, -5.12, 7.32

 

CMYK 4 / 0 / 8 / 40

HEX #949A8D

RGB 148 154 141

HSL 87.69, 0.06%, 0.58%

LAB 62.79, -4.63, 6.07

 

CMYK 2 / 0 / 6 / 32

HEX #A9ADA3

RGB 169 173 163

HSL 84, 0.06%, 0.66%

LAB 70.15, -3.27, 4.63

 

CMYK 2 / 0 / 4 / 24

HEX #BDC1B9

RGB 189 193 185

HSL 90, 0.06%, 0.74%

LAB 77.56, -2.85, 3.53

 

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

CMYK 8 / 0 / 3 / 40

HEX #8D9A95

RGB 141 154 149

HSL 156.92, 0.06%, 0.58%

LAB 62.46, -5.64, 1.02

 

CMYK 0 / 8 / 0 / 40

HEX #9A8D9A

RGB 154 141 154

HSL 300, 0.06%, 0.58%

LAB 60.12, 7.29, -5.13

 

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

CMYK 8 / 4 / 0 / 40

HEX #8D949A

RGB 141 148 154

HSL 207.69, 0.06%, 0.58%

LAB 60.94, -1.29, -4.04

 

CMYK 0 / 8 / 4 / 40

HEX #9A8D94

RGB 154 141 148

HSL 327.69, 0.06%, 0.58%

LAB 59.94, 6.14, -1.97

 

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

CMYK 8 / 0 / 3 / 40

HEX #8D9A95

RGB 141 154 149

HSL 156.92, 0.06%, 0.58%

LAB 62.46, -5.64, 1.02

 

CMYK 5 / 8 / 0 / 40

HEX #928D9A

RGB 146 141 154

HSL 263.08, 0.06%, 0.58%

LAB 59.43, 4.42, -6.23

 

CMYK 0 / 8 / 5 / 40

HEX #9A8D92

RGB 154 141 146

HSL 336.92, 0.06%, 0.58%

LAB 59.88, 5.76, -0.91

 

CMYK 4 / 0 / 9 / 40

HEX #949A8C

RGB 148 154 140

HSL 85.71, 0.06%, 0.58%

LAB 62.76, -4.82, 6.6

 

CMYK 8 / 0 / 1 / 40

HEX #8D9A99

RGB 141 154 153

HSL 175.38, 0.06%, 0.58%

LAB 62.57, -4.83, -1.07

 

CMYK 5 / 8 / 0 / 40

HEX #928D9A

RGB 146 141 154

HSL 263.08, 0.06%, 0.58%

LAB 59.43, 4.42, -6.23

 

CMYK 0 / 8 / 8 / 40

HEX #9A8D8E

RGB 154 141 142

HSL 355.38, 0.06%, 0.58%

LAB 59.77, 5.02, 1.22

 

Description

Color code: HEX #949A8C | qconv.com Color code: HEX #949A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 154 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 154 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 9 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 9% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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