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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9478F0 it is the complementary color #6B870F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9478F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9478F0 shade: #9978EB, #AA8AFE, #BB9CFF, #CCAEFF and #DDC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9478F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9478F0 shade: #9478F0, #8366DD, #7254CA, #6142B7 and #5030A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9478F0 shade: #957AF0, #B57AF0, #D57AF0, #F07AEB and #F07ACB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9478F0 shade: #957AF0 and #7A7AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9478F0 shade matches the following richer shades: #957AF0 and #8F6EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9478F0 shade: #957AF0, #9C86E4, #A292D8, #A99ECC and #AFAAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9478F0 shade: #7A9DF0, #7A7EF0, #957AF0, #B57AF0 and #D57AF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9478F0 shade: #5B30E8, #7855EC, #957AF0, #B39FF4 and #D0C4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9478F0 shade: #9478F0, #F07ABD and #8EF07A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9478F0 shade: #9478F0, #F0957A and #7AF095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9478F0 shade: #9478F0, #F07ABD, #D5F07A and #7AF0AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9478F0 shade: #9478F0, #F07A99, #D5F07A and #7AF0D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

Complementary color

CMYK 21 / 0 / 89 / 47

HEX #6B870F

RGB 107 135 15

HSL 74, 0.8%, 0.29%

LAB 52.38, -25.68, 53.56

 

CMYK 35 / 49 / 0 / 8

HEX #9978EB

RGB 153 120 235

HSL 257.22, 0.74%, 0.7%

LAB 58.23, 37.91, -53.85

 

CMYK 33 / 46 / 0 / 0

HEX #AA8AFE

RGB 170 138 254

HSL 256.55, 0.98%, 0.77%

LAB 64.87, 36.92, -53.68

 

CMYK 27 / 39 / 0 / 0

HEX #BB9CFF

RGB 187 156 255

HSL 258.79, 1%, 0.81%

LAB 70.57, 31.65, -45.13

 

CMYK 20 / 32 / 0 / 0

HEX #CCAEFF

RGB 204 174 255

HSL 262.22, 1%, 0.84%

LAB 76.27, 26.59, -36.13

 

CMYK 13 / 25 / 0 / 0

HEX #DDC0FF

RGB 221 192 255

HSL 267.62, 1%, 0.88%

LAB 82, 21.97, -27.2

 

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

CMYK 41 / 54 / 0 / 13

HEX #8366DD

RGB 131 102 221

HSL 254.62, 0.64%, 0.63%

LAB 51.32, 39.16, -57.15

 

CMYK 44 / 58 / 0 / 21

HEX #7254CA

RGB 114 84 202

HSL 255.25, 0.53%, 0.56%

LAB 44.49, 40.42, -57.38

 

CMYK 47 / 64 / 0 / 28

HEX #6142B7

RGB 97 66 183

HSL 255.9, 0.47%, 0.49%

LAB 37.58, 41.77, -57.56

 

CMYK 51 / 71 / 0 / 36

HEX #5030A4

RGB 80 48 164

HSL 256.55, 0.55%, 0.42%

LAB 30.64, 43.12, -57.62

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 25 / 49 / 0 / 6

HEX #B57AF0

RGB 181 122 240

HSL 270, 0.8%, 0.71%

LAB 61.68, 45.22, -50.96

 

CMYK 11 / 49 / 0 / 6

HEX #D57AF0

RGB 213 122 240

HSL 286.27, 0.8%, 0.71%

LAB 65.24, 53.78, -45.1

 

CMYK 0 / 49 / 2 / 6

HEX #F07AEB

RGB 240 122 235

HSL 302.54, 0.8%, 0.71%

LAB 68.35, 60.27, -37.25

 

CMYK 0 / 49 / 15 / 6

HEX #F07ACB

RGB 240 122 203

HSL 318.81, 0.8%, 0.71%

LAB 67.09, 55.12, -21.4

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 49 / 49 / 0 / 6

HEX #7A7AF0

RGB 122 122 240

HSL 240, 0.8%, 0.71%

LAB 56.43, 30.89, -59.64

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 43 / 56 / 0 / 1

HEX #8F6EFC

RGB 143 110 252

HSL 253.94, 0.96%, 0.71%

LAB 56.11, 45.77, -66.73

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 32 / 41 / 0 / 11

HEX #9C86E4

RGB 156 134 228

HSL 254.04, 0.64%, 0.71%

LAB 61.41, 28.89, -44.89

 

