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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94992C it is the complementary color #6B66D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94992C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94992C shade: #999927, #AAAB3A, #BBBD4D, #CCCF60 and #DDE173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94992C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94992C shade: #94992C, #838719, #727506, #616300 and #505100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94992C shade: #959A2D, #9A822D, #9A642D, #9A472D and #9A2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94992C shade: #959A2D, #789A2D, #5A9A2D, #3D9A2D and #2D9A3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94992C shade matches the following richer shades: #959A2D, #A4AA1D and #B2BA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94992C shade: #959A2D, #878A3D, #787A4D, #696A5D and #5B5A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94992C shade: #9A632D, #9A812D, #979A2D, #799A2D and #5C9A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94992C shade: #575A1A, #767A23, #959A2D, #B4BA36 and #C6CC4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94992C shade: #94992C, #2D9A46 and #722D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94992C shade: #94992C, #2D979A and #9A2D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94992C shade: #94992C, #2D9A46, #302D9A and #9A2D81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94992C shade: #94992C, #2D9A67, #302D9A and #9A2D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

Complementary color

CMYK 49 / 52 / 0 / 17

HEX #6B66D3

RGB 107 102 211

HSL 242.75, 0.55%, 0.61%

LAB 48.68, 30.86, -55.84

 

CMYK 0 / 0 / 75 / 40

HEX #999927

RGB 153 153 39

HSL 60, 0.59%, 0.38%

LAB 61.4, -13.69, 55.92

 

CMYK 1 / 0 / 66 / 33

HEX #AAAB3A

RGB 170 171 58

HSL 60.53, 0.49%, 0.45%

LAB 68, -14.6, 55.66

 

CMYK 1 / 0 / 59 / 26

HEX #BBBD4D

RGB 187 189 77

HSL 61.07, 0.46%, 0.52%

LAB 74.51, -15.32, 54.91

 

CMYK 1 / 0 / 54 / 19

HEX #CCCF60

RGB 204 207 96

HSL 61.62, 0.54%, 0.59%

LAB 80.91, -15.91, 53.93

 

CMYK 2 / 0 / 49 / 12

HEX #DDE173

RGB 221 225 115

HSL 62.18, 0.65%, 0.67%

LAB 87.22, -16.39, 52.84

 

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

CMYK 3 / 0 / 81 / 47

HEX #838719

RGB 131 135 25

HSL 62.18, 0.69%, 0.31%

LAB 54.26, -14.67, 53.3

 

CMYK 3 / 0 / 95 / 54

HEX #727506

RGB 114 117 6

HSL 61.62, 0.9%, 0.24%

LAB 47.38, -13.4, 51.55

 

CMYK 2 / 0 / 100 / 61

HEX #616300

RGB 97 99 0

HSL 61.21, 1%, 0.19%

LAB 40.35, -11.75, 47

 

CMYK 1 / 0 / 100 / 68

HEX #505100

RGB 80 81 0

HSL 60.74, 1%, 0.16%

LAB 33.11, -9.88, 40.98

 

CMYK 3 / 0 / 71 / 40

HEX #959A2D

RGB 149 154 45

HSL 62.75, 0.55%, 0.39%

LAB 61.39, -15.68, 53.59

 

CMYK 0 / 16 / 71 / 40

HEX #9A822D

RGB 154 130 45

HSL 46.79, 0.55%, 0.39%

LAB 55.1, -0.48, 47.42

 

CMYK 0 / 35 / 71 / 40

HEX #9A642D

RGB 154 100 45

HSL 30.28, 0.55%, 0.39%

LAB 47.2, 16.6, 39.13

 

CMYK 0 / 54 / 71 / 40

HEX #9A472D

RGB 154 71 45

HSL 14.31, 0.55%, 0.39%

LAB 40.52, 32.77, 31.69

 

CMYK 0 / 71 / 71 / 40

HEX #9A2D2D

RGB 154 45 45

HSL 0, 0.55%, 0.39%

LAB 35.86, 45.08, 26.25

 

CMYK 3 / 0 / 71 / 40

HEX #959A2D

RGB 149 154 45

HSL 62.75, 0.55%, 0.39%

LAB 61.39, -15.68, 53.59

 

CMYK 22 / 0 / 71 / 40

HEX #789A2D

RGB 120 154 45

HSL 78.72, 0.55%, 0.39%

LAB 59.25, -28.06, 50.74

 

CMYK 42 / 0 / 71 / 40

HEX #5A9A2D

RGB 90 154 45

HSL 95.23, 0.55%, 0.39%

LAB 57.53, -39.48, 48.44

 

CMYK 60 / 0 / 71 / 40

HEX #3D9A2D

RGB 61 154 45

HSL 111.19, 0.55%, 0.39%

LAB 56.38, -48.21, 46.88

 

CMYK 71 / 0 / 62 / 40

HEX #2D9A3A

RGB 45 154 58

HSL 127.16, 0.55%, 0.39%

LAB 56.06, -50.37, 40.74

 

CMYK 3 / 0 / 71 / 40

HEX #959A2D

RGB 149 154 45

HSL 62.75, 0.55%, 0.39%

LAB 61.39, -15.68, 53.59

 

CMYK 4 / 0 / 83 / 33

HEX #A4AA1D

RGB 164 170 29

HSL 62.55, 0.71%, 0.39%

LAB 67.07, -18, 64.37

 

