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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94192E it is the complementary color #6BE6D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94192E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94192E shade: #991929, #AA2B3C, #BB3D4F, #CC4F62 and #DD6175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94192E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94192E shade: #94192E, #83071B, #720008, #610000 and #500000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94192E shade: #94192E and #941919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94192E shade: #94192E, #94194F, #941971, #941992 and #761994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94192E shade matches the following richer shades: #94192E and #A20B25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94192E shade: #94192E, #862737, #783541, #6A434A and #5C5153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94192E shade: #941971, #941951, #941930, #942319 and #944419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94192E shade: #4E0D18, #711323, #94192E, #B81F39 and #DA2645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94192E shade: #94192E, #929419 and #196194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94192E shade: #94192E, #309419 and #193094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94192E shade: #94192E, #929419, #19947E and #1B1994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94192E shade: #94192E, #6D9419, #19947E and #401994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

Complementary color

CMYK 53 / 0 / 9 / 10

HEX #6BE6D1

RGB 107 230 209

HSL 169.76, 0.71%, 0.66%

LAB 84.13, -39.42, -0.23

 

CMYK 0 / 84 / 73 / 40

HEX #991929

RGB 153 25 41

HSL 352.5, 0.72%, 0.35%

LAB 33.2, 51.28, 25.52

 

CMYK 0 / 75 / 65 / 33

HEX #AA2B3C

RGB 170 43 60

HSL 351.97, 0.6%, 0.42%

LAB 38.9, 51.86, 21.36

 

CMYK 0 / 67 / 58 / 27

HEX #BB3D4F

RGB 187 61 79

HSL 351.43, 0.51%, 0.49%

LAB 44.9, 51.67, 18.04

 

CMYK 0 / 61 / 52 / 20

HEX #CC4F62

RGB 204 79 98

HSL 350.88, 0.55%, 0.55%

LAB 51.05, 51.06, 15.37

 

CMYK 0 / 56 / 47 / 13

HEX #DD6175

RGB 221 97 117

HSL 350.32, 0.65%, 0.62%

LAB 57.28, 50.24, 13.16

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 95 / 79 / 49

HEX #83071B

RGB 131 7 27

HSL 350.32, 0.9%, 0.27%

LAB 26.89, 48.23, 25.96

 

CMYK 0 / 100 / 93 / 55

HEX #720008

RGB 114 0 8

HSL 355.79, 1%, 0.22%

LAB 22.28, 44.4, 30.47

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 83 / 83 / 42

HEX #941919

RGB 148 25 25

HSL 0, 0.71%, 0.34%

LAB 31.95, 49.19, 33.56

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 83 / 47 / 42

HEX #94194F

RGB 148 25 79

HSL 333.66, 0.71%, 0.34%

LAB 33.04, 52.5, 0.37

 

CMYK 0 / 83 / 24 / 42

HEX #941971

RGB 148 25 113

HSL 317.07, 0.71%, 0.34%

LAB 34.36, 56.33, -19.54

 

CMYK 0 / 83 / 1 / 42

HEX #941992

RGB 148 25 146

HSL 300.98, 0.71%, 0.34%

LAB 36.11, 61.17, -37.35

 

CMYK 20 / 83 / 0 / 42

HEX #761994

RGB 118 25 148

HSL 285.37, 0.71%, 0.34%

LAB 31.08, 55.77, -46.94

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 93 / 77 / 36

HEX #A20B25

RGB 162 11 37

HSL 349.67, 0.87%, 0.34%

LAB 34.1, 56.38, 29.56

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 71 / 59 / 47

HEX #862737

RGB 134 39 55

HSL 349.89, 0.55%, 0.34%

LAB 31.34, 41.43, 13.33

 

CMYK 0 / 56 / 46 / 53

HEX #783541

RGB 120 53 65

HSL 349.25, 0.39%, 0.34%

LAB 31.63, 30.54, 6.81

 

CMYK 0 / 37 / 30 / 58

HEX #6A434A

RGB 106 67 74

HSL 349.23, 0.23%, 0.34%

LAB 33.08, 17.93, 2.79

 

