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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93E75D it is the complementary color #6C18A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93E75D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93E75D shade: #98E758, #A9F96B, #BAFF7E, #CBFF91 and #DCFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93E75D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93E75D shade: #93E75D, #82D54A, #71C337, #60B124 and #4F9F11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93E75D shade: #94E75F, #B9E75F, #DEE75F, #E7CC5F and #E7A75F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93E75D shade: #94E75F, #70E75F, #5FE773, #5FE798 and #5FE7BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93E75D shade matches the following richer shades: #94E75F and #91F650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93E75D shade: #94E75F, #98D86E, #9BC97D, #9EBB8C and #A1AC9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93E75D shade: #DEE75F, #BAE75F, #96E75F, #71E75F and #5FE771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93E75D shade: #66D420, #7CE23B, #94E75F, #ACEC83 and #C4F2A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93E75D shade: #93E75D, #5FE7CC and #E75FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93E75D shade: #93E75D, #5F96E7 and #E75F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93E75D shade: #93E75D, #5FE7CC, #B15FE7 and #E75F7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93E75D shade: #93E75D, #5FDAE7, #B15FE7 and #E76D5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

Complementary color

CMYK 33 / 85 / 0 / 36

HEX #6C18A2

RGB 108 24 162

HSL 276.52, 0.74%, 0.36%

LAB 30.52, 57.31, -56.46

 

CMYK 34 / 0 / 62 / 9

HEX #98E758

RGB 152 231 88

HSL 93.15, 0.75%, 0.63%

LAB 84.24, -47.39, 60.28

 

CMYK 32 / 0 / 57 / 2

HEX #A9F96B

RGB 169 249 107

HSL 93.8, 0.92%, 0.7%

LAB 90.44, -47.51, 59.38

 

CMYK 27 / 0 / 51 / 0

HEX #BAFF7E

RGB 186 255 126

HSL 92.09, 1%, 0.75%

LAB 93.22, -42.38, 54.37

 

CMYK 20 / 0 / 43 / 0

HEX #CBFF91

RGB 203 255 145

HSL 88.36, 1%, 0.78%

LAB 94.42, -34.32, 47.16

 

CMYK 14 / 0 / 36 / 0

HEX #DCFFA4

RGB 220 255 164

HSL 83.08, 1%, 0.82%

LAB 95.75, -25.96, 39.85

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 39 / 0 / 65 / 16

HEX #82D54A

RGB 130 213 74

HSL 95.83, 0.62%, 0.56%

LAB 77.77, -48.44, 58.68

 

CMYK 42 / 0 / 72 / 24

HEX #71C337

RGB 113 195 55

HSL 95.14, 0.56%, 0.49%

LAB 71.43, -48.11, 59.16

 

CMYK 46 / 0 / 80 / 31

HEX #60B124

RGB 96 177 36

HSL 94.47, 0.66%, 0.42%

LAB 65.01, -47.56, 59.01

 

CMYK 50 / 0 / 89 / 38

HEX #4F9F11

RGB 79 159 17

HSL 93.8, 0.81%, 0.35%

LAB 58.51, -46.67, 57.73

 

CMYK 36 / 0 / 59 / 9

HEX #94E75F

RGB 148 231 95

HSL 96.62, 0.74%, 0.64%

LAB 84.11, -48.1, 57.09

 

CMYK 20 / 0 / 59 / 9

HEX #B9E75F

RGB 185 231 95

HSL 80.29, 0.74%, 0.64%

LAB 86.15, -34.95, 59.95

 

CMYK 4 / 0 / 59 / 9

HEX #DEE75F

RGB 222 231 95

HSL 63.97, 0.74%, 0.64%

LAB 88.69, -20.51, 63.47

 

CMYK 0 / 12 / 59 / 9

HEX #E7CC5F

RGB 231 204 95

HSL 48.09, 0.74%, 0.64%

LAB 82.38, -3.36, 56.66

 

CMYK 0 / 28 / 59 / 9

HEX #E7A75F

RGB 231 167 95

HSL 31.76, 0.74%, 0.64%

LAB 73.19, 16.04, 46.03

 

CMYK 36 / 0 / 59 / 9

HEX #94E75F

RGB 148 231 95

HSL 96.62, 0.74%, 0.64%

LAB 84.11, -48.1, 57.09

 

CMYK 52 / 0 / 59 / 9

HEX #70E75F

RGB 112 231 95

HSL 112.5, 0.74%, 0.64%

LAB 82.61, -58.88, 54.98

 

CMYK 59 / 0 / 50 / 9

HEX #5FE773

RGB 95 231 115

HSL 128.82, 0.74%, 0.64%

LAB 82.28, -60.57, 45.31

 

CMYK 59 / 0 / 34 / 9

HEX #5FE798

RGB 95 231 152

HSL 145.15, 0.74%, 0.64%

LAB 82.83, -54.58, 27.65

 

CMYK 59 / 0 / 18 / 9

HEX #5FE7BD

RGB 95 231 189

HSL 161.47, 0.74%, 0.64%

LAB 83.58, -46.93, 9.45

 

CMYK 36 / 0 / 59 / 9

HEX #94E75F

RGB 148 231 95

HSL 96.62, 0.74%, 0.64%

LAB 84.11, -48.1, 57.09

 

