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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9484AC it is the complementary color #6B7B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9484AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9484AC shade: #9984A7, #AA96BA, #BBA8CD, #CCBAE0 and #DDCCF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9484AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9484AC shade: #9484AC, #837299, #726086, #614E73 and #503C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9484AC shade: #9586AC, #A086AC, #AA86AC, #AC86A4 and #AC869A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9484AC shade: #9586AC, #8B86AC and #8686AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9484AC shade matches the following richer shades: #9586AC, #9275BD, #8F65CD, #8B54DE and #8844EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9484AC shade: #9586AC, #98969C, #9CA78B, #9FB77B and #A2C86A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9484AC shade: #868BAC, #8B86AC, #9586AC, #9F86AC and #AA86AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9484AC shade: #6B5B85, #806D9C, #9586AC, #AB9EBD and #C0B7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9484AC shade: #9484AC, #AC8695 and #86AC86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9484AC shade: #9484AC, #AC9586 and #86AC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9484AC shade: #9484AC, #AC8695, #9DAC86 and #86AC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9484AC shade: #9484AC, #AC8689, #9DAC86 and #86ACA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

Complementary color

CMYK 13 / 0 / 33 / 52

HEX #6B7B53

RGB 107 123 83

HSL 84, 0.19%, 0.4%

LAB 49.39, -13.44, 19.98

 

CMYK 8 / 21 / 0 / 35

HEX #9984A7

RGB 153 132 167

HSL 276, 0.17%, 0.59%

LAB 58.1, 14.73, -15.6

 

CMYK 9 / 19 / 0 / 27

HEX #AA96BA

RGB 170 150 186

HSL 273.33, 0.21%, 0.66%

LAB 64.89, 14.27, -15.95

 

CMYK 9 / 18 / 0 / 20

HEX #BBA8CD

RGB 187 168 205

HSL 270.81, 0.27%, 0.73%

LAB 71.54, 13.85, -16.3

 

CMYK 9 / 17 / 0 / 12

HEX #CCBAE0

RGB 204 186 224

HSL 268.42, 0.38%, 0.8%

LAB 78.07, 13.47, -16.66

 

CMYK 9 / 16 / 0 / 5

HEX #DDCCF3

RGB 221 204 243

HSL 266.15, 0.62%, 0.88%

LAB 84.5, 13.11, -17.02

 

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

CMYK 14 / 25 / 0 / 40

HEX #837299

RGB 131 114 153

HSL 266.15, 0.16%, 0.52%

LAB 50.87, 14.63, -18.66

 

CMYK 15 / 28 / 0 / 47

HEX #726086

RGB 114 96 134

HSL 268.42, 0.17%, 0.45%

LAB 43.75, 15.2, -18.43

 

CMYK 16 / 32 / 0 / 55

HEX #614E73

RGB 97 78 115

HSL 270.81, 0.19%, 0.38%

LAB 36.42, 15.85, -18.23

 

CMYK 17 / 38 / 0 / 62

HEX #503C60

RGB 80 60 96

HSL 273.33, 0.23%, 0.31%

LAB 28.85, 16.6, -18.05

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 7 / 22 / 0 / 33

HEX #A086AC

RGB 160 134 172

HSL 281.05, 0.19%, 0.6%

LAB 59.44, 17.04, -16.37

 

CMYK 1 / 22 / 0 / 33

HEX #AA86AC

RGB 170 134 172

HSL 296.84, 0.19%, 0.6%

LAB 60.4, 20.48, -14.81

 

CMYK 0 / 22 / 5 / 33

HEX #AC86A4

RGB 172 134 164

HSL 312.63, 0.19%, 0.6%

LAB 60.34, 19.65, -10.32

 

CMYK 0 / 22 / 10 / 33

HEX #AC869A

RGB 172 134 154

HSL 328.42, 0.19%, 0.6%

LAB 60.03, 17.84, -5.07

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 19 / 22 / 0 / 33

HEX #8B86AC

RGB 139 134 172

HSL 247.89, 0.19%, 0.6%

LAB 57.58, 9.99, -19.37

 

CMYK 22 / 22 / 0 / 33

HEX #8686AC

RGB 134 134 172

HSL 240, 0.19%, 0.6%

LAB 57.17, 8.37, -20.02

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 23 / 38 / 0 / 26

HEX #9275BD

RGB 146 117 189

HSL 264.17, 0.35%, 0.6%

LAB 54.56, 26.16, -33.71

 

CMYK 30 / 51 / 0 / 20

HEX #8F65CD

RGB 143 101 205

HSL 264.23, 0.51%, 0.6%

LAB 51.33, 38.47, -47.98

 

CMYK 37 / 62 / 0 / 13

HEX #8B54DE

RGB 139 84 222

HSL 263.91, 0.68%, 0.6%

LAB 48.39, 51.15, -62.4

 

