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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F8C5 it is the complementary color #6C073A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F8C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93F8C5 shade: #98F8C0, #A9FFD3, #BAFFE6, #CBFFF9 and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F8C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93F8C5 shade: #93F8C5, #82E6B2, #71D49F, #60C28C and #4FB079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93F8C5 shade: #91F8C4, #91F8A8, #95F891, #B1F891 and #CDF891

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93F8C5 shade: #91F8C4, #91F8E0, #91F4F8, #91D9F8 and #91BDF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93F8C5 shade matches the following richer shades: #91F8C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93F8C5 shade: #91F8C4, #9AEEC4, #A4E5C4, #ADDBC4 and #B7D2C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93F8C5 shade: #96F891, #91F8A7, #91F8C3, #91F8DE and #91F6F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93F8C5 shade: #43F39A, #6AF5AF, #91F8C4, #B8FAD9 and #DEFDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93F8C5 shade: #93F8C5, #91B1F8 and #F89991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93F8C5 shade: #93F8C5, #C391F8 and #F8C391

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93F8C5 shade: #93F8C5, #91B1F8, #F891C6 and #F8D791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93F8C5 shade: #93F8C5, #9192F8, #F891C6 and #F8F691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

Complementary color

CMYK 0 / 94 / 46 / 58

HEX #6C073A

RGB 108 7 58

HSL 329.7, 0.88%, 0.23%

LAB 22.46, 44.03, -1.98

 

CMYK 39 / 0 / 23 / 3

HEX #98F8C0

RGB 152 248 192

HSL 145, 0.87%, 0.78%

LAB 90.6, -40.26, 18.12

 

CMYK 34 / 0 / 17 / 0

HEX #A9FFD3

RGB 169 255 211

HSL 149.3, 1%, 0.83%

LAB 93.74, -35.03, 12.88

 

CMYK 27 / 0 / 10 / 0

HEX #BAFFE6

RGB 186 255 230

HSL 158.26, 1%, 0.86%

LAB 95.02, -26.38, 5.07

 

CMYK 20 / 0 / 2 / 0

HEX #CBFFF9

RGB 203 255 249

HSL 173.08, 1%, 0.9%

LAB 96.43, -17.54, -2.55

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

CMYK 43 / 0 / 23 / 10

HEX #82E6B2

RGB 130 230 178

HSL 148.8, 0.67%, 0.71%

LAB 84.25, -40.88, 16.34

 

CMYK 47 / 0 / 25 / 17

HEX #71D49F

RGB 113 212 159

HSL 147.88, 0.54%, 0.64%

LAB 77.93, -41.09, 17.39

 

CMYK 51 / 0 / 28 / 24

HEX #60C28C

RGB 96 194 140

HSL 146.94, 0.45%, 0.57%

LAB 71.53, -41.26, 18.52

 

CMYK 55 / 0 / 31 / 31

HEX #4FB079

RGB 79 176 121

HSL 145.98, 0.38%, 0.5%

LAB 65.04, -41.37, 19.75

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 42 / 0 / 32 / 3

HEX #91F8A8

RGB 145 248 168

HSL 133.4, 0.88%, 0.77%

LAB 89.85, -46.5, 29.28

 

CMYK 40 / 0 / 42 / 3

HEX #95F891

RGB 149 248 145

HSL 117.67, 0.88%, 0.77%

LAB 89.66, -48.93, 40.52

 

CMYK 29 / 0 / 42 / 3

HEX #B1F891

RGB 177 248 145

HSL 101.36, 0.88%, 0.77%

LAB 91.02, -40.11, 42.54

 

CMYK 17 / 0 / 42 / 3

HEX #CDF891

RGB 205 248 145

HSL 85.05, 0.88%, 0.77%

LAB 92.64, -30.38, 44.94

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 42 / 0 / 10 / 3

HEX #91F8E0

RGB 145 248 224

HSL 166.02, 0.88%, 0.77%

LAB 91.02, -35.52, 2.13

 

CMYK 42 / 2 / 0 / 3

HEX #91F4F8

RGB 145 244 248

HSL 182.33, 0.88%, 0.77%

LAB 90.55, -28.05, -11.06

 

CMYK 42 / 13 / 0 / 3

HEX #91D9F8

RGB 145 217 248

HSL 198.06, 0.88%, 0.77%

LAB 83.14, -14.66, -22.2

 

CMYK 42 / 24 / 0 / 3

HEX #91BDF8

RGB 145 189 248

HSL 214.37, 0.88%, 0.77%

LAB 75.57, 0.17, -33.79

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 35 / 0 / 18 / 7

HEX #9AEEC4

RGB 154 238 196

HSL 150, 0.71%, 0.77%

LAB 87.97, -34.38, 12.35

 

