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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #941FA6 it is the complementary color #6BE059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #941FA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #941FA6 shade: #991FA1, #AA31B4, #BB43C7, #CC55DA and #DD67ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #941FA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #941FA6 shade: #941FA6, #830D93, #720080, #61006D and #50005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #941FA6 shade: #961FA8, #A81F95, #A81F70, #A81F4B and #A81F26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #941FA6 shade: #961FA8, #711FA8, #4C1FA8, #271FA8 and #1F1FA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #941FA6 shade matches the following richer shades: #961FA8 and #A20FB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #941FA6 shade: #961FA8, #8A2F98, #7E3F88, #724F78 and #675F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #941FA6 shade: #4D1FA8, #711FA8, #961FA8, #A81F96 and #A81F71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #941FA6 shade: #581262, #771885, #961FA8, #B525CB and #C73EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #941FA6 shade: #941FA6, #A8281F and #1FA85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #941FA6 shade: #941FA6, #A8961F and #1FA896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #941FA6 shade: #941FA6, #A8281F, #31A81F and #1F9FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #941FA6 shade: #941FA6, #A8511F, #31A81F and #1F76A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

Complementary color

CMYK 52 / 0 / 60 / 12

HEX #6BE059

RGB 107 224 89

HSL 112, 0.69%, 0.61%

LAB 80.27, -58.21, 54.88

 

CMYK 5 / 81 / 0 / 37

HEX #991FA1

RGB 153 31 161

HSL 296.31, 0.68%, 0.38%

LAB 38.42, 63.12, -42.72

 

CMYK 6 / 73 / 0 / 29

HEX #AA31B4

RGB 170 49 180

HSL 295.42, 0.57%, 0.45%

LAB 44.29, 64.36, -44.5

 

CMYK 6 / 66 / 0 / 22

HEX #BB43C7

RGB 187 67 199

HSL 294.55, 0.54%, 0.52%

LAB 50.34, 64.81, -45.78

 

CMYK 6 / 61 / 0 / 15

HEX #CC55DA

RGB 204 85 218

HSL 293.68, 0.64%, 0.59%

LAB 56.48, 64.77, -46.73

 

CMYK 7 / 57 / 0 / 7

HEX #DD67ED

RGB 221 103 237

HSL 292.84, 0.79%, 0.67%

LAB 62.67, 64.43, -47.44

 

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

CMYK 11 / 91 / 0 / 42

HEX #830D93

RGB 131 13 147

HSL 292.84, 0.84%, 0.31%

LAB 32.3, 60.62, -44.23

 

CMYK 11 / 100 / 0 / 50

HEX #720080

RGB 114 0 128

HSL 293.44, 1%, 0.25%

LAB 27.12, 56.59, -40.92

 

CMYK 11 / 100 / 0 / 57

HEX #61006D

RGB 97 0 109

HSL 293.39, 1%, 0.21%

LAB 22.46, 50.47, -36.44

 

CMYK 11 / 100 / 0 / 65

HEX #50005A

RGB 80 0 90

HSL 293.33, 1%, 0.18%

LAB 17.66, 44.15, -31.81

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 0 / 82 / 11 / 34

HEX #A81F95

RGB 168 31 149

HSL 308.32, 0.69%, 0.39%

LAB 40.37, 64.32, -32.21

 

CMYK 0 / 82 / 33 / 34

HEX #A81F70

RGB 168 31 112

HSL 324.53, 0.69%, 0.39%

LAB 38.68, 59.52, -11.96

 

CMYK 0 / 82 / 55 / 34

HEX #A81F4B

RGB 168 31 75

HSL 340.73, 0.69%, 0.39%

LAB 37.5, 56.02, 9.88

 

CMYK 0 / 82 / 77 / 34

HEX #A81F26

RGB 168 31 38

HSL 356.93, 0.69%, 0.39%

LAB 36.83, 53.95, 32.32

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 33 / 82 / 0 / 34

HEX #711FA8

RGB 113 31 168

HSL 275.91, 0.69%, 0.39%

LAB 32.52, 57.21, -56.79

 

CMYK 55 / 82 / 0 / 34

HEX #4C1FA8

RGB 76 31 168

HSL 259.71, 0.69%, 0.39%

LAB 27.69, 51.88, -64.89

 

CMYK 77 / 82 / 0 / 34

HEX #271FA8

RGB 39 31 168

HSL 243.5, 0.69%, 0.39%

LAB 24.44, 48.34, -70.36

 

CMYK 82 / 82 / 0 / 34

HEX #1F1FA8

RGB 31 31 168

HSL 240, 0.69%, 0.39%

LAB 23.99, 47.85, -71.12

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 12 / 92 / 0 / 28

HEX #A20FB8

RGB 162 15 184

HSL 292.19, 0.85%, 0.39%

LAB 40.38, 71.78, -53.2

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 9 / 69 / 0 / 40

HEX #8A2F98

RGB 138 47 152

HSL 292, 0.53%, 0.39%

LAB 37.3, 52.86, -39.2

 

