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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #946FE0 it is the complementary color #6B901F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #946FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #946FE0 shade: #996FDB, #AA81EE, #BB93FF, #CCA5FF and #DDB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #946FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #946FE0 shade: #946FE0, #835DCD, #724BBA, #6139A7 and #502794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #946FE0 shade: #9570E1, #B370E1, #D270E1, #E170D1 and #E170B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #946FE0 shade: #9570E1, #7670E1 and #7070E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #946FE0 shade matches the following richer shades: #9570E1, #9062EF and #8B54FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #946FE0 shade: #9570E1, #9A7ED3, #9F8CC5, #A39AB7 and #A8A8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #946FE0 shade: #7088E1, #7670E1, #9470E1, #B270E1 and #D070E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #946FE0 shade: #632CD2, #7C4ED9, #9570E1, #AE92E8 and #C7B4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #946FE0 shade: #946FE0, #E170A6 and #79E170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #946FE0 shade: #946FE0, #E19470 and #70E194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #946FE0 shade: #946FE0, #E170A6, #BDE170 and #70E1AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #946FE0 shade: #946FE0, #E17085, #BDE170 and #70E1CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

Complementary color

CMYK 26 / 0 / 78 / 44

HEX #6B901F

RGB 107 144 31

HSL 79.65, 0.65%, 0.34%

LAB 55.25, -29.4, 51.65

 

CMYK 30 / 49 / 0 / 14

HEX #996FDB

RGB 153 111 219

HSL 263.33, 0.6%, 0.65%

LAB 55.33, 38.93, -49.49

 

CMYK 29 / 46 / 0 / 7

HEX #AA81EE

RGB 170 129 238

HSL 262.57, 0.76%, 0.72%

LAB 62.01, 37.99, -49.4

 

CMYK 27 / 42 / 0 / 0

HEX #BB93FF

RGB 187 147 255

HSL 262.22, 1%, 0.79%

LAB 68.5, 36.64, -48.39

 

CMYK 20 / 35 / 0 / 0

HEX #CCA5FF

RGB 204 165 255

HSL 266, 1%, 0.82%

LAB 74.17, 31.52, -39.4

 

CMYK 13 / 28 / 0 / 0

HEX #DDB7FF

RGB 221 183 255

HSL 271.67, 1%, 0.86%

LAB 79.87, 26.82, -30.45

 

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

CMYK 36 / 55 / 0 / 20

HEX #835DCD

RGB 131 93 205

HSL 260.36, 0.53%, 0.58%

LAB 48.34, 40, -52.83

 

CMYK 39 / 60 / 0 / 27

HEX #724BBA

RGB 114 75 186

HSL 261.08, 0.45%, 0.51%

LAB 41.46, 41.14, -52.97

 

CMYK 42 / 66 / 0 / 35

HEX #6139A7

RGB 97 57 167

HSL 261.82, 0.49%, 0.44%

LAB 34.51, 42.29, -53.03

 

CMYK 46 / 74 / 0 / 42

HEX #502794

RGB 80 39 148

HSL 262.57, 0.58%, 0.37%

LAB 27.56, 43.3, -52.9

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 20 / 50 / 0 / 12

HEX #B370E1

RGB 179 112 225

HSL 275.58, 0.65%, 0.66%

LAB 58.61, 46.67, -47.49

 

CMYK 7 / 50 / 0 / 12

HEX #D270E1

RGB 210 112 225

HSL 292.04, 0.65%, 0.66%

LAB 62.28, 55.06, -41.47

 

CMYK 0 / 50 / 7 / 12

HEX #E170D1

RGB 225 112 209

HSL 308.5, 0.65%, 0.66%

LAB 63.51, 56.45, -30.44

 

CMYK 0 / 50 / 20 / 12

HEX #E170B3

RGB 225 112 179

HSL 324.42, 0.65%, 0.66%

LAB 62.38, 51.8, -15.18

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 48 / 50 / 0 / 12

HEX #7670E1

RGB 118 112 225

HSL 243.19, 0.65%, 0.66%

LAB 52.81, 31.49, -57.08

 

CMYK 50 / 50 / 0 / 12

HEX #7070E1

RGB 112 112 225

HSL 240, 0.65%, 0.66%

LAB 52.36, 30.18, -57.82

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 40 / 59 / 0 / 6

HEX #9062EF

RGB 144 98 239

HSL 259.57, 0.82%, 0.66%

LAB 52.84, 49.12, -64.77

 

CMYK 45 / 67 / 0 / 1

HEX #8B54FD

RGB 139 84 253

HSL 259.53, 0.98%, 0.66%

LAB 50.6, 59.14, -76.24

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 27 / 40 / 0 / 17

HEX #9A7ED3

RGB 154 126 211

HSL 259.76, 0.49%, 0.66%

LAB 58.5, 28.66, -39.97

 

