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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93FE6B it is the complementary color #6C0194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93FE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93FE6B shade: #98FE66, #A9FF79, #BAFF8C, #CBFF9F and #DCFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93FE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93FE6B shade: #93FE6B, #82EC58, #71DA45, #60C832 and #4FB61F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93FE6B shade: #94FE6C, #BBFE6C, #E3FE6C, #FEF26C and #FECB6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93FE6B shade: #94FE6C, #6CFE6C, #6CFE93, #6CFEBA and #6CFEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93FE6B shade matches the following richer shades: #94FE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93FE6B shade: #94FE6C, #99F278, #9FE684, #A4DA90 and #A9CE9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93FE6B shade: #E3FE6C, #BCFE6C, #95FE6C, #6EFE6C and #6CFE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93FE6B shade: #58FE1A, #76FE43, #94FE6C, #B2FE95 and #D0FFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93FE6B shade: #93FE6B, #6CFEF2 and #FE6CD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93FE6B shade: #93FE6B, #6C95FE and #FE6C95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93FE6B shade: #93FE6B, #6CFEF2, #D56CFE and #FE6C78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93FE6B shade: #93FE6B, #6CDFFE, #D56CFE and #FE8C6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

Complementary color

CMYK 27 / 99 / 0 / 42

HEX #6C0194

RGB 108 1 148

HSL 283.67, 0.99%, 0.29%

LAB 27.7, 59.21, -52.5

 

CMYK 40 / 0 / 60 / 0

HEX #98FE66

RGB 152 254 102

HSL 100.26, 0.99%, 0.7%

LAB 91.02, -55.54, 61.96

 

CMYK 34 / 0 / 53 / 0

HEX #A9FF79

RGB 169 255 121

HSL 98.51, 1%, 0.74%

LAB 92.28, -48.63, 55.32

 

CMYK 27 / 0 / 45 / 0

HEX #BAFF8C

RGB 186 255 140

HSL 96, 1%, 0.77%

LAB 93.39, -40.81, 48.04

 

CMYK 20 / 0 / 38 / 0

HEX #CBFF9F

RGB 203 255 159

HSL 92.5, 1%, 0.81%

LAB 94.62, -32.6, 40.62

 

CMYK 14 / 0 / 30 / 0

HEX #DCFFB2

RGB 220 255 178

HSL 87.27, 1%, 0.85%

LAB 95.98, -24.11, 33.19

 

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

CMYK 45 / 0 / 63 / 7

HEX #82EC58

RGB 130 236 88

HSL 102.97, 0.8%, 0.64%

LAB 84.71, -56.42, 60.51

 

CMYK 48 / 0 / 68 / 15

HEX #71DA45

RGB 113 218 69

HSL 102.28, 0.67%, 0.56%

LAB 78.51, -56.11, 61.21

 

CMYK 52 / 0 / 75 / 22

HEX #60C832

RGB 96 200 50

HSL 101.6, 0.6%, 0.49%

LAB 72.25, -55.57, 61.49

 

CMYK 57 / 0 / 83 / 29

HEX #4FB61F

RGB 79 182 31

HSL 100.93, 0.71%, 0.42%

LAB 65.92, -54.71, 61

 

CMYK 42 / 0 / 57 / 0

HEX #94FE6C

RGB 148 254 108

HSL 103.56, 0.99%, 0.71%

LAB 90.9, -56.18, 59.22

 

CMYK 26 / 0 / 57 / 0

HEX #BBFE6C

RGB 187 254 108

HSL 87.53, 0.99%, 0.71%

LAB 92.81, -43.35, 61.91

 

CMYK 11 / 0 / 57 / 0

HEX #E3FE6C

RGB 227 254 108

HSL 71.1, 0.99%, 0.71%

LAB 95.29, -28.52, 65.37

 

CMYK 0 / 5 / 57 / 0

HEX #FEF26C

RGB 254 242 108

HSL 55.07, 0.99%, 0.71%

LAB 94.17, -12.13, 64.68

 

CMYK 0 / 20 / 57 / 0

HEX #FECB6C

RGB 254 203 108

HSL 39.04, 0.99%, 0.71%

LAB 84.41, 7.55, 53.53

 

CMYK 42 / 0 / 57 / 0

HEX #94FE6C

RGB 148 254 108

HSL 103.56, 0.99%, 0.71%

LAB 90.9, -56.18, 59.22

 

CMYK 57 / 0 / 57 / 0

HEX #6CFE6C

RGB 108 254 108

HSL 120, 0.99%, 0.71%

LAB 89.47, -66.83, 57.19

 

CMYK 57 / 0 / 42 / 0

HEX #6CFE93

RGB 108 254 147

HSL 136.03, 0.99%, 0.71%

LAB 89.94, -61.56, 39.61

 

CMYK 57 / 0 / 27 / 0

HEX #6CFEBA

RGB 108 254 186

HSL 152.05, 0.99%, 0.71%

LAB 90.6, -54.56, 20.96

 

CMYK 57 / 0 / 11 / 0

HEX #6CFEE2

RGB 108 254 226

HSL 168.49, 0.99%, 0.71%

LAB 91.49, -45.76, 1.61

 

CMYK 42 / 0 / 57 / 0

HEX #94FE6C

RGB 148 254 108

HSL 103.56, 0.99%, 0.71%

LAB 90.9, -56.18, 59.22

 

