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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948C9A it is the complementary color #6B7365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948C9A shade: #998C95, #AA9EA8, #BBB0BB, #CCC2CE and #DDD4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948C9A shade: #948C9A, #837A87, #726874, #615661 and #50444E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948C9A shade: #948D9A, #988D9A, #9A8D98, #9A8D95 and #9A8D91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948C9A shade: #948D9A, #918D9A, #8D8D9A and #8D8D9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948C9A shade matches the following richer shades: #948D9A, #977CAB, #996ABC, #9C59CE and #9E48DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948C9A shade: #948D9A, #929E88, #8FB077, #8DC166 and #8AD255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948C9A shade: #8D8D9A, #918D9A, #948D9A, #988D9A and #9A8D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948C9A shade: #6B6471, #807786, #948D9A, #A9A3AD and #BDB9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948C9A shade: #948C9A, #9A8D90 and #8D9A8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948C9A shade: #948C9A, #9A948D and #8D9A94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948C9A shade: #948C9A, #9A8D90, #939A8D and #8D9A97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948C9A shade: #948C9A, #9A8E8D, #939A8D and #8D999A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

Complementary color

CMYK 7 / 0 / 12 / 55

HEX #6B7365

RGB 107 115 101

HSL 94.29, 0.06%, 0.42%

LAB 47.4, -5.85, 6.72

 

CMYK 0 / 8 / 3 / 40

HEX #998C95

RGB 153 140 149

HSL 318.46, 0.06%, 0.57%

LAB 59.62, 6.53, -3.03

 

CMYK 0 / 7 / 1 / 33

HEX #AA9EA8

RGB 170 158 168

HSL 310, 0.07%, 0.64%

LAB 66.39, 6.22, -3.62

 

CMYK 0 / 6 / 0 / 27

HEX #BBB0BB

RGB 187 176 187

HSL 300, 0.07%, 0.71%

LAB 73.03, 5.93, -4.2

 

CMYK 1 / 6 / 0 / 19

HEX #CCC2CE

RGB 204 194 206

HSL 290, 0.11%, 0.78%

LAB 79.54, 5.67, -4.75

 

CMYK 2 / 6 / 0 / 12

HEX #DDD4E1

RGB 221 212 225

HSL 281.54, 0.18%, 0.86%

LAB 85.95, 5.43, -5.3

 

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

CMYK 3 / 10 / 0 / 47

HEX #837A87

RGB 131 122 135

HSL 281.54, 0.05%, 0.5%

LAB 52.39, 6, -5.82

 

CMYK 2 / 10 / 0 / 55

HEX #726874

RGB 114 104 116

HSL 290, 0.05%, 0.43%

LAB 45.27, 6.34, -5.28

 

CMYK 0 / 11 / 0 / 62

HEX #615661

RGB 97 86 97

HSL 300, 0.06%, 0.36%

LAB 37.95, 6.72, -4.71

 

CMYK 0 / 15 / 2 / 69

HEX #50444E

RGB 80 68 78

HSL 310, 0.08%, 0.29%

LAB 30.38, 7.17, -4.11

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 1 / 8 / 0 / 40

HEX #988D9A

RGB 152 141 154

HSL 290.77, 0.06%, 0.58%

LAB 59.94, 6.57, -5.41

 

CMYK 0 / 8 / 1 / 40

HEX #9A8D98

RGB 154 141 152

HSL 309.23, 0.06%, 0.58%

LAB 60.06, 6.9, -4.08

 

CMYK 0 / 8 / 3 / 40

HEX #9A8D95

RGB 154 141 149

HSL 323.08, 0.06%, 0.58%

LAB 59.97, 6.33, -2.49

 

CMYK 0 / 8 / 6 / 40

HEX #9A8D91

RGB 154 141 145

HSL 341.54, 0.06%, 0.58%

LAB 59.86, 5.58, -0.38

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 6 / 8 / 0 / 40

HEX #918D9A

RGB 145 141 154

HSL 258.46, 0.06%, 0.58%

LAB 59.35, 4.06, -6.36

 

CMYK 8 / 8 / 0 / 40

HEX #8D8D9A

RGB 141 141 154

HSL 240, 0.06%, 0.58%

LAB 59.02, 2.65, -6.88

 

CMYK 8 / 8 / 0 / 40

HEX #8D8D9A

RGB 141 141 154

HSL 240, 0.06%, 0.58%

LAB 59.02, 2.65, -6.88

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 12 / 27 / 0 / 33

HEX #977CAB

RGB 151 124 171

HSL 274.47, 0.22%, 0.58%

LAB 56.02, 19.54, -21.07

 

CMYK 19 / 44 / 0 / 26

HEX #996ABC

RGB 153 106 188

HSL 274.39, 0.38%, 0.58%

LAB 52.63, 34.34, -36.11

 

