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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93FDA9 it is the complementary color #6C0256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93FDA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93FDA9 shade: #98FDA4, #A9FFB7, #BAFFCA, #CBFFDD and #DCFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93FDA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93FDA9 shade: #93FDA9, #82EB96, #71D983, #60C770 and #4FB55D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93FDA9 shade: #91FDA7, #98FD91, #B5FD91, #D2FD91 and #EFFD91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93FDA9 shade: #91FDA7, #91FDC4, #91FDE1, #91FBFD and #91DEFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93FDA9 shade matches the following richer shades: #91FDA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93FDA9 shade: #91FDA7, #9AF4AD, #A3EBB2, #ACE2B7 and #B5D8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93FDA9 shade: #B5FD91, #98FD91, #91FDA7, #91FDC3 and #91FDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93FDA9 shade: #40FB67, #69FC87, #91FDA7, #B9FEC8 and #E2FEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93FDA9 shade: #93FDA9, #91D2FD and #FD91A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93FDA9 shade: #93FDA9, #A791FD and #FDA791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93FDA9 shade: #93FDA9, #91D2FD, #FD91E7 and #FDBC91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93FDA9 shade: #93FDA9, #91B1FD, #FD91E7 and #FDDC91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

Complementary color

CMYK 0 / 98 / 20 / 58

HEX #6C0256

RGB 108 2 86

HSL 312.45, 0.96%, 0.22%

LAB 23.35, 48.46, -19.73

 

CMYK 40 / 0 / 35 / 1

HEX #98FDA4

RGB 152 253 164

HSL 127.13, 0.96%, 0.79%

LAB 91.51, -47.31, 33.57

 

CMYK 34 / 0 / 28 / 0

HEX #A9FFB7

RGB 169 255 183

HSL 129.77, 1%, 0.83%

LAB 93.18, -40.09, 26.4

 

CMYK 27 / 0 / 21 / 0

HEX #BAFFCA

RGB 186 255 202

HSL 133.91, 1%, 0.86%

LAB 94.41, -31.64, 18.57

 

CMYK 20 / 0 / 13 / 0

HEX #CBFFDD

RGB 203 255 221

HSL 140.77, 1%, 0.9%

LAB 95.76, -22.92, 10.88

 

CMYK 14 / 0 / 6 / 0

HEX #DCFFF0

RGB 220 255 240

HSL 154.29, 1%, 0.93%

LAB 97.24, -14.05, 3.38

 

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

CMYK 45 / 0 / 36 / 8

HEX #82EB96

RGB 130 235 150

HSL 131.43, 0.72%, 0.72%

LAB 85.18, -48.12, 32.03

 

CMYK 48 / 0 / 40 / 15

HEX #71D983

RGB 113 217 131

HSL 130.38, 0.58%, 0.65%

LAB 78.91, -48.28, 33.26

 

CMYK 52 / 0 / 44 / 22

HEX #60C770

RGB 96 199 112

HSL 129.32, 0.48%, 0.58%

LAB 72.56, -48.37, 34.57

 

CMYK 56 / 0 / 49 / 29

HEX #4FB55D

RGB 79 181 93

HSL 128.24, 0.41%, 0.51%

LAB 66.14, -48.33, 35.94

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 40 / 0 / 43 / 1

HEX #98FD91

RGB 152 253 145

HSL 116.11, 0.96%, 0.78%

LAB 91.22, -50.14, 42.55

 

CMYK 28 / 0 / 43 / 1

HEX #B5FD91

RGB 181 253 145

HSL 100, 0.96%, 0.78%

LAB 92.63, -41, 44.63

 

CMYK 17 / 0 / 43 / 1

HEX #D2FD91

RGB 210 253 145

HSL 83.89, 0.96%, 0.78%

LAB 94.31, -30.9, 47.11

 

CMYK 6 / 0 / 43 / 1

HEX #EFFD91

RGB 239 253 145

HSL 67.78, 0.96%, 0.78%

LAB 96.26, -20.15, 49.98

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 43 / 0 / 23 / 1

HEX #91FDC4

RGB 145 253 196

HSL 148.33, 0.96%, 0.78%

LAB 91.8, -43.58, 17.7

 

CMYK 43 / 0 / 11 / 1

HEX #91FDE1

RGB 145 253 225

HSL 164.44, 0.96%, 0.78%

LAB 92.45, -37.58, 3.67

 

CMYK 43 / 1 / 0 / 1

HEX #91FBFD

RGB 145 251 253

HSL 181.11, 0.96%, 0.78%

LAB 92.62, -30.17, -10.57

 

CMYK 43 / 12 / 0 / 1

HEX #91DEFD

RGB 145 222 253

HSL 197.22, 0.96%, 0.78%

LAB 84.67, -15.92, -22.53

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 37 / 0 / 29 / 4

HEX #9AF4AD

RGB 154 244 173

HSL 132.67, 0.8%, 0.78%

LAB 89.2, -41.34, 25.93

 