CMYK 28 / 0 / 14 / 10

HEX #A4E5C4

RGB 164 229 196

HSL 149.54, 0.56%, 0.77%

LAB 85.96, -27.2, 9.56

 

CMYK 21 / 0 / 11 / 14

HEX #ADDBC4

RGB 173 219 196

HSL 150, 0.39%, 0.77%

LAB 83.72, -19.52, 6.41

 

CMYK 13 / 0 / 7 / 18

HEX #B7D2C4

RGB 183 210 196

HSL 148.89, 0.23%, 0.77%

LAB 81.92, -11.71, 3.89

 

CMYK 40 / 0 / 42 / 3

HEX #96F891

RGB 150 248 145

HSL 117.09, 0.88%, 0.77%

LAB 89.7, -48.64, 40.59

 

CMYK 42 / 0 / 33 / 3

HEX #91F8A7

RGB 145 248 167

HSL 132.82, 0.88%, 0.77%

LAB 89.83, -46.67, 29.77

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C3

RGB 145 248 195

HSL 149.13, 0.88%, 0.77%

LAB 90.37, -41.57, 16.2

 

CMYK 42 / 0 / 10 / 3

HEX #91F8DE

RGB 145 248 222

HSL 164.85, 0.88%, 0.77%

LAB 90.98, -35.96, 3.1

 

CMYK 42 / 1 / 0 / 3

HEX #91F6F8

RGB 145 246 248

HSL 181.17, 0.88%, 0.77%

LAB 91.1, -29.01, -10.23

 

CMYK 72 / 0 / 37 / 5

HEX #43F39A

RGB 67 243 154

HSL 149.66, 0.88%, 0.61%

LAB 85.82, -63.57, 30.54

 

CMYK 57 / 0 / 29 / 4

HEX #6AF5AF

RGB 106 245 175

HSL 149.78, 0.87%, 0.69%

LAB 87.71, -53.51, 22.57

 

CMYK 42 / 0 / 21 / 3

HEX #91F8C4

RGB 145 248 196

HSL 149.71, 0.88%, 0.77%

LAB 90.39, -41.38, 15.71

 

CMYK 26 / 0 / 13 / 2

HEX #B8FAD9

RGB 184 250 217

HSL 150, 0.87%, 0.85%

LAB 93.26, -27.14, 9.22

 

CMYK 12 / 0 / 6 / 1

HEX #DEFDED

RGB 222 253 237

HSL 149.03, 0.89%, 0.93%

LAB 96.78, -12.97, 4.27

 

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

CMYK 42 / 29 / 0 / 3

HEX #91B1F8

RGB 145 177 248

HSL 221.36, 0.88%, 0.77%

LAB 72.39, 6.8, -38.72

 

CMYK 0 / 38 / 42 / 3

HEX #F89991

RGB 248 153 145

HSL 4.66, 0.88%, 0.77%

LAB 72.75, 34.66, 19.32

 

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

CMYK 21 / 42 / 0 / 3

HEX #C391F8

RGB 195 145 248

HSL 269.13, 0.88%, 0.77%

LAB 68.48, 38.33, -44.54

 

CMYK 0 / 21 / 42 / 3

HEX #F8C391

RGB 248 195 145

HSL 29.13, 0.88%, 0.77%

LAB 82.4, 12.61, 32.34

 

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

CMYK 42 / 29 / 0 / 3

HEX #91B1F8

RGB 145 177 248

HSL 221.36, 0.88%, 0.77%

LAB 72.39, 6.8, -38.72

 

CMYK 0 / 42 / 20 / 3

HEX #F891C6

RGB 248 145 198

HSL 329.13, 0.88%, 0.77%

LAB 72.42, 45.48, -10.48

 

CMYK 0 / 13 / 42 / 3

HEX #F8D791

RGB 248 215 145

HSL 40.78, 0.88%, 0.77%

LAB 87.29, 2.24, 38.74

 

CMYK 41 / 0 / 21 / 3

HEX #93F8C5

RGB 147 248 197

HSL 149.7, 0.88%, 0.77%

LAB 90.49, -40.65, 15.36

 

CMYK 42 / 41 / 0 / 3

HEX #9192F8

RGB 145 146 248

HSL 239.42, 0.88%, 0.77%

LAB 64.45, 24.47, -51.19

 

CMYK 0 / 42 / 20 / 3

HEX #F891C6

RGB 248 145 198

HSL 329.13, 0.88%, 0.77%

LAB 72.42, 45.48, -10.48

 

CMYK 0 / 1 / 42 / 3

HEX #F8F691

RGB 248 246 145

HSL 58.83, 0.88%, 0.77%

LAB 95.12, -13.32, 48.7

 

Description

Color code: HEX #93F8C5 | qconv.com Color code: HEX #93F8C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 248 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 248 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 21 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 21% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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