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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93EC5C it is the complementary color #6C13A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93EC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93EC5C shade: #98EC57, #A9FE6A, #BAFF7D, #CBFF90 and #DCFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93EC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93EC5C shade: #93EC5C, #82DA49, #71C836, #60B623 and #4FA410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93EC5C shade: #92EC5B, #B9EC5B, #E0EC5B, #ECD05B and #ECA95B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93EC5C shade: #92EC5B, #6BEC5B, #5BEC71, #5BEC99 and #5BECC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93EC5C shade matches the following richer shades: #92EC5B and #8FFB4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93EC5C shade: #92EC5B, #96DD6A, #99CE78, #9DBF87 and #A0B096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93EC5C shade: #E0EC5B, #B9EC5B, #92EC5B, #6CEC5B and #5BEC70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93EC5C shade: #63DA1A, #7AE736, #92EC5B, #ABF080 and #C3F4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93EC5C shade: #93EC5C, #5BECD1 and #EC5BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93EC5C shade: #93EC5C, #5B92EC and #EC5B92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93EC5C shade: #93EC5C, #5BECD1, #B45BEC and #EC5B75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93EC5C shade: #93EC5C, #5BDBEC, #B45BEC and #EC6C5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

Complementary color

CMYK 34 / 88 / 0 / 36

HEX #6C13A3

RGB 108 19 163

HSL 277.08, 0.79%, 0.36%

LAB 30.15, 58.87, -57.66

 

CMYK 36 / 0 / 63 / 7

HEX #98EC57

RGB 152 236 87

HSL 93.83, 0.8%, 0.63%

LAB 85.68, -49.56, 62.27

 

CMYK 33 / 0 / 58 / 0

HEX #A9FE6A

RGB 169 254 106

HSL 94.46, 0.99%, 0.71%

LAB 91.85, -49.7, 61.42

 

CMYK 27 / 0 / 51 / 0

HEX #BAFF7D

RGB 186 255 125

HSL 91.85, 1%, 0.75%

LAB 93.21, -42.49, 54.82

 

CMYK 20 / 0 / 44 / 0

HEX #CBFF90

RGB 203 255 144

HSL 88.11, 1%, 0.78%

LAB 94.41, -34.44, 47.62

 

CMYK 14 / 0 / 36 / 0

HEX #DCFFA3

RGB 220 255 163

HSL 82.83, 1%, 0.82%

LAB 95.74, -26.08, 40.32

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

CMYK 40 / 0 / 67 / 15

HEX #82DA49

RGB 130 218 73

HSL 96.41, 0.66%, 0.57%

LAB 79.25, -50.56, 60.66

 

CMYK 44 / 0 / 73 / 22

HEX #71C836

RGB 113 200 54

HSL 95.75, 0.57%, 0.5%

LAB 72.95, -50.19, 61.04

 

CMYK 47 / 0 / 81 / 29

HEX #60B623

RGB 96 182 35

HSL 95.1, 0.68%, 0.43%

LAB 66.57, -49.58, 60.74

 

CMYK 52 / 0 / 90 / 36

HEX #4FA410

RGB 79 164 16

HSL 94.46, 0.82%, 0.35%

LAB 60.11, -48.63, 59.29

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 22 / 0 / 61 / 7

HEX #B9EC5B

RGB 185 236 91

HSL 81.1, 0.79%, 0.64%

LAB 87.51, -37.53, 63.14

 

CMYK 5 / 0 / 61 / 7

HEX #E0EC5B

RGB 224 236 91

HSL 64.97, 0.79%, 0.64%

LAB 90.13, -22.39, 66.74

 

CMYK 0 / 12 / 61 / 7

HEX #ECD05B

RGB 236 208 91

HSL 48.41, 0.79%, 0.64%

LAB 83.81, -3.6, 60.16

 

CMYK 0 / 28 / 61 / 7

HEX #ECA95B

RGB 236 169 91

HSL 32.28, 0.79%, 0.64%

LAB 74.17, 16.77, 49.28

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 55 / 0 / 61 / 7

HEX #6BEC5B

RGB 107 236 91

HSL 113.38, 0.79%, 0.64%

LAB 83.9, -62.43, 58.12

 

CMYK 61 / 0 / 52 / 7

HEX #5BEC71

RGB 91 236 113

HSL 129.1, 0.79%, 0.64%

LAB 83.66, -63.52, 47.91

 

CMYK 61 / 0 / 35 / 7

HEX #5BEC99

RGB 91 236 153

HSL 145.66, 0.79%, 0.64%

LAB 84.23, -57.16, 29.01

 

CMYK 61 / 0 / 19 / 7

HEX #5BECC0

RGB 91 236 192

HSL 161.79, 0.79%, 0.64%

LAB 85.01, -49.1, 9.91

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 43 / 0 / 70 / 2

HEX #8FFB4C

RGB 143 251 76

HSL 97.03, 0.96%, 0.64%

LAB 89.56, -59.25, 70.44

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 32 / 0 / 52 / 13

HEX #96DD6A

RGB 150 221 106

HSL 97.04, 0.63%, 0.64%

LAB 81.42, -42.02, 49.02

 

