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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9478233F it is the complementary color #6B87DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9478233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9478233F shade: #99781E3F, #AA8A313F, #BB9C443F, #CCAE573F and #DDC06A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9478233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9478233F shade: #9478233F, #8366103F, #7254003F, #6142003F and #5030003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9478233F shade: #957923, #955A23, #953B23 and #952323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9478233F shade: #957923, #929523, #749523, #559523 and #369523

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9478233F shade matches the following richer shades: #957923, #A48014 and #B28705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9478233F shade: #957923, #867132, #776A41, #68624F and #595B5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9478233F shade: #953C23, #955A23, #957823, #939523 and #749523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9478233F shade: #524213, #735D1B, #957923, #B6942B and #D1AB39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9478233F shade: #947823, #299523 and #4B2395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9478233F shade: #947823, #239578 and #782395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9478233F shade: #947823, #299523, #233F95 and #8F2395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9478233F shade: #947823, #23953F, #233F95 and #952378

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 19 / 10

HEX #9478233F

RGBA 148 120 35 0.25

HSLA 45.13, 0.62%, 0.36%, 0.25

LABA 51.67, 1.87, 47.99, 0.25

 

Complementary color

CMYK 13 / 10 / 0 / 3

HEX #6B87DC3F

RGBA 107 135 220 0.25

HSLA 225.13, 0.62%, 0.64%, 0.25

LABA 57.68, 13.72, -46.57, 0.25

 

CMYK 0 / 5 / 20 / 10

HEX #99781E3F

RGBA 153 120 30 0.25

HSLA 43.9, 0.67%, 0.36%, 0.25

LABA 52.17, 3.98, 50.57, 0.25

 

CMYK 0 / 5 / 18 / 8

HEX #AA8A313F

RGBA 170 138 49 0.25

HSLA 44.13, 0.55%, 0.43%, 0.25

LABA 58.92, 2.54, 50.12, 0.25

 

CMYK 0 / 4 / 16 / 7

HEX #BB9C443F

RGBA 187 156 68 0.25

HSLA 44.37, 0.47%, 0.5%, 0.25

LABA 65.56, 1.37, 49.15, 0.25

 

CMYK 0 / 4 / 14 / 5

HEX #CCAE573F

RGBA 204 174 87 0.25

HSLA 44.62, 0.53%, 0.57%, 0.25

LABA 72.09, 0.39, 47.98, 0.25

 

CMYK 0 / 3 / 13 / 3

HEX #DDC06A3F

RGBA 221 192 106 0.25

HSLA 44.87, 0.63%, 0.64%, 0.25

LABA 78.53, -0.43, 46.73, 0.25

 

CMYK 0 / 5 / 19 / 10

HEX #9478233F

RGBA 148 120 35 0.25

HSLA 45.13, 0.62%, 0.36%, 0.25

LABA 51.67, 1.87, 47.99, 0.25

 

CMYK 0 / 6 / 22 / 12

HEX #8366103F

RGBA 131 102 16 0.25

HSLA 44.87, 0.78%, 0.29%, 0.25

LABA 44.75, 3.48, 47.79, 0.25

 

CMYK 0 / 7 / 25 / 14

HEX #7254003F

RGBA 114 84 0 0.25

HSLA 44.21, 1%, 0.22%, 0.25

LABA 37.69, 5.46, 45.93, 0.25

 

CMYK 0 / 8 / 25 / 15

HEX #6142003F

RGBA 97 66 0 0.25

HSLA 40.82, 1%, 0.19%, 0.25

LABA 30.49, 7.97, 39.98, 0.25

 

CMYK 0 / 10 / 25 / 17

HEX #5030003F

RGBA 80 48 0 0.25

HSLA 36, 1%, 0.16%, 0.25

LABA 23.07, 10.67, 32.51, 0.25

 

CMYK 0 / 19 / 77 / 42

HEX #957923

RGB 149 121 35

HSL 45.26, 0.62%, 0.36%

LAB 52.05, 1.77, 48.4

 

