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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94202B it is the complementary color #6BDFD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94202B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94202B shade: #992026, #AA3239, #BB444C, #CC565F and #DD6872

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94202B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94202B shade: #94202B, #830E18, #720005, #610000 and #500000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94202B shade: #92202B and #922020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94202B shade: #92202B, #92204A, #922069, #922087 and #7F2092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94202B shade matches the following richer shades: #92202B, #A1121F and #AF0314

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94202B shade: #92202B, #842F37, #753D42, #674B4E and #595A5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94202B shade: #922068, #92204A, #92202C, #923320 and #925220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94202B shade: #4F1117, #711921, #92202B, #B42835 and #D23342

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94202B shade: #94202B, #879220 and #205992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94202B shade: #94202B, #2C9220 and #202C92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94202B shade: #94202B, #879220, #209287 and #2C2092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94202B shade: #94202B, #659220, #209287 and #4E2092

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

Complementary color

CMYK 52 / 0 / 5 / 13

HEX #6BDFD4

RGB 107 223 212

HSL 174.31, 0.64%, 0.65%

LAB 82.19, -35.48, -4.67

 

CMYK 0 / 79 / 75 / 40

HEX #992026

RGB 153 32 38

HSL 357.02, 0.65%, 0.36%

LAB 33.87, 49.13, 28.17

 

CMYK 0 / 71 / 66 / 33

HEX #AA3239

RGB 170 50 57

HSL 356.5, 0.55%, 0.43%

LAB 39.79, 49.08, 24.35

 

CMYK 0 / 64 / 59 / 27

HEX #BB444C

RGB 187 68 76

HSL 355.97, 0.47%, 0.5%

LAB 45.94, 48.47, 21.25

 

CMYK 0 / 58 / 53 / 20

HEX #CC565F

RGB 204 86 95

HSL 355.42, 0.54%, 0.57%

LAB 52.2, 47.6, 18.72

 

CMYK 0 / 53 / 48 / 13

HEX #DD6872

RGB 221 104 114

HSL 354.87, 0.63%, 0.64%

LAB 58.5, 46.61, 16.6

 

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

CMYK 0 / 89 / 82 / 49

HEX #830E18

RGB 131 14 24

HSL 354.87, 0.81%, 0.28%

LAB 27.31, 46.82, 28.29

 

CMYK 0 / 100 / 96 / 55

HEX #720005

RGB 114 0 5

HSL 357.37, 1%, 0.22%

LAB 22.26, 44.33, 31.67

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 78 / 71 / 43

HEX #92202B

RGB 146 32 43

HSL 354.21, 0.64%, 0.35%

LAB 32.52, 47.19, 23.1

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 0 / 78 / 71 / 43

HEX #92202B

RGB 146 32 43

HSL 354.21, 0.64%, 0.35%

LAB 32.52, 47.19, 23.1

 

CMYK 0 / 78 / 49 / 43

HEX #92204A

RGB 146 32 74

HSL 337.89, 0.64%, 0.35%

LAB 33.22, 49.41, 3.85

 

CMYK 0 / 78 / 28 / 43

HEX #922069

RGB 146 32 105

HSL 321.58, 0.64%, 0.35%

LAB 34.32, 52.82, -14.55

 

CMYK 0 / 78 / 8 / 43

HEX #922087

RGB 146 32 135

HSL 305.79, 0.64%, 0.35%

LAB 35.78, 57.11, -31.13

 

CMYK 13 / 78 / 0 / 43

HEX #7F2092

RGB 127 32 146

HSL 290, 0.64%, 0.35%

LAB 33.18, 54.92, -42.24

 

CMYK 0 / 78 / 71 / 43

HEX #92202B

RGB 146 32 43

HSL 354.21, 0.64%, 0.35%

LAB 32.52, 47.19, 23.1

 

CMYK 0 / 89 / 81 / 37

HEX #A1121F

RGB 161 18 31

HSL 354.55, 0.8%, 0.35%

LAB 34.21, 54.75, 33.25

 

CMYK 0 / 98 / 89 / 31

HEX #AF0314

RGB 175 3 20

HSL 354.07, 0.97%, 0.35%

LAB 36.42, 60.31, 42.41

 

CMYK 0 / 78 / 71 / 43

HEX #92202B

RGB 146 32 43

HSL 354.21, 0.64%, 0.35%

LAB 32.52, 47.19, 23.1

 

CMYK 0 / 64 / 58 / 48

HEX #842F37

RGB 132 47 55

HSL 354.35, 0.47%, 0.35%

LAB 32.29, 37.14, 14.55

 

