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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94523E it is the complementary color #6BADC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94523E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94523E shade: #995239, #AA644C, #BB765F, #CC8872 and #DD9A85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94523E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94523E shade: #94523E, #83402B, #722E18, #611C05 and #500A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94523E shade: #93523E and #933E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94523E shade: #93523E, #93693E, #93803E, #90933E and #79933E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94523E shade matches the following richer shades: #93523E, #A4492D, #B5401C and #C6360B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94523E shade: #93523E, #825B4F, #726460, #616D70 and #507681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94523E shade: #933E59, #933E42, #93503E, #93673E and #937E3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94523E shade: #593125, #764232, #93523E, #B1624A and #BF7A65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94523E shade: #94523E, #70933E and #3E4D93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94523E shade: #94523E, #3E9350 and #503E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94523E shade: #94523E, #70933E, #3E8193 and #613E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94523E shade: #94523E, #56933E, #3E8193 and #7B3E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

Complementary color

CMYK 45 / 10 / 0 / 24

HEX #6BADC1

RGB 107 173 193

HSL 193.95, 0.41%, 0.59%

LAB 67.17, -15.7, -16.79

 

CMYK 0 / 46 / 63 / 40

HEX #995239

RGB 153 82 57

HSL 15.63, 0.46%, 0.41%

LAB 42.92, 27.17, 27.61

 

CMYK 0 / 41 / 55 / 33

HEX #AA644C

RGB 170 100 76

HSL 15.32, 0.38%, 0.48%

LAB 49.72, 25.76, 25.66

 

CMYK 0 / 37 / 49 / 27

HEX #BB765F

RGB 187 118 95

HSL 15, 0.4%, 0.55%

LAB 56.43, 24.53, 23.95

 

CMYK 0 / 33 / 44 / 20

HEX #CC8872

RGB 204 136 114

HSL 14.67, 0.47%, 0.62%

LAB 63.06, 23.45, 22.45

 

CMYK 0 / 30 / 40 / 13

HEX #DD9A85

RGB 221 154 133

HSL 14.32, 0.56%, 0.69%

LAB 69.6, 22.5, 21.09

 

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

CMYK 0 / 51 / 67 / 49

HEX #83402B

RGB 131 64 43

HSL 14.32, 0.51%, 0.34%

LAB 35.33, 26.96, 25.87

 

CMYK 0 / 60 / 79 / 55

HEX #722E18

RGB 114 46 24

HSL 14.67, 0.65%, 0.27%

LAB 28.37, 28.6, 28.36

 

CMYK 0 / 71 / 95 / 62

HEX #611C05

RGB 97 28 5

HSL 15, 0.9%, 0.2%

LAB 21.52, 30.18, 29.75

 

CMYK 0 / 88 / 100 / 69

HEX #500A00

RGB 80 10 0

HSL 7.5, 1%, 0.16%

LAB 15.08, 31.07, 23.26

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 58 / 58 / 42

HEX #933E3E

RGB 147 62 62

HSL 0, 0.41%, 0.41%

LAB 37.84, 35.88, 17.93

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 29 / 58 / 42

HEX #93693E

RGB 147 105 62

HSL 30.35, 0.41%, 0.41%

LAB 47.82, 11.79, 30.59

 

CMYK 0 / 13 / 58 / 42

HEX #93803E

RGB 147 128 62

HSL 46.59, 0.41%, 0.41%

LAB 54.02, -1.35, 37.96

 

CMYK 2 / 0 / 58 / 42

HEX #90933E

RGB 144 147 62

HSL 62.12, 0.41%, 0.41%

LAB 59.11, -13.05, 43.7

 

CMYK 18 / 0 / 58 / 42

HEX #79933E

RGB 121 147 62

HSL 78.35, 0.41%, 0.41%

LAB 57.35, -22.84, 41.23

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 55 / 73 / 36

HEX #A4492D

RGB 164 73 45

HSL 14.12, 0.57%, 0.41%

LAB 42.53, 35.72, 34.4

 

CMYK 0 / 65 / 85 / 29

HEX #B5401C

RGB 181 64 28

HSL 14.12, 0.73%, 0.41%

LAB 43.62, 45.78, 45.14

 

CMYK 0 / 73 / 94 / 22

HEX #C6360B

RGB 198 54 11

HSL 13.8, 0.89%, 0.41%

LAB 45.18, 55.24, 54.08

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 30 / 39 / 49

HEX #825B4F

RGB 130 91 79

HSL 14.12, 0.24%, 0.41%

LAB 42.45, 14.36, 13.3

 

