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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93EC4E it is the complementary color #6C13B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93EC4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93EC4E shade: #98EC49, #A9FE5C, #BAFF6F, #CBFF82 and #DCFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93EC4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93EC4E shade: #93EC4E, #82DA3B, #71C828, #60B615 and #4FA402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93EC4E shade: #94ED50, #BEED50, #E9ED50, #EDC650 and #ED9C50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93EC4E shade: #94ED50, #6AED50, #50ED60, #50ED8A and #50EDB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93EC4E shade matches the following richer shades: #94ED50 and #92FC40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93EC4E shade: #94ED50, #96DD5F, #98CD6F, #9ABE7F and #9CAE8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93EC4E shade: #EAED50, #C0ED50, #96ED50, #6CED50 and #50ED5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93EC4E shade: #69D316, #7DE92A, #94ED50, #ABF175 and #C2F49A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93EC4E shade: #93EC4E, #50EDC5 and #ED50D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93EC4E shade: #93EC4E, #5096ED and #ED5096

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93EC4E shade: #93EC4E, #50EDC5, #A650ED and #ED5077

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93EC4E shade: #93EC4E, #50E5ED, #A650ED and #ED5750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

Complementary color

CMYK 39 / 89 / 0 / 31

HEX #6C13B1

RGB 108 19 177

HSL 273.8, 0.81%, 0.38%

LAB 31.41, 61.89, -64.02

 

CMYK 36 / 0 / 69 / 7

HEX #98EC49

RGB 152 236 73

HSL 90.92, 0.81%, 0.61%

LAB 85.58, -50.62, 67.57

 

CMYK 33 / 0 / 64 / 0

HEX #A9FE5C

RGB 169 254 92

HSL 91.48, 0.99%, 0.68%

LAB 91.73, -50.9, 67.05

 

CMYK 27 / 0 / 56 / 0

HEX #BAFF6F

RGB 186 255 111

HSL 88.75, 1%, 0.72%

LAB 93.06, -43.86, 60.89

 

CMYK 20 / 0 / 49 / 0

HEX #CBFF82

RGB 203 255 130

HSL 84.96, 1%, 0.75%

LAB 94.24, -35.97, 54

 

CMYK 14 / 0 / 42 / 0

HEX #DCFF95

RGB 220 255 149

HSL 79.81, 1%, 0.79%

LAB 95.54, -27.75, 46.88

 

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

CMYK 40 / 0 / 73 / 15

HEX #82DA3B

RGB 130 218 59

HSL 93.21, 0.68%, 0.54%

LAB 79.16, -51.56, 65.72

 

CMYK 44 / 0 / 80 / 22

HEX #71C828

RGB 113 200 40

HSL 92.63, 0.67%, 0.47%

LAB 72.87, -50.99, 65.4

 

CMYK 47 / 0 / 88 / 29

HEX #60B615

RGB 96 182 21

HSL 92.05, 0.79%, 0.4%

LAB 66.52, -50.15, 64.05

 

CMYK 52 / 0 / 99 / 36

HEX #4FA402

RGB 79 164 2

HSL 91.48, 0.98%, 0.33%

LAB 60.08, -48.97, 61.35

 

CMYK 38 / 0 / 66 / 7

HEX #94ED50

RGB 148 237 80

HSL 94.01, 0.81%, 0.62%

LAB 85.73, -51.85, 65.04

 

CMYK 20 / 0 / 66 / 7

HEX #BEED50

RGB 190 237 80

HSL 77.96, 0.81%, 0.62%

LAB 88.01, -36.88, 68.14

 

CMYK 2 / 0 / 66 / 7

HEX #E9ED50

RGB 233 237 80

HSL 61.53, 0.81%, 0.62%

LAB 90.99, -19.91, 72.14

 

CMYK 0 / 16 / 66 / 7

HEX #EDC650

RGB 237 198 80

HSL 45.1, 0.81%, 0.62%

LAB 81.28, 1.28, 62.2

 

CMYK 0 / 34 / 66 / 7

HEX #ED9C50

RGB 237 156 80

HSL 29.04, 0.81%, 0.62%

LAB 71.12, 23.38, 51.16

 

CMYK 38 / 0 / 66 / 7

HEX #94ED50

RGB 148 237 80

HSL 94.01, 0.81%, 0.62%

LAB 85.73, -51.85, 65.04

 

CMYK 55 / 0 / 66 / 7

HEX #6AED50

RGB 106 237 80

HSL 110.06, 0.81%, 0.62%

LAB 84.08, -64.07, 62.78

 

CMYK 66 / 0 / 59 / 7

HEX #50ED60

RGB 80 237 96

HSL 126.11, 0.81%, 0.62%

LAB 83.5, -68.13, 55.34

 

CMYK 66 / 0 / 42 / 7

HEX #50ED8A

RGB 80 237 138

HSL 142.17, 0.81%, 0.62%

LAB 84.02, -62.21, 36.23

 

CMYK 66 / 0 / 24 / 7

HEX #50EDB4

RGB 80 237 180

HSL 158.22, 0.81%, 0.62%

LAB 84.78, -54.05, 15.8

 

CMYK 38 / 0 / 66 / 7

HEX #94ED50

RGB 148 237 80

HSL 94.01, 0.81%, 0.62%

LAB 85.73, -51.85, 65.04

 

