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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948443 it is the complementary color #6B7BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948443 shade: #99843E, #AA9651, #BBA864, #CCBA77 and #DDCC8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948443 shade: #948443, #837230, #72601D, #614E0A and #503C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948443 shade: #948442, #946E42, #945842 and #944242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948443 shade: #948442, #8E9442, #789442, #629442 and #4C9442

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948443 shade matches the following richer shades: #948442, #A58E31, #B69920 and #C8A30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948443 shade: #948442, #827954, #716F65, #606476 and #4E5A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948443 shade: #945842, #946E42, #948442, #8E9442 and #799442

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948443 shade: #5B5129, #776A36, #948442, #B09D4F and #BDAD6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948443 shade: #948443, #429442 and #634294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948443 shade: #948443, #429484 and #844294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948443 shade: #948443, #429442, #425394 and #944294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948443 shade: #948443, #42945B, #425394 and #94427B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

Complementary color

CMYK 43 / 35 / 0 / 26

HEX #6B7BBC

RGB 107 123 188

HSL 228.15, 0.38%, 0.58%

LAB 52.86, 11.2, -36.02

 

CMYK 0 / 14 / 59 / 40

HEX #99843E

RGB 153 132 62

HSL 46.15, 0.42%, 0.42%

LAB 55.71, -0.9, 40.06

 

CMYK 0 / 12 / 52 / 33

HEX #AA9651

RGB 170 150 81

HSL 46.52, 0.35%, 0.49%

LAB 62.47, -1.74, 38.79

 

CMYK 0 / 10 / 47 / 27

HEX #BBA864

RGB 187 168 100

HSL 46.9, 0.39%, 0.56%

LAB 69.1, -2.42, 37.5

 

CMYK 0 / 9 / 42 / 20

HEX #CCBA77

RGB 204 186 119

HSL 47.29, 0.45%, 0.63%

LAB 75.63, -2.99, 36.25

 

CMYK 0 / 8 / 38 / 13

HEX #DDCC8A

RGB 221 204 138

HSL 47.71, 0.55%, 0.7%

LAB 82.05, -3.47, 35.05

 

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

CMYK 0 / 13 / 63 / 49

HEX #837230

RGB 131 114 48

HSL 47.71, 0.46%, 0.35%

LAB 48.35, -1.82, 38.14

 

CMYK 0 / 16 / 75 / 55

HEX #72601D

RGB 114 96 29

HSL 47.29, 0.59%, 0.28%

LAB 41.27, -0.66, 39.1

 

CMYK 0 / 20 / 90 / 62

HEX #614E0A

RGB 97 78 10

HSL 46.9, 0.81%, 0.21%

LAB 34.01, 0.88, 39.06

 

CMYK 0 / 25 / 100 / 69

HEX #503C00

RGB 80 60 0

HSL 45, 1%, 0.16%

LAB 26.56, 2.97, 35.87

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 0 / 26 / 55 / 42

HEX #946E42

RGB 148 110 66

HSL 32.2, 0.38%, 0.42%

LAB 49.3, 9.7, 30.21

 

CMYK 0 / 41 / 55 / 42

HEX #945842

RGB 148 88 66

HSL 16.1, 0.38%, 0.42%

LAB 43.75, 22.41, 23.24

 

CMYK 0 / 55 / 55 / 42

HEX #944242

RGB 148 66 66

HSL 0, 0.38%, 0.42%

LAB 38.87, 34.54, 16.85

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 4 / 0 / 55 / 42

HEX #8E9442

RGB 142 148 66

HSL 64.39, 0.38%, 0.42%

LAB 59.27, -14.11, 41.92

 

CMYK 19 / 0 / 55 / 42

HEX #789442

RGB 120 148 66

HSL 80.49, 0.38%, 0.42%

LAB 57.62, -23.36, 39.59

 

CMYK 34 / 0 / 55 / 42

HEX #629442

RGB 98 148 66

HSL 96.59, 0.38%, 0.42%

LAB 56.26, -31.91, 37.64

 

CMYK 49 / 0 / 55 / 42

HEX #4C9442

RGB 76 148 66

HSL 112.68, 0.38%, 0.42%

LAB 55.19, -39.34, 36.11

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 0 / 14 / 70 / 35

HEX #A58E31

RGB 165 142 49

HSL 48.1, 0.54%, 0.42%

LAB 59.5, -1.9, 50.54

 

CMYK 0 / 16 / 82 / 29

HEX #B69920

RGB 182 153 32

HSL 48.4, 0.7%, 0.42%

LAB 64.02, -0.97, 61.56

 