CMYK 0 / 48 / 44 / 54

HEX #753D42

RGB 117 61 66

HSL 354.64, 0.31%, 0.35%

LAB 32.95, 24.97, 7.96

 

CMYK 0 / 27 / 24 / 60

HEX #674B4E

RGB 103 75 78

HSL 353.57, 0.16%, 0.35%

LAB 34.93, 12.37, 2.87

 

CMYK 1 / 0 / 0 / 65

HEX #595A5A

RGB 89 90 90

HSL 180, 0.01%, 0.35%

LAB 38.15, -0.39, -0.14

 

CMYK 0 / 78 / 29 / 43

HEX #922068

RGB 146 32 104

HSL 322.11, 0.64%, 0.35%

LAB 34.28, 52.69, -13.98

 

CMYK 0 / 78 / 49 / 43

HEX #92204A

RGB 146 32 74

HSL 337.89, 0.64%, 0.35%

LAB 33.22, 49.41, 3.85

 

CMYK 0 / 78 / 70 / 43

HEX #92202C

RGB 146 32 44

HSL 353.68, 0.64%, 0.35%

LAB 32.54, 47.24, 22.48

 

CMYK 0 / 65 / 78 / 43

HEX #923320

RGB 146 51 32

HSL 10, 0.64%, 0.35%

LAB 35.17, 39.02, 32.76

 

CMYK 0 / 44 / 78 / 43

HEX #925220

RGB 146 82 32

HSL 26.32, 0.64%, 0.35%

LAB 41.61, 22.67, 39.37

 

CMYK 0 / 78 / 71 / 69

HEX #4F1117

RGB 79 17 23

HSL 354.19, 0.65%, 0.19%

LAB 16.13, 29.11, 13.07

 

CMYK 0 / 78 / 71 / 56

HEX #711921

RGB 113 25 33

HSL 354.55, 0.64%, 0.27%

LAB 24.69, 38.43, 18.46

 

CMYK 0 / 78 / 71 / 43

HEX #92202B

RGB 146 32 43

HSL 354.21, 0.64%, 0.35%

LAB 32.52, 47.19, 23.1

 

CMYK 0 / 78 / 71 / 29

HEX #B42835

RGB 180 40 53

HSL 354.43, 0.64%, 0.43%

LAB 40.37, 55.51, 27.96

 

CMYK 0 / 76 / 69 / 18

HEX #D23342

RGB 210 51 66

HSL 354.34, 0.64%, 0.51%

LAB 47.58, 61.59, 30.2

 

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

CMYK 8 / 0 / 78 / 43

HEX #879220

RGB 135 146 32

HSL 65.79, 0.64%, 0.35%

LAB 57.86, -18.35, 54.47

 

CMYK 78 / 39 / 0 / 43

HEX #205992

RGB 32 89 146

HSL 210, 0.64%, 0.35%

LAB 36.98, 2.5, -36.65

 

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

CMYK 70 / 0 / 78 / 43

HEX #2C9220

RGB 44 146 32

HSL 113.68, 0.64%, 0.35%

LAB 53.16, -50.27, 48.36

 

CMYK 78 / 70 / 0 / 43

HEX #202C92

RGB 32 44 146

HSL 233.68, 0.64%, 0.35%

LAB 24.27, 32.81, -57.22

 

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

CMYK 8 / 0 / 78 / 43

HEX #879220

RGB 135 146 32

HSL 65.79, 0.64%, 0.35%

LAB 57.86, -18.35, 54.47

 

CMYK 78 / 0 / 8 / 43

HEX #209287

RGB 32 146 135

HSL 174.21, 0.64%, 0.35%

LAB 54.67, -32.94, -2.99

 

CMYK 70 / 78 / 0 / 43

HEX #2C2092

RGB 44 32 146

HSL 246.32, 0.64%, 0.35%

LAB 22.46, 41.23, -60.18

 

CMYK 0 / 78 / 71 / 42

HEX #94202B

RGB 148 32 43

HSL 354.31, 0.64%, 0.35%

LAB 32.93, 47.81, 23.68

 

CMYK 31 / 0 / 78 / 43

HEX #659220

RGB 101 146 32

HSL 83.68, 0.64%, 0.35%

LAB 55.51, -32.7, 51.44

 

CMYK 78 / 0 / 8 / 43

HEX #209287

RGB 32 146 135

HSL 174.21, 0.64%, 0.35%

LAB 54.67, -32.94, -2.99

 

CMYK 47 / 78 / 0 / 43

HEX #4E2092

RGB 78 32 146

HSL 264.21, 0.64%, 0.35%

LAB 25.95, 45.8, -54.32

 

Description

Color code: HEX #94202B | qconv.com Color code: HEX #94202B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 32 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 32 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 71 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 71% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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