CMYK 19 / 29 / 0 / 23

HEX #9F8CC5

RGB 159 140 197

HSL 260, 0.33%, 0.66%

LAB 61.79, 18.77, -26.94

 

CMYK 11 / 16 / 0 / 28

HEX #A39AB7

RGB 163 154 183

HSL 258.62, 0.17%, 0.66%

LAB 65.21, 9.03, -13.83

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 50 / 40 / 0 / 12

HEX #7088E1

RGB 112 136 225

HSL 227.26, 0.65%, 0.66%

LAB 58.5, 15.79, -48.04

 

CMYK 48 / 50 / 0 / 12

HEX #7670E1

RGB 118 112 225

HSL 243.19, 0.65%, 0.66%

LAB 52.81, 31.49, -57.08

 

CMYK 34 / 50 / 0 / 12

HEX #9470E1

RGB 148 112 225

HSL 259.12, 0.65%, 0.66%

LAB 55.4, 38.61, -52.79

 

CMYK 21 / 50 / 0 / 12

HEX #B270E1

RGB 178 112 225

HSL 275.04, 0.65%, 0.66%

LAB 58.5, 46.4, -47.68

 

CMYK 8 / 50 / 0 / 12

HEX #D070E1

RGB 208 112 225

HSL 290.97, 0.65%, 0.66%

LAB 62.03, 54.52, -41.88

 

CMYK 53 / 79 / 0 / 18

HEX #632CD2

RGB 99 44 210

HSL 259.88, 0.65%, 0.5%

LAB 36.19, 60.46, -75.61

 

CMYK 43 / 64 / 0 / 15

HEX #7C4ED9

RGB 124 78 217

HSL 259.86, 0.65%, 0.58%

LAB 45.28, 49.95, -64.67

 

CMYK 34 / 50 / 0 / 12

HEX #9570E1

RGB 149 112 225

HSL 259.65, 0.65%, 0.66%

LAB 55.5, 38.86, -52.63

 

CMYK 25 / 37 / 0 / 9

HEX #AE92E8

RGB 174 146 232

HSL 259.53, 0.65%, 0.74%

LAB 66.05, 28.1, -39.72

 

CMYK 17 / 25 / 0 / 6

HEX #C7B4EF

RGB 199 180 239

HSL 259.32, 0.65%, 0.82%

LAB 76.69, 18.28, -26.9

 

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

CMYK 0 / 50 / 26 / 12

HEX #E170A6

RGB 225 112 166

HSL 331.33, 0.65%, 0.66%

LAB 61.95, 49.98, -8.39

 

CMYK 46 / 0 / 50 / 12

HEX #79E170

RGB 121 225 112

HSL 115.22, 0.65%, 0.66%

LAB 81.34, -52.08, 45.77

 

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

CMYK 0 / 34 / 50 / 12

HEX #E19470

RGB 225 148 112

HSL 19.12, 0.65%, 0.66%

LAB 68.28, 25.15, 30.9

 

CMYK 50 / 0 / 34 / 12

HEX #70E194

RGB 112 225 148

HSL 139.12, 0.65%, 0.66%

LAB 81.53, -48.99, 28.04

 

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

CMYK 0 / 50 / 26 / 12

HEX #E170A6

RGB 225 112 166

HSL 331.33, 0.65%, 0.66%

LAB 61.95, 49.98, -8.39

 

CMYK 16 / 0 / 50 / 12

HEX #BDE170

RGB 189 225 112

HSL 79.12, 0.65%, 0.66%

LAB 84.91, -29.11, 50.94

 

CMYK 50 / 0 / 24 / 12

HEX #70E1AA

RGB 112 225 170

HSL 150.8, 0.65%, 0.66%

LAB 81.95, -44.81, 17.19

 

CMYK 34 / 50 / 0 / 12

HEX #946FE0

RGB 148 111 224

HSL 259.65, 0.65%, 0.66%

LAB 55.12, 38.92, -52.68

 

CMYK 0 / 50 / 41 / 12

HEX #E17085

RGB 225 112 133

HSL 348.85, 0.65%, 0.66%

LAB 61.04, 45.98, 9.25

 

CMYK 16 / 0 / 50 / 12

HEX #BDE170

RGB 189 225 112

HSL 79.12, 0.65%, 0.66%

LAB 84.91, -29.11, 50.94

 

CMYK 50 / 0 / 9 / 12

HEX #70E1CC

RGB 112 225 204

HSL 168.85, 0.65%, 0.66%

LAB 82.73, -37.29, 0.38

 

Description

Color code: HEX #946FE0 | qconv.com Color code: HEX #946FE0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 111 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 111 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 50 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 50% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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