CMYK 42 / 0 / 75 / 1

HEX #92FC40

RGB 146 252 64

HSL 93.83, 0.97%, 0.62%

LAB 89.91, -59.46, 74.84

 

CMYK 38 / 0 / 66 / 7

HEX #94ED50

RGB 148 237 80

HSL 94.01, 0.81%, 0.62%

LAB 85.73, -51.85, 65.04

 

CMYK 32 / 0 / 57 / 13

HEX #96DD5F

RGB 150 221 95

HSL 93.81, 0.65%, 0.62%

LAB 81.3, -43.17, 53.92

 

CMYK 26 / 0 / 46 / 20

HEX #98CD6F

RGB 152 205 111

HSL 93.83, 0.48%, 0.62%

LAB 76.97, -33.54, 41.2

 

CMYK 19 / 0 / 33 / 25

HEX #9ABE7F

RGB 154 190 127

HSL 94.29, 0.33%, 0.62%

LAB 73.04, -23.48, 27.97

 

CMYK 10 / 0 / 18 / 32

HEX #9CAE8E

RGB 156 174 142

HSL 93.75, 0.16%, 0.62%

LAB 68.96, -12.23, 14.36

 

CMYK 1 / 0 / 66 / 7

HEX #EAED50

RGB 234 237 80

HSL 61.15, 0.81%, 0.62%

LAB 91.07, -19.5, 72.24

 

CMYK 19 / 0 / 66 / 7

HEX #C0ED50

RGB 192 237 80

HSL 77.2, 0.81%, 0.62%

LAB 88.14, -36.12, 68.31

 

CMYK 37 / 0 / 66 / 7

HEX #96ED50

RGB 150 237 80

HSL 93.25, 0.81%, 0.62%

LAB 85.82, -51.19, 65.17

 

CMYK 54 / 0 / 66 / 7

HEX #6CED50

RGB 108 237 80

HSL 109.3, 0.81%, 0.62%

LAB 84.14, -63.57, 62.87

 

CMYK 66 / 0 / 61 / 7

HEX #50ED5D

RGB 80 237 93

HSL 124.97, 0.81%, 0.62%

LAB 83.48, -68.47, 56.6

 

CMYK 50 / 0 / 90 / 17

HEX #69D316

RGB 105 211 22

HSL 93.65, 0.81%, 0.46%

LAB 75.85, -58.29, 71.9

 

CMYK 46 / 0 / 82 / 9

HEX #7DE92A

RGB 125 233 42

HSL 93.93, 0.81%, 0.54%

LAB 83.34, -59.8, 74.57

 

CMYK 38 / 0 / 66 / 7

HEX #94ED50

RGB 148 237 80

HSL 94.01, 0.81%, 0.62%

LAB 85.73, -51.85, 65.04

 

CMYK 29 / 0 / 51 / 5

HEX #ABF175

RGB 171 241 117

HSL 93.87, 0.82%, 0.7%

LAB 88.38, -42.38, 52.51

 

CMYK 20 / 0 / 37 / 4

HEX #C2F49A

RGB 194 244 154

HSL 93.33, 0.8%, 0.78%

LAB 91.01, -31.3, 38.29

 

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

CMYK 66 / 0 / 17 / 7

HEX #50EDC5

RGB 80 237 197

HSL 164.71, 0.81%, 0.62%

LAB 85.15, -50.18, 7.46

 

CMYK 0 / 66 / 10 / 7

HEX #ED50D5

RGB 237 80 213

HSL 309.17, 0.81%, 0.62%

LAB 60.38, 73.88, -37.43

 

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

CMYK 66 / 37 / 0 / 7

HEX #5096ED

RGB 80 150 237

HSL 213.25, 0.81%, 0.62%

LAB 61.34, 5.19, -50.3

 

CMYK 0 / 66 / 37 / 7

HEX #ED5096

RGB 237 80 150

HSL 333.25, 0.81%, 0.62%

LAB 57.98, 65.83, -4.83

 

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

CMYK 66 / 0 / 17 / 7

HEX #50EDC5

RGB 80 237 197

HSL 164.71, 0.81%, 0.62%

LAB 85.15, -50.18, 7.46

 

CMYK 30 / 66 / 0 / 7

HEX #A650ED

RGB 166 80 237

HSL 272.87, 0.81%, 0.62%

LAB 51.79, 62.32, -65.22

 

CMYK 0 / 66 / 50 / 7

HEX #ED5077

RGB 237 80 119

HSL 345.1, 0.81%, 0.62%

LAB 57.15, 62.88, 12.19

 

CMYK 38 / 0 / 67 / 7

HEX #93EC4E

RGB 147 236 78

HSL 93.8, 0.81%, 0.62%

LAB 85.37, -51.93, 65.42

 

CMYK 66 / 3 / 0 / 7

HEX #50E5ED

RGB 80 229 237

HSL 183.06, 0.81%, 0.62%

LAB 83.89, -36.27, -15.46

 

CMYK 30 / 66 / 0 / 7

HEX #A650ED

RGB 166 80 237

HSL 272.87, 0.81%, 0.62%

LAB 51.79, 62.32, -65.22

 

CMYK 0 / 63 / 66 / 7

HEX #ED5750

RGB 237 87 80

HSL 2.68, 0.81%, 0.62%

LAB 57.46, 57.36, 35.25

 

Description

Color code: HEX #93EC4E | qconv.com Color code: HEX #93EC4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 236 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 236 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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