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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #946B57 it is the complementary color #6B94A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #946B57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #946B57 shade: #996B52, #AA7D65, #BB8F78, #CCA18B and #DDB39E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #946B57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #946B57 shade: #946B57, #835944, #724731, #61351E and #50230B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #946B57 shade: #946B57, #945A57 and #945757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #946B57 shade: #946B57, #947B57, #948C57, #8B9457 and #7B9457

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #946B57 shade matches the following richer shades: #946B57, #A76444, #BA5E31, #CD571E and #E0510B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #946B57 shade: #946B57, #81716A, #6E787D, #5B7E90 and #4885A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #946B57 shade: #945764, #945A57, #946A57, #947A57 and #948B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #946B57 shade: #604538, #7A5848, #946B57, #A87F6B and #B89685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #946B57 shade: #946B57, #749457 and #575C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #946B57 shade: #946B57, #57946A and #6A5794

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #946B57 shade: #946B57, #749457, #578094 and #765794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #946B57 shade: #946B57, #629457, #578094 and #895794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

Complementary color

CMYK 36 / 12 / 0 / 34

HEX #6B94A8

RGB 107 148 168

HSL 199.67, 0.26%, 0.54%

LAB 59.1, -8.89, -14.98

 

CMYK 0 / 30 / 46 / 40

HEX #996B52

RGB 153 107 82

HSL 21.13, 0.3%, 0.46%

LAB 49.37, 15.22, 21.32

 

CMYK 0 / 26 / 41 / 33

HEX #AA7D65

RGB 170 125 101

HSL 20.87, 0.29%, 0.53%

LAB 56.24, 14.27, 19.92

 

CMYK 0 / 24 / 36 / 27

HEX #BB8F78

RGB 187 143 120

HSL 20.6, 0.33%, 0.6%

LAB 62.98, 13.47, 18.67

 

CMYK 0 / 21 / 32 / 20

HEX #CCA18B

RGB 204 161 139

HSL 20.31, 0.39%, 0.67%

LAB 69.61, 12.77, 17.52

 

CMYK 0 / 19 / 29 / 13

HEX #DDB39E

RGB 221 179 158

HSL 20, 0.48%, 0.74%

LAB 76.12, 12.16, 16.47

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 32 / 48 / 49

HEX #835944

RGB 131 89 68

HSL 20, 0.32%, 0.39%

LAB 41.83, 14.66, 19.11

 

CMYK 0 / 38 / 57 / 55

HEX #724731

RGB 114 71 49

HSL 20.31, 0.4%, 0.32%

LAB 34.61, 15.88, 20.8

 

CMYK 0 / 45 / 69 / 62

HEX #61351E

RGB 97 53 30

HSL 20.6, 0.53%, 0.25%

LAB 27.25, 17.41, 22.78

 

CMYK 0 / 56 / 86 / 69

HEX #50230B

RGB 80 35 11

HSL 20.87, 0.76%, 0.18%

LAB 19.77, 19.3, 24.45

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 39 / 41 / 42

HEX #945A57

RGB 148 90 87

HSL 2.95, 0.26%, 0.46%

LAB 44.65, 23.49, 11.86

 

CMYK 0 / 41 / 41 / 42

HEX #945757

RGB 148 87 87

HSL 0, 0.26%, 0.46%

LAB 43.95, 25.2, 10.87

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 17 / 41 / 42

HEX #947B57

RGB 148 123 87

HSL 35.41, 0.26%, 0.46%

LAB 53.11, 4.45, 23.29

 

CMYK 0 / 5 / 41 / 42

HEX #948C57

RGB 148 140 87

HSL 52.13, 0.26%, 0.46%

LAB 57.79, -5.08, 29.36

 

CMYK 6 / 0 / 41 / 42

HEX #8B9457

RGB 139 148 87

HSL 68.85, 0.26%, 0.46%

LAB 59.3, -13.2, 31.13

 

CMYK 17 / 0 / 41 / 42

HEX #7B9457

RGB 123 148 87

HSL 84.59, 0.26%, 0.46%

LAB 58.11, -19.7, 29.37

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 40 / 59 / 35

HEX #A76444

RGB 167 100 68

HSL 19.39, 0.42%, 0.46%

LAB 49.19, 23.84, 29.47

 

CMYK 0 / 49 / 74 / 27

HEX #BA5E31

RGB 186 94 49

HSL 19.71, 0.58%, 0.46%

LAB 50.29, 33.78, 41.73

 

CMYK 0 / 58 / 85 / 20

HEX #CD571E

RGB 205 87 30

HSL 19.54, 0.74%, 0.46%

LAB 51.71, 44.05, 52.86

 

