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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #942DDB it is the complementary color #6BD224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #942DDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #942DDB shade: #992DD6, #AA3FE9, #BB51FC, #CC63FF and #DD75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #942DDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #942DDB shade: #942DDB, #831BC8, #7209B5, #6100A2 and #50008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #942DDB shade: #942DDB, #C32DDB, #DB2DC4, #DB2D95 and #DB2D66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #942DDB shade: #942DDB, #652DDB, #362DDB and #2D2DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #942DDB shade matches the following richer shades: #942DDB and #9819EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #942DDB shade: #942DDB, #9041C7, #8D55B3, #8969A0 and #867C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #942DDB shade: #362DDB, #642DDB, #932DDB, #C12DDB and #DB2DC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #942DDB shade: #671A9C, #7E20BF, #942DDB, #A650E1 and #B874E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #942DDB shade: #942DDB, #DB2D53 and #2DDB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #942DDB shade: #942DDB, #DB932D and #2DDB93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #942DDB shade: #942DDB, #DB2D53, #76DB2D and #2DDBB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #942DDB shade: #942DDB, #DB3C2D, #76DB2D and #2DCDDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

Complementary color

CMYK 49 / 0 / 83 / 18

HEX #6BD224

RGB 107 210 36

HSL 95.52, 0.71%, 0.48%

LAB 75.67, -56.86, 68.9

 

CMYK 29 / 79 / 0 / 16

HEX #992DD6

RGB 153 45 214

HSL 278.34, 0.67%, 0.51%

LAB 43.51, 68.94, -65.66

 

CMYK 27 / 73 / 0 / 9

HEX #AA3FE9

RGB 170 63 233

HSL 277.76, 0.79%, 0.58%

LAB 49.48, 69.42, -66.69

 

CMYK 26 / 68 / 0 / 1

HEX #BB51FC

RGB 187 81 252

HSL 277.19, 0.97%, 0.65%

LAB 55.56, 69.36, -67.37

 

CMYK 20 / 61 / 0 / 0

HEX #CC63FF

RGB 204 99 255

HSL 280.38, 1%, 0.69%

LAB 60.76, 65.66, -60.55

 

CMYK 13 / 54 / 0 / 0

HEX #DD75FF

RGB 221 117 255

HSL 285.22, 1%, 0.73%

LAB 65.99, 61.29, -52.11

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 35 / 87 / 0 / 22

HEX #831BC8

RGB 131 27 200

HSL 276.07, 0.76%, 0.45%

LAB 37.44, 67.91, -67.59

 

CMYK 37 / 95 / 0 / 29

HEX #7209B5

RGB 114 9 181

HSL 276.63, 0.91%, 0.37%

LAB 32.05, 65.32, -65.32

 

CMYK 40 / 100 / 0 / 36

HEX #6100A2

RGB 97 0 162

HSL 275.93, 1%, 0.32%

LAB 27.16, 60.92, -62.03

 

CMYK 44 / 100 / 0 / 44

HEX #50008F

RGB 80 0 143

HSL 273.57, 1%, 0.28%

LAB 22.61, 55.09, -57.92

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 11 / 79 / 0 / 14

HEX #C32DDB

RGB 195 45 219

HSL 291.72, 0.71%, 0.52%

LAB 50.21, 77.15, -57.38

 

CMYK 0 / 79 / 11 / 14

HEX #DB2DC4

RGB 219 45 196

HSL 307.93, 0.71%, 0.52%

LAB 52.86, 78.23, -39.72

 

CMYK 0 / 79 / 32 / 14

HEX #DB2D95

RGB 219 45 149

HSL 324.14, 0.71%, 0.52%

LAB 50.81, 72.36, -15.3

 

CMYK 0 / 79 / 53 / 14

HEX #DB2D66

RGB 219 45 102

HSL 340.34, 0.71%, 0.52%

LAB 49.37, 68.05, 11.02

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 54 / 79 / 0 / 14

HEX #652DDB

RGB 101 45 219

HSL 259.31, 0.71%, 0.52%

LAB 37.4, 62.63, -78.79

 

CMYK 75 / 79 / 0 / 14

HEX #362DDB

RGB 54 45 219

HSL 243.1, 0.71%, 0.52%

LAB 33.51, 58.26, -85.35

 

CMYK 79 / 79 / 0 / 14

HEX #2D2DDB

RGB 45 45 219

HSL 240, 0.71%, 0.52%

LAB 33.03, 57.72, -86.17

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 36 / 90 / 0 / 6

HEX #9819EF

RGB 152 25 239

HSL 275.61, 0.87%, 0.52%

LAB 43.66, 78.98, -79.67

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 28 / 67 / 0 / 22

HEX #9041C7

RGB 144 65 199

HSL 275.37, 0.54%, 0.52%

LAB 43.99, 56.12, -56.28

 