CMYK 0 / 12 / 16 / 55

HEX #726460

RGB 114 100 96

HSL 13.33, 0.09%, 0.41%

LAB 43.56, 4.84, 4.3

 

CMYK 13 / 3 / 0 / 56

HEX #616D70

RGB 97 109 112

HSL 192, 0.07%, 0.41%

LAB 45.15, -3.84, -3.22

 

CMYK 38 / 9 / 0 / 49

HEX #507681

RGB 80 118 129

HSL 193.47, 0.23%, 0.41%

LAB 47.3, -10.36, -10.29

 

CMYK 0 / 58 / 39 / 42

HEX #933E59

RGB 147 62 89

HSL 340.94, 0.41%, 0.41%

LAB 38.5, 38.61, 1.86

 

CMYK 0 / 58 / 55 / 42

HEX #933E42

RGB 147 62 66

HSL 357.18, 0.41%, 0.41%

LAB 37.92, 36.22, 15.54

 

CMYK 0 / 46 / 58 / 42

HEX #93503E

RGB 147 80 62

HSL 12.71, 0.41%, 0.41%

LAB 41.67, 26.17, 22.91

 

CMYK 0 / 30 / 58 / 42

HEX #93673E

RGB 147 103 62

HSL 28.94, 0.41%, 0.41%

LAB 47.3, 12.95, 29.95

 

CMYK 0 / 14 / 58 / 42

HEX #937E3E

RGB 147 126 62

HSL 45.18, 0.41%, 0.41%

LAB 53.46, -0.23, 37.31

 

CMYK 0 / 45 / 58 / 65

HEX #593125

RGB 89 49 37

HSL 13.85, 0.41%, 0.25%

LAB 25.12, 16.77, 15.47

 

CMYK 0 / 44 / 58 / 54

HEX #764232

RGB 118 66 50

HSL 14.12, 0.4%, 0.33%

LAB 33.94, 20.76, 19.44

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 45 / 58 / 31

HEX #B1624A

RGB 177 98 74

HSL 13.98, 0.41%, 0.49%

LAB 50.19, 29.57, 27.6

 

CMYK 0 / 36 / 47 / 25

HEX #BF7A65

RGB 191 122 101

HSL 14, 0.41%, 0.57%

LAB 57.98, 24.55, 22.68

 

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

CMYK 24 / 0 / 58 / 42

HEX #70933E

RGB 112 147 62

HSL 84.71, 0.41%, 0.41%

LAB 56.74, -26.49, 40.38

 

CMYK 58 / 48 / 0 / 42

HEX #3E4D93

RGB 62 77 147

HSL 229.41, 0.41%, 0.41%

LAB 34.88, 16, -40.53

 

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

CMYK 58 / 0 / 46 / 42

HEX #3E9350

RGB 62 147 80

HSL 132.71, 0.41%, 0.41%

LAB 54.52, -40.75, 27.89

 

CMYK 46 / 58 / 0 / 42

HEX #503E93

RGB 80 62 147

HSL 252.71, 0.41%, 0.41%

LAB 32.39, 29.8, -44.46

 

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

CMYK 24 / 0 / 58 / 42

HEX #70933E

RGB 112 147 62

HSL 84.71, 0.41%, 0.41%

LAB 56.74, -26.49, 40.38

 

CMYK 58 / 12 / 0 / 42

HEX #3E8193

RGB 62 129 147

HSL 192.71, 0.41%, 0.41%

LAB 50.49, -15.77, -16.14

 

CMYK 34 / 58 / 0 / 42

HEX #613E93

RGB 97 62 147

HSL 264.71, 0.41%, 0.41%

LAB 34.18, 33.99, -41.48

 

CMYK 0 / 45 / 58 / 42

HEX #94523E

RGB 148 82 62

HSL 13.95, 0.41%, 0.41%

LAB 42.27, 25.47, 23.71

 

CMYK 41 / 0 / 58 / 42

HEX #56933E

RGB 86 147 62

HSL 103.06, 0.41%, 0.41%

LAB 55.27, -36.16, 38.3

 

CMYK 58 / 12 / 0 / 42

HEX #3E8193

RGB 62 129 147

HSL 192.71, 0.41%, 0.41%

LAB 50.49, -15.77, -16.14

 

CMYK 16 / 58 / 0 / 42

HEX #7B3E93

RGB 123 62 147

HSL 283.06, 0.41%, 0.41%

LAB 37.41, 40.91, -36.13

 

Description

Color code: HEX #94523E | qconv.com Color code: HEX #94523E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 82 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 82 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 58 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 58% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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