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Color name
HEX #94590ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94590ACE it is the complementary color #6BA6F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94590ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94590ACE shade: #995905CE, #AA6B18CE, #BB7D2BCE, #CC8F3ECE and #DDA151CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94590ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94590ACE shade: #94590ACE, #834700CE, #723500CE, #612300CE and #501100CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94590ACE shade: #94590A, #94340A, #940F0A and #940A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94590ACE shade: #94590A, #947E0A, #84940A, #5F940A and #3A940A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94590ACE shade matches the following richer shades: #94590A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94590ACE shade: #94590A, #875717, #7A5524, #6D5331 and #61523D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94590ACE shade: #940F0A, #94340A, #94580A, #947D0A and #86940A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94590ACE shade: #472B05, #6D4208, #94590A, #BA700D and #E18710

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94590ACE shade: #94590A, #2A940A and #210A94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94590ACE shade: #94590A, #0A9458 and #580A94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94590ACE shade: #94590A, #2A940A, #0A4694 and #740A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94590ACE shade: #94590A, #0A9413, #0A4694 and #940A8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 76 / 34

HEX #94590ACE

RGBA 148 89 10 0.81

HSLA 34.35, 0.87%, 0.31%, 0.81

LABA 43.45, 18.89, 49.29, 0.81

 

Complementary color

CMYK 46 / 26 / 0 / 3

HEX #6BA6F5CE

RGBA 107 166 245 0.81

HSLA 214.35, 0.87%, 0.69%, 0.81

LABA 67.27, 3.45, -45.25, 0.81

 

CMYK 0 / 34 / 78 / 32

HEX #995905CE

RGBA 153 89 5 0.81

HSLA 34.05, 0.94%, 0.31%, 0.81

LABA 44.13, 21.07, 51.35, 0.81

 

CMYK 0 / 30 / 70 / 27

HEX #AA6B18CE

RGBA 170 107 24 0.81

HSLA 34.11, 0.75%, 0.38%, 0.81

LABA 50.84, 18.91, 52.28, 0.81

 

CMYK 0 / 27 / 62 / 22

HEX #BB7D2BCE

RGBA 187 125 43 0.81

HSLA 34.17, 0.63%, 0.45%, 0.81

LABA 57.47, 17.05, 51.85, 0.81

 

CMYK 0 / 24 / 56 / 16

HEX #CC8F3ECE

RGBA 204 143 62 0.81

HSLA 34.23, 0.58%, 0.52%, 0.81

LABA 64.02, 15.47, 50.79, 0.81

 

CMYK 0 / 22 / 51 / 11

HEX #DDA151CE

RGBA 221 161 81 0.81

HSLA 34.29, 0.67%, 0.59%, 0.81

LABA 70.49, 14.11, 49.49, 0.81

 

CMYK 0 / 32 / 76 / 34

HEX #94590ACE

RGBA 148 89 10 0.81

HSLA 34.35, 0.87%, 0.31%, 0.81

LABA 43.45, 18.89, 49.29, 0.81

 

CMYK 0 / 37 / 81 / 39

HEX #834700CE

RGBA 131 71 0 0.81

HSLA 32.52, 1%, 0.26%, 0.81

LABA 36.62, 21.32, 46.34, 0.81

 

CMYK 0 / 43 / 81 / 45

HEX #723500CE

RGBA 114 53 0 0.81

HSLA 27.89, 1%, 0.22%, 0.81

LABA 29.72, 23.97, 40.53, 0.81

 

CMYK 0 / 52 / 81 / 50

HEX #612300CE

RGBA 97 35 0 0.81

HSLA 21.65, 1%, 0.19%, 0.81

LABA 22.8, 26.49, 33.15, 0.81

 

CMYK 0 / 64 / 81 / 56

HEX #501100CE

RGBA 80 17 0 0.81

HSLA 12.75, 1%, 0.16%, 0.81

LABA 16.04, 28.4, 24.48, 0.81

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 0 / 65 / 93 / 42

HEX #94340A

RGB 148 52 10

HSL 18.26, 0.87%, 0.31%

LAB 35.55, 38.67, 43.52

 

CMYK 0 / 90 / 93 / 42

HEX #940F0A

RGB 148 15 10

HSL 2.17, 0.87%, 0.31%

LAB 31.02, 51.18, 40.36

 

CMYK 0 / 93 / 93 / 42

HEX #940A0A

RGB 148 10 10

HSL 0, 0.87%, 0.31%

LAB 30.72, 52.03, 40.15

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 0 / 15 / 93 / 42

HEX #947E0A

RGB 148 126 10

HSL 50.43, 0.87%, 0.31%

LAB 53.21, -2.28, 56.68

 

CMYK 11 / 0 / 93 / 42

HEX #84940A

RGB 132 148 10

HSL 66.96, 0.87%, 0.31%

LAB 58.14, -21.38, 59.91

 

CMYK 36 / 0 / 93 / 42

HEX #5F940A

RGB 95 148 10

HSL 83.04, 0.87%, 0.31%

LAB 55.72, -36.77, 56.95

 