CMYK 26 / 0 / 42 / 19

HEX #99CE78

RGB 153 206 120

HSL 96.98, 0.47%, 0.64%

LAB 77.44, -32.5, 37.31

 

CMYK 18 / 0 / 29 / 25

HEX #9DBF87

RGB 157 191 135

HSL 96.43, 0.3%, 0.64%

LAB 73.66, -21.69, 24.61

 

CMYK 9 / 0 / 15 / 31

HEX #A0B096

RGB 160 176 150

HSL 96.92, 0.14%, 0.64%

LAB 69.98, -10.45, 11.45

 

CMYK 5 / 0 / 61 / 7

HEX #E0EC5B

RGB 224 236 91

HSL 64.97, 0.79%, 0.64%

LAB 90.13, -22.39, 66.74

 

CMYK 22 / 0 / 61 / 7

HEX #B9EC5B

RGB 185 236 91

HSL 81.1, 0.79%, 0.64%

LAB 87.51, -37.53, 63.14

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 54 / 0 / 61 / 7

HEX #6CEC5B

RGB 108 236 91

HSL 112.97, 0.79%, 0.64%

LAB 83.93, -62.18, 58.17

 

CMYK 61 / 0 / 53 / 7

HEX #5BEC70

RGB 91 236 112

HSL 128.69, 0.79%, 0.64%

LAB 83.64, -63.65, 48.36

 

CMYK 55 / 0 / 88 / 15

HEX #63DA1A

RGB 99 218 26

HSL 97.19, 0.79%, 0.48%

LAB 77.8, -62.35, 72.77

 

CMYK 47 / 0 / 77 / 9

HEX #7AE736

RGB 122 231 54

HSL 96.95, 0.79%, 0.56%

LAB 82.68, -59.37, 70.63

 

CMYK 38 / 0 / 61 / 7

HEX #92EC5B

RGB 146 236 91

HSL 97.24, 0.79%, 0.64%

LAB 85.43, -51.19, 60.26

 

CMYK 29 / 0 / 47 / 6

HEX #ABF080

RGB 171 240 128

HSL 96.96, 0.79%, 0.72%

LAB 88.23, -40.7, 47.16

 

CMYK 20 / 0 / 32 / 4

HEX #C3F4A5

RGB 195 244 165

HSL 97.22, 0.78%, 0.8%

LAB 91.24, -29.45, 33.11

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

CMYK 61 / 0 / 11 / 7

HEX #5BECD1

RGB 91 236 209

HSL 168.83, 0.79%, 0.64%

LAB 85.41, -45.08, 1.58

 

CMYK 0 / 61 / 14 / 7

HEX #EC5BCC

RGB 236 91 204

HSL 313.24, 0.79%, 0.64%

LAB 61.37, 68.05, -30.8

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

CMYK 61 / 38 / 0 / 7

HEX #5B92EC

RGB 91 146 236

HSL 217.24, 0.79%, 0.64%

LAB 60.64, 9.08, -50.82

 

CMYK 0 / 61 / 38 / 7

HEX #EC5B92

RGB 236 91 146

HSL 337.24, 0.79%, 0.64%

LAB 59.33, 60.67, -0.53

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

CMYK 61 / 0 / 11 / 7

HEX #5BECD1

RGB 91 236 209

HSL 168.83, 0.79%, 0.64%

LAB 85.41, -45.08, 1.58

 

CMYK 24 / 61 / 0 / 7

HEX #B45BEC

RGB 180 91 236

HSL 276.83, 0.79%, 0.64%

LAB 55.32, 59.97, -58.89

 

CMYK 0 / 61 / 50 / 7

HEX #EC5B75

RGB 236 91 117

HSL 349.24, 0.79%, 0.64%

LAB 58.6, 57.9, 15.36

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5C

RGB 147 236 92

HSL 97.08, 0.79%, 0.64%

LAB 85.49, -50.77, 59.91

 

CMYK 61 / 7 / 0 / 7

HEX #5BDBEC

RGB 91 219 236

HSL 187.03, 0.79%, 0.64%

LAB 81.26, -30.15, -18.87

 

CMYK 24 / 61 / 0 / 7

HEX #B45BEC

RGB 180 91 236

HSL 276.83, 0.79%, 0.64%

LAB 55.32, 59.97, -58.89

 

CMYK 0 / 54 / 61 / 7

HEX #EC6C5B

RGB 236 108 91

HSL 7.03, 0.79%, 0.64%

LAB 61.06, 48.22, 33.5

 

Description

Color code: HEX #93EC5C | qconv.com Color code: HEX #93EC5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 236 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 236 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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