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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93EA67 it is the complementary color #6C1598. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93EA67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93EA67 shade: #98EA62, #A9FC75, #BAFF88, #CBFF9B and #DCFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93EA67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93EA67 shade: #93EA67, #82D854, #71C641, #60B42E and #4FA21B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93EA67 shade: #93EA66, #B6EA66, #DAEA66, #EAD766 and #EAB466

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93EA67 shade: #93EA66, #6FEA66, #66EA81, #66EAA5 and #66EAC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93EA67 shade matches the following richer shades: #93EA66 and #8EF858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93EA67 shade: #93EA66, #97DC74, #9CCE82, #A0C090 and #A5B29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93EA67 shade: #DBEA66, #B8EA66, #95EA66, #71EA66 and #66EA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93EA67 shade: #5FE01E, #79E542, #93EA66, #ACEF8B and #C6F4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93EA67 shade: #93EA67, #66EAD6 and #EA66C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93EA67 shade: #93EA67, #6695EA and #EA6695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93EA67 shade: #93EA67, #66EAD6, #BC66EA and #EA667A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93EA67 shade: #93EA67, #66D6EA, #BC66EA and #EA7A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

Complementary color

CMYK 29 / 86 / 0 / 40

HEX #6C1598

RGB 108 21 152

HSL 279.85, 0.76%, 0.34%

LAB 29.39, 56.02, -52.2

 

CMYK 35 / 0 / 58 / 8

HEX #98EA62

RGB 152 234 98

HSL 96.18, 0.76%, 0.65%

LAB 85.2, -47.74, 57.09

 

CMYK 33 / 0 / 54 / 1

HEX #A9FC75

RGB 169 252 117

HSL 96.89, 0.96%, 0.72%

LAB 91.39, -47.79, 56.06

 

CMYK 27 / 0 / 47 / 0

HEX #BAFF88

RGB 186 255 136

HSL 94.79, 1%, 0.77%

LAB 93.34, -41.28, 49.87

 

CMYK 20 / 0 / 39 / 0

HEX #CBFF9B

RGB 203 255 155

HSL 91.2, 1%, 0.8%

LAB 94.56, -33.11, 42.5

 

CMYK 14 / 0 / 32 / 0

HEX #DCFFAE

RGB 220 255 174

HSL 85.93, 1%, 0.84%

LAB 95.91, -24.66, 35.1

 

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

CMYK 40 / 0 / 61 / 15

HEX #82D854

RGB 130 216 84

HSL 99.09, 0.63%, 0.59%

LAB 78.75, -48.8, 55.58

 

CMYK 43 / 0 / 67 / 22

HEX #71C641

RGB 113 198 65

HSL 98.35, 0.54%, 0.52%

LAB 72.42, -48.57, 56.35

 

CMYK 47 / 0 / 74 / 29

HEX #60B42E

RGB 96 180 46

HSL 97.61, 0.59%, 0.44%

LAB 66, -48.15, 56.71

 

CMYK 51 / 0 / 83 / 36

HEX #4FA21B

RGB 79 162 27

HSL 96.89, 0.71%, 0.37%

LAB 59.51, -47.44, 56.26

 

CMYK 37 / 0 / 56 / 8

HEX #93EA66

RGB 147 234 102

HSL 99.55, 0.76%, 0.66%

LAB 85, -48.99, 55.03

 

CMYK 22 / 0 / 56 / 8

HEX #B6EA66

RGB 182 234 102

HSL 83.64, 0.76%, 0.66%

LAB 86.87, -36.82, 57.67

 

CMYK 7 / 0 / 56 / 8

HEX #DAEA66

RGB 218 234 102

HSL 67.27, 0.76%, 0.66%

LAB 89.26, -23.03, 61.02

 

CMYK 0 / 8 / 56 / 8

HEX #EAD766

RGB 234 215 102

HSL 51.36, 0.76%, 0.66%

LAB 85.53, -7.22, 57.13

 

CMYK 0 / 23 / 56 / 8

HEX #EAB466

RGB 234 180 102

HSL 35.45, 0.76%, 0.66%

LAB 76.74, 10.91, 46.85

 

CMYK 37 / 0 / 56 / 8

HEX #93EA66

RGB 147 234 102

HSL 99.55, 0.76%, 0.66%

LAB 85, -48.99, 55.03

 

CMYK 53 / 0 / 56 / 8

HEX #6FEA66

RGB 111 234 102

HSL 115.91, 0.76%, 0.66%

LAB 83.54, -59.49, 52.95

 

CMYK 56 / 0 / 45 / 8

HEX #66EA81

RGB 102 234 129

HSL 132.27, 0.76%, 0.66%

LAB 83.58, -58.09, 40.21

 

CMYK 56 / 0 / 29 / 8

HEX #66EAA5

RGB 102 234 165

HSL 148.64, 0.76%, 0.66%

LAB 84.17, -51.84, 22.82

 

CMYK 56 / 0 / 15 / 8

HEX #66EAC8

RGB 102 234 200

HSL 164.55, 0.76%, 0.66%

LAB 84.92, -44.34, 5.62

 

CMYK 37 / 0 / 56 / 8

HEX #93EA66

RGB 147 234 102

HSL 99.55, 0.76%, 0.66%

LAB 85, -48.99, 55.03

 

