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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93E668 it is the complementary color #6C1997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93E668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93E668 shade: #98E663, #A9F876, #BAFF89, #CBFF9C and #DCFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93E668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93E668 shade: #93E668, #82D455, #71C242, #60B02F and #4F9E1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93E668 shade: #91E665, #B4E665, #D7E665, #E6D365 and #E6B065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93E668 shade: #91E665, #6FE665, #65E67F, #65E6A2 and #65E6C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93E668 shade matches the following richer shades: #91E665 and #8DF457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93E668 shade: #91E665, #96D874, #9BC982, #9FBB91 and #A4AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93E668 shade: #D7E665, #B5E665, #92E665, #70E665 and #65E67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93E668 shade: #60D623, #78E042, #91E665, #ABEC89 and #C4F2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93E668 shade: #93E668, #65E6D3 and #E665C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93E668 shade: #93E668, #6592E6 and #E66592

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93E668 shade: #93E668, #65E6D3, #B965E6 and #E66579

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93E668 shade: #93E668, #65D3E6, #B965E6 and #E67965

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

Complementary color

CMYK 28 / 83 / 0 / 41

HEX #6C1997

RGB 108 25 151

HSL 279.52, 0.72%, 0.35%

LAB 29.71, 54.64, -51.08

 

CMYK 34 / 0 / 57 / 10

HEX #98E663

RGB 152 230 99

HSL 95.73, 0.72%, 0.65%

LAB 84.05, -45.96, 55.33

 

CMYK 32 / 0 / 52 / 3

HEX #A9F876

RGB 169 248 118

HSL 96.46, 0.9%, 0.72%

LAB 90.27, -45.98, 54.28

 

CMYK 27 / 0 / 46 / 0

HEX #BAFF89

RGB 186 255 137

HSL 95.08, 1%, 0.77%

LAB 93.35, -41.16, 49.41

 

CMYK 20 / 0 / 39 / 0

HEX #CBFF9C

RGB 203 255 156

HSL 91.52, 1%, 0.81%

LAB 94.58, -32.99, 42.03

 

CMYK 14 / 0 / 31 / 0

HEX #DCFFAF

RGB 220 255 175

HSL 86.25, 1%, 0.84%

LAB 95.93, -24.52, 34.62

 

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

CMYK 39 / 0 / 60 / 17

HEX #82D455

RGB 130 212 85

HSL 98.74, 0.6%, 0.58%

LAB 77.57, -47.04, 53.82

 

CMYK 42 / 0 / 66 / 24

HEX #71C242

RGB 113 194 66

HSL 97.97, 0.51%, 0.51%

LAB 71.21, -46.86, 54.66

 

CMYK 45 / 0 / 73 / 31

HEX #60B02F

RGB 96 176 47

HSL 97.21, 0.58%, 0.44%

LAB 64.76, -46.48, 55.11

 

CMYK 50 / 0 / 82 / 38

HEX #4F9E1C

RGB 79 158 28

HSL 96.46, 0.7%, 0.36%

LAB 58.23, -45.83, 54.81

 

CMYK 37 / 0 / 56 / 10

HEX #91E665

RGB 145 230 101

HSL 99.53, 0.72%, 0.65%

LAB 83.73, -48.07, 53.98

 

CMYK 22 / 0 / 56 / 10

HEX #B4E665

RGB 180 230 101

HSL 83.26, 0.72%, 0.65%

LAB 85.62, -35.84, 56.65

 

CMYK 7 / 0 / 56 / 10

HEX #D7E665

RGB 215 230 101

HSL 66.98, 0.72%, 0.65%

LAB 87.96, -22.37, 59.93

 

CMYK 0 / 8 / 56 / 10

HEX #E6D365

RGB 230 211 101

HSL 51.16, 0.72%, 0.65%

LAB 84.15, -6.9, 55.92

 

CMYK 0 / 23 / 56 / 10

HEX #E6B065

RGB 230 176 101

HSL 34.88, 0.72%, 0.65%

LAB 75.33, 11.3, 45.57

 

CMYK 37 / 0 / 56 / 10

HEX #91E665

RGB 145 230 101

HSL 99.53, 0.72%, 0.65%

LAB 83.73, -48.07, 53.98

 

CMYK 52 / 0 / 56 / 10

HEX #6FE665

RGB 111 230 101

HSL 115.35, 0.72%, 0.65%

LAB 82.33, -58.1, 51.99

 

CMYK 56 / 0 / 45 / 10

HEX #65E67F

RGB 101 230 127

HSL 132.09, 0.72%, 0.65%

LAB 82.32, -57.1, 39.59

 

CMYK 56 / 0 / 30 / 10

HEX #65E6A2

RGB 101 230 162

HSL 148.37, 0.72%, 0.65%

LAB 82.9, -51.01, 22.62

 

CMYK 56 / 0 / 15 / 10

HEX #65E6C4

RGB 101 230 196

HSL 164.19, 0.72%, 0.65%

LAB 83.62, -43.72, 5.86

 

CMYK 37 / 0 / 56 / 10

HEX #91E665

RGB 145 230 101

HSL 99.53, 0.72%, 0.65%

LAB 83.73, -48.07, 53.98

 

CMYK 42 / 0 / 64 / 4

HEX #8DF457

RGB 141 244 87

HSL 99.36, 0.88%, 0.65%

LAB 87.51, -56.31, 64.11

 