CMYK 7 / 54 / 0 / 47

HEX #7E3F88

RGB 126 63 136

HSL 291.78, 0.37%, 0.39%

LAB 37.42, 38.88, -29.37

 

CMYK 5 / 34 / 0 / 53

HEX #724F78

RGB 114 79 120

HSL 291.22, 0.21%, 0.39%

LAB 38.77, 22.37, -17.55

 

CMYK 1 / 9 / 0 / 59

HEX #675F68

RGB 103 95 104

HSL 293.33, 0.05%, 0.39%

LAB 41.32, 5.03, -3.96

 

CMYK 54 / 82 / 0 / 34

HEX #4D1FA8

RGB 77 31 168

HSL 260.15, 0.69%, 0.39%

LAB 27.8, 52, -64.7

 

CMYK 33 / 82 / 0 / 34

HEX #711FA8

RGB 113 31 168

HSL 275.91, 0.69%, 0.39%

LAB 32.52, 57.21, -56.79

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 0 / 82 / 11 / 34

HEX #A81F96

RGB 168 31 150

HSL 307.88, 0.69%, 0.39%

LAB 40.42, 64.47, -32.73

 

CMYK 0 / 82 / 33 / 34

HEX #A81F71

RGB 168 31 113

HSL 324.09, 0.69%, 0.39%

LAB 38.72, 59.63, -12.53

 

CMYK 10 / 82 / 0 / 62

HEX #581262

RGB 88 18 98

HSL 292.5, 0.69%, 0.23%

LAB 21.54, 42.09, -30.82

 

CMYK 11 / 82 / 0 / 48

HEX #771885

RGB 119 24 133

HSL 292.29, 0.69%, 0.31%

LAB 30.08, 53.38, -39.24

 

CMYK 11 / 82 / 0 / 34

HEX #961FA8

RGB 150 31 168

HSL 292.12, 0.69%, 0.39%

LAB 38.36, 63.76, -47.05

 

CMYK 11 / 82 / 0 / 20

HEX #B525CB

RGB 181 37 203

HSL 292.05, 0.69%, 0.47%

LAB 46.26, 73.96, -54.67

 

CMYK 10 / 72 / 0 / 14

HEX #C73EDC

RGB 199 62 220

HSL 292.03, 0.69%, 0.55%

LAB 52.68, 72.93, -53.96

 

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

CMYK 0 / 76 / 82 / 34

HEX #A8281F

RGB 168 40 31

HSL 3.94, 0.69%, 0.39%

LAB 37.74, 50.94, 37.28

 

CMYK 82 / 0 / 43 / 34

HEX #1FA85F

RGB 31 168 95

HSL 148.03, 0.69%, 0.39%

LAB 60.89, -51.75, 27.98

 

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

CMYK 0 / 11 / 82 / 34

HEX #A8961F

RGB 168 150 31

HSL 52.12, 0.69%, 0.39%

LAB 61.86, -5.69, 59.45

 

CMYK 82 / 0 / 11 / 34

HEX #1FA896

RGB 31 168 150

HSL 172.12, 0.69%, 0.39%

LAB 62.08, -38.81, -0.64

 

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

CMYK 0 / 76 / 82 / 34

HEX #A8281F

RGB 168 40 31

HSL 3.94, 0.69%, 0.39%

LAB 37.74, 50.94, 37.28

 

CMYK 71 / 0 / 82 / 34

HEX #31A81F

RGB 49 168 31

HSL 112.12, 0.69%, 0.39%

LAB 60.57, -56.76, 55.78

 

CMYK 82 / 5 / 0 / 34

HEX #1F9FA8

RGB 31 159 168

HSL 183.94, 0.69%, 0.39%

LAB 59.81, -29.23, -14.16

 

CMYK 11 / 81 / 0 / 35

HEX #941FA6

RGB 148 31 166

HSL 292, 0.69%, 0.39%

LAB 37.89, 63.02, -46.62

 

CMYK 0 / 52 / 82 / 34

HEX #A8511F

RGB 168 81 31

HSL 21.9, 0.69%, 0.39%

LAB 44.67, 32.56, 43.94

 

CMYK 71 / 0 / 82 / 34

HEX #31A81F

RGB 49 168 31

HSL 112.12, 0.69%, 0.39%

LAB 60.57, -56.76, 55.78

 

CMYK 82 / 30 / 0 / 34

HEX #1F76A8

RGB 31 118 168

HSL 201.9, 0.69%, 0.39%

LAB 47.07, -7.11, -33.78

 

Description

Color code: HEX #941FA6 | qconv.com Color code: HEX #941FA6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 31 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 31 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 81 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 81% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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