CMYK 4 / 0 / 93 / 27

HEX #B2BA0D

RGB 178 186 13

HSL 62.77, 0.87%, 0.39%

LAB 72.64, -20.31, 72.34

 

CMYK 3 / 0 / 71 / 40

HEX #959A2D

RGB 149 154 45

HSL 62.75, 0.55%, 0.39%

LAB 61.39, -15.68, 53.59

 

CMYK 2 / 0 / 56 / 46

HEX #878A3D

RGB 135 138 61

HSL 62.34, 0.39%, 0.39%

LAB 55.75, -12.26, 40.18

 

CMYK 2 / 0 / 37 / 52

HEX #787A4D

RGB 120 122 77

HSL 62.67, 0.23%, 0.39%

LAB 50.03, -8.3, 24.42

 

CMYK 1 / 0 / 12 / 58

HEX #696A5D

RGB 105 106 93

HSL 64.62, 0.07%, 0.39%

LAB 44.38, -2.93, 7.17

 

CMYK 17 / 17 / 0 / 57

HEX #5B5A6D

RGB 91 90 109

HSL 243.16, 0.1%, 0.39%

LAB 38.97, 4.73, -10.67

 

CMYK 0 / 36 / 71 / 40

HEX #9A632D

RGB 154 99 45

HSL 29.72, 0.55%, 0.39%

LAB 46.95, 17.17, 38.86

 

CMYK 0 / 16 / 71 / 40

HEX #9A812D

RGB 154 129 45

HSL 46.24, 0.55%, 0.39%

LAB 54.82, 0.08, 47.14

 

CMYK 2 / 0 / 71 / 40

HEX #979A2D

RGB 151 154 45

HSL 61.65, 0.55%, 0.39%

LAB 61.55, -14.8, 53.8

 

CMYK 21 / 0 / 71 / 40

HEX #799A2D

RGB 121 154 45

HSL 78.17, 0.55%, 0.39%

LAB 59.31, -27.65, 50.83

 

CMYK 40 / 0 / 71 / 40

HEX #5C9A2D

RGB 92 154 45

HSL 94.13, 0.55%, 0.39%

LAB 57.63, -38.78, 48.58

 

CMYK 3 / 0 / 71 / 65

HEX #575A1A

RGB 87 90 26

HSL 62.81, 0.55%, 0.23%

LAB 36.77, -10.42, 35.02

 

CMYK 3 / 0 / 71 / 52

HEX #767A23

RGB 118 122 35

HSL 62.76, 0.55%, 0.31%

LAB 49.36, -13.15, 44.76

 

CMYK 3 / 0 / 71 / 40

HEX #959A2D

RGB 149 154 45

HSL 62.75, 0.55%, 0.39%

LAB 61.39, -15.68, 53.59

 

CMYK 3 / 0 / 71 / 27

HEX #B4BA36

RGB 180 186 54

HSL 62.73, 0.55%, 0.47%

LAB 72.95, -18.17, 62.41

 

CMYK 3 / 0 / 62 / 20

HEX #C6CC4E

RGB 198 204 78

HSL 62.86, 0.55%, 0.55%

LAB 79.47, -18.2, 60.1

 

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

CMYK 71 / 0 / 55 / 40

HEX #2D9A46

RGB 45 154 70

HSL 133.76, 0.55%, 0.39%

LAB 56.2, -48.77, 35.08

 

CMYK 26 / 71 / 0 / 40

HEX #722D9A

RGB 114 45 154

HSL 277.98, 0.55%, 0.39%

LAB 33.54, 48.71, -46.66

 

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

CMYK 71 / 2 / 0 / 40

HEX #2D979A

RGB 45 151 154

HSL 181.65, 0.55%, 0.39%

LAB 57.1, -28.05, -10.26

 

CMYK 0 / 71 / 2 / 40

HEX #9A2D97

RGB 154 45 151

HSL 301.65, 0.55%, 0.39%

LAB 39.55, 57.22, -34.87

 

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

CMYK 71 / 0 / 55 / 40

HEX #2D9A46

RGB 45 154 70

HSL 133.76, 0.55%, 0.39%

LAB 56.2, -48.77, 35.08

 

CMYK 69 / 71 / 0 / 40

HEX #302D9A

RGB 48 45 154

HSL 241.65, 0.55%, 0.39%

LAB 26.27, 36.84, -58.81

 

CMYK 0 / 71 / 16 / 40

HEX #9A2D81

RGB 154 45 129

HSL 313.76, 0.55%, 0.39%

LAB 38.43, 53.72, -23.16

 

CMYK 3 / 0 / 71 / 40

HEX #94992C

RGB 148 153 44

HSL 62.75, 0.55%, 0.39%

LAB 61.01, -15.66, 53.57

 

CMYK 71 / 0 / 33 / 40

HEX #2D9A67

RGB 45 154 103

HSL 151.93, 0.55%, 0.39%

LAB 56.73, -42.78, 18.14

 

CMYK 69 / 71 / 0 / 40

HEX #302D9A

RGB 48 45 154

HSL 241.65, 0.55%, 0.39%

LAB 26.27, 36.84, -58.81

 

CMYK 0 / 71 / 38 / 40

HEX #9A2D60

RGB 154 45 96

HSL 331.93, 0.55%, 0.39%

LAB 37.1, 49.35, -4.48

 

Description

Color code: HEX #94992C | qconv.com Color code: HEX #94992C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 153 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 153 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 71% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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