CMYK 37 / 0 / 56 / 10

HEX #91E665

RGB 145 230 101

HSL 99.53, 0.72%, 0.65%

LAB 83.73, -48.07, 53.98

 

CMYK 31 / 0 / 46 / 15

HEX #96D874

RGB 150 216 116

HSL 99.6, 0.56%, 0.65%

LAB 80.1, -38.63, 42.61

 

CMYK 23 / 0 / 35 / 21

HEX #9BC982

RGB 155 201 130

HSL 98.87, 0.4%, 0.65%

LAB 76.29, -28.05, 30.71

 

CMYK 15 / 0 / 22 / 27

HEX #9FBB91

RGB 159 187 145

HSL 100, 0.24%, 0.65%

LAB 72.86, -17.36, 18.19

 

CMYK 5 / 0 / 8 / 33

HEX #A4AC9F

RGB 164 172 159

HSL 96.92, 0.07%, 0.65%

LAB 69.4, -5.26, 5.71

 

CMYK 7 / 0 / 56 / 10

HEX #D7E665

RGB 215 230 101

HSL 66.98, 0.72%, 0.65%

LAB 87.96, -22.37, 59.93

 

CMYK 21 / 0 / 56 / 10

HEX #B5E665

RGB 181 230 101

HSL 82.79, 0.72%, 0.65%

LAB 85.68, -35.47, 56.74

 

CMYK 37 / 0 / 56 / 10

HEX #92E665

RGB 146 230 101

HSL 99.07, 0.72%, 0.65%

LAB 83.78, -47.74, 54.04

 

CMYK 51 / 0 / 56 / 10

HEX #70E665

RGB 112 230 101

HSL 114.88, 0.72%, 0.65%

LAB 82.37, -57.84, 52.04

 

CMYK 56 / 0 / 46 / 10

HEX #65E67D

RGB 101 230 125

HSL 131.16, 0.72%, 0.65%

LAB 82.29, -57.4, 40.53

 

CMYK 55 / 0 / 84 / 16

HEX #60D623

RGB 96 214 35

HSL 99.55, 0.72%, 0.49%

LAB 76.5, -61.42, 69.73

 

CMYK 46 / 0 / 71 / 12

HEX #78E042

RGB 120 224 66

HSL 99.49, 0.72%, 0.57%

LAB 80.57, -56.56, 64.54

 

CMYK 37 / 0 / 56 / 10

HEX #91E665

RGB 145 230 101

HSL 99.53, 0.72%, 0.65%

LAB 83.73, -48.07, 53.98

 

CMYK 28 / 0 / 42 / 7

HEX #ABEC89

RGB 171 236 137

HSL 99.39, 0.72%, 0.73%

LAB 87.22, -37.8, 41.53

 

CMYK 19 / 0 / 29 / 5

HEX #C4F2AC

RGB 196 242 172

HSL 99.43, 0.73%, 0.81%

LAB 90.88, -27.14, 29.09

 

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

CMYK 56 / 0 / 8 / 10

HEX #65E6D3

RGB 101 230 211

HSL 171.16, 0.72%, 0.65%

LAB 84, -40.12, -1.51

 

CMYK 0 / 56 / 14 / 10

HEX #E665C6

RGB 230 101 198

HSL 314.88, 0.72%, 0.65%

LAB 61.83, 61.24, -26.76

 

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

CMYK 56 / 37 / 0 / 10

HEX #6592E6

RGB 101 146 230

HSL 219.07, 0.72%, 0.65%

LAB 60.81, 9.06, -47.19

 

CMYK 0 / 56 / 37 / 10

HEX #E66592

RGB 230 101 146

HSL 339.07, 0.72%, 0.65%

LAB 60.07, 54.36, 0.44

 

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

CMYK 56 / 0 / 8 / 10

HEX #65E6D3

RGB 101 230 211

HSL 171.16, 0.72%, 0.65%

LAB 84, -40.12, -1.51

 

CMYK 20 / 56 / 0 / 10

HEX #B965E6

RGB 185 101 230

HSL 279.07, 0.72%, 0.65%

LAB 57.4, 54.99, -52.17

 

CMYK 0 / 56 / 47 / 10

HEX #E66579

RGB 230 101 121

HSL 350.7, 0.72%, 0.65%

LAB 59.44, 51.79, 14.06

 

CMYK 36 / 0 / 55 / 10

HEX #93E668

RGB 147 230 104

HSL 99.52, 0.72%, 0.65%

LAB 83.86, -47.1, 52.8

 

CMYK 56 / 8 / 0 / 10

HEX #65D3E6

RGB 101 211 230

HSL 188.84, 0.72%, 0.65%

LAB 79.08, -26.16, -18.93

 

CMYK 20 / 56 / 0 / 10

HEX #B965E6

RGB 185 101 230

HSL 279.07, 0.72%, 0.65%

LAB 57.4, 54.99, -52.17

 

CMYK 0 / 47 / 56 / 10

HEX #E67965

RGB 230 121 101

HSL 9.3, 0.72%, 0.65%

LAB 62.88, 40.31, 30.07

 

Description

Color code: HEX #93E668 | qconv.com Color code: HEX #93E668 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 230 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 230 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 55 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 55% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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