CMYK 41 / 0 / 67 / 4

HEX #91F650

RGB 145 246 80

HSL 96.51, 0.9%, 0.64%

LAB 88.21, -56.4, 67.61

 

CMYK 36 / 0 / 59 / 9

HEX #94E75F

RGB 148 231 95

HSL 96.62, 0.74%, 0.64%

LAB 84.11, -48.1, 57.09

 

CMYK 30 / 0 / 49 / 15

HEX #98D86E

RGB 152 216 110

HSL 96.23, 0.58%, 0.64%

LAB 80.13, -38.67, 45.58

 

CMYK 23 / 0 / 38 / 21

HEX #9BC97D

RGB 155 201 125

HSL 96.32, 0.41%, 0.64%

LAB 76.21, -28.75, 33.19

 

CMYK 16 / 0 / 25 / 27

HEX #9EBB8C

RGB 158 187 140

HSL 97.02, 0.26%, 0.64%

LAB 72.7, -18.53, 20.63

 

CMYK 6 / 0 / 10 / 33

HEX #A1AC9B

RGB 161 172 155

HSL 98.82, 0.09%, 0.64%

LAB 69.08, -7.07, 7.42

 

CMYK 4 / 0 / 59 / 9

HEX #DEE75F

RGB 222 231 95

HSL 63.97, 0.74%, 0.64%

LAB 88.69, -20.51, 63.47

 

CMYK 19 / 0 / 59 / 9

HEX #BAE75F

RGB 186 231 95

HSL 79.85, 0.74%, 0.64%

LAB 86.21, -34.57, 60.04

 

CMYK 35 / 0 / 59 / 9

HEX #96E75F

RGB 150 231 95

HSL 95.74, 0.74%, 0.64%

LAB 84.21, -47.43, 57.23

 

CMYK 51 / 0 / 59 / 9

HEX #71E75F

RGB 113 231 95

HSL 112.06, 0.74%, 0.64%

LAB 82.64, -58.61, 55.03

 

CMYK 59 / 0 / 51 / 9

HEX #5FE771

RGB 95 231 113

HSL 127.94, 0.74%, 0.64%

LAB 82.26, -60.84, 46.23

 

CMYK 52 / 0 / 85 / 17

HEX #66D420

RGB 102 212 32

HSL 96.67, 0.74%, 0.48%

LAB 76.08, -59.19, 70.12

 

CMYK 45 / 0 / 74 / 11

HEX #7CE23B

RGB 124 226 59

HSL 96.65, 0.74%, 0.56%

LAB 81.29, -56.59, 67.74

 

CMYK 36 / 0 / 59 / 9

HEX #94E75F

RGB 148 231 95

HSL 96.62, 0.74%, 0.64%

LAB 84.11, -48.1, 57.09

 

CMYK 27 / 0 / 44 / 7

HEX #ACEC83

RGB 172 236 131

HSL 96.57, 0.73%, 0.72%

LAB 87.19, -38.22, 44.44

 

CMYK 19 / 0 / 31 / 5

HEX #C4F2A7

RGB 196 242 167

HSL 96.8, 0.74%, 0.8%

LAB 90.79, -27.87, 31.51

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 59 / 0 / 12 / 9

HEX #5FE7CC

RGB 95 231 204

HSL 168.09, 0.74%, 0.64%

LAB 83.94, -43.4, 2.07

 

CMYK 0 / 59 / 12 / 9

HEX #E75FCC

RGB 231 95 204

HSL 311.91, 0.74%, 0.64%

LAB 61.25, 65.05, -31.05

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 59 / 35 / 0 / 9

HEX #5F96E7

RGB 95 150 231

HSL 215.74, 0.74%, 0.64%

LAB 61.67, 5.85, -46.42

 

CMYK 0 / 59 / 35 / 9

HEX #E75F96

RGB 231 95 150

HSL 335.74, 0.74%, 0.64%

LAB 59.32, 57.84, -2.96

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 59 / 0 / 12 / 9

HEX #5FE7CC

RGB 95 231 204

HSL 168.09, 0.74%, 0.64%

LAB 83.94, -43.4, 2.07

 

CMYK 23 / 59 / 0 / 9

HEX #B15FE7

RGB 177 95 231

HSL 276.18, 0.74%, 0.64%

LAB 55.38, 56.24, -56.01

 

CMYK 0 / 59 / 47 / 9

HEX #E75F7A

RGB 231 95 122

HSL 348.09, 0.74%, 0.64%

LAB 58.58, 54.96, 12.3

 

CMYK 36 / 0 / 60 / 9

HEX #93E75D

RGB 147 231 93

HSL 96.52, 0.74%, 0.64%

LAB 84.04, -48.62, 57.87

 

CMYK 59 / 6 / 0 / 9

HEX #5FDAE7

RGB 95 218 231

HSL 185.74, 0.74%, 0.64%

LAB 80.93, -30.39, -16.7

 

CMYK 23 / 59 / 0 / 9

HEX #B15FE7

RGB 177 95 231

HSL 276.18, 0.74%, 0.64%

LAB 55.38, 56.24, -56.01

 

CMYK 0 / 53 / 59 / 9

HEX #E76D5F

RGB 231 109 95

HSL 6.18, 0.74%, 0.64%

LAB 60.56, 46.2, 30.48

 

Description

Color code: HEX #93E75D | qconv.com Color code: HEX #93E75D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 231 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 231 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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