CMYK 24 / 57 / 0 / 19

HEX #9C59CE

RGB 156 89 206

HSL 274.36, 0.54%, 0.58%

LAB 50.3, 48.6, -50.11

 

CMYK 29 / 68 / 0 / 13

HEX #9E48DF

RGB 158 72 223

HSL 274.17, 0.7%, 0.58%

LAB 48.55, 61.2, -62.6

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 8 / 0 / 14 / 38

HEX #929E88

RGB 146 158 136

HSL 92.73, 0.1%, 0.58%

LAB 63.62, -8.45, 10.05

 

CMYK 19 / 0 / 32 / 31

HEX #8FB077

RGB 143 176 119

HSL 94.74, 0.27%, 0.58%

LAB 68.18, -21.74, 25.62

 

CMYK 27 / 0 / 47 / 24

HEX #8DC166

RGB 141 193 102

HSL 94.29, 0.42%, 0.58%

LAB 72.73, -33.01, 40.26

 

CMYK 34 / 0 / 60 / 18

HEX #8AD255

RGB 138 210 85

HSL 94.56, 0.58%, 0.58%

LAB 77.37, -43.51, 53.7

 

CMYK 8 / 8 / 0 / 40

HEX #8D8D9A

RGB 141 141 154

HSL 240, 0.06%, 0.58%

LAB 59.02, 2.65, -6.88

 

CMYK 6 / 8 / 0 / 40

HEX #918D9A

RGB 145 141 154

HSL 258.46, 0.06%, 0.58%

LAB 59.35, 4.06, -6.36

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 1 / 8 / 0 / 40

HEX #988D9A

RGB 152 141 154

HSL 290.77, 0.06%, 0.58%

LAB 59.94, 6.57, -5.41

 

CMYK 0 / 8 / 1 / 40

HEX #9A8D99

RGB 154 141 153

HSL 304.62, 0.06%, 0.58%

LAB 60.09, 7.1, -4.6

 

CMYK 5 / 12 / 0 / 56

HEX #6B6471

RGB 107 100 113

HSL 272.31, 0.06%, 0.42%

LAB 43.41, 5.46, -6.31

 

CMYK 4 / 11 / 0 / 47

HEX #807786

RGB 128 119 134

HSL 276, 0.06%, 0.5%

LAB 51.27, 6.45, -6.93

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 2 / 6 / 0 / 32

HEX #A9A3AD

RGB 169 163 173

HSL 276, 0.06%, 0.66%

LAB 67.76, 4.06, -4.4

 

CMYK 2 / 4 / 0 / 24

HEX #BDB9C1

RGB 189 185 193

HSL 270, 0.06%, 0.74%

LAB 75.68, 2.9, -3.55

 

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

CMYK 0 / 8 / 6 / 40

HEX #9A8D90

RGB 154 141 144

HSL 346.15, 0.06%, 0.58%

LAB 59.83, 5.39, 0.15

 

CMYK 8 / 0 / 7 / 40

HEX #8D9A8F

RGB 141 154 143

HSL 129.23, 0.06%, 0.58%

LAB 62.3, -6.82, 4.18

 

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

CMYK 0 / 4 / 8 / 40

HEX #9A948D

RGB 154 148 141

HSL 32.31, 0.06%, 0.58%

LAB 61.63, 0.92, 4.47

 

CMYK 8 / 0 / 4 / 40

HEX #8D9A94

RGB 141 154 148

HSL 152.31, 0.06%, 0.58%

LAB 62.43, -5.84, 1.55

 

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

CMYK 0 / 8 / 6 / 40

HEX #9A8D90

RGB 154 141 144

HSL 346.15, 0.06%, 0.58%

LAB 59.83, 5.39, 0.15

 

CMYK 5 / 0 / 8 / 40

HEX #939A8D

RGB 147 154 141

HSL 92.31, 0.06%, 0.58%

LAB 62.71, -5, 5.95

 

CMYK 8 / 0 / 2 / 40

HEX #8D9A97

RGB 141 154 151

HSL 166.15, 0.06%, 0.58%

LAB 62.51, -5.23, -0.02

 

CMYK 4 / 9 / 0 / 40

HEX #948C9A

RGB 148 140 154

HSL 274.29, 0.06%, 0.58%

LAB 59.33, 5.7, -6.35

 

CMYK 0 / 8 / 8 / 40

HEX #9A8E8D

RGB 154 142 141

HSL 4.62, 0.06%, 0.58%

LAB 60.01, 4.28, 2.14

 

CMYK 5 / 0 / 8 / 40

HEX #939A8D

RGB 147 154 141

HSL 92.31, 0.06%, 0.58%

LAB 62.71, -5, 5.95

 

CMYK 8 / 1 / 0 / 40

HEX #8D999A

RGB 141 153 154

HSL 184.62, 0.06%, 0.58%

LAB 62.32, -4.07, -2

 

Description

Color code: HEX #948C9A | qconv.com Color code: HEX #948C9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 140 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 140 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 9 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 9% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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