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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #946C7E it is the complementary color #6B9381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #946C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #946C7E shade: #996C79, #AA7E8C, #BB909F, #CCA2B2 and #DDB4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #946C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #946C7E shade: #946C7E, #835A6B, #724858, #613645 and #502432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #946C7E shade: #946B7D, #946B72 and #946B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #946C7E shade: #946B7D, #946B88, #946B93, #896B94 and #7E6B94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #946C7E shade matches the following richer shades: #946B7D, #A9567B, #BD4279, #D22D77 and #E61975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #946C7E shade: #946B7D, #7F8080, #6B9482, #56A984 and #41BE86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #946C7E shade: #946B93, #946B88, #946B7D, #946B73 and #946F6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #946C7E shade: #644855, #7C5A69, #946B7D, #A58392 and #B79BA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #946C7E shade: #946C7E, #948A6B and #6B8E94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #946C7E shade: #946C7E, #7D946B and #6B7D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #946C7E shade: #946C7E, #948A6B, #6B9482 and #6B7594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #946C7E shade: #946C7E, #92946B, #6B9482 and #6D6B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

Complementary color

CMYK 27 / 0 / 12 / 42

HEX #6B9381

RGB 107 147 129

HSL 153, 0.16%, 0.5%

LAB 57.63, -17.73, 5.1

 

CMYK 0 / 29 / 21 / 40

HEX #996C79

RGB 153 108 121

HSL 342.67, 0.18%, 0.51%

LAB 50.54, 19.94, -0.04

 

CMYK 0 / 26 / 18 / 33

HEX #AA7E8C

RGB 170 126 140

HSL 340.91, 0.21%, 0.58%

LAB 57.43, 19.23, -0.87

 

CMYK 0 / 23 / 15 / 27

HEX #BB909F

RGB 187 144 159

HSL 339.07, 0.24%, 0.65%

LAB 64.17, 18.6, -1.63

 

CMYK 0 / 21 / 13 / 20

HEX #CCA2B2

RGB 204 162 178

HSL 337.14, 0.29%, 0.72%

LAB 70.8, 18.04, -2.34

 

CMYK 0 / 19 / 11 / 13

HEX #DDB4C5

RGB 221 180 197

HSL 335.12, 0.38%, 0.79%

LAB 77.31, 17.52, -3.01

 

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

CMYK 0 / 31 / 18 / 49

HEX #835A6B

RGB 131 90 107

HSL 335.12, 0.19%, 0.43%

LAB 43.06, 19.59, -2.89

 

CMYK 0 / 37 / 23 / 55

HEX #724858

RGB 114 72 88

HSL 337.14, 0.23%, 0.36%

LAB 35.82, 20.42, -1.99

 

CMYK 0 / 44 / 29 / 62

HEX #613645

RGB 97 54 69

HSL 339.07, 0.28%, 0.3%

LAB 28.4, 21.36, -0.91

 

CMYK 0 / 55 / 38 / 69

HEX #502432

RGB 80 36 50

HSL 340.91, 0.38%, 0.23%

LAB 20.82, 22.38, 0.52

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 0 / 28 / 23 / 42

HEX #946B72

RGB 148 107 114

HSL 349.76, 0.16%, 0.5%

LAB 49.53, 17.44, 2.57

 

CMYK 0 / 28 / 28 / 42

HEX #946B6B

RGB 148 107 107

HSL 0, 0.16%, 0.5%

LAB 49.34, 16.37, 6.46

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 0 / 28 / 8 / 42

HEX #946B88

RGB 148 107 136

HSL 317.56, 0.16%, 0.5%

LAB 50.2, 21.24, -9.5

 

CMYK 0 / 28 / 1 / 42

HEX #946B93

RGB 148 107 147

HSL 301.46, 0.16%, 0.5%

LAB 50.59, 23.36, -15.41

 

CMYK 7 / 28 / 0 / 42

HEX #896B94

RGB 137 107 148

HSL 283.9, 0.16%, 0.5%

LAB 49.46, 19.72, -17.83

 

CMYK 15 / 28 / 0 / 42

HEX #7E6B94

RGB 126 107 148

HSL 267.8, 0.16%, 0.5%

LAB 48.37, 15.95, -19.59

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 0 / 49 / 27 / 34

HEX #A9567B

RGB 169 86 123

HSL 333.25, 0.33%, 0.5%

LAB 47.65, 38.42, -5.26

 

CMYK 0 / 65 / 36 / 26

HEX #BD4279

RGB 189 66 121

HSL 333.17, 0.48%, 0.5%

LAB 47.1, 54.19, -4.53

 

CMYK 0 / 79 / 43 / 18

HEX #D22D77

RGB 210 45 119

HSL 333.09, 0.65%, 0.5%

LAB 48.15, 67.11, -1.34

 

