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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #942CA0 it is the complementary color #6BD35F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #942CA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #942CA0 shade: #992C9B, #AA3EAE, #BB50C1, #CC62D4 and #DD74E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #942CA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #942CA0 shade: #942CA0, #831A8D, #72087A, #610067 and #500054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #942CA0 shade: #942CA0, #A02C8D, #A02C6D, #A02C4E and #A02C2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #942CA0 shade: #942CA0, #752CA0, #552CA0, #362CA0 and #2C2CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #942CA0 shade matches the following richer shades: #942CA0, #A11BB1 and #AE0BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #942CA0 shade: #942CA0, #873C90, #7A4D7F, #6D5D6F and #606E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #942CA0 shade: #552CA0, #742CA0, #932CA0, #A02C8F and #A02C70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #942CA0 shade: #581A5F, #762380, #942CA0, #B235C1 and #C250CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #942CA0 shade: #942CA0, #A0362C and #2CA064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #942CA0 shade: #942CA0, #A0932C and #2CA093

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #942CA0 shade: #942CA0, #A0362C, #39A02C and #2C96A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #942CA0 shade: #942CA0, #A0582C, #39A02C and #2C74A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

Complementary color

CMYK 49 / 0 / 55 / 17

HEX #6BD35F

RGB 107 211 95

HSL 113.79, 0.57%, 0.6%

LAB 76.4, -52.54, 47.69

 

CMYK 1 / 72 / 0 / 39

HEX #992C9B

RGB 153 44 155

HSL 298.92, 0.56%, 0.39%

LAB 39.48, 58.03, -37.41

 

CMYK 2 / 64 / 0 / 32

HEX #AA3EAE

RGB 170 62 174

HSL 297.86, 0.47%, 0.46%

LAB 45.7, 58.38, -38.73

 

CMYK 3 / 59 / 0 / 24

HEX #BB50C1

RGB 187 80 193

HSL 296.81, 0.48%, 0.54%

LAB 52.01, 58.24, -39.68

 

CMYK 4 / 54 / 0 / 17

HEX #CC62D4

RGB 204 98 212

HSL 295.79, 0.57%, 0.61%

LAB 58.35, 57.81, -40.39

 

CMYK 4 / 50 / 0 / 9

HEX #DD74E7

RGB 221 116 231

HSL 294.78, 0.71%, 0.68%

LAB 64.67, 57.22, -40.96

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 7 / 82 / 0 / 45

HEX #831A8D

RGB 131 26 141

HSL 294.78, 0.69%, 0.33%

LAB 32.89, 56.66, -39.59

 

CMYK 7 / 93 / 0 / 52

HEX #72087A

RGB 114 8 122

HSL 295.79, 0.88%, 0.25%

LAB 27.18, 54.11, -37.03

 

CMYK 6 / 100 / 0 / 60

HEX #610067

RGB 97 0 103

HSL 296.5, 1%, 0.2%

LAB 22.02, 49.41, -33.24

 

CMYK 5 / 100 / 0 / 67

HEX #500054

RGB 80 0 84

HSL 297.14, 1%, 0.16%

LAB 17.21, 43.07, -28.5

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 0 / 73 / 12 / 37

HEX #A02C8D

RGB 160 44 141

HSL 309.83, 0.57%, 0.4%

LAB 39.91, 57.41, -28.15

 

CMYK 0 / 73 / 32 / 37

HEX #A02C6D

RGB 160 44 109

HSL 326.38, 0.57%, 0.4%

LAB 38.51, 52.99, -10.47

 

CMYK 0 / 73 / 51 / 37

HEX #A02C4E

RGB 160 44 78

HSL 342.41, 0.57%, 0.4%

LAB 37.53, 49.74, 7.76

 

CMYK 0 / 73 / 71 / 37

HEX #A02C2F

RGB 160 44 47

HSL 358.45, 0.57%, 0.4%

LAB 36.89, 47.58, 26.53

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 27 / 73 / 0 / 37

HEX #752CA0

RGB 117 44 160

HSL 277.76, 0.57%, 0.4%

LAB 34.23, 51.14, -49.15

 

CMYK 47 / 73 / 0 / 37

HEX #552CA0

RGB 85 44 160

HSL 261.21, 0.57%, 0.4%

LAB 30.09, 44.96, -56.08

 

CMYK 66 / 73 / 0 / 37

HEX #362CA0

RGB 54 44 160

HSL 245.17, 0.57%, 0.4%

LAB 27.08, 40.21, -61.12

 

CMYK 73 / 73 / 0 / 37

HEX #2C2CA0

RGB 44 44 160

HSL 240, 0.57%, 0.4%

LAB 26.38, 39.04, -62.31

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 9 / 85 / 0 / 31

HEX #A11BB1

RGB 161 27 177

HSL 293.6, 0.74%, 0.4%

LAB 40.47, 68.3, -48.93

 