CMYK 43 / 0 / 65 / 3

HEX #8EF858

RGB 142 248 88

HSL 99.75, 0.92%, 0.66%

LAB 88.73, -57.48, 65.04

 

CMYK 37 / 0 / 56 / 8

HEX #93EA66

RGB 147 234 102

HSL 99.55, 0.76%, 0.66%

LAB 85, -48.99, 55.03

 

CMYK 31 / 0 / 47 / 14

HEX #97DC74

RGB 151 220 116

HSL 99.81, 0.6%, 0.66%

LAB 81.31, -40.08, 44.12

 

CMYK 24 / 0 / 37 / 19

HEX #9CCE82

RGB 156 206 130

HSL 99.47, 0.44%, 0.66%

LAB 77.77, -30.08, 32.67

 

CMYK 17 / 0 / 25 / 25

HEX #A0C090

RGB 160 192 144

HSL 100, 0.28%, 0.66%

LAB 74.31, -19.69, 20.73

 

CMYK 7 / 0 / 11 / 30

HEX #A5B29F

RGB 165 178 159

HSL 101.05, 0.11%, 0.66%

LAB 71.11, -8.11, 8.16

 

CMYK 6 / 0 / 56 / 8

HEX #DBEA66

RGB 219 234 102

HSL 66.82, 0.76%, 0.66%

LAB 89.33, -22.64, 61.12

 

CMYK 21 / 0 / 56 / 8

HEX #B8EA66

RGB 184 234 102

HSL 82.73, 0.76%, 0.66%

LAB 86.99, -36.09, 57.84

 

CMYK 36 / 0 / 56 / 8

HEX #95EA66

RGB 149 234 102

HSL 98.64, 0.76%, 0.66%

LAB 85.1, -48.34, 55.16

 

CMYK 52 / 0 / 56 / 8

HEX #71EA66

RGB 113 234 102

HSL 115, 0.76%, 0.66%

LAB 83.61, -58.98, 53.05

 

CMYK 56 / 0 / 46 / 8

HEX #66EA7F

RGB 102 234 127

HSL 131.36, 0.76%, 0.66%

LAB 83.55, -58.39, 41.15

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01E

RGB 95 224 30

HSL 99.9, 0.76%, 0.5%

LAB 79.52, -65.32, 73.45

 

CMYK 47 / 0 / 71 / 10

HEX #79E542

RGB 121 229 66

HSL 99.75, 0.76%, 0.58%

LAB 82.11, -58.16, 66.12

 

CMYK 37 / 0 / 56 / 8

HEX #93EA66

RGB 147 234 102

HSL 99.55, 0.76%, 0.66%

LAB 85, -48.99, 55.03

 

CMYK 28 / 0 / 42 / 6

HEX #ACEF8B

RGB 172 239 139

HSL 100.2, 0.76%, 0.74%

LAB 88.15, -38.55, 41.75

 

CMYK 19 / 0 / 28 / 4

HEX #C6F4AF

RGB 198 244 175

HSL 100, 0.76%, 0.82%

LAB 91.6, -26.96, 28.56

 

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

CMYK 56 / 0 / 9 / 8

HEX #66EAD6

RGB 102 234 214

HSL 170.91, 0.76%, 0.66%

LAB 85.26, -40.98, -1.23

 

CMYK 0 / 56 / 14 / 8

HEX #EA66C9

RGB 234 102 201

HSL 315, 0.76%, 0.66%

LAB 62.69, 62.37, -27.1

 

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

CMYK 56 / 36 / 0 / 8

HEX #6695EA

RGB 102 149 234

HSL 218.64, 0.76%, 0.66%

LAB 61.88, 8.78, -47.72

 

CMYK 0 / 56 / 36 / 8

HEX #EA6695

RGB 234 102 149

HSL 338.64, 0.76%, 0.66%

LAB 60.93, 55.52, 0.02

 

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

CMYK 56 / 0 / 9 / 8

HEX #66EAD6

RGB 102 234 214

HSL 170.91, 0.76%, 0.66%

LAB 85.26, -40.98, -1.23

 

CMYK 20 / 56 / 0 / 8

HEX #BC66EA

RGB 188 102 234

HSL 279.09, 0.76%, 0.66%

LAB 58.16, 56.08, -53.17

 

CMYK 0 / 56 / 48 / 8

HEX #EA667A

RGB 234 102 122

HSL 350.91, 0.76%, 0.66%

LAB 60.25, 52.77, 14.69

 

CMYK 37 / 0 / 56 / 8

HEX #93EA67

RGB 147 234 103

HSL 99.85, 0.76%, 0.66%

LAB 85.01, -48.88, 54.59

 

CMYK 56 / 9 / 0 / 8

HEX #66D6EA

RGB 102 214 234

HSL 189.09, 0.76%, 0.66%

LAB 80.1, -26.33, -19.53

 

CMYK 20 / 56 / 0 / 8

HEX #BC66EA

RGB 188 102 234

HSL 279.09, 0.76%, 0.66%

LAB 58.16, 56.08, -53.17

 

CMYK 0 / 48 / 56 / 8

HEX #EA7A66

RGB 234 122 102

HSL 9.09, 0.76%, 0.66%

LAB 63.65, 41.39, 30.62

 

Description

Color code: HEX #93EA67 | qconv.com Color code: HEX #93EA67 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 234 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 234 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 56 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 56% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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