CMYK 25 / 32 / 0 / 15

HEX #A292D8

RGB 162 146 216

HSL 253.71, 0.47%, 0.71%

LAB 64.32, 20.75, -33.63

 

CMYK 17 / 23 / 0 / 20

HEX #A99ECC

RGB 169 158 204

HSL 254.35, 0.31%, 0.71%

LAB 67.46, 13.34, -22.08

 

CMYK 9 / 11 / 0 / 25

HEX #AFAAC0

RGB 175 170 192

HSL 253.64, 0.15%, 0.71%

LAB 70.64, 6.07, -10.59

 

CMYK 49 / 35 / 0 / 6

HEX #7A9DF0

RGB 122 157 240

HSL 222.2, 0.8%, 0.71%

LAB 65.39, 10.31, -45.41

 

CMYK 49 / 48 / 0 / 6

HEX #7A7EF0

RGB 122 126 240

HSL 237.97, 0.8%, 0.71%

LAB 57.42, 28.52, -58.07

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 25 / 49 / 0 / 6

HEX #B57AF0

RGB 181 122 240

HSL 270, 0.8%, 0.71%

LAB 61.68, 45.22, -50.96

 

CMYK 11 / 49 / 0 / 6

HEX #D57AF0

RGB 213 122 240

HSL 286.27, 0.8%, 0.71%

LAB 65.24, 53.78, -45.1

 

CMYK 61 / 79 / 0 / 9

HEX #5B30E8

RGB 91 48 232

HSL 254.02, 0.8%, 0.55%

LAB 38.14, 63.74, -85.05

 

CMYK 49 / 64 / 0 / 7

HEX #7855EC

RGB 120 85 236

HSL 253.91, 0.8%, 0.63%

LAB 47.68, 50.64, -71.55

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 27 / 35 / 0 / 4

HEX #B39FF4

RGB 179 159 244

HSL 254.12, 0.79%, 0.79%

LAB 70.11, 25.1, -39.91

 

CMYK 16 / 21 / 0 / 3

HEX #D0C4F8

RGB 208 196 248

HSL 253.85, 0.79%, 0.87%

LAB 81.66, 14.31, -24.08

 

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

CMYK 0 / 49 / 21 / 6

HEX #F07ABD

RGB 240 122 189

HSL 325.93, 0.8%, 0.71%

LAB 66.61, 53.07, -14.27

 

CMYK 41 / 0 / 49 / 6

HEX #8EF07A

RGB 142 240 122

HSL 109.83, 0.8%, 0.71%

LAB 86.74, -50.77, 47.86

 

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

CMYK 0 / 38 / 49 / 6

HEX #F0957A

RGB 240 149 122

HSL 13.73, 0.8%, 0.71%

LAB 70.47, 31.42, 28.68

 

CMYK 49 / 0 / 38 / 6

HEX #7AF095

RGB 122 240 149

HSL 133.73, 0.8%, 0.71%

LAB 86.32, -52.46, 33.98

 

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

CMYK 0 / 49 / 21 / 6

HEX #F07ABD

RGB 240 122 189

HSL 325.93, 0.8%, 0.71%

LAB 66.61, 53.07, -14.27

 

CMYK 11 / 0 / 49 / 6

HEX #D5F07A

RGB 213 240 122

HSL 73.73, 0.8%, 0.71%

LAB 90.72, -26.11, 53.62

 

CMYK 49 / 0 / 28 / 6

HEX #7AF0AD

RGB 122 240 173

HSL 145.93, 0.8%, 0.71%

LAB 86.74, -48.21, 22.34

 

CMYK 38 / 50 / 0 / 6

HEX #9478F0

RGB 148 120 240

HSL 254, 0.8%, 0.71%

LAB 58.06, 38, -56.93

 

CMYK 0 / 49 / 36 / 6

HEX #F07A99

RGB 240 122 153

HSL 344.24, 0.8%, 0.71%

LAB 65.55, 48.44, 4.54

 

CMYK 11 / 0 / 49 / 6

HEX #D5F07A

RGB 213 240 122

HSL 73.73, 0.8%, 0.71%

LAB 90.72, -26.11, 53.62

 

CMYK 49 / 0 / 13 / 6

HEX #7AF0D1

RGB 122 240 209

HSL 164.24, 0.8%, 0.71%

LAB 87.51, -40.7, 4.74

 

Description

Color code: HEX #9478F0 | qconv.com Color code: HEX #9478F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 120 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 120 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 50 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 50% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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