CMYK 0 / 89 / 49 / 10

HEX #E61975

RGB 230 25 117

HSL 333.07, 0.8%, 0.5%

LAB 50.46, 75.96, 3.7

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 1 / 0 / 0 / 50

HEX #7F8080

RGB 127 128 128

HSL 180, 0%, 0.5%

LAB 53.5, -0.37, -0.14

 

CMYK 28 / 0 / 12 / 42

HEX #6B9482

RGB 107 148 130

HSL 153.66, 0.16%, 0.5%

LAB 57.96, -18.05, 4.99

 

CMYK 49 / 0 / 22 / 34

HEX #56A984

RGB 86 169 132

HSL 153.25, 0.33%, 0.5%

LAB 63.36, -34.19, 11.42

 

CMYK 66 / 0 / 29 / 25

HEX #41BE86

RGB 65 190 134

HSL 153.12, 0.49%, 0.5%

LAB 69.24, -47.48, 18.43

 

CMYK 0 / 28 / 1 / 42

HEX #946B93

RGB 148 107 147

HSL 301.46, 0.16%, 0.5%

LAB 50.59, 23.36, -15.41

 

CMYK 0 / 28 / 8 / 42

HEX #946B88

RGB 148 107 136

HSL 317.56, 0.16%, 0.5%

LAB 50.2, 21.24, -9.5

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 0 / 28 / 22 / 42

HEX #946B73

RGB 148 107 115

HSL 348.29, 0.16%, 0.5%

LAB 49.56, 17.6, 2.02

 

CMYK 0 / 25 / 28 / 42

HEX #946F6B

RGB 148 111 107

HSL 5.85, 0.16%, 0.5%

LAB 50.37, 14.04, 7.92

 

CMYK 0 / 28 / 15 / 61

HEX #644855

RGB 100 72 85

HSL 332.14, 0.16%, 0.34%

LAB 33.98, 14.23, -3

 

CMYK 0 / 27 / 15 / 51

HEX #7C5A69

RGB 124 90 105

HSL 333.53, 0.16%, 0.42%

LAB 42.18, 16.5, -3.06

 

CMYK 0 / 28 / 16 / 42

HEX #946B7D

RGB 148 107 125

HSL 333.66, 0.16%, 0.5%

LAB 49.85, 19.27, -3.5

 

CMYK 0 / 21 / 12 / 35

HEX #A58392

RGB 165 131 146

HSL 333.53, 0.16%, 0.58%

LAB 58.33, 15.54, -3.07

 

CMYK 0 / 15 / 9 / 28

HEX #B79BA7

RGB 183 155 167

HSL 334.29, 0.16%, 0.66%

LAB 66.75, 12.39, -2.4

 

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

CMYK 0 / 7 / 28 / 42

HEX #948A6B

RGB 148 138 107

HSL 45.37, 0.16%, 0.5%

LAB 57.59, -1.38, 17.99

 

CMYK 28 / 4 / 0 / 42

HEX #6B8E94

RGB 107 142 148

HSL 188.78, 0.16%, 0.5%

LAB 56.69, -10.67, -7.16

 

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

CMYK 16 / 0 / 28 / 42

HEX #7D946B

RGB 125 148 107

HSL 93.66, 0.16%, 0.5%

LAB 58.6, -15.97, 19.06

 

CMYK 28 / 16 / 0 / 42

HEX #6B7D94

RGB 107 125 148

HSL 213.66, 0.16%, 0.5%

LAB 51.76, -1.04, -14.57

 

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

CMYK 0 / 7 / 28 / 42

HEX #948A6B

RGB 148 138 107

HSL 45.37, 0.16%, 0.5%

LAB 57.59, -1.38, 17.99

 

CMYK 28 / 0 / 12 / 42

HEX #6B9482

RGB 107 148 130

HSL 153.66, 0.16%, 0.5%

LAB 57.96, -18.05, 4.99

 

CMYK 28 / 21 / 0 / 42

HEX #6B7594

RGB 107 117 148

HSL 225.37, 0.16%, 0.5%

LAB 49.48, 3.66, -18.04

 

CMYK 0 / 27 / 15 / 42

HEX #946C7E

RGB 148 108 126

HSL 333, 0.16%, 0.5%

LAB 50.13, 18.86, -3.68

 

CMYK 1 / 0 / 28 / 42

HEX #92946B

RGB 146 148 107

HSL 62.93, 0.16%, 0.5%

LAB 60.21, -7.7, 21.5

 

CMYK 28 / 0 / 12 / 42

HEX #6B9482

RGB 107 148 130

HSL 153.66, 0.16%, 0.5%

LAB 57.96, -18.05, 4.99

 

CMYK 26 / 28 / 0 / 42

HEX #6D6B94

RGB 109 107 148

HSL 242.93, 0.16%, 0.5%

LAB 46.85, 10.31, -22.06

 

Description

Color code: HEX #946C7E | qconv.com Color code: HEX #946C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 108 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 108 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 15 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 15% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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