CMYK 42 / 0 / 57 / 0

HEX #94FE6C

RGB 148 254 108

HSL 103.56, 0.99%, 0.71%

LAB 90.9, -56.18, 59.22

 

CMYK 37 / 0 / 50 / 5

HEX #99F278

RGB 153 242 120

HSL 103.77, 0.82%, 0.71%

LAB 87.79, -48.43, 50.2

 

CMYK 31 / 0 / 43 / 10

HEX #9FE684

RGB 159 230 132

HSL 103.47, 0.66%, 0.71%

LAB 84.81, -39.8, 40.79

 

CMYK 25 / 0 / 34 / 15

HEX #A4DA90

RGB 164 218 144

HSL 103.78, 0.5%, 0.71%

LAB 81.86, -30.94, 30.97

 

CMYK 18 / 0 / 24 / 19

HEX #A9CE9C

RGB 169 206 156

HSL 104.4, 0.34%, 0.71%

LAB 79.03, -21.55, 20.93

 

CMYK 11 / 0 / 57 / 0

HEX #E3FE6C

RGB 227 254 108

HSL 71.1, 0.99%, 0.71%

LAB 95.29, -28.52, 65.37

 

CMYK 26 / 0 / 57 / 0

HEX #BCFE6C

RGB 188 254 108

HSL 87.12, 0.99%, 0.71%

LAB 92.86, -42.99, 61.99

 

CMYK 41 / 0 / 57 / 0

HEX #95FE6C

RGB 149 254 108

HSL 103.15, 0.99%, 0.71%

LAB 90.94, -55.87, 59.28

 

CMYK 57 / 0 / 57 / 0

HEX #6EFE6C

RGB 110 254 108

HSL 119.18, 0.99%, 0.71%

LAB 89.52, -66.37, 57.28

 

CMYK 57 / 0 / 43 / 0

HEX #6CFE90

RGB 108 254 144

HSL 134.79, 0.99%, 0.71%

LAB 89.9, -62.03, 41.02

 

CMYK 65 / 0 / 90 / 0

HEX #58FE1A

RGB 88 254 26

HSL 103.68, 0.99%, 0.55%

LAB 88.46, -76.67, 81.67

 

CMYK 54 / 0 / 74 / 0

HEX #76FE43

RGB 118 254 67

HSL 103.64, 0.99%, 0.63%

LAB 89.46, -67.99, 73.09

 

CMYK 42 / 0 / 57 / 0

HEX #94FE6C

RGB 148 254 108

HSL 103.56, 0.99%, 0.71%

LAB 90.9, -56.18, 59.22

 

CMYK 30 / 0 / 41 / 0

HEX #B2FE95

RGB 178 254 149

HSL 103.43, 0.98%, 0.79%

LAB 92.8, -41.91, 42.89

 

CMYK 18 / 0 / 25 / 0

HEX #D0FFBE

RGB 208 255 190

HSL 103.38, 1%, 0.87%

LAB 95.43, -26.5, 26.28

 

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

CMYK 57 / 0 / 5 / 0

HEX #6CFEF2

RGB 108 254 242

HSL 175.07, 0.99%, 0.71%

LAB 91.9, -41.84, -6.08

 

CMYK 0 / 57 / 18 / 0

HEX #FE6CD0

RGB 254 108 208

HSL 318.9, 0.99%, 0.71%

LAB 66.79, 66.33, -24.5

 

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

CMYK 57 / 41 / 0 / 0

HEX #6C95FE

RGB 108 149 254

HSL 223.15, 0.99%, 0.71%

LAB 63.21, 16.35, -56.58

 

CMYK 0 / 57 / 41 / 0

HEX #FE6C95

RGB 254 108 149

HSL 343.15, 0.99%, 0.71%

LAB 64.94, 59.19, 6.2

 

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

CMYK 57 / 0 / 5 / 0

HEX #6CFEF2

RGB 108 254 242

HSL 175.07, 0.99%, 0.71%

LAB 91.9, -41.84, -6.08

 

CMYK 16 / 57 / 0 / 0

HEX #D56CFE

RGB 213 108 254

HSL 283.15, 0.99%, 0.71%

LAB 63.37, 63.39, -55.79

 

CMYK 0 / 57 / 53 / 0

HEX #FE6C78

RGB 254 108 120

HSL 355.07, 0.99%, 0.71%

LAB 64.28, 56.57, 21.86

 

CMYK 42 / 0 / 58 / 0

HEX #93FE6B

RGB 147 254 107

HSL 103.67, 0.99%, 0.71%

LAB 90.85, -56.58, 59.58

 

CMYK 57 / 12 / 0 / 0

HEX #6CDFFE

RGB 108 223 254

HSL 192.74, 0.99%, 0.71%

LAB 83.51, -24.04, -24.95

 

CMYK 16 / 57 / 0 / 0

HEX #D56CFE

RGB 213 108 254

HSL 283.15, 0.99%, 0.71%

LAB 63.37, 63.39, -55.79

 

CMYK 0 / 45 / 57 / 0

HEX #FE8C6C

RGB 254 140 108

HSL 13.15, 0.99%, 0.71%

LAB 70.11, 40.26, 36.14

 

Description

Color code: HEX #93FE6B | qconv.com Color code: HEX #93FE6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 254 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 254 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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