CMYK 31 / 0 / 24 / 8

HEX #A3EBB2

RGB 163 235 178

HSL 132.5, 0.64%, 0.78%

LAB 87.2, -33.68, 20.68

 

CMYK 24 / 0 / 19 / 11

HEX #ACE2B7

RGB 172 226 183

HSL 132.22, 0.48%, 0.78%

LAB 85.29, -25.69, 15.49

 

CMYK 16 / 0 / 13 / 15

HEX #B5D8BD

RGB 181 216 189

HSL 133.71, 0.31%, 0.78%

LAB 83.24, -16.73, 9.49

 

CMYK 28 / 0 / 43 / 1

HEX #B5FD91

RGB 181 253 145

HSL 100, 0.96%, 0.78%

LAB 92.63, -41, 44.63

 

CMYK 40 / 0 / 43 / 1

HEX #98FD91

RGB 152 253 145

HSL 116.11, 0.96%, 0.78%

LAB 91.22, -50.14, 42.55

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 43 / 0 / 23 / 1

HEX #91FDC3

RGB 145 253 195

HSL 147.78, 0.96%, 0.78%

LAB 91.78, -43.78, 18.18

 

CMYK 43 / 0 / 11 / 1

HEX #91FDE0

RGB 145 253 224

HSL 163.89, 0.96%, 0.78%

LAB 92.42, -37.8, 4.16

 

CMYK 75 / 0 / 59 / 2

HEX #40FB67

RGB 64 251 103

HSL 132.51, 0.96%, 0.62%

LAB 87.52, -74.45, 56.85

 

CMYK 58 / 0 / 46 / 1

HEX #69FC87

RGB 105 252 135

HSL 132.24, 0.96%, 0.7%

LAB 89.1, -63.29, 44.32

 

CMYK 43 / 0 / 34 / 1

HEX #91FDA7

RGB 145 253 167

HSL 132.22, 0.96%, 0.78%

LAB 91.26, -48.79, 31.68

 

CMYK 27 / 0 / 21 / 0

HEX #B9FEC8

RGB 185 254 200

HSL 133.04, 0.97%, 0.86%

LAB 94.04, -31.83, 19.07

 

CMYK 11 / 0 / 9 / 0

HEX #E2FEE8

RGB 226 254 232

HSL 132.86, 0.93%, 0.94%

LAB 97.18, -13.07, 7.45

 

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

CMYK 43 / 17 / 0 / 1

HEX #91D2FD

RGB 145 210 253

HSL 203.89, 0.96%, 0.78%

LAB 81.4, -9.72, -27.49

 

CMYK 0 / 43 / 34 / 1

HEX #FD91A7

RGB 253 145 167

HSL 347.78, 0.96%, 0.78%

LAB 72.18, 43.07, 6.44

 

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

CMYK 34 / 43 / 0 / 1

HEX #A791FD

RGB 167 145 253

HSL 252.22, 0.96%, 0.78%

LAB 66.18, 31.95, -51.07

 

CMYK 0 / 34 / 43 / 1

HEX #FDA791

RGB 253 167 145

HSL 12.22, 0.96%, 0.78%

LAB 76.41, 29.24, 24.43

 

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

CMYK 43 / 17 / 0 / 1

HEX #91D2FD

RGB 145 210 253

HSL 203.89, 0.96%, 0.78%

LAB 81.4, -9.72, -27.49

 

CMYK 0 / 43 / 9 / 1

HEX #FD91E7

RGB 253 145 231

HSL 312.22, 0.96%, 0.78%

LAB 74.13, 52.16, -26

 

CMYK 0 / 26 / 43 / 1

HEX #FDBC91

RGB 253 188 145

HSL 23.89, 0.96%, 0.78%

LAB 81.23, 18.23, 30.9

 

CMYK 42 / 0 / 33 / 1

HEX #93FDA9

RGB 147 253 169

HSL 132.45, 0.96%, 0.78%

LAB 91.38, -47.91, 30.85

 

CMYK 43 / 30 / 0 / 1

HEX #91B1FD

RGB 145 177 253

HSL 222.22, 0.96%, 0.78%

LAB 72.6, 8.18, -41.1

 

CMYK 0 / 43 / 9 / 1

HEX #FD91E7

RGB 253 145 231

HSL 312.22, 0.96%, 0.78%

LAB 74.13, 52.16, -26

 

CMYK 0 / 13 / 43 / 1

HEX #FDDC91

RGB 253 220 145

HSL 41.67, 0.96%, 0.78%

LAB 88.98, 1.64, 41

 

Description

Color code: HEX #93FDA9 | qconv.com Color code: HEX #93FDA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 253 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 253 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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