CMYK 0 / 64 / 95 / 12

HEX #E0510B

RGB 224 81 11

HSL 19.72, 0.91%, 0.46%

LAB 53.77, 53.32, 61.7

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 12 / 18 / 49

HEX #81716A

RGB 129 113 106

HSL 18.26, 0.1%, 0.46%

LAB 48.91, 5, 6.17

 

CMYK 12 / 4 / 0 / 51

HEX #6E787D

RGB 110 120 125

HSL 200, 0.06%, 0.46%

LAB 49.77, -2.63, -4.02

 

CMYK 37 / 13 / 0 / 44

HEX #5B7E90

RGB 91 126 144

HSL 200.38, 0.23%, 0.46%

LAB 50.87, -7.59, -13.67

 

CMYK 56 / 18 / 0 / 36

HEX #4885A3

RGB 72 133 163

HSL 199.78, 0.39%, 0.46%

LAB 52.73, -10.86, -21.99

 

CMYK 0 / 41 / 32 / 42

HEX #945764

RGB 148 87 100

HSL 347.21, 0.26%, 0.46%

LAB 44.28, 26.89, 3.42

 

CMYK 0 / 39 / 41 / 42

HEX #945A57

RGB 148 90 87

HSL 2.95, 0.26%, 0.46%

LAB 44.65, 23.49, 11.86

 

CMYK 0 / 28 / 41 / 42

HEX #946A57

RGB 148 106 87

HSL 18.69, 0.26%, 0.46%

LAB 48.63, 14.24, 17.3

 

CMYK 0 / 18 / 41 / 42

HEX #947A57

RGB 148 122 87

HSL 34.43, 0.26%, 0.46%

LAB 52.84, 5.02, 22.94

 

CMYK 0 / 6 / 41 / 42

HEX #948B57

RGB 148 139 87

HSL 51.15, 0.26%, 0.46%

LAB 57.51, -4.53, 29

 

CMYK 0 / 28 / 42 / 62

HEX #604538

RGB 96 69 56

HSL 19.5, 0.26%, 0.3%

LAB 31.87, 9.68, 12.41

 

CMYK 0 / 28 / 41 / 52

HEX #7A5848

RGB 122 88 72

HSL 19.2, 0.26%, 0.38%

LAB 40.55, 11.78, 14.8

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 0 / 24 / 36 / 34

HEX #A87F6B

RGB 168 127 107

HSL 19.67, 0.26%, 0.54%

LAB 56.65, 13.05, 17.02

 

CMYK 0 / 18 / 28 / 28

HEX #B89685

RGB 184 150 133

HSL 20, 0.26%, 0.62%

LAB 64.72, 10.13, 13.75

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 22 / 0 / 41 / 42

HEX #749457

RGB 116 148 87

HSL 91.48, 0.26%, 0.46%

LAB 57.64, -22.44, 28.67

 

CMYK 41 / 38 / 0 / 42

HEX #575C94

RGB 87 92 148

HSL 235.08, 0.26%, 0.46%

LAB 40.93, 12.92, -31.42

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 41 / 0 / 28 / 42

HEX #57946A

RGB 87 148 106

HSL 138.69, 0.26%, 0.46%

LAB 56.33, -29.4, 16.15

 

CMYK 28 / 41 / 0 / 42

HEX #6A5794

RGB 106 87 148

HSL 258.69, 0.26%, 0.46%

LAB 41.25, 21.62, -30.81

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 22 / 0 / 41 / 42

HEX #749457

RGB 116 148 87

HSL 91.48, 0.26%, 0.46%

LAB 57.64, -22.44, 28.67

 

CMYK 41 / 14 / 0 / 42

HEX #578094

RGB 87 128 148

HSL 199.67, 0.26%, 0.46%

LAB 51.39, -8.77, -15.26

 

CMYK 20 / 41 / 0 / 42

HEX #765794

RGB 118 87 148

HSL 270.49, 0.26%, 0.46%

LAB 42.47, 25.34, -28.8

 

CMYK 0 / 28 / 41 / 42

HEX #946B57

RGB 148 107 87

HSL 19.67, 0.26%, 0.46%

LAB 48.88, 13.66, 17.65

 

CMYK 34 / 0 / 41 / 42

HEX #629457

RGB 98 148 87

HSL 109.18, 0.26%, 0.46%

LAB 56.55, -29.1, 27.05

 

CMYK 41 / 14 / 0 / 42

HEX #578094

RGB 87 128 148

HSL 199.67, 0.26%, 0.46%

LAB 51.39, -8.77, -15.26

 

CMYK 7 / 41 / 0 / 42

HEX #895794

RGB 137 87 148

HSL 289.18, 0.26%, 0.46%

LAB 44.62, 31.41, -25.28

 

Description

Color code: HEX #946B57 | qconv.com Color code: HEX #946B57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 107 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 107 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 41 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 41% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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