CMYK 0 / 12 / 10 / 64

HEX #5C5153

RGB 92 81 83

HSL 349.09, 0.06%, 0.34%

LAB 35.57, 4.93, 0.49

 

CMYK 0 / 83 / 24 / 42

HEX #941971

RGB 148 25 113

HSL 317.07, 0.71%, 0.34%

LAB 34.36, 56.33, -19.54

 

CMYK 0 / 83 / 45 / 42

HEX #941951

RGB 148 25 81

HSL 332.68, 0.71%, 0.34%

LAB 33.1, 52.69, -0.84

 

CMYK 0 / 83 / 68 / 42

HEX #941930

RGB 148 25 48

HSL 348.78, 0.71%, 0.34%

LAB 32.27, 50.18, 19.65

 

CMYK 0 / 76 / 83 / 42

HEX #942319

RGB 148 35 25

HSL 4.88, 0.71%, 0.34%

LAB 33.07, 46.05, 34.65

 

CMYK 0 / 54 / 83 / 42

HEX #944419

RGB 148 68 25

HSL 20.98, 0.71%, 0.34%

LAB 38.73, 31, 40.01

 

CMYK 0 / 83 / 69 / 69

HEX #4E0D18

RGB 78 13 24

HSL 349.85, 0.71%, 0.18%

LAB 15.35, 30.44, 11.3

 

CMYK 0 / 83 / 69 / 56

HEX #711323

RGB 113 19 35

HSL 349.79, 0.71%, 0.26%

LAB 23.99, 40.6, 16.24

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 0 / 83 / 69 / 28

HEX #B81F39

RGB 184 31 57

HSL 349.8, 0.71%, 0.42%

LAB 40.35, 59.35, 25.65

 

CMYK 0 / 83 / 68 / 15

HEX #DA2645

RGB 218 38 69

HSL 349.67, 0.71%, 0.5%

LAB 47.91, 67.53, 29.16

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 1 / 0 / 83 / 42

HEX #929419

RGB 146 148 25

HSL 60.98, 0.71%, 0.34%

LAB 59.31, -14.75, 58.18

 

CMYK 83 / 34 / 0 / 42

HEX #196194

RGB 25 97 148

HSL 204.88, 0.71%, 0.34%

LAB 39.4, -2.59, -34.03

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 68 / 0 / 83 / 42

HEX #309419

RGB 48 148 25

HSL 108.78, 0.71%, 0.34%

LAB 53.9, -50.56, 51.31

 

CMYK 83 / 68 / 0 / 42

HEX #193094

RGB 25 48 148

HSL 228.78, 0.71%, 0.34%

LAB 25.13, 30.3, -57.04

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 1 / 0 / 83 / 42

HEX #929419

RGB 146 148 25

HSL 60.98, 0.71%, 0.34%

LAB 59.31, -14.75, 58.18

 

CMYK 83 / 0 / 15 / 42

HEX #19947E

RGB 25 148 126

HSL 169.27, 0.71%, 0.34%

LAB 54.96, -37.14, 2.58

 

CMYK 82 / 83 / 0 / 42

HEX #1B1994

RGB 27 25 148

HSL 240.98, 0.71%, 0.34%

LAB 20.31, 44.18, -65.01

 

CMYK 0 / 83 / 69 / 42

HEX #94192E

RGB 148 25 46

HSL 349.76, 0.71%, 0.34%

LAB 32.23, 50.07, 20.9

 

CMYK 26 / 0 / 83 / 42

HEX #6D9419

RGB 109 148 25

HSL 79.02, 0.71%, 0.34%

LAB 56.59, -30.76, 54.75

 

CMYK 83 / 0 / 15 / 42

HEX #19947E

RGB 25 148 126

HSL 169.27, 0.71%, 0.34%

LAB 54.96, -37.14, 2.58

 

CMYK 57 / 83 / 0 / 42

HEX #401994

RGB 64 25 148

HSL 259.02, 0.71%, 0.34%

LAB 23.42, 47.45, -59.77

 

Description

Color code: HEX #94192E | qconv.com Color code: HEX #94192E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 25 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 25 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 69 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 69% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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