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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93DD37 it is the complementary color #6C22C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93DD37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93DD37 shade: #98DD32, #A9EF45, #BAFF58, #CBFF6B and #DCFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93DD37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93DD37 shade: #93DD37, #82CB24, #71B911, #60A700 and #4F9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93DD37 shade: #93DD36, #C0DD36, #DDCD36, #DDA036 and #DD7436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93DD37 shade: #93DD36, #66DD36, #39DD36, #36DD61 and #36DD8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93DD37 shade matches the following richer shades: #93DD36 and #95F023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93DD37 shade: #93DD36, #91CA49, #8FB75C, #8DA46F and #8A9182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93DD37 shade: #DDCC36, #C1DD36, #95DD36, #68DD36 and #3CDD36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93DD37 shade: #68A51C, #7EC822, #93DD36, #A6E35A and #B9E97D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93DD37 shade: #93DD37, #36DDA0 and #DD36D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93DD37 shade: #93DD37, #3695DD and #DD3695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93DD37 shade: #93DD37, #36DDA0, #7F36DD and #DD3673

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93DD37 shade: #93DD37, #36DDD2, #7F36DD and #DD3642

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

Complementary color

CMYK 46 / 83 / 0 / 22

HEX #6C22C8

RGB 108 34 200

HSL 266.75, 0.71%, 0.46%

LAB 35.01, 62.85, -71.7

 

CMYK 31 / 0 / 77 / 13

HEX #98DD32

RGB 152 221 50

HSL 84.21, 0.72%, 0.53%

LAB 81.08, -45.7, 70.81

 

CMYK 29 / 0 / 71 / 6

HEX #A9EF45

RGB 169 239 69

HSL 84.71, 0.84%, 0.6%

LAB 87.29, -46.2, 71

 

CMYK 27 / 0 / 65 / 0

HEX #BAFF58

RGB 186 255 88

HSL 84.79, 1%, 0.67%

LAB 92.87, -45.71, 70.09

 

CMYK 20 / 0 / 58 / 0

HEX #CBFF6B

RGB 203 255 107

HSL 81.08, 1%, 0.71%

LAB 94, -38.1, 63.94

 

CMYK 14 / 0 / 51 / 0

HEX #DCFF7E

RGB 220 255 126

HSL 76.28, 1%, 0.75%

LAB 95.26, -30.12, 57.31

 

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

CMYK 36 / 0 / 82 / 20

HEX #82CB24

RGB 130 203 36

HSL 86.23, 0.7%, 0.47%

LAB 74.56, -46.63, 68.3

 

CMYK 39 / 0 / 91 / 27

HEX #71B911

RGB 113 185 17

HSL 85.71, 0.83%, 0.4%

LAB 68.2, -45.78, 66.48

 

CMYK 43 / 0 / 100 / 35

HEX #60A700

RGB 96 167 0

HSL 85.51, 1%, 0.33%

LAB 61.76, -44.67, 63.26

 

CMYK 47 / 0 / 100 / 42

HEX #4F9500

RGB 79 149 0

HSL 88.19, 1%, 0.29%

LAB 55.23, -43.16, 57.84

 

CMYK 33 / 0 / 76 / 13

HEX #93DD36

RGB 147 221 54

HSL 86.59, 0.71%, 0.54%

LAB 80.84, -47.29, 69.28

 

CMYK 13 / 0 / 76 / 13

HEX #C0DD36

RGB 192 221 54

HSL 70.42, 0.71%, 0.54%

LAB 83.54, -30.16, 72.78

 

CMYK 0 / 7 / 76 / 13

HEX #DDCD36

RGB 221 205 54

HSL 54.25, 0.71%, 0.54%

LAB 81.46, -10.31, 71.67

 

CMYK 0 / 28 / 76 / 13

HEX #DDA036

RGB 221 160 54

HSL 38.08, 0.71%, 0.54%

LAB 70.02, 13.22, 60.9

 

CMYK 0 / 48 / 76 / 13

HEX #DD7436

RGB 221 116 54

HSL 22.28, 0.71%, 0.54%

LAB 60.01, 36.58, 50.99

 

CMYK 33 / 0 / 76 / 13

HEX #93DD36

RGB 147 221 54

HSL 86.59, 0.71%, 0.54%

LAB 80.84, -47.29, 69.28

 

CMYK 54 / 0 / 76 / 13

HEX #66DD36

RGB 102 221 54

HSL 102.75, 0.71%, 0.54%

LAB 78.93, -61.33, 66.77

 

CMYK 74 / 0 / 76 / 13

HEX #39DD36

RGB 57 221 54

HSL 118.92, 0.71%, 0.54%

LAB 77.79, -70.73, 65.27

 

CMYK 76 / 0 / 56 / 13

HEX #36DD61

RGB 54 221 97

HSL 135.45, 0.71%, 0.54%

LAB 78.09, -66.88, 48.43

 

CMYK 76 / 0 / 36 / 13

HEX #36DD8E

RGB 54 221 142

HSL 151.62, 0.71%, 0.54%

LAB 78.72, -59.52, 27.1

 

CMYK 33 / 0 / 76 / 13

HEX #93DD36

RGB 147 221 54

HSL 86.59, 0.71%, 0.54%

LAB 80.84, -47.29, 69.28

 

