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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93DBFACE it is the complementary color #6C2405CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93DBFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93DBFACE shade: #98DBF5CE, #A9EDFFCE, #BAFFFFCE, #CBFFFFCE and #DCFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93DBFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93DBFACE shade: #93DBFACE, #82C9E7CE, #71B7D4CE, #60A5C1CE and #4F93AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93DBFACE shade: #94DBFA, #94C0FA, #94A4FA, #9F94FA and #BB94FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93DBFACE shade: #94DBFA, #94C0FA, #94A4FA and #9494FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93DBFACE shade matches the following richer shades: #94DBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93DBFACE shade: #94DBFA, #9DD8F1, #A6D4E8, #AFD0DF and #B8CDD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93DBFACE shade: #94FAE2, #94F7FA, #94DBFA, #94C0FA and #94A5FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93DBFACE shade: #45C1F6, #6CCEF8, #94DBFA, #BBE8FC and #E3F6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93DBFACE shade: #93DBFA, #C794FA and #FAF094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93DBFACE shade: #93DBFA, #FA94DB and #DBFA94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93DBFACE shade: #93DBFA, #C794FA, #FAB294 and #C7FA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93DBFACE shade: #93DBFA, #E694FA, #FAB294 and #A8FA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 10 / 0 / 2

HEX #93DBFACE

RGBA 147 219 250 0.81

HSLA 198.06, 0.91%, 0.78%, 0.81

LABA 83.84, -14.67, -22.18, 0.81

 

Complementary color

CMYK 0 / 54 / 77 / 47

HEX #6C2405CE

RGBA 108 36 5 0.81

HSLA 18.06, 0.91%, 0.22%, 0.81

LABA 25.14, 30.67, 34.13, 0.81

 

CMYK 31 / 9 / 0 / 3

HEX #98DBF5CE

RGBA 152 219 245 0.81

HSLA 196.77, 0.82%, 0.78%, 0.81

LABA 83.93, -14.68, -19.38, 0.81

 

CMYK 27 / 6 / 0 / 0

HEX #A9EDFFCE

RGBA 169 237 255 0.81

HSLA 192.56, 1%, 0.83%, 0.81

LABA 89.96, -16.91, -15.47, 0.81

 

CMYK 22 / 0 / 0 / 0

HEX #BAFFFFCE

RGBA 186 255 255 0.81

HSLA 180, 1%, 0.86%, 0.81

LABA 95.66, -21.17, -6.9, 0.81

 

CMYK 17 / 0 / 0 / 0

HEX #CBFFFFCE

RGBA 203 255 255 0.81

HSLA 180, 1%, 0.9%, 0.81

LABA 96.59, -16.31, -5.41, 0.81

 

CMYK 11 / 0 / 0 / 0

HEX #DCFFFFCE

RGBA 220 255 255 0.81

HSLA 180, 1%, 0.93%, 0.81

LABA 97.61, -11.18, -3.79, 0.81

 

CMYK 33 / 10 / 0 / 2

HEX #93DBFACE

RGBA 147 219 250 0.81

HSLA 198.06, 0.91%, 0.78%, 0.81

LABA 83.84, -14.67, -22.18, 0.81

 

CMYK 35 / 11 / 0 / 8

HEX #82C9E7CE

RGBA 130 201 231 0.81

HSLA 197.82, 0.68%, 0.71%, 0.81

LABA 77.45, -14.52, -21.83, 0.81

 

CMYK 38 / 11 / 0 / 14

HEX #71B7D4CE

RGBA 113 183 212 0.81

HSLA 197.58, 0.54%, 0.64%, 0.81

LABA 70.96, -14.32, -21.47, 0.81

 

CMYK 41 / 12 / 0 / 20

HEX #60A5C1CE

RGBA 96 165 193 0.81

HSLA 197.32, 0.44%, 0.57%, 0.81

LABA 64.36, -14.07, -21.11, 0.81

 

CMYK 44 / 13 / 0 / 26

HEX #4F93AECE

RGBA 79 147 174 0.81

HSLA 197.05, 0.38%, 0.5%, 0.81

LABA 57.64, -13.73, -20.74, 0.81

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 41 / 23 / 0 / 2

HEX #94C0FA

RGB 148 192 250

HSL 214.12, 0.91%, 0.78%

LAB 76.62, -0.16, -33.23

 

CMYK 41 / 34 / 0 / 2

HEX #94A4FA

RGB 148 164 250

HSL 230.59, 0.91%, 0.78%

LAB 69.29, 15.44, -44.63

 

CMYK 36 / 41 / 0 / 2

HEX #9F94FA

RGB 159 148 250

HSL 246.47, 0.91%, 0.78%

LAB 66.1, 27.39, -49.6

 

CMYK 25 / 41 / 0 / 2

HEX #BB94FA

RGB 187 148 250

HSL 262.94, 0.91%, 0.78%

LAB 68.49, 34.91, -45.67

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 41 / 23 / 0 / 2

HEX #94C0FA

RGB 148 192 250

HSL 214.12, 0.91%, 0.78%

LAB 76.62, -0.16, -33.23

 

CMYK 41 / 34 / 0 / 2

HEX #94A4FA

RGB 148 164 250

HSL 230.59, 0.91%, 0.78%

LAB 69.29, 15.44, -44.63

 