CMYK 21 / 53 / 0 / 30

HEX #8D55B3

RGB 141 85 179

HSL 275.74, 0.38%, 0.52%

LAB 46.2, 40.62, -41.12

 

CMYK 14 / 34 / 0 / 37

HEX #8969A0

RGB 137 105 160

HSL 274.91, 0.22%, 0.52%

LAB 49.45, 23.56, -24.92

 

CMYK 4 / 11 / 0 / 45

HEX #867C8C

RGB 134 124 140

HSL 277.5, 0.07%, 0.52%

LAB 53.36, 6.97, -7.28

 

CMYK 75 / 79 / 0 / 14

HEX #362DDB

RGB 54 45 219

HSL 243.1, 0.71%, 0.52%

LAB 33.51, 58.26, -85.35

 

CMYK 54 / 79 / 0 / 14

HEX #642DDB

RGB 100 45 219

HSL 258.97, 0.71%, 0.52%

LAB 37.3, 62.51, -78.97

 

CMYK 33 / 79 / 0 / 14

HEX #932DDB

RGB 147 45 219

HSL 275.17, 0.71%, 0.52%

LAB 43.05, 69.02, -69.31

 

CMYK 12 / 79 / 0 / 14

HEX #C12DDB

RGB 193 45 219

HSL 291.03, 0.71%, 0.52%

LAB 49.89, 76.79, -57.91

 

CMYK 0 / 79 / 9 / 14

HEX #DB2DC7

RGB 219 45 199

HSL 306.9, 0.71%, 0.52%

LAB 53.02, 78.65, -41.22

 

CMYK 34 / 83 / 0 / 39

HEX #671A9C

RGB 103 26 156

HSL 275.54, 0.71%, 0.36%

LAB 29.47, 54.59, -54.55

 

CMYK 34 / 83 / 0 / 25

HEX #7E20BF

RGB 126 32 191

HSL 275.47, 0.71%, 0.44%

LAB 36.42, 63.93, -64.01

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 26 / 64 / 0 / 12

HEX #A650E1

RGB 166 80 225

HSL 275.59, 0.71%, 0.6%

LAB 51.01, 59.65, -59.71

 

CMYK 20 / 50 / 0 / 9

HEX #B874E7

RGB 184 116 231

HSL 275.48, 0.71%, 0.68%

LAB 60.29, 47.2, -48.15

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 0 / 79 / 62 / 14

HEX #DB2D53

RGB 219 45 83

HSL 346.9, 0.71%, 0.52%

LAB 48.96, 66.79, 22.06

 

CMYK 79 / 0 / 65 / 14

HEX #2DDB4D

RGB 45 219 77

HSL 131.03, 0.71%, 0.52%

LAB 77.14, -69.73, 56.04

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 0 / 33 / 79 / 14

HEX #DB932D

RGB 219 147 45

HSL 35.17, 0.71%, 0.52%

LAB 66.61, 19, 61.04

 

CMYK 79 / 0 / 33 / 14

HEX #2DDB93

RGB 45 219 147

HSL 155.17, 0.71%, 0.52%

LAB 78.07, -58.79, 23.6

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 0 / 79 / 62 / 14

HEX #DB2D53

RGB 219 45 83

HSL 346.9, 0.71%, 0.52%

LAB 48.96, 66.79, 22.06

 

CMYK 46 / 0 / 79 / 14

HEX #76DB2D

RGB 118 219 45

HSL 94.83, 0.71%, 0.52%

LAB 78.87, -56.52, 69.62

 

CMYK 79 / 0 / 17 / 14

HEX #2DDBB5

RGB 45 219 181

HSL 166.9, 0.71%, 0.52%

LAB 78.79, -51.02, 6.68

 

CMYK 32 / 79 / 0 / 14

HEX #942DDB

RGB 148 45 219

HSL 275.52, 0.71%, 0.52%

LAB 43.19, 69.17, -69.08

 

CMYK 0 / 73 / 79 / 14

HEX #DB3C2D

RGB 219 60 45

HSL 5.17, 0.71%, 0.52%

LAB 50.07, 60.49, 45.29

 

CMYK 46 / 0 / 79 / 14

HEX #76DB2D

RGB 118 219 45

HSL 94.83, 0.71%, 0.52%

LAB 78.87, -56.52, 69.62

 

CMYK 79 / 6 / 0 / 14

HEX #2DCDDB

RGB 45 205 219

HSL 184.83, 0.71%, 0.52%

LAB 75.66, -34.33, -18.33

 

Description

Color code: HEX #942DDB | qconv.com Color code: HEX #942DDB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 45 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 45 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 79 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 79% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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