CMYK 38 / 0 / 85 / 6

HEX #95F023

RGB 149 240 35

HSL 86.63, 0.87%, 0.54%

LAB 86.42, -55.09, 79.22

 

CMYK 33 / 0 / 76 / 13

HEX #93DD36

RGB 147 221 54

HSL 86.59, 0.71%, 0.54%

LAB 80.84, -47.29, 69.28

 

CMYK 28 / 0 / 64 / 21

HEX #91CA49

RGB 145 202 73

HSL 86.51, 0.55%, 0.54%

LAB 75.29, -38.56, 56.65

 

CMYK 22 / 0 / 50 / 28

HEX #8FB75C

RGB 143 183 92

HSL 86.37, 0.39%, 0.54%

LAB 69.81, -28.71, 41.65

 

CMYK 14 / 0 / 32 / 36

HEX #8DA46F

RGB 141 164 111

HSL 86.04, 0.23%, 0.54%

LAB 64.45, -17.57, 24.93

 

CMYK 5 / 0 / 10 / 43

HEX #8A9182

RGB 138 145 130

HSL 88, 0.06%, 0.54%

LAB 59.22, -5.43, 7.08

 

CMYK 0 / 8 / 76 / 13

HEX #DDCC36

RGB 221 204 54

HSL 53.89, 0.71%, 0.54%

LAB 81.19, -9.8, 71.42

 

CMYK 13 / 0 / 76 / 13

HEX #C1DD36

RGB 193 221 54

HSL 70.06, 0.71%, 0.54%

LAB 83.61, -29.76, 72.87

 

CMYK 33 / 0 / 76 / 13

HEX #95DD36

RGB 149 221 54

HSL 85.87, 0.71%, 0.54%

LAB 80.94, -46.58, 69.41

 

CMYK 53 / 0 / 76 / 13

HEX #68DD36

RGB 104 221 54

HSL 102.04, 0.71%, 0.54%

LAB 79, -60.8, 66.86

 

CMYK 73 / 0 / 76 / 13

HEX #3CDD36

RGB 60 221 54

HSL 117.84, 0.71%, 0.54%

LAB 77.84, -70.27, 65.34

 

CMYK 37 / 0 / 83 / 35

HEX #68A51C

RGB 104 165 28

HSL 86.72, 0.71%, 0.38%

LAB 61.6, -40.23, 58.3

 

CMYK 37 / 0 / 83 / 22

HEX #7EC822

RGB 126 200 34

HSL 86.75, 0.71%, 0.46%

LAB 73.45, -46.87, 67.73

 

CMYK 33 / 0 / 76 / 13

HEX #93DD36

RGB 147 221 54

HSL 86.59, 0.71%, 0.54%

LAB 80.84, -47.29, 69.28

 

CMYK 27 / 0 / 60 / 11

HEX #A6E35A

RGB 166 227 90

HSL 86.72, 0.71%, 0.62%

LAB 83.85, -40.59, 59.21

 

CMYK 21 / 0 / 46 / 9

HEX #B9E97D

RGB 185 233 125

HSL 86.67, 0.71%, 0.7%

LAB 87.03, -32.96, 47.3

 

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

CMYK 76 / 0 / 28 / 13

HEX #36DDA0

RGB 54 221 160

HSL 158.08, 0.71%, 0.54%

LAB 79.06, -55.78, 18.19

 

CMYK 0 / 76 / 3 / 13

HEX #DD36D7

RGB 221 54 215

HSL 302.16, 0.71%, 0.54%

LAB 54.99, 79.06, -47.23

 

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

CMYK 76 / 33 / 0 / 13

HEX #3695DD

RGB 54 149 221

HSL 205.87, 0.71%, 0.54%

LAB 59.43, -3.43, -44.49

 

CMYK 0 / 76 / 33 / 13

HEX #DD3695

RGB 221 54 149

HSL 325.87, 0.71%, 0.54%

LAB 52.04, 70.36, -13.41

 

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

CMYK 76 / 0 / 28 / 13

HEX #36DDA0

RGB 54 221 160

HSL 158.08, 0.71%, 0.54%

LAB 79.06, -55.78, 18.19

 

CMYK 43 / 76 / 0 / 13

HEX #7F36DD

RGB 127 54 221

HSL 266.23, 0.71%, 0.54%

LAB 41.8, 63, -72.61

 

CMYK 0 / 76 / 48 / 13

HEX #DD3673

RGB 221 54 115

HSL 338.08, 0.71%, 0.54%

LAB 50.98, 67.05, 5.45

 

CMYK 33 / 0 / 75 / 13

HEX #93DD37

RGB 147 221 55

HSL 86.75, 0.71%, 0.54%

LAB 80.85, -47.23, 68.97

 

CMYK 76 / 0 / 5 / 13

HEX #36DDD2

RGB 54 221 210

HSL 176.05, 0.71%, 0.54%

LAB 80.26, -43.35, -6.6

 

CMYK 43 / 76 / 0 / 13

HEX #7F36DD

RGB 127 54 221

HSL 266.23, 0.71%, 0.54%

LAB 41.8, 63, -72.61

 

CMYK 0 / 76 / 70 / 13

HEX #DD3642

RGB 221 54 66

HSL 355.69, 0.71%, 0.54%

LAB 49.98, 63.87, 33.59

 

Description

Color code: HEX #93DD37 | qconv.com Color code: HEX #93DD37 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 221 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 221 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 75 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 75% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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