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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F6E4 it is the complementary color #6C091B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F6E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #93F6E4: #98F6DF, #A9FFF2, #BAFFFF, #CBFFFF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F6E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #93F6E4: #93F6E4, #82E4D1, #71D2BE, #60C0AB and #4FAE98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

Complementary color

CMYK 0 / 92 / 75 / 58

HEX #6C091B

RGB 108 9 27

HSL 349.09, 0.85%, 0.23%

LAB 21.81, 41.29, 18.74

 

CMYK 38 / 0 / 9 / 4

HEX #98F6DF

RGB 152 246 223

HSL 165.32, 0.84%, 0.78%

LAB 90.74, -33.03, 2.27

 

CMYK 34 / 0 / 5 / 0

HEX #A9FFF2

RGB 169 255 242

HSL 170.93, 1%, 0.83%

LAB 94.47, -28.64, -2.03

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 43 / 0 / 8 / 11

HEX #82E4D1

RGB 130 228 209

HSL 168.37, 0.64%, 0.7%

LAB 84.4, -33.32, 0.26

 

CMYK 46 / 0 / 10 / 18

HEX #71D2BE

RGB 113 210 190

HSL 167.63, 0.52%, 0.63%

LAB 78.06, -33.43, 1.04

 

CMYK 50 / 0 / 11 / 25

HEX #60C0AB

RGB 96 192 171

HSL 166.88, 0.43%, 0.56%

LAB 71.64, -33.5, 1.89

 

CMYK 55 / 0 / 13 / 32

HEX #4FAE98

RGB 79 174 152

HSL 166.11, 0.38%, 0.5%

LAB 65.12, -33.51, 2.81

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 41 / 0 / 1 / 4

HEX #92F6F4

RGB 146 246 244

HSL 178.8, 0.85%, 0.77%

LAB 91.03, -29.73, -8.25

 

CMYK 41 / 6 / 0 / 4

HEX #92E7F6

RGB 146 231 246

HSL 189, 0.85%, 0.77%

LAB 86.96, -21.97, -15.38

 

CMYK 41 / 13 / 0 / 4

HEX #92D6F6

RGB 146 214 246

HSL 199.2, 0.85%, 0.77%

LAB 82.3, -13.38, -22.4

 

CMYK 41 / 20 / 0 / 4

HEX #92C6F6

RGB 146 198 246

HSL 208.8, 0.85%, 0.77%

LAB 77.97, -4.97, -29.02

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 40 / 0 / 7 / 84

HEX #192A27

RGB 25 42 39

HSL 169.41, 0.25%, 0.13%

LAB 15.53, -7.91, -0.29

 

CMYK 40 / 0 / 8 / 64

HEX #385D56

RGB 56 93 86

HSL 168.65, 0.25%, 0.29%

LAB 36.63, -15.06, -0.16

 

CMYK 40 / 0 / 8 / 44

HEX #569085

RGB 86 144 133

HSL 168.62, 0.25%, 0.45%

LAB 55.7, -21.7, -0.13

 

CMYK 40 / 0 / 7 / 24

HEX #75C3B5

RGB 117 195 181

HSL 169.23, 0.39%, 0.61%

LAB 73.64, -27.35, -0.53

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 40 / 41 / 0 / 4

HEX #9492F6

RGB 148 146 246

HSL 241.2, 0.85%, 0.77%

LAB 64.57, 24.66, -49.89

 

CMYK 0 / 24 / 41 / 4

HEX #F6BC92

RGB 246 188 146

HSL 25.2, 0.85%, 0.77%

LAB 80.54, 15.61, 29.31

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 8 / 41 / 0 / 4

HEX #E392F6

RGB 227 146 246

HSL 288.6, 0.85%, 0.77%

LAB 71.92, 46.56, -37.83

 

CMYK 0 / 8 / 41 / 4

HEX #F6E392

RGB 246 227 146

HSL 48.6, 0.85%, 0.77%

LAB 90.14, -4.55, 41.87

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 40 / 41 / 0 / 4

HEX #9492F6

RGB 148 146 246

HSL 241.2, 0.85%, 0.77%

LAB 64.57, 24.66, -49.89

 

CMYK 0 / 41 / 33 / 4

HEX #F692A4

RGB 246 146 164

HSL 349.2, 0.85%, 0.77%

LAB 71.44, 39.72, 6.94

 

CMYK 1 / 0 / 41 / 4

HEX #F4F692

RGB 244 246 146

HSL 61.2, 0.85%, 0.77%

LAB 94.83, -14.76, 47.79

 

CMYK 40 / 0 / 7 / 4

HEX #93F6E4

RGB 147 246 228

HSL 169.09, 0.85%, 0.77%

LAB 90.65, -33.2, -0.48

 

CMYK 28 / 41 / 0 / 4

HEX #B292F6

RGB 178 146 246

HSL 259.2, 0.85%, 0.77%

LAB 67.03, 32.58, -45.83

 

CMYK 0 / 41 / 33 / 4

HEX #F692A4

RGB 246 146 164

HSL 349.2, 0.85%, 0.77%

LAB 71.44, 39.72, 6.94

 

CMYK 13 / 0 / 41 / 4

HEX #D6F692

RGB 214 246 146

HSL 79.2, 0.85%, 0.77%

LAB 92.7, -26.05, 44.65

 

Description

Color code: HEX #93F6E4 | qconv.com Color code: HEX #93F6E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 246 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 246 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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