CMYK 0 / 40 / 77 / 42

HEX #955A23

RGB 149 90 35

HSL 28.95, 0.62%, 0.36%

LAB 43.98, 19.57, 40.45

 

CMYK 0 / 60 / 77 / 42

HEX #953B23

RGB 149 59 35

HSL 12.63, 0.62%, 0.36%

LAB 37.19, 36.44, 33.39

 

CMYK 0 / 77 / 77 / 42

HEX #952323

RGB 149 35 35

HSL 0, 0.62%, 0.36%

LAB 33.38, 46.74, 29.23

 

CMYK 0 / 19 / 77 / 42

HEX #957923

RGB 149 121 35

HSL 45.26, 0.62%, 0.36%

LAB 52.05, 1.77, 48.4

 

CMYK 2 / 0 / 77 / 42

HEX #929523

RGB 146 149 35

HSL 61.58, 0.62%, 0.36%

LAB 59.64, -14.89, 55.45

 

CMYK 22 / 0 / 77 / 42

HEX #749523

RGB 116 149 35

HSL 77.37, 0.62%, 0.36%

LAB 57.39, -27.88, 52.53

 

CMYK 43 / 0 / 77 / 42

HEX #559523

RGB 85 149 35

HSL 93.68, 0.62%, 0.36%

LAB 55.63, -39.78, 50.23

 

CMYK 64 / 0 / 77 / 42

HEX #369523

RGB 54 149 35

HSL 110, 0.62%, 0.36%

LAB 54.45, -48.9, 48.66

 

CMYK 0 / 19 / 77 / 42

HEX #957923

RGB 149 121 35

HSL 45.26, 0.62%, 0.36%

LAB 52.05, 1.77, 48.4

 

CMYK 0 / 22 / 88 / 36

HEX #A48014

RGB 164 128 20

HSL 45, 0.78%, 0.36%

LAB 55.46, 4.25, 56.98

 

CMYK 0 / 24 / 97 / 30

HEX #B28705

RGB 178 135 5

HSL 45.09, 0.95%, 0.36%

LAB 58.79, 6.51, 63.07

 

CMYK 0 / 19 / 77 / 42

HEX #957923

RGB 149 121 35

HSL 45.26, 0.62%, 0.36%

LAB 52.05, 1.77, 48.4

 

CMYK 0 / 16 / 63 / 47

HEX #867132

RGB 134 113 50

HSL 45, 0.46%, 0.36%

LAB 48.4, 0.29, 37.28

 

CMYK 0 / 11 / 45 / 53

HEX #776A41

RGB 119 106 65

HSL 45.56, 0.29%, 0.36%

LAB 45.1, -1.09, 24.85

 

CMYK 0 / 6 / 24 / 59

HEX #68624F

RGB 104 98 79

HSL 45.6, 0.14%, 0.36%

LAB 41.6, -1.06, 11.69

 

CMYK 5 / 3 / 0 / 63

HEX #595B5E

RGB 89 91 94

HSL 216, 0.03%, 0.36%

LAB 38.58, -0.14, -2

 

CMYK 0 / 60 / 77 / 42

HEX #953C23

RGB 149 60 35

HSL 13.16, 0.62%, 0.36%

LAB 37.38, 35.94, 33.59

 

CMYK 0 / 40 / 77 / 42

HEX #955A23

RGB 149 90 35

HSL 28.95, 0.62%, 0.36%

LAB 43.98, 19.57, 40.45

 

CMYK 0 / 19 / 77 / 42

HEX #957823

RGB 149 120 35

HSL 44.74, 0.62%, 0.36%

LAB 51.77, 2.34, 48.13

 

CMYK 1 / 0 / 77 / 42

HEX #939523

RGB 147 149 35

HSL 61.05, 0.62%, 0.36%

LAB 59.73, -14.45, 55.56

 