CMYK 10 / 94 / 0 / 24

HEX #AE0BC1

RGB 174 11 193

HSL 293.74, 0.89%, 0.4%

LAB 42.9, 75.64, -54.33

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 6 / 58 / 0 / 44

HEX #873C90

RGB 135 60 144

HSL 293.57, 0.41%, 0.4%

LAB 38.54, 44.61, -32.4

 

CMYK 4 / 39 / 0 / 50

HEX #7A4D7F

RGB 122 77 127

HSL 294, 0.25%, 0.4%

LAB 39.54, 27.82, -20.58

 

CMYK 2 / 16 / 0 / 56

HEX #6D5D6F

RGB 109 93 111

HSL 293.33, 0.09%, 0.4%

LAB 41.58, 10.04, -7.81

 

CMYK 13 / 0 / 15 / 57

HEX #606E5E

RGB 96 110 94

HSL 112.5, 0.08%, 0.4%

LAB 44.87, -8.63, 7.16

 

CMYK 47 / 73 / 0 / 37

HEX #552CA0

RGB 85 44 160

HSL 261.21, 0.57%, 0.4%

LAB 30.09, 44.96, -56.08

 

CMYK 28 / 73 / 0 / 37

HEX #742CA0

RGB 116 44 160

HSL 277.24, 0.57%, 0.4%

LAB 34.09, 50.93, -49.39

 

CMYK 8 / 73 / 0 / 37

HEX #932CA0

RGB 147 44 160

HSL 293.28, 0.57%, 0.4%

LAB 38.8, 57.57, -41.57

 

CMYK 0 / 73 / 11 / 37

HEX #A02C8F

RGB 160 44 143

HSL 308.79, 0.57%, 0.4%

LAB 40.01, 57.72, -29.21

 

CMYK 0 / 73 / 30 / 37

HEX #A02C70

RGB 160 44 112

HSL 324.83, 0.57%, 0.4%

LAB 38.63, 53.37, -12.18

 

CMYK 7 / 73 / 0 / 63

HEX #581A5F

RGB 88 26 95

HSL 293.91, 0.57%, 0.24%

LAB 22.44, 38.34, -27.4

 

CMYK 8 / 73 / 0 / 50

HEX #762380

RGB 118 35 128

HSL 293.55, 0.57%, 0.32%

LAB 30.91, 48.43, -34.8

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 8 / 73 / 0 / 24

HEX #B235C1

RGB 178 53 193

HSL 293.57, 0.57%, 0.48%

LAB 46.79, 66.95, -48.04

 

CMYK 6 / 61 / 0 / 19

HEX #C250CF

RGB 194 80 207

HSL 293.86, 0.57%, 0.56%

LAB 53.72, 62.51, -44.94

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 0 / 66 / 73 / 37

HEX #A0362C

RGB 160 54 44

HSL 5.17, 0.57%, 0.4%

LAB 38.36, 43.3, 30.07

 

CMYK 73 / 0 / 38 / 37

HEX #2CA064

RGB 44 160 100

HSL 148.97, 0.57%, 0.4%

LAB 58.6, -45.99, 22.31

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 0 / 8 / 73 / 37

HEX #A0932C

RGB 160 147 44

HSL 53.28, 0.57%, 0.4%

LAB 60.36, -7.13, 53.29

 

CMYK 73 / 0 / 8 / 37

HEX #2CA093

RGB 44 160 147

HSL 173.28, 0.57%, 0.4%

LAB 59.69, -34.55, -2.43

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 0 / 66 / 73 / 37

HEX #A0362C

RGB 160 54 44

HSL 5.17, 0.57%, 0.4%

LAB 38.36, 43.3, 30.07

 

CMYK 64 / 0 / 73 / 37

HEX #39A02C

RGB 57 160 44

HSL 113.28, 0.57%, 0.4%

LAB 58.22, -51.45, 49.15

 

CMYK 73 / 6 / 0 / 37

HEX #2C96A0

RGB 44 150 160

HSL 185.17, 0.57%, 0.4%

LAB 56.96, -25.83, -13.89

 

CMYK 7 / 73 / 0 / 37

HEX #942CA0

RGB 148 44 160

HSL 293.79, 0.57%, 0.4%

LAB 38.96, 57.79, -41.31

 

CMYK 0 / 45 / 73 / 37

HEX #A0582C

RGB 160 88 44

HSL 22.76, 0.57%, 0.4%

LAB 45.13, 25.97, 37.63

 

CMYK 64 / 0 / 73 / 37

HEX #39A02C

RGB 57 160 44

HSL 113.28, 0.57%, 0.4%

LAB 58.22, -51.45, 49.15

 

CMYK 73 / 28 / 0 / 37

HEX #2C74A0

RGB 44 116 160

HSL 202.76, 0.57%, 0.4%

LAB 46.4, -7.25, -30.13

 

Description

Color code: HEX #942CA0 | qconv.com Color code: HEX #942CA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 44 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 44 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 73 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 73% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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