CMYK 0 / 19 / 93 / 22

HEX #C8A30E

RGB 200 163 14

HSL 48.06, 0.87%, 0.42%

LAB 68.39, 1.31, 69.83

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 0 / 7 / 35 / 49

HEX #827954

RGB 130 121 84

HSL 48.26, 0.21%, 0.42%

LAB 50.76, -2.53, 21.57

 

CMYK 0 / 2 / 11 / 56

HEX #716F65

RGB 113 111 101

HSL 50, 0.06%, 0.42%

LAB 46.74, -1.16, 5.84

 

CMYK 19 / 15 / 0 / 54

HEX #606476

RGB 96 100 118

HSL 229.09, 0.1%, 0.42%

LAB 42.63, 2.59, -10.61

 

CMYK 43 / 34 / 0 / 47

HEX #4E5A88

RGB 78 90 136

HSL 227.59, 0.27%, 0.42%

LAB 39.09, 7.99, -27.11

 

CMYK 0 / 41 / 55 / 42

HEX #945842

RGB 148 88 66

HSL 16.1, 0.38%, 0.42%

LAB 43.75, 22.41, 23.24

 

CMYK 0 / 26 / 55 / 42

HEX #946E42

RGB 148 110 66

HSL 32.2, 0.38%, 0.42%

LAB 49.3, 9.7, 30.21

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 4 / 0 / 55 / 42

HEX #8E9442

RGB 142 148 66

HSL 64.39, 0.38%, 0.42%

LAB 59.27, -14.11, 41.92

 

CMYK 18 / 0 / 55 / 42

HEX #799442

RGB 121 148 66

HSL 79.76, 0.38%, 0.42%

LAB 57.69, -22.95, 39.68

 

CMYK 0 / 11 / 55 / 64

HEX #5B5129

RGB 91 81 41

HSL 48, 0.38%, 0.26%

LAB 34.54, -1.89, 24.84

 

CMYK 0 / 11 / 55 / 53

HEX #776A36

RGB 119 106 54

HSL 48, 0.38%, 0.34%

LAB 44.94, -2.25, 30.77

 

CMYK 0 / 11 / 55 / 42

HEX #948442

RGB 148 132 66

HSL 48.29, 0.38%, 0.42%

LAB 55.27, -2.79, 37.4

 

CMYK 0 / 11 / 55 / 31

HEX #B09D4F

RGB 176 157 79

HSL 48.25, 0.38%, 0.5%

LAB 64.89, -3.12, 42.81

 

CMYK 0 / 8 / 43 / 26

HEX #BDAD6C

RGB 189 173 108

HSL 48.15, 0.38%, 0.58%

LAB 70.72, -3.43, 35.43

 

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

CMYK 55 / 0 / 55 / 42

HEX #429442

RGB 66 148 66

HSL 120, 0.38%, 0.42%

LAB 54.79, -42.23, 35.54

 

CMYK 33 / 55 / 0 / 42

HEX #634294

RGB 99 66 148

HSL 264.15, 0.38%, 0.42%

LAB 35.37, 32.41, -40.16

 

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

CMYK 55 / 0 / 11 / 42

HEX #429484

RGB 66 148 132

HSL 168.29, 0.38%, 0.42%

LAB 56.09, -29.02, 0.91

 

CMYK 11 / 55 / 0 / 42

HEX #844294

RGB 132 66 148

HSL 288.29, 0.38%, 0.42%

LAB 39.48, 41.52, -33.38

 

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

CMYK 55 / 0 / 55 / 42

HEX #429442

RGB 66 148 66

HSL 120, 0.38%, 0.42%

LAB 54.79, -42.23, 35.54

 

CMYK 55 / 44 / 0 / 42

HEX #425394

RGB 66 83 148

HSL 227.56, 0.38%, 0.42%

LAB 36.9, 13.31, -37.9

 

CMYK 0 / 55 / 0 / 42

HEX #944294

RGB 148 66 148

HSL 300, 0.38%, 0.42%

LAB 41.74, 46.06, -29.68

 

CMYK 0 / 11 / 55 / 42

HEX #948443

RGB 148 132 67

HSL 48.15, 0.38%, 0.42%

LAB 55.28, -2.7, 36.9

 

CMYK 55 / 0 / 39 / 42

HEX #42945B

RGB 66 148 91

HSL 138.29, 0.38%, 0.42%

LAB 55.17, -38.22, 22.78

 

CMYK 55 / 44 / 0 / 42

HEX #425394

RGB 66 83 148

HSL 227.56, 0.38%, 0.42%

LAB 36.9, 13.31, -37.9

 

CMYK 0 / 55 / 17 / 42

HEX #94427B

RGB 148 66 123

HSL 318.29, 0.38%, 0.42%

LAB 40.61, 41.72, -16.18

 

Description

Color code: HEX #948443 | qconv.com Color code: HEX #948443 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 132 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 132 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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