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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94397B it is the complementary color #6BC684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94397B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94397B shade: #993976, #AA4B89, #BB5D9C, #CC6FAF and #DD81C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94397B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94397B shade: #94397B, #832768, #721555, #610342 and #50002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94397B shade: #93397A, #933962, #93394A and #933939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94397B shade: #93397A, #933992, #7B3993, #633993 and #4B3993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94397B shade matches the following richer shades: #93397A, #A32982, #B41889 and #C40891

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94397B shade: #93397A, #824A73, #725A6B, #616B64 and #517B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94397B shade: #7B3993, #933993, #93397B, #933963 and #93394B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94397B shade: #572249, #752E62, #93397A, #B14593 and #C05EA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94397B shade: #94397B, #936339 and #399387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94397B shade: #94397B, #7B9339 and #397B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94397B shade: #94397B, #936339, #399351 and #396993

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94397B shade: #94397B, #937E39, #399351 and #394E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

Complementary color

CMYK 46 / 0 / 33 / 22

HEX #6BC684

RGB 107 198 132

HSL 136.48, 0.44%, 0.6%

LAB 73.01, -41.64, 24.86

 

CMYK 0 / 63 / 23 / 40

HEX #993976

RGB 153 57 118

HSL 321.88, 0.46%, 0.41%

LAB 39.59, 46.82, -14.57

 

CMYK 0 / 56 / 19 / 33

HEX #AA4B89

RGB 170 75 137

HSL 320.84, 0.39%, 0.48%

LAB 46.16, 46.39, -15.94

 

CMYK 0 / 50 / 17 / 27

HEX #BB5D9C

RGB 187 93 156

HSL 319.79, 0.41%, 0.55%

LAB 52.72, 45.75, -17.02

 

CMYK 0 / 46 / 14 / 20

HEX #CC6FAF

RGB 204 111 175

HSL 318.71, 0.48%, 0.62%

LAB 59.25, 45.02, -17.9

 

CMYK 0 / 42 / 12 / 13

HEX #DD81C2

RGB 221 129 194

HSL 317.61, 0.58%, 0.69%

LAB 65.72, 44.27, -18.66

 

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

CMYK 0 / 70 / 21 / 49

HEX #832768

RGB 131 39 104

HSL 317.61, 0.54%, 0.33%

LAB 32.43, 46.1, -17.06

 

CMYK 0 / 82 / 25 / 55

HEX #721555

RGB 114 21 85

HSL 318.71, 0.69%, 0.26%

LAB 26.07, 45.27, -14.75

 

CMYK 0 / 97 / 32 / 62

HEX #610342

RGB 97 3 66

HSL 319.79, 0.94%, 0.2%

LAB 20.04, 43.12, -11.43

 

CMYK 0 / 100 / 41 / 69

HEX #50002F

RGB 80 0 47

HSL 324.75, 1%, 0.16%

LAB 15.01, 37.62, -5.96

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 61 / 33 / 42

HEX #933962

RGB 147 57 98

HSL 332.67, 0.44%, 0.4%

LAB 37.86, 42.18, -4.75

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 61 / 61 / 42

HEX #933939

RGB 147 57 57

HSL 0, 0.44%, 0.4%

LAB 36.79, 37.98, 19.69

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 61 / 1 / 42

HEX #933992

RGB 147 57 146

HSL 300.67, 0.44%, 0.4%

LAB 39.92, 49.68, -31.33

 

CMYK 16 / 61 / 0 / 42

HEX #7B3993

RGB 123 57 147

HSL 284, 0.44%, 0.4%

LAB 36.45, 43.51, -37.66

 

CMYK 33 / 61 / 0 / 42

HEX #633993

RGB 99 57 147

HSL 268, 0.44%, 0.4%

LAB 33.32, 37.38, -42.84

 

CMYK 49 / 61 / 0 / 42

HEX #4B3993

RGB 75 57 147

HSL 252, 0.44%, 0.4%

LAB 30.71, 31.77, -47.19

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 75 / 20 / 36

HEX #A32982

RGB 163 41 130

HSL 316.23, 0.6%, 0.4%

LAB 39.55, 57.57, -21.91

 

CMYK 0 / 87 / 24 / 29

HEX #B41889

RGB 180 24 137

HSL 316.54, 0.76%, 0.4%

LAB 41.47, 66.82, -22.99

 

CMYK 0 / 96 / 26 / 23

HEX #C40891

RGB 196 8 145

HSL 316.28, 0.92%, 0.4%

LAB 44.17, 73.21, -23.46

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 43 / 12 / 49

HEX #824A73

RGB 130 74 115

HSL 316.07, 0.27%, 0.4%

LAB 39.38, 29.98, -13.35

 