CMYK 41 / 41 / 0 / 2

HEX #9494FA

RGB 148 148 250

HSL 240, 0.91%, 0.78%

LAB 65.26, 24.61, -50.98

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 35 / 10 / 0 / 5

HEX #9DD8F1

RGB 157 216 241

HSL 197.86, 0.75%, 0.78%

LAB 83.25, -12.81, -18.26

 

CMYK 28 / 9 / 0 / 9

HEX #A6D4E8

RGB 166 212 232

HSL 198.18, 0.59%, 0.78%

LAB 82.39, -10.4, -14.72

 

CMYK 22 / 7 / 0 / 13

HEX #AFD0DF

RGB 175 208 223

HSL 198.75, 0.43%, 0.78%

LAB 81.59, -7.69, -11.06

 

CMYK 14 / 4 / 0 / 16

HEX #B8CDD6

RGB 184 205 214

HSL 198, 0.27%, 0.78%

LAB 81.13, -5.23, -6.87

 

CMYK 41 / 0 / 10 / 2

HEX #94FAE2

RGB 148 250 226

HSL 165.88, 0.91%, 0.78%

LAB 91.76, -35.25, 2.17

 

CMYK 41 / 1 / 0 / 2

HEX #94F7FA

RGB 148 247 250

HSL 181.76, 0.91%, 0.78%

LAB 91.56, -28.29, -10.58

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 41 / 23 / 0 / 2

HEX #94C0FA

RGB 148 192 250

HSL 214.12, 0.91%, 0.78%

LAB 76.62, -0.16, -33.23

 

CMYK 41 / 34 / 0 / 2

HEX #94A5FA

RGB 148 165 250

HSL 230, 0.91%, 0.78%

LAB 69.55, 14.87, -44.23

 

CMYK 72 / 22 / 0 / 4

HEX #45C1F6

RGB 69 193 246

HSL 197.97, 0.91%, 0.62%

LAB 73.58, -17.28, -36.03

 

CMYK 56 / 17 / 0 / 3

HEX #6CCEF8

RGB 108 206 248

HSL 198, 0.91%, 0.7%

LAB 78.52, -17.16, -29.38

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 26 / 8 / 0 / 1

HEX #BBE8FC

RGB 187 232 252

HSL 198.46, 0.92%, 0.86%

LAB 89.54, -10.08, -14.44

 

CMYK 11 / 3 / 0 / 0

HEX #E3F6FE

RGB 227 246 254

HSL 197.78, 0.93%, 0.94%

LAB 95.75, -4.67, -5.97

 

CMYK 41 / 12 / 0 / 2

HEX #93DBFA

RGB 147 219 250

HSL 198.06, 0.91%, 0.78%

LAB 83.84, -14.67, -22.18

 

CMYK 20 / 41 / 0 / 2

HEX #C794FA

RGB 199 148 250

HSL 270, 0.91%, 0.78%

LAB 69.63, 38.27, -43.81

 

CMYK 0 / 4 / 41 / 2

HEX #FAF094

RGB 250 240 148

HSL 54.12, 0.91%, 0.78%

LAB 93.79, -9.29, 45.6

 

CMYK 41 / 12 / 0 / 2

HEX #93DBFA

RGB 147 219 250

HSL 198.06, 0.91%, 0.78%

LAB 83.84, -14.67, -22.18

 

CMYK 0 / 41 / 12 / 2

HEX #FA94DB

RGB 250 148 219

HSL 318.24, 0.91%, 0.78%

LAB 73.94, 47.8, -19.73

 

CMYK 12 / 0 / 41 / 2

HEX #DBFA94

RGB 219 250 148

HSL 78.24, 0.91%, 0.78%

LAB 94.13, -25.87, 45.56

 

CMYK 41 / 12 / 0 / 2

HEX #93DBFA

RGB 147 219 250

HSL 198.06, 0.91%, 0.78%

LAB 83.84, -14.67, -22.18

 

CMYK 20 / 41 / 0 / 2

HEX #C794FA

RGB 199 148 250

HSL 270, 0.91%, 0.78%

LAB 69.63, 38.27, -43.81

 

CMYK 0 / 29 / 41 / 2

HEX #FAB294

RGB 250 178 148

HSL 17.65, 0.91%, 0.78%

LAB 78.64, 22.63, 25.78

 

CMYK 20 / 0 / 41 / 2

HEX #C7FA94

RGB 199 250 148

HSL 90, 0.91%, 0.78%

LAB 92.86, -33.09, 43.69

 

CMYK 41 / 12 / 0 / 2

HEX #93DBFA

RGB 147 219 250

HSL 198.06, 0.91%, 0.78%

LAB 83.84, -14.67, -22.18

 

CMYK 8 / 41 / 0 / 2

HEX #E694FA

RGB 230 148 250

HSL 288.24, 0.91%, 0.78%

LAB 72.83, 47.17, -38.57

 

CMYK 0 / 29 / 41 / 2

HEX #FAB294

RGB 250 178 148

HSL 17.65, 0.91%, 0.78%

LAB 78.64, 22.63, 25.78

 

CMYK 33 / 0 / 41 / 2

HEX #A8FA94

RGB 168 250 148

HSL 108.24, 0.91%, 0.78%

LAB 91.16, -43.53, 41.16

 

Description

Color code: HEX #93DBFACE | qconv.com Color code: HEX #93DBFACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 219 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 219 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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