CMYK 61 / 0 / 93 / 42

HEX #3A940A

RGB 58 148 10

HSL 99.13, 0.87%, 0.31%

LAB 54.13, -48.78, 54.99

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 0 / 36 / 83 / 47

HEX #875717

RGB 135 87 23

HSL 34.29, 0.71%, 0.31%

LAB 41.26, 14.41, 42.51

 

CMYK 0 / 30 / 70 / 52

HEX #7A5524

RGB 122 85 36

HSL 34.19, 0.54%, 0.31%

LAB 39.18, 10.13, 33.83

 

CMYK 0 / 24 / 55 / 57

HEX #6D5331

RGB 109 83 49

HSL 34, 0.38%, 0.31%

LAB 37.22, 6.27, 23.95

 

CMYK 0 / 15 / 37 / 62

HEX #61523D

RGB 97 82 61

HSL 35, 0.23%, 0.31%

LAB 35.82, 2.76, 14.64

 

CMYK 0 / 90 / 93 / 42

HEX #940F0A

RGB 148 15 10

HSL 2.17, 0.87%, 0.31%

LAB 31.02, 51.18, 40.36

 

CMYK 0 / 65 / 93 / 42

HEX #94340A

RGB 148 52 10

HSL 18.26, 0.87%, 0.31%

LAB 35.55, 38.67, 43.52

 

CMYK 0 / 41 / 93 / 42

HEX #94580A

RGB 148 88 10

HSL 33.91, 0.87%, 0.31%

LAB 43.21, 19.47, 49.11

 

CMYK 0 / 16 / 93 / 42

HEX #947D0A

RGB 148 125 10

HSL 50, 0.87%, 0.31%

LAB 52.93, -1.72, 56.46

 

CMYK 9 / 0 / 93 / 42

HEX #86940A

RGB 134 148 10

HSL 66.09, 0.87%, 0.31%

LAB 58.29, -20.49, 60.1

 

CMYK 0 / 39 / 93 / 72

HEX #472B05

RGB 71 43 5

HSL 34.55, 0.87%, 0.15%

LAB 20.35, 9.48, 27.17

 

CMYK 0 / 39 / 93 / 57

HEX #6D4208

RGB 109 66 8

HSL 34.46, 0.86%, 0.23%

LAB 32.18, 14.14, 38.87

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 0 / 40 / 93 / 27

HEX #BA700D

RGB 186 112 13

HSL 34.34, 0.87%, 0.39%

LAB 54.09, 22.96, 58.73

 

CMYK 0 / 40 / 93 / 12

HEX #E18710

RGB 225 135 16

HSL 34.16, 0.87%, 0.47%

LAB 64.46, 27.28, 67.91

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 72 / 0 / 93 / 42

HEX #2A940A

RGB 42 148 10

HSL 106.09, 0.87%, 0.31%

LAB 53.7, -52.42, 54.45

 

CMYK 78 / 93 / 0 / 42

HEX #210A94

RGB 33 10 148

HSL 250, 0.87%, 0.31%

LAB 18.71, 50.38, -67.66

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 93 / 0 / 41 / 42

HEX #0A9458

RGB 10 148 88

HSL 153.91, 0.87%, 0.31%

LAB 53.97, -47.5, 22.64

 

CMYK 41 / 93 / 0 / 42

HEX #580A94

RGB 88 10 148

HSL 273.91, 0.87%, 0.31%

LAB 25.04, 54.95, -56.98

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 72 / 0 / 93 / 42

HEX #2A940A

RGB 42 148 10

HSL 106.09, 0.87%, 0.31%

LAB 53.7, -52.42, 54.45

 

CMYK 93 / 53 / 0 / 42

HEX #0A4694

RGB 10 70 148

HSL 213.91, 0.87%, 0.31%

LAB 30.84, 14.09, -47.75

 

CMYK 22 / 93 / 0 / 42

HEX #740A94

RGB 116 10 148

HSL 286.09, 0.87%, 0.31%

LAB 29.58, 58.84, -49.37

 

CMYK 0 / 40 / 93 / 42

HEX #94590A

RGB 148 89 10

HSL 34.35, 0.87%, 0.31%

LAB 43.45, 18.89, 49.29

 

CMYK 93 / 0 / 87 / 42

HEX #0A9413

RGB 10 148 19

HSL 123.91, 0.87%, 0.31%

LAB 53.27, -56.14, 52.09

 

CMYK 93 / 53 / 0 / 42

HEX #0A4694

RGB 10 70 148

HSL 213.91, 0.87%, 0.31%

LAB 30.84, 14.09, -47.75

 

CMYK 0 / 93 / 6 / 42

HEX #940A8B

RGB 148 10 139

HSL 303.91, 0.87%, 0.31%

LAB 34.76, 62.83, -35.2

 

Description

Color code: HEX #94590ACE | qconv.com Color code: HEX #94590ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 89 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 89 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 76 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 76% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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