CMYK 0 / 21 / 6 / 55

HEX #725A6B

RGB 114 90 107

HSL 317.5, 0.12%, 0.4%

LAB 41.14, 12.97, -5.96

 

CMYK 9 / 0 / 7 / 58

HEX #616B64

RGB 97 107 100

HSL 138, 0.05%, 0.4%

LAB 44.2, -5.3, 2.62

 

CMYK 34 / 0 / 25 / 52

HEX #517B5C

RGB 81 123 92

HSL 135.71, 0.21%, 0.4%

LAB 47.86, -21.63, 12.41

 

CMYK 16 / 61 / 0 / 42

HEX #7B3993

RGB 123 57 147

HSL 284, 0.44%, 0.4%

LAB 36.45, 43.51, -37.66

 

CMYK 0 / 61 / 0 / 42

HEX #933993

RGB 147 57 147

HSL 300, 0.44%, 0.4%

LAB 39.97, 49.86, -31.85

 

CMYK 0 / 61 / 16 / 42

HEX #93397B

RGB 147 57 123

HSL 316, 0.44%, 0.4%

LAB 38.83, 45.78, -18.93

 

CMYK 0 / 61 / 33 / 42

HEX #933963

RGB 147 57 99

HSL 332, 0.44%, 0.4%

LAB 37.9, 42.31, -5.33

 

CMYK 0 / 61 / 49 / 42

HEX #93394B

RGB 147 57 75

HSL 348, 0.44%, 0.4%

LAB 37.18, 39.55, 8.85

 

CMYK 0 / 61 / 16 / 66

HEX #572249

RGB 87 34 73

HSL 315.85, 0.44%, 0.24%

LAB 22.48, 29.89, -12.64

 

CMYK 0 / 61 / 16 / 54

HEX #752E62

RGB 117 46 98

HSL 316.06, 0.44%, 0.32%

LAB 30.92, 37.8, -15.73

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 61 / 17 / 31

HEX #B14593

RGB 177 69 147

HSL 316.67, 0.44%, 0.48%

LAB 46.59, 52.8, -21.19

 

CMYK 0 / 51 / 14 / 25

HEX #C05EA5

RGB 192 94 165

HSL 316.53, 0.44%, 0.56%

LAB 53.95, 48.24, -20.35

 

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

CMYK 0 / 33 / 61 / 42

HEX #936339

RGB 147 99 57

HSL 28, 0.44%, 0.4%

LAB 46.21, 14.86, 31.4

 

CMYK 61 / 0 / 8 / 42

HEX #399387

RGB 57 147 135

HSL 172, 0.44%, 0.4%

LAB 55.57, -29.6, -1.61

 

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

CMYK 16 / 0 / 61 / 42

HEX #7B9339

RGB 123 147 57

HSL 76, 0.44%, 0.4%

LAB 57.44, -22.45, 43.73

 

CMYK 61 / 16 / 0 / 42

HEX #397B93

RGB 57 123 147

HSL 196, 0.44%, 0.4%

LAB 48.44, -13.46, -19.29

 

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

CMYK 0 / 33 / 61 / 42

HEX #936339

RGB 147 99 57

HSL 28, 0.44%, 0.4%

LAB 46.21, 14.86, 31.4

 

CMYK 61 / 0 / 45 / 42

HEX #399351

RGB 57 147 81

HSL 136, 0.44%, 0.4%

LAB 54.38, -41.79, 27.14

 

CMYK 61 / 29 / 0 / 42

HEX #396993

RGB 57 105 147

HSL 208, 0.44%, 0.4%

LAB 42.88, -2.94, -27.89

 

CMYK 0 / 61 / 17 / 42

HEX #94397B

RGB 148 57 123

HSL 316.48, 0.44%, 0.4%

LAB 38.99, 46.07, -18.66

 

CMYK 0 / 14 / 61 / 42

HEX #937E39

RGB 147 126 57

HSL 46, 0.44%, 0.4%

LAB 53.41, -0.62, 39.78

 

CMYK 61 / 0 / 45 / 42

HEX #399351

RGB 57 147 81

HSL 136, 0.44%, 0.4%

LAB 54.38, -41.79, 27.14

 

CMYK 61 / 47 / 0 / 42

HEX #394E93

RGB 57 78 147

HSL 226, 0.44%, 0.4%

LAB 34.85, 14.29, -40.59

 

Description

Color code: HEX #94397B | qconv.com Color code: HEX #94397B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 57 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 57 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 17 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 17% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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