CMYK 43 / 71 / 0 / 7

HEX #8844EE

RGB 136 68 238

HSL 264, 0.83%, 0.6%

LAB 46.37, 62.49, -74.75

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 3 / 4 / 0 / 39

HEX #98969C

RGB 152 150 156

HSL 260, 0.03%, 0.6%

LAB 62.41, 1.9, -2.9

 

CMYK 7 / 0 / 17 / 35

HEX #9CA78B

RGB 156 167 139

HSL 83.57, 0.14%, 0.6%

LAB 66.95, -9.04, 13.19

 

CMYK 13 / 0 / 33 / 28

HEX #9FB77B

RGB 159 183 123

HSL 84, 0.29%, 0.6%

LAB 71.33, -18.7, 27.87

 

CMYK 19 / 0 / 47 / 22

HEX #A2C86A

RGB 162 200 106

HSL 84.26, 0.46%, 0.6%

LAB 76.09, -28.08, 42.7

 

CMYK 22 / 19 / 0 / 33

HEX #868BAC

RGB 134 139 172

HSL 232.11, 0.19%, 0.6%

LAB 58.52, 5.48, -17.97

 

CMYK 19 / 22 / 0 / 33

HEX #8B86AC

RGB 139 134 172

HSL 247.89, 0.19%, 0.6%

LAB 57.58, 9.99, -19.37

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 8 / 22 / 0 / 33

HEX #9F86AC

RGB 159 134 172

HSL 279.47, 0.19%, 0.6%

LAB 59.34, 16.7, -16.52

 

CMYK 1 / 22 / 0 / 33

HEX #AA86AC

RGB 170 134 172

HSL 296.84, 0.19%, 0.6%

LAB 60.4, 20.48, -14.81

 

CMYK 20 / 32 / 0 / 48

HEX #6B5B85

RGB 107 91 133

HSL 262.86, 0.19%, 0.44%

LAB 41.69, 15.63, -21.05

 

CMYK 18 / 30 / 0 / 39

HEX #806D9C

RGB 128 109 156

HSL 264.26, 0.19%, 0.52%

LAB 49.41, 17.3, -22.7

 

CMYK 13 / 22 / 0 / 33

HEX #9586AC

RGB 149 134 172

HSL 263.68, 0.19%, 0.6%

LAB 58.43, 13.31, -17.99

 

CMYK 10 / 16 / 0 / 26

HEX #AB9EBD

RGB 171 158 189

HSL 265.16, 0.19%, 0.68%

LAB 67.12, 10.75, -14.25

 

CMYK 7 / 11 / 0 / 19

HEX #C0B7CE

RGB 192 183 206

HSL 263.48, 0.19%, 0.76%

LAB 75.78, 7.52, -10.44

 

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

CMYK 0 / 22 / 13 / 33

HEX #AC8695

RGB 172 134 149

HSL 336.32, 0.19%, 0.6%

LAB 59.88, 16.97, -2.43

 

CMYK 22 / 0 / 22 / 33

HEX #86AC86

RGB 134 172 134

HSL 120, 0.19%, 0.6%

LAB 66.74, -20.49, 15.42

 

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

CMYK 0 / 13 / 22 / 33

HEX #AC9586

RGB 172 149 134

HSL 23.68, 0.19%, 0.6%

LAB 63.33, 6.12, 11.07

 

CMYK 22 / 0 / 13 / 33

HEX #86AC95

RGB 134 172 149

HSL 143.68, 0.19%, 0.6%

LAB 67.08, -17.65, 7.64

 

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

CMYK 0 / 22 / 13 / 33

HEX #AC8695

RGB 172 134 149

HSL 336.32, 0.19%, 0.6%

LAB 59.88, 16.97, -2.43

 

CMYK 9 / 0 / 22 / 33

HEX #9DAC86

RGB 157 172 134

HSL 83.68, 0.19%, 0.6%

LAB 68.31, -12.13, 17.84

 

CMYK 22 / 0 / 9 / 33

HEX #86AC9D

RGB 134 172 157

HSL 156.32, 0.19%, 0.6%

LAB 67.28, -16.03, 3.49

 

CMYK 14 / 23 / 0 / 33

HEX #9484AC

RGB 148 132 172

HSL 264, 0.19%, 0.6%

LAB 57.82, 14.13, -18.92

 

CMYK 0 / 22 / 20 / 33

HEX #AC8689

RGB 172 134 137

HSL 355.26, 0.19%, 0.6%

LAB 59.55, 14.99, 3.97

 

CMYK 9 / 0 / 22 / 33

HEX #9DAC86

RGB 157 172 134

HSL 83.68, 0.19%, 0.6%

LAB 68.31, -12.13, 17.84

 

CMYK 22 / 0 / 2 / 33

HEX #86ACA9

RGB 134 172 169

HSL 175.26, 0.19%, 0.6%

LAB 67.6, -13.45, -2.69

 

Description

Color code: HEX #9484AC | qconv.com Color code: HEX #9484AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 132 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 132 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 23 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 23% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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