CMYK 22 / 0 / 77 / 42

HEX #749523

RGB 116 149 35

HSL 77.37, 0.62%, 0.36%

LAB 57.39, -27.88, 52.53

 

CMYK 0 / 20 / 77 / 68

HEX #524213

RGB 82 66 19

HSL 44.76, 0.62%, 0.2%

LAB 28.74, 1.08, 29.94

 

CMYK 0 / 19 / 77 / 55

HEX #735D1B

RGB 115 93 27

HSL 45, 0.62%, 0.28%

LAB 40.5, 1.48, 39.25

 

CMYK 0 / 19 / 77 / 42

HEX #957923

RGB 149 121 35

HSL 45.26, 0.62%, 0.36%

LAB 52.05, 1.77, 48.4

 

CMYK 0 / 19 / 76 / 29

HEX #B6942B

RGB 182 148 43

HSL 45.32, 0.62%, 0.44%

LAB 62.76, 2.15, 56.72

 

CMYK 0 / 18 / 73 / 18

HEX #D1AB39

RGB 209 171 57

HSL 45, 0.62%, 0.52%

LAB 71.54, 2.29, 60.77

 

CMYK 0 / 19 / 76 / 42

HEX #947823

RGB 148 120 35

HSL 45.13, 0.62%, 0.36%

LAB 51.67, 1.87, 47.99

 

CMYK 72 / 0 / 77 / 42

HEX #299523

RGB 41 149 35

HSL 116.84, 0.62%, 0.36%

LAB 54.12, -51.65, 48.23

 

CMYK 50 / 77 / 0 / 42

HEX #4B2395

RGB 75 35 149

HSL 261.05, 0.62%, 0.36%

LAB 26.35, 44.72, -55.51

 

CMYK 0 / 19 / 76 / 42

HEX #947823

RGB 148 120 35

HSL 45.13, 0.62%, 0.36%

LAB 51.67, 1.87, 47.99

 

CMYK 77 / 0 / 19 / 42

HEX #239578

RGB 35 149 120

HSL 164.74, 0.62%, 0.36%

LAB 55.29, -38.09, 6.5

 

CMYK 19 / 77 / 0 / 42

HEX #782395

RGB 120 35 149

HSL 284.74, 0.62%, 0.36%

LAB 32.62, 53.03, -45.04

 

CMYK 0 / 19 / 76 / 42

HEX #947823

RGB 148 120 35

HSL 45.13, 0.62%, 0.36%

LAB 51.67, 1.87, 47.99

 

CMYK 72 / 0 / 77 / 42

HEX #299523

RGB 41 149 35

HSL 116.84, 0.62%, 0.36%

LAB 54.12, -51.65, 48.23

 

CMYK 77 / 58 / 0 / 42

HEX #233F95

RGB 35 63 149

HSL 225.26, 0.62%, 0.36%

LAB 29.62, 21.53, -50.31

 

CMYK 4 / 77 / 0 / 42

HEX #8F2395

RGB 143 35 149

HSL 296.84, 0.62%, 0.36%

LAB 36.39, 57.84, -38.79

 

CMYK 0 / 19 / 76 / 42

HEX #947823

RGB 148 120 35

HSL 45.13, 0.62%, 0.36%

LAB 51.67, 1.87, 47.99

 

CMYK 77 / 0 / 58 / 42

HEX #23953F

RGB 35 149 63

HSL 134.74, 0.62%, 0.36%

LAB 54.25, -49.64, 36.19

 

CMYK 77 / 58 / 0 / 42

HEX #233F95

RGB 35 63 149

HSL 225.26, 0.62%, 0.36%

LAB 29.62, 21.53, -50.31

 

CMYK 0 / 77 / 19 / 42

HEX #952378

RGB 149 35 120

HSL 315.26, 0.62%, 0.36%

LAB 35.88, 54.64, -21.58

 

Description

Color code: HEX #9478233F | qconv.com Color code: HEX #9478